Dump The Suit [on DR Thursday]

“When you are content to be simply yourself and don’t compare or compete, everybody will respect you.” ~ Lao Tzu

Lately, I’m on a Lao Tzu quote kick. Have you noticed? An advocate for a simple life, his words – or those attributed to him – appeal to me at this moment in my walk.

The outstanding characteristic of my working life is that I have mostly been a sore thumb, the person in the collective who doesn’t belong to the collective. That’s been my value: I am the consummate outsider. I do not sit on the mountain so I can more clearly see the mountain. The alternative perspective. I’ve not always found that to be a comfortable role. For instance, alternative perspectives are invited into conversations but the alternative perspective, when voiced, is rarely welcome. The first response to the alternative perspective is almost always an emphatic whisper, “Conform!”

I have, my entire life as the sore thumb, been told that, “Our people will never do that!” or “They don’t think that way, therefore you must conform-modify-edit…” The emphasis is placed squarely on the limit, the notion that “They can’t…” or “They won’t…”

And, I’ve never found that to be true. In fact, that’s precisely the perception that a sore thumb is hired to challenge. “They” can. “They” will. The job of the alternative perspective is to emphasize the possible, to open paths to the not-yet-imagined, to the revelation of, “We didn’t know we could do that.” Or see that. Or feel that.

In order to walk in an alien world, the sore thumb necessarily steps into the unknown. The first step is to listen and learn: to open to the possible within themselves, to challenge the inner-limiter. The alternative perspective lives on a two-way-discomfort-street with their client.

It is never comfortable to “not know.” It’s never comfortable to say, “I have no idea what that means.” However, it’s a great exercise, a necessary practice. And, it’s actually what the alternative perspective is paid to do and to model. “We didn’t know we could do that,” are words that come after a step into discomfort, a step beyond the known limits. “We step together because we both know how this feels.”

The alternative perspective is never right or wrong, it is simply an alternative. “These are the patterns I see. They may be useful or not.” Conformity bristles when the unknown beckons. Conformity is safe, and the emphatic whisper, while meant to maintain comfort for all, is the line that a sore thumb is hired to help the whisperer cross, “The possibilities we seek live beyond this line.”

The first day I put out my consultant shingle, I bought a suit. It’s what I thought I was supposed to wear. I bought my suit because I’d snagged a client, a financial advisor who wanted me to work with his staff. He’d seen my work – he’d seen me work – in another context. After the job, he asked me, “What’s up with the suit?” I’d always been told by well-meaning teachers that I should “dress for the job I wanted,” so I told my client that I’d dressed for the job. He gave me some great advice: dump the suit. “I want you to show up as you are, not as the person you think we want to see.”

His words became my mantra.

Truth: I hated that suit. I felt like an imposter wearing it. My client gave me a great gift. Be content to be yourself. Challenge the inner-limiter. Inner-limiters are very loud, and like outer-limiters, are generally not worth listening to; they will always advise you to conform, say nothing, and put on an ill-fitting suit.

[Happy Thanksgiving]

read Kerri’s blog post about GOURDS

tango with me © 2018 david robinson

Throw Some Light [on KS Friday]

“The principles of true art is not to portray, but to evoke.” ~Jerzi Kosinski

Out of seeming chaos, pattern is found. And, from pattern, chaos is born. It’s a creative cycle. I spent some time this week swimming up the river of systems theory, synthesis instead of analysis. The means of production in an agrarian economy; the means of production in an industrial economy; the means of production in an information economy. The relationship between the methods and materials, the behaviors and the purpose, systems take on a life and energy of their own. The toil to feed more people led to toil to automate to relieve manual toil, led to automation to relieve intellectual toil, will lead to… we can only imagine. And, we do imagine: imagination is the relationship between the present and the future. Stand back and you’ll see, amidst the mess and chaos, we attempt to evoke a better world.

It is not a coincidence that a banana taped to the wall is considered art in an age in which Tucker Carlson is considered a source of truth. Ironically, in the golden age of information, we are befuddled by vapid minds and empty suits. Bananas and duct tape. Shock without substance can only evoke anger and will illuminate nothing. Anger for anger’s sake can only destroy. There’s no nourishment in all of this anger candy but it is certain to lead to national-diabetes and rot our teeth.

Marcel Duchamp, at the beginning of the last century, entered a toilet as sculpture in an art exhibit. He lived and worked in the age of industry at the threshold of mass production. His gesture had purpose and aesthetic framing. What was formerly craft and individual creation was now stamped into being on an assembly line. That’s old news to us but, in his time, it was a shocking revelation. A world war was raging. The collision of old practices meeting new technology was playing out on the battlefield. His exhibit entry evoked questions about loss and gain in the dawn of a new world order.

Sometimes it seems that we are spiraling into chaos. Polynices and Eteocles, brothers who will not compromise, kill each other in a battle for dominance. All lose. A father’s curse fulfilled. In our great art, the work that evokes truth and throws light to our hearts and minds, we have all the guidance we need – if we choose to pay attention. Yesterday I wrote to Mike that it seems we will need to walk the path of Romeo & Juliet: “Two households, both alike in dignity…”will lose their children to violence rather than sit down at a table and earnestly talk. And, when it is too late, when the primary is lost, the formerly indignant will sit and mourn together.

Chaos. Pattern. Sometimes the pattern is chaos. The children die. The mother takes her son across state lines with a big gun and pretends, after he murders people with his big gun, that his crime was self-defense. Bananas taped to a wall. A judge who broadcast to all that a guilty verdict might trigger his decision for a mistrial. He’ll just wait and see if he agrees with the jury. So, here we are. Lady Justice takes off her blindfold and takes sides. Is there a more profound statement of ethical collapse? In the age of information, misinformation gets equal billing; anger-candy.

What might Duchamp put on his pedestal today? What might evoke an honest conversation, throw some light and love, on what is lost and what is gained?

read Kerri’s blog post about FIRE AND SMOKE

Kerri’s music is available on iTunes and streaming on Pandora

Find Your Motley [on KS Friday]

“Mix a little foolishness with your serious plans. It is lovely to be silly at the right moment.” ~ Horace

There is a famous photo of a gathering of the world’s religious leaders. Readying for the photographer, poised with their serious, “I’m-a-religious-leader” faces, the Dalai Lama turned trickster, and the group burst into laughter. Instead of a wall of stony import, the photographer caught the humanity, the real people hiding behind the official masks. The silly revealed the real.

We are not well represented by our walls of respect, our certificates and degrees and resumes. The letters after our names are often layers of obfuscation.

Although I am not a religious person, I went to a Catholic college. Some of my fondest memories are the moments sitting on the barracks steps with Father Lauren talking about life and personal belief. I knew the road to a rowdy conversation was to bring up the topic of reincarnation. Father Lauren, a Franciscan, always took my bait. He could only maintain his official-priest-role for a few moments and then the real guy, the man full of laughter and curiosity, came out to play. Inevitably, we’d talk into the evening of choices and dreams and plans and roads-not-taken.

Sometimes I think of fall color as a jester’s motley. The world explodes into vivid fuchsia and gold set against the green. Nature’s play, a silly dance meant to make us gape and coo and laugh. I’ve read that the only person in the court that dared speak truth to the king was the court jester. Truth is available if it arrives in foolish clothes. Thus, Stephen Colbert.

Quinn was full to the brim with laughter. He was a master of tossing the silly into the serious so the truth might be heard. Skip initially hired me to draw cartoons. A serious product that speaks to a serious problem. It’s very possible that the only way it will be heard is though a silly message, a quirky stick poking the bear. The overriding lesson I am learning at this stage of my life is to not-take-it (I am “it”) so seriously. And, so, each week, I lob silly bombs into serious camps – my own camp and others.

I’ve taken special delight this fall. Kerri’s photographic eye is on high alert. We walk and every third step she says, “I’m sorry,” and stops to take a picture. I’ve stopped asking, “What are you apologizing for?” Now, I simply watch and wait for the moment she looks at the screen, scrutinizing what she’s just captured, turns to me with silly glee, saying, “Lookit!”

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blog post about FUCHSIA

every breath/as it is © 2004 kerri sherwood

Stand In Time [on DR Thursday]

Stephen Hawking asked why we remember the past but not the future. Yesterday, in the middle of a meeting, I received a slack message with a sentiment from Russ Ackoff: entrepreneurs stand in the future and look at the present. I was fascinated by an article by Wade Davis, writing about a culture that experiences time as movement backwards; we row our way into the future.

Declan Donnellan writes that it is impossible to try and be present because we already are present. We live in it. We have to try very hard not to be present. In fact, we have to split ourselves in two halves. One looking backward. The other looking forward. We are, each and every one, Janus.

It is the time of year that time changes. It’s an odd ritual to “fall back” in time. What was 5 o’clock will soon be 4 o’clock, not because of a strange universal movement between planets and stars, but because we say so. A few states in the union don’t participate in the ritual so their time stays the same.

Time on a line. So many different realities, even in the most basic experience. Constructs of time.

I’ve read that old age is a return to childhood. Many, many great thinkers and writers from many disparate cultures tell us that we will journey through life and arrive where we began. The destination is ourself. Have you ever tried to describe your self and found the task impossible? Words simply cannot reach that level of complexity. There is a notion popular in the self-help world to define your life mission, your single life purpose. It’s meant to give you focus-of-action and certain-location on your line of time. It is also nearly impossible to articulate and becomes an exercise in metaphor selection. I’ve smiled knowingly as people in my past have asked, “Is this my mission or am I making it up?” The answer to both is, of course, yes. In a more universal peek, the exercise is meant to take you one more step around the circle that will bring you back to your self.

When I was doubting myself, judgmental because I “didn’t know” what I was doing, Quinn pointed to the tallest building and said, “The person on the top floor is just making it up, too.” He was standing in my future, looking back.

It’s just a matter of time.

Just.

read Kerri’s post about TEA LIGHTS

Greet The World © 2011 david robinson

See The Dance [on Two Artists Tuesday]

“You can only push the truth down for so long, and then it bubbles back up.” ~ Cassandra Clare

“Oh, for the wonder that bubbles into my soul.” ~ D.H. Lawrence

Last night we made a fire in the fire pit. We decided to have a pop-up dinner by the fire so we set up our table, lit candles, poured some wine, and brought our dinner out under the stars on a chilly October night. There wasn’t a cloud in the sky so we looked at the stars. We wondered if the brightest lights were planets.

There are many, many works of art from a genre in the Middle Ages known as the Dance Macabre. Dance with death. The scary images were meant to remind people of life’s fragility, its passing nature. They were also meant to point out the obvious: we are all united in our final destination. No one is better or worse than any other in the grand scheme of things, in the Dance Macabre. In the Middle Ages, the allegory was meant to suggest it was best to aim your focus at the afterlife. Do good works as an investment in your future or go to the fiery place below.

Were I to paint a series of Dance Macabre images today, my intent would be the exact opposite: aim your eyes at this moment. There is nothing more precious or wonder-full than this moment. If there is a heaven, it is now. And, it will go unnoticed if the dance is not acknowledged. There is no sadder phrase on earth than, “Same-old-same-old.”

According to some cultures, I am now in sacred space. I’m seeing all things relative to my dad’s recent passing. Sitting by the fire, our dinner complete, we talked about his death and my inability lately to invest too much emotional energy in anything. Things that would have upset me a few months ago barely register. I’m watching the usual list of anxieties and worries drop off. Why would I give an ounce of my wonder to something so…small? Perspective is the gift of the dance macabre. Clarity of sight and intention comes with this kind of perspective.

We clinked our glasses, the cold night and the heat from the fire colliding around us under the stars. DogDog slept on the deck, a few feet away. We realized our moment. Fully. Magic was alive, bubbling everywhere.

read Kerri’s blog post about BUBBLES

Know Why [on Merely A Thought Monday]

I’m working with a software start-up company. Upon returning from travels I found our conversation has shifted into articulating mission and vision and purpose. None of us are keen about writing these kinds of statements but the exercise is useful and necessary. Why do we do what we do? What, exactly, do we do? In that order. Why. What.

Why? It seems as if this should be an easy answer. To support other people. To support other people in doing what they need to do.

I couldn’t help but think of our experience last week. We shared our story of breaking down in Hays, Kansas. It was late in the afternoon. It was the day before my dad’s funeral in Denver. We hobbled into the dealership. They were jammed with customers and couldn’t help us. There wasn’t a rental car to be found. It looked bleak. The dealer recommended a garage on the other side of town. Davis Automotive. We limped into their parking lot. We told our tale. They moved heaven and earth to help. Why?

It was nearing the end of their day. They, too, were jammed. Yet, they helped. They took the time. They made our problem theirs to solve. They took to heart my need to make it to my dad’s funeral. My need became their personal mission.

I returned to work with a new view on mission statements. They need not be lofty or abstract. In fact, they should be visceral. Tangible. Everyday. Support other people in doing what they need to do. Why? Because they need it. Just like I need it. Or you need it. These good mechanics fix cars. That is their “what.” Their “why”: help people get where they need to go. Help people do what they need to do.

Help people.

It’s how interconnection works. My mission is, in a real way, to make your path easier just as your mission is to make my path easier. I need mechanics because I do not have that mind or skill set. They need software designers because cars are computers and they can no longer diagnose problems without them. I am an artist, a teller-of-stories. Mechanics and software designers need my mind and skill set to remind them that, beyond their role, their mission, their job, they are human beings living a universal story. Nothing they do will matter, nothing I do will matter – ever – if it is not in service to the support of others’ growth, or need, or desire or fulfillment. I cannot be fulfilled if my work does not support you. And vice versa.

So, why are these good men and women, these software engineers and entrepreneurs creating their software? They see a real need. They see people struggling. And, like good mechanics who encounter a brokenhearted son en route to his dad’s funeral in a truck that will not run, they know exactly what to do. And, they know why.

read Kerri’s blog post about SERVICE

Make It To Last [on KS Friday]

I’ve watched master carpenters work. They consider the wood, the grain, the feel. Joinery as artistry. When John volunteered in the scene shop I teased him that furniture made for plays need not survive the apocalypse. No matter. He built tables and chairs for plays that will be at auction 100 years from now. He cared about his work, not his circumstance. The future hosts of Antiques Road Show will speculate about the mysterious origins of the unique and fine furniture found in the old prop house.

Standing in the old firehouse I was taken by the floors. They were not mass produced, engineered in a factory, or pre-cut to fit a template. They were planed by hand. Individually cut. They were pegged into place. The human touch was everywhere apparent. Someone, now long gone, cared about the job. Rough carpenter, solid sturdy work. Unlike the contemporary version of flooring, this was made to last. It was meant to outlive the artisan and the artisan took pride in that.

I recently learned that our refrigerator was engineered to breakdown in seven years. “It’s not a good business model to make things to last,” the salesman explained. Years ago, when I bought my truck, Rob told me it would start having trouble at 90,000 miles. It would be junk by 130,000. He was spot on. “They’re made to fall apart,” he said.

It is true, we do things fast. And, there’s a host of praises to be sung about our capacity to produce, the speed at which we invent and adapt. However, I wonder what the person at the factory assembling my destructible refrigerator thinks of their work. It must just be work. What about the engineer and designers? Made to fail? And what about me? A consumer of goods, an easy discarder-of-things.

Standing on the floor of the firehouse, I couldn’t help myself: systems do what they are designed to do. I wondered, in this age of easy discards, what kind of community conversation we would entertain if the business model – if the community model – the leadership model – considered the pride of workmanship, if human hands and hearts were more apparent in the process. Pride in workmanship. What if we made things to last rather than to discard? Would we see each other through different eyes?

read Kerri’s blog post about the FLOOR

Kerri’s albums are available on iTunes & streaming on Pandora

untitled interlude/released from the heart ©️ 1995 kerri sherwood

Surface The Pattern [on DR Thursday]

Steve read my book and said he didn’t really understand the thing about pattern. His comment at first surprised me but then I realized he was actually reinforcing the point: we are unconscious to our patterning. We think in patterns. We see in patterns. Culture is pattern. Pattern is invisible and making it visible is a necessary first step in change processes.

The people who surface pattern are often seen by the mainstream as deviant or rebellious. Women demanding equal pay are attempting to make a pattern visible. The BLM movement is attempting to make a cultural pattern visible. Shining a light on longstanding oppression is never welcome in the halls of power.

The people who work to repress the visibility of cultural pattern, conserve the norms, generally claim a righteous superiority. They are keepers of the culture and feel threatened, even victimized, by the sudden visibility of cultural pattern. Exposure is always a threat to the existing pattern and no one relinquishes power or privilege without a fight. The current raft of voter suppression laws – made possible by the fantasy of a stolen election – is a great example. The Big Lie is a textbook example of how far people in power will go to hide a privilege-norm. It is, for us in these un-united states, not a new phenomenon; it is a longstanding well-guarded pattern.

Change happens when the patterns are surfaced. There will always be a tide that rises to extinguish the light of exposure. In the long run, those hardy voices that were, at first, branded as deviant or dangerous, we come to honor and respect. They refused to be silenced. We claim them as our heroes. MLK. Gandhi. Rosa Parks. Cesar Chavez. Susan B. Anthony. There are so many. It is no easy task to surface the patterns. The path of a light-shiner is dangerous and difficult.

John Lewis gave great advice for those dedicated to surfacing unconscious patterns: “Get in good trouble, necessary trouble, and help redeem the soul of America.” He also said that, “…transformation will not happen right away. Change takes time.”

Opening eyes to unconscious pattern, to what is obvious yet unseen, is an artist’s path. Seeing beyond what you think you see…seeing beyond your field-of-dedicated-belief, being curious enough to question what you are being told – can you imagine anything more necessary – more vital – in our age of rabid-misinformation and desperate-pattern-suppression?

read Kerri’s blog post about PATTERN

in dreams I wrestle with angels ©️ 2018 david robinson

Compose [on DR Thursday]

Many years ago I attended a workshop facilitated by Sam, a brilliant landscape painter. I was delighted and amused when he demonstrated his technique. Rather than paint what he observed, he took great pleasure in rearranging the elements. He moved the trees, altered the hills, relocated the barn. He laughed while mixing up his elements. His eyes sparkled with mischief. Rather than a workshop on painting, the day became an exercise in joy-in-art. Seeing and playing with what we see.

This morning I read that the word ‘composition’ means “putting together.” Definers-of-art-terms associate composition with freedom. “The artist has freedom when choosing the composition of their artwork.” It is a mistake to believe that compositional freedom is the sole province of an artist. If the mind is a canvas then thought is a composition. It is patterned and composed. Arranged and rearranged. We choose where we place our focus. Point-of-view is cultivated, it is not a default setting. We design the story-we-tell-ourselves-about-ourselves. And, then we project it onto the world.

The trick in both art and thought composition is not to wear ruts in the road. Sam was joyful in his art because he was constantly challenging and engaging with what he saw. Art was fun, not morbid tradition. Art was delight-full, not rule-bound or laden with the pressure to capture. Recall that stepping out of the rut was the first lesson in Julia Cameron’s The Artist’s Way. Morning pages and artist’s dates are meant to both see the ruts and open new paths. The same process applies to the thought-canvas. See the rut. Step out of it.

As Sam taught me so many years ago, seeing and playing with what we see begins with letting go of what we think we see. It begins with a blank canvas, an unfettered mind, and the freedom to choose the composition.

read Kerri’s blog post about COMPOSITION

Unfettered ©️ 2018 david robinson

See The Beauty [on saturday morning smack-dab.]

Jessica Tandy. Cicely Tyson. There are so many women, in all walks of life, in eras past. Beautiful in their youth. Beautiful in their middle age. Beautiful in their old age. Certainly they experienced the pressures of their time but the world had not yet forgotten that beauty is a life-long affair and not the sole possession of the young.

Kerri and I go round-and-round. She is an advocate for women’s rights, as am I. Yet, I find that I regularly point out to her the constant barrage that she and all women endure and in which she participates: the promotional idea that their bodies should be different. That they should be different. My questioning always makes her mad. For that, I am grateful. Her anger is the rumbling of a dormant volcano.

Women should not, as a rule, need to modify, change, or otherwise manipulate their bodies. The same goes for men. There is a fine line between doing something because it makes you feel good – beautiful – and doing something because you have to try and squeeze into an image-expectation of youth, an aging body forced into too-tight-jeans. An image-corset. A media butt-lift.

There are benefits to being young. Wisdom is not one of them. That comes with a few years, lots of miles walked, and the arrival of crepey-skin. I can’t imagine anything more beautiful than a wizened body, proud and alive with the stories it carries. Shining eyes alive with a life of experiences. What a shame to try and cover it up or wipe it with cream to make it go away.

read Kerri’s blog post about Crepey Skin

smack-dab. ©️ 2021 kerrianddavid.com