As I reported several weeks ago, if you where standing on the far side of the piano, you’d never know Kerri was playing with casts on both of her wrists. You’d never know that she was playing with two broken wrists, her right thumb completely out of the line-up. Nine fingers doing the job of ten.
As a composer, singer-songwriter, a person whose entire career, her livelihood, has been about playing the piano, she was at the keyboard four days after her fall. She had to know if she could play. I couldn’t believe my eyes or my ears. In my best mother hen voice, I suggested, “Maybe you should wait a bit.”
“I have to know,” she said with THAT tone in her voice.
When I first met her, I took note that she stands when she plays the piano. She is not a bench sitter. Rather, she is a full-body player. She is a full body composer. Sometimes the piano literally hops with the force of her playing. She is little but grows exponentially in energy and presence when she steps up to the keys. The first time she played for me I had to step back from the power that came through her.
Now, several weeks into her mending time, the casts are off and the splints are on. I tell her that they make her look all Mad Max. Michael Jackson’s glove is bush-league compared to her performer-fashion-statement: double black splints. She looks like a pugilist getting into the ring with her piano. The disparity between her bruiser-piano-vogue and the beautiful music she creates makes my head swirl.
Of course, all of that piano punching has brought a new hurdle in the wrist recovery saga: tendonitis. She went on a Google frenzy when the hard nodules began forming in her palm. They hurt. “My palm is on fire!” she said, “What do you think they are?” Google inflamed her already wild imagination with horror diagnoses and none of the scenarios were good. In fact, they were downright dire.
Doctors were called. Photos of palms sent. A scary foray into the medical facility mid-pandemic was arranged. She emerged from the facility, pulled off her protective mask and climbed into the truck. “Well?” I prompted.
“I didn’t touch anything,” she announced.
“I’m asking about your hands,” I huffed. “What did they say about the nodules growing in your hands?”
“My tendons don’t like that I’m playing with casts,” she said. “Probably tendonitis.”
“That’s good news!” I said and she hit me with THAT look. “Okay, so. Well. Not great news. What are you supposed to do?”
“Keep playing,” she said, looking out the front window. “They gave me some exercises. Advil. But, I keep playing. What else can I do?” she asked, a question not to me.
“Good then. You’ll keep playing.” My mother hen suggestion went unvoiced: maybe some rest? I didn’t want to be hit with THAT look two times in a row. Instead, knowing full well that she is not a bench sitter, knowing that she is a full-body artist and that, for her, to play is to heal, I said, “Okay. Let’s do it. Let’s keep playing.”
read Kerri’s blog post about THE SAGA CONTINUED
Filed under: Art, Creativity, Edges, Identity, Two Artists Tuesday, Uncategorized | Tagged: artistry, composer, david robinson, davidrobinsoncreative.com, hands, healing, imagination, injured wrists, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, piano, piano composition, tendonitis | Leave a comment »
The Direction of Intention 