Stand In A Word [David’s blog on KS Friday]

Poets and philosophers have been trying to define beauty for eons. What is beautiful? It’s an impossible task since beauty is not a “thing.” It’s an experience, meaning that it is a relationship – so it is not possible to squeeze it into a fixed word definition. Like all rivers and relationships, beauty is fluid. The best we can do it recognize and appreciate being part of the relationship. We can approach it through language but will never capture it.

The English language is hard. It turns everything into a noun, a thing. I just wrote “being part of the relationship.” Even if I’d written, “being a participant in the relationship,” I’d still be stuck in the noun-trap. Participant (a thing) in another thing called “relationship”. It’s no wonder we have such difficulty wrapping our small-noun-minds around huge-global-relationships like climate change. Through language we can easily compartmentalize the most intimate of interrelationships; as a dedicated thing, climate, has nothing to do with me, also a thing. Two things rather than one relationship. Where’s a verb when you need it?

It’s always there. Our language prejudices us against our interconnectivity.

If Kerri and I have a cathedral, a place of worship, it is nature. Our trails. We go there to get quiet. To clear our busy minds. We go there when we have questions too big to merely solve. We go there when we are overwhelmed and need to ground ourselves. We go there to fill up on inspiration. We go there for the same reason we each go to our studios – to enter a conscious relationship with something bigger than our little selves. To experience that which cannot be defined. We go there to release the noun-mind, the problem-solver, and enter the relationship with beauty. To stand in another word that, like beauty, is a flowing river, impossible to contain: possibility.

Always With Us/As It Is © 2004 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about CATHEDRALS

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buymeacoffee is an action, a verb, that has positive impact on the pronoun in the phrase.

Cycle Forward And Back [David’s blog on Two Artists Tuesday]

Last week I saw a suit in a store that was frighteningly similar to the burgundy tuxedo I wore to my junior prom. Fear not, there are photos of a youthful me in my clothing-abomination that you will never see. I refuse to blackmail myself. I generally avoid ridicule unless I’m in the mood to perform a prat-fall.

Beauty is not a fixed idea. Nor is it unique enough to be held in the single eye of any one beholder. Beauty is shared. Communal. And the community is restless. It cycles through contour and color and pattern expectation. Each year a new style born of reaction against the previous styles. When I look at photographic proof of my willing-wearing of a horrific burgundy tux, I shake my head and think, “What was I thinking?” A better question would be, “What were we thinking?” At the time, I thought my tux was cool. My pal, Oz, wore a powder blue tux and strutted his blue-ness all prom-long.

The fashion cycle always returns to itself. The fabrics are improved (less petroleum) but the style is textbook. What’s new is old and what’s old is new. I stood in the store utterly agog at a full rack of wine colored suits. Laughter-tears streamed from my eyes though I can’t be sure I wasn’t reacting to the shock of terrible print patterns on the stacks and stacks of shirts. Terrible to me; beautiful to the other festive and frantic shoppers.

I’ve spent hours staring at our tree. The fragile glass ornaments reach back into the 1940’s and 50’s. They mirror the shape of cars from the era. Appliances, too. Light fixtures. Do you remember the spaceships of Buck Rogers or the marionettes of Space Patrol? The ornaments are Shiny Brites. Massed produced but decorated by hand. They were all the rage in their time. The shapes and story inspire me. That’s how the cycle works.

This year the Shiny Brites are all the rage in our home. Beautiful in our time. What’s old is new. What’s new is old.

read Kerri’s blogpost about SHINY BRITES

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buymeacoffee is a blowback to a time when coffee was a thing that people drank from manufactured glass mugs while sharing the stories of their day.

Hope Is Like That [David’s blog on Not So Flawed Wednesday]

A project has me spending some quality time inside Thornton Wilder’s play, Our Town. Grover’s Corners. Emily, after her death, takes the opportunity to revisit a day in her life. It’s not what she expects. Returning to her grave on the hillside she says of the living to Mother Gibbs, “They don’t understand, do they?”

“No, dear. They don’t understand.”

She learns, as another character in the graveyard, Simon Stimson, says, “Now you know! That’s what it was to be alive. To move about in a cloud of ignorance; to go up and down trampling on the feelings of those…of those about you. To spend and waste time as though you had a million years. To be always at the mercy of one self-centered passion, or another.”

I thought about Emily and Simon Stimson as we walked with Dogga along my favorite stretch of the DesPlaines River Trail. It’s an eight mile out-and-back section. Deer. Heron. Sandhill cranes. Hawks. It passes through meadow and grove, the river snaking close and moving away.

The day was brisk and clear. When we came to the small land bridge, Dogga’s delight filled me with delight. We always stop at the bridge to look for turtles and frogs. This late in the year it is unlikely to find them but we stop anyway. Hope is like that.

And, just for a moment, I stepped out of my cloud of ignorance. Kerri, holding Dogga’s leash, peering with great expectation into the trickling stream. “Do you see anything?” she asked. So overwhelmed at the beauty of it all, I could say nothing.

Had I been able to speak I would have said, “I can see everything.”

For a fleeting moment…

read Kerri’s blogpost about THE CREEK

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buymeacoffee is a moment in time begging you not to miss it. that’s all. that’s enough.

Mark The Time [David’s blog on Merely A Thought Monday]

As long as we’ve been walking trials – I include trails in other states and nations – we’ve never encountered a salamander. It was so out of the ordinary that, at first, we thought someone had dumped a no-longer-wanted pet on the trail. We railed at the cruelty of humans. But, after a quick google search, we found that this critter was natural to the area. Not a pet, after all. Nocturnal, so rarely seen in the daylight. We recanted our railing, changed our tune, and counted the encounter as rare and special. Which it was.

Our salamander encounter was also a marker in time. This post marks the 300th week of our Melange. 300 weeks of writing about our encounters, our ramblings, our rantings, our hopes, our dreams, our dilemmas. At the beginning of week 1, we placed these words at the top of our website: “Brewed from our studio, sometimes fresh and sometimes aged, we offer a daily blend of goodness, thought, laughter, and beauty.”

We can’t claim to know your experience of our too-much-writing but we can report without reservation that we’ve profited mightily. Each day we sit together and write. No peeking at the other’s post. And then we read. We talk about what the photo prompt inspired, the great mystery of inspiration; where did that idea come from?

As milestone symbols go, a salamander is a good one. In my quick research of salamander-as-symbol, these were the first words I read: “Salamander opens us up to secrets within ourselves, secrets within others, and secrets of the spirit.”

And so we step toward week 301 with a healthy dose of salamander blessing, a renewed intention to brew some goodness from our studio, and a whole lot of gratitude for you – out there – giving some of your time to read our daily blend of goodness, thought, laughter, and beauty.

read Kerri’s blogpost about SALAMANDER

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buymeacoffee is what it is: a salamander on the trail that tells us you believe we are doing worthwhile work in the world.

See The Unseen [David’s blog on Not So Flawed Wednesday]

20’s collections are surprising and always thought-provoking. For instance, he has a rich collection of images from the world that he calls “It’s good enough.” Jobs done poorly. The least amount of effort necessary to address a big job. Solutions that merely shift the problem. Beneath his series is a potent observation: this is what the world looks like when no one cares. Good enough. He is an artist of subtle yet powerful statements.

Another series that always makes me laugh is his “found faces” series. Electric outlets, manhole covers, utility plates, door knobs, that, once seen, gaze back at the viewer and can never be unseen. Now, it’s become a group sport. Kerri will stop suddenly, saying, “Oh! A face for 20’s series!” She adds to his collection. He adds to her collections.

It’s what artists are supposed to do for each other and the world. Open each others eyes to the whimsy and worth that surrounds us. To make the unseen seen, the familiar new.

Recently, at a coffeehouse near Madison, I heard the scuffle. Kerri and 20 both saw the face in the door and leapt to capture it. “Did you see it, too?” they simultaneously chimed, snapping away, bobbing around each other to capture the found face.

They are like siblings, a brother and sister competing to get the first photo. Laughing and jabbing ribs. My job is to sit back and appreciate the beauty of being surrounded by so many artists’ eyes – wide open and helping each other – and me – see and fully experience this surprising and mysterious world.

read Kerri’s blogpost about FOUND FACES

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Lay On Your Side [David’s blog on Not So Flawed Wednesday]

“We are fragile creatures, and it is from this weakness, not despite it, that we discover the possibility of true joy.” ~ Desmond Tutu, The Book of Joy

The heart-leaf lay on its side. Light peaked through its cracking surface. I was afraid to touch it lest it crumble in my fingers.

Only a few short months ago it was vibrant green, connected, durable. It’s destiny was -and is – as certain as mine. My surface is beginning to crack. Only a short time ago I felt myself vibrant. I thought of myself as indestructible. I am, and always have been, on my way to brittle.

It is this very fact that reminds me to slow down, to turn and feel the sun on my face. It is my limited time on earth that prompts me to lay on my side on warm grass so I might see the full beauty of the delicate tilted heart. To feel the warm hand that squeezes mine.

read Kerri’s blogpost about HEART

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Lead With The Heart [on KS Friday]

Do you remember The Little Prince? “It is only with the heart that one can see rightly; that which is essential is invisible to the eye.” ~ Antoine de Saint-Exupéry.

What about this one: “The best and most beautiful things in the world cannot be seen or touched – they must be felt with the heart.” ~ Helen Keller

Two extraordinary people sharing the same sentiment.

One more from Mary Oliver: “Every morning I walk around this pond, thinking: if the doors of my heart ever close I am as good as dead.”

What is this business with the heart? Seeing the essential. Feeling the best and most beautiful. Vital life an open door of the heart.

It is a simple message that reaches back through Aeschylus and Confucius, it reaches beyond the invention of the written word. You’ll find it scratched in glyphs. It’s a message older than any religion or spiritual tradition yet weaves its way through all of them. Lead with your heart.

I am a student of metaphor and pattern and can say this with absolute certainty: beneath the hoohah of our angry times is a simple enduring pattern, an appeal from wise voices ringing across the ages and cutting across cultures. A single metaphor: seeing rightly has nothing to do with our eyes. To be human is to lead with our hearts. Closing our hearts to one another might seem righteous but leaves us as good as dead.

[Now that I’m finished moralizing for the day, I think I’ll take a slow walk around our tiny pond, close my eyes, feel the sun, and revel in this day of being alive.]

slow dance/as sure as the sun © 2002 kerri sherwood

…and a bonus!

same sweet love/as sure as the sun © 2002 kerri sherwood

Close your eyes and you’ll see that these tracks have nothing to do with Jazz. Open your eyes and you’ll note that Rumblefish has absolutely no ownership right or copyright to these songs though they somehow possess a ridiculous capacity to misrepresent Kerri and her music.

Kerri’s albums can be found on iTunes or streaming on Pandora and iHeart Radio

read Kerri’s blogpost about HEART LEAF

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Tip The Cup [on KS Friday]

“We are cups, constantly and quietly being filled. The trick is, knowing how to tip ourselves over and let the beautiful stuff out.” ~ Ray Bradbury

My grandmother famously hid a horse in her kitchen when the truck from the glue factory showed up to take it away. What makes that story remarkable to me is that my grandmother was 4’7″ tall when she stood on her tiptoes. Although her physical size was diminutive, her spirit was grande.

Another detail of the story that confounds me: from the backdoor, there were stairs up into her kitchen. And then a hard left turn. It was no small feat getting a horse into the kitchen. Sometimes I ponder what it must have looked like, watching this teeny-tiny woman hurriedly coaxing a big-big horse through the backdoor, up the stairs and into the kitchen. I wonder if she shushed it as she peeked out the kitchen window, waiting for the truck to drive away. I can’t help but laugh heartily every time I imagine the scene.

Once, she and my mom drove me to college in Santa Fe. On the way we stopped to have lunch. I was grateful for their efforts, driving me several hours to school, so I reached to pick up the check and my grandma pinned my hand to the table with her fork. We burst out laughing. She was fast and left no room for debate.

The sun streaming into the farmhouse brought grandma to mind. Standing in the kitchen, looking at all the food we’d prepared, the mountain of snacks and beverages Kate and Jerry hauled from Minnesota, the bins of cookies and sweets, I thought, “This place is just like grandma’s purse.” Her purse looked like a punching bag and she could produce anything you needed at anytime from that bag. Screwdriver? Yep. Saltines? Yep. Duct tape. Of course! Water? How much do you need? It was the clown car of purses. Were I to be lost in the desert and had one precious wish to be granted, I’d wish for my grandma’s purse.

Tiny woman. Endless supply of love and support. She knew how to fill our cups. She knew how to tip herself over so all the beautiful stuff could rush out.

where i’m from/blueprint for my soul © 1997 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora & iHeart Radio

read Kerri’s blogpost about SUN IN THE FARMHOUSE

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Make It Visible [on Two Artists Tuesday]

“I believe that the very process of looking can make a thing beautiful.” ~ David Hockney

Sometimes I look at a blank canvas and see a composition. My job is to follow the image. To make it visible.

Sometimes I have an idea and I bring it to the canvas. My job is to explore the idea. To make it visible.

It’s a chicken-and-the-egg conundrum. What comes first? When I look at the peony do I see beauty or do I bring beauty to what I see? Is beauty a decision?

“Good-God!” I hear Kerri’s inner monologue-commentary on my too-ponderous questions. “Get out of your head! Smell the peonies!”

I wish I could. What happens when it’s not a peony that I see but my neighbor? Or someone whose worship is strange to me? Or someone with a different opinion?

Sometimes I look at a blank canvas. Sometimes I have an idea that I bring to it. Sometimes my job is to follow the image. Sometimes my job is to explore the idea.

The tricky part of language is that the biases are unseen. For instance, in English, the emphasis falls on the noun: me. Canvas. It implies the two are separate. Distinct. It obscures the relationship between. Connectivity is relegated to the basement, a lower status or obscured to the point of nonexistence. It fosters a philosophical orientation of…”it happens to me.”

Connectivity, once seen, once understood, requires us to recognize our responsibility for what we see. Our participation in the dance of creating what we see. In what we bring to “it”. What, exactly, do we wish to make visible?

read Kerri’s blogpost about the PEONY

Foster Appreciation [on KS Friday]

In addition to the bunny nest in our yard, I discovered some abandoned nests behind the tall grasses that line the fence. Elegant and intricate constructions meant to protect new life.

The distinction is in the words “meant to”. The critters creating the nests are not necessarily concerned with the aesthetics. Their concern is function. We two-legged critters can’t stroll down a beach without stacking stones, organizing driftwood, or picking the most interesting rock to nestle into the curious pocket found in the wood. Our action is purely to communicate. To leave a trace. To make a mark. To convey something beautiful.

I suppose it’s the same reason that critters make nests. They can’t help it. Nature demands their construction. New life is coming.

We can’t help it, either. Our nature demands playing with possibility. Function need not be a part or party to our frolic. Our creative impulse needs expression. Our active imagination, our spontaneous recognition of opportunity, an intrinsic curiosity and hands-with-thumbs make even the most mundane stroll a canvas-for-the-painting.

We have friends who tell me that they lack creativity. I know better. I’ve walked with them through the woods, across frozen lakes, and strolled down beaches. Rocks are stacked. Flowers gathered. Wood is spontaneously arranged. Not because a nest is necessary. No. Their gathering of texture and color and curiosity is meant to foster appreciation. Inside and out. The function is enjoyment.

No other reason is necessary. No other reason is more essential to us two-legged critters. Nothing better defines us than our innate desire-to-play with the great “What if…”

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about STONE AND WOOD

dawn at crab meadow/blueprint for my soul © 1997 kerri sherwood

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