The Way Home [David’s blog on Two Artists Tuesday]

This peony-perspective begs to be the inciting image of a children’s book. I imagine the main character comes from a world where people are smaller than flowers. Where bumblebees are happy Ubers delivering their small human riders to distant neighborhoods when they need a lift. Where nature is magical, playful and esteemed.

Not all ideas make it to the final draft so it’s important to stack up the ideas and have fun with the images. The main character sleeps inside the peony. The Uber bees are chaotic fliers and one never knows where they land; in this world, destination is always a surprise. Spontaneity is the norm.

In this world where people look up to flowers, “Home” is everywhere for everyone – so people, unacquainted with ownership or territory, have evolved as intrinsically helpful. Generosity of spirit is a highly prized character trait. Survival is not of the fittest but of the kindest.

Hummingbirds know the secret of finding sweet treats, caterpillars know the secret of patience.

Since this storybook is evolving as a sweet utopia, it begs the question, “What’s the conflict?” Stories do not work without obstacles. The bigger the better. What is the lesson our main character must learn? What gets lost that must be found? Maybe our little person, like Adam and Eve, falls out of their garden? Perhaps an Uber bee unwittingly flies our hero/heroine through a magic portal, to a place where people are bigger than flowers? In a world that seems sad and upside-down, the question becomes, how does our little person, lost in the land of big, find their way home?

read Kerri’s blogpost about PEONY PERSPECTIVE

Bonus! Perhaps this amazing composition will be the theme for the animated version of the story book once it garners a world-wide audience!

The Way Home/This Part of the Journey © 1997/2000 Kerri Sherwood

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One And The Same [David’s blog on Two Artists Tuesday]

[Embrace of Life by Mimi Webster in the John Denver Sanctuary]

She shared a video posted by a friend: elephants drinking from a watering hole. The opportunity of a lifetime to see it. Yet, it is something that happens everyday if you live in that part of the world. The ordinary and the miraculous, one-and-the-same.

He wrote that he was helping his granddaughter move from college for summer break. His love was palpable. The task was nothing more or less than an opportunity for shared time. Time shared, nothing better.

We took a walk along the lake, my dear-friend, long lost and newly found. We were catching-up on missed chapters and yet talked as if we were picking up a conversation that we started yesterday, as if no time passed between our last meeting and today. In the telling we consciously wove together the rich tapestry of our friendship-story, the necessary sharing of triumphs and tragedies. All important colors on the palette.

“When was the last time we were here?” she asked as we crossed the bridge into the sanctuary. More than a few years. “So much has happened,” she whispered. So much. We are different than the couple who held hands and crossed this bridge in the past. We no longer swim against the current. The wisdom of exhaustion. She saw the sculpture, Embrace of Life, turned and threw open her arms, mimicking the pose and said, “Yes!”

read Kerri’s blogpost about EMBRACE OF LIFE

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Then And Now [David’s blog on Two Artists Tuesday]

Then and now.

The moment we knew we were going to Aspen, we looked at each other and said, “John Denver Sanctuary”. It is a special place. A place of peace and quiet in an angry noisy world.

We first visited The Sanctuary In 2016, the year after we were married. John Denver has always been an inspiration to Kerri. Simple. Straight forward. Positive. A bard who dreamed of a better world. In music. We found the monument stone that carried his lyrics to Annie’s Song, – a special wedding song for us -crawled onto the stone and Kirsten took our picture. That was then.

Nearly a decade later, a wedding brought us back to Aspen and to The Sanctuary. In the middle of May we walked the paths and stepped over the streams all by ourselves. No one else was there. We found Annie’s Song, set the timer on the camera, and scurried to the stone to get into the frame. Now.

We lingered there, talking of all that had happened in the decade between the two photos. So many stories! So much life! Who we were then. Who we are now. Who we are becoming.

And, as is always the case, remembering that the sanctuary isn’t just a place, it is also a way of being. We always have the option of bringing the sanctuary with us – being it. That’s what we hope for our becoming. In our artistry. It’s what we’ve always hoped for – then and now.

read Kerri’s blogpost about THE SANCTUARY

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As If [David’s blog on Two Artists Tuesday]

In a festival of irony, the moment we sat down to write about our peony, our harbinger of summer sun and the return of good weather, the sky darkened, the lightning flashed, the thunder clapped, and the rain is now dropping in buckets. The weather alert screeched with a warning for hail and possible tornadoes.

I delight in how readily my superstition-gene leaps out of the murky depths of my subconscious pond and concocts fabulous explanations about current circumstance. That is, as a human-being, a maker of stories – I am quite capable of connecting the rush of the sudden storm with our attempt to write about peonies. As if our attempt to write about peonies somehow invoked the storm!

This is not surprising. It is nothing new. My ancestors – and yours – created all manner of rituals in an attempt to appease the angry thunder-hurling god. To influence the powers of dark and light. To invite good fortune. To bring rain to crops. We have always personified nature and then imagined it is responsive to our behavior. Our behests. All around the globe, in many varied and culturally diverse forms, we do it in houses of worship to this day.

It might seem that I am making fun – and I am – but more than that, I am marveling at our genuine desire to be connected to “something bigger” and yet how rarely we recognize that we already are. We are as the peony, not separate from but a part of the pulse of life. We are of nature – not separate from it. My theory is that we have a hard time recognizing it because we imagine that we can control it. We use it to explain what we experience. We use it to justify our abuses to each other. Chosen people; Manifest Destiny and all of that ugly business. The personality we project upon it is at once beatific and horrific. We wonder why it blows our house away. We thank it for our good fortune.

In truth, we do influence Mother Nature and Father Sky, just not in the magical ways we imagine. Carbon emissions. Tapping mighty rivers dry before they reach the sea. Dumping our trash in the oceans. Fracking. It turns out that our behaviors are powerful and, perhaps, our destiny is in our hands. We need not pray to the gods for intervention and salvation, perhaps we need to be the gods of intervention that we desire to be, recognize and behave as if are not above it all, giver of names, but integral, intrinsic, no more or less essential than the peony.

read Kerri’s blogpost about THE PEONY

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Grasp The Enormity [David’s blog on Two Artists Tuesday]

Benison was my word-of-the-day. It was a new word to me and it means a blessing or benediction (to bestow a blessing). I especially appreciated this word-of-the-day since I’ve lately been listening for the word “blessing”. It’s become something of a study or a game. I laughed when the word popped into my inbox. “Good timing!” I chirped.

I rarely go a day without hearing someone, somewhere, utter the word “blessing”. On the street, in the grocery store, neighbors chatting over the fence, in a bar, passing people on the trail…I’ve decided it’s a blanket word, generic, used to include many experiences. “What a blessing!”

I was considering adding it to my list of over-used and no longer meaningful words, like paradigm or story except that lately I’m of the opinion that this whole life, the entire ride with all of it’s ups and downs and confusions and clarities, is a blessing. A benison. A gift. Every single moment.

It flies in the face of common sense since I was given to understand that blessings are unique, something special. If every single moment is a blessing, then what’s the point of elevating this moment over that moment? Of course, I realized that I was (again) missing the point. The whole ride is a blessing. We mostly don’t realize it. We are mostly unconscious of it. Our awareness is some-other-place making lists or worrying worries so we mis-understand it. The word “blessing” is a descriptor of something unique and precious: those rare moments we actually grasp the enormity of being alive. Full stop and, as Lydia reminded me, breathe in the awe.

These days I think Kerri and I are practicing seeing our blessings. We are cultivating our capacity to notice. We note with delight the first buds of spring. We savor tastes. We love on the Dogga. So, when the Red Admiral butterfly landed on the Adirondack chair on a sunny early spring afternoon, “a symbol of spiritual awakening, transformation and renewal” we simultaneously said, “What a blessing!”

A benison. Yes, for us, a gift.

read Kerri’s blogpost about BLESSINGS

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Unfurl [David’s blog on Two Artists Tuesday]

I’m proud of her. Twice this week Kerri has fact-checked friends on FB who posted articles riddled with misinformation meant to rile. It took her less than a minute each time. In posting a link to the fact-check, she wrote, “Please check your information before you pass it on. xo”

It seems like such a small thing but it’s lately apparent that it’s becoming everything:

We forget that democracy is not a thing. It is an idea. It is an action rather than a noun. We forget that our democracy is young. Very, very young.

It worries me when I hear politicians making laws placing limits on the discussion of ideas at school. It worries me when I read that parents want teachers to teach “only the facts”. In today’s bubble-discourse it is a valid question to ask, “Whose facts?” Discerning between fact and fiction requires minds and hearts capable of questioning, capable of challenging the “facts” they are being fed. The notion of the purpose of education as a feeder-of-facts is nothing less than a sign of moral and mental decay. This is especially true in our great age of information with its ever-present shadow of rampant misinformation.

Democracies collapse when ideas and ideals are no longer debated, when winning-at-any-cost overshadows compromise, when respect for divergent points of view is overrun by intolerance. Healthy democracies are an ongoing tug-of-war; creative tension generated by a lively and respectful exchange of perspectives. This requires a system of education that nurtures these qualities and capacities.

Democracies collapse when they aim for an end result rather than steward a living process.

The point of education in a democracy is to consciously and carefully unfurl young minds so they might become active questioners, expansive thinkers, participating citizens in an ongoing experiment in a complex system called democracy, capable of stewarding their communities forward through an ever-changing world toward the promises inherent in the IDEA: equality, inclusion, governance by the people, for the people.

I would hope that we become capable of grokking governance-by-the-people which necessitates a people educated in ideas, reinforced in their curiosity and capacity to question, to converse and debate complex issues, capable of discerning ruinous power-over-agendas from the central idea enlivening their budding democracy: power with.

read Kerri’s blogpost about FERNS

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A Pretty Good List [David’s blog on Two Artists Tuesday]

Two years ago the ice-maker in our fridge stopped working. Our informal poll of fellow fridge owners has confirmed what we suspected: the ice-maker is always the first thing to go. And, since a repair of the ice-maker would actually cost more than the original price of the refrigerator, we have gone old-school and make our ice in trays. Sometimes, when we’re feeling really outlandish, we buy our ice in bags.

This is not a terrible inconvenience. I do not have to go down to the lake in winter and saw out blocks of ice nor do I have to haul the blocks uphill to the ice house and cover them with sawdust. The refrigerator is still capable of making ice; it just requires some participation on our part. And, it couldn’t be easier since we have running water piped directly into the house! From the magic spigot at the sink, I pour the water into the plastic tray and work on my balancing skills as I carry the water-filled tray to the freezer. In about an hour the water is transformed. Ice!

On a recent foray into an antique store we came across the metal ice-cube-trays used by our parents from the time prior to plastics. Kerri chimed, “I remember those from when I was growing up!” and, always the musician, starting making the symphony of sounds produced when the metal handle lifts, cracks and separates the cubes before dumping them into the bowl. She spun her musical rendition into a rhythmic wonder complete with an ice-tray dance. I know deep inside she was working on the lyrics and, had we not been in public, I would have been audience to a completely imagined, fully composed ice-cube-tray-song.

So, topping my list of gratitudes for the day: I saw the inception of an ice-cube song borne of a childhood memory. There was also an enthusiastic spontaneous ice-tray-dance that made me laugh out loud . I have water that comes directly into my house, and a cold box that is capable of making ice if I want it. I do not have to go down to the lake to cut and haul ice as my ancestors did. All-in-all, it’s a pretty good list!

read Kerri’s blogpost about ICE CUBE TRAYS

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A Second Look [David’s blog on Two Artists Tuesday]

Aura Moon Double Haiku

An appearance.

Things are rarely what they seem.

Masks conceal faces.

The moon winks and nods,

Tugging at the aching heart.

Take a second look.

The aura of the back light at night. Wires that carry electricity to the house. A sliver moon. A photographer playing with the elements. What began as a spontaneous chase to capture the waning moon became a rolling series of discoveries: “Look what happens when the light is on!”

“I want to shoot the moon through the wires,” she said, aiming her camera.

“A good first line for a novel or a play,” I thought.

Character One: I want to shoot the moon through the wires.

Character Two: Maybe we should talk about it? (no answer) Do you think we’ll hear the owl tonight?

And so it goes, listening and looking into the night. The story progresses until their desires meet at a distant crossroads.

read Kerri’s blogpost about THE WINKY MOON

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Amor Fati [David’s blog on Two Artists Tuesday]

A week ago there was snow. It came and went like a sacred Tibetan sand painting: between the initial pristine white blanket and its rapid disappearance, it passed through several glorious configurations. My favorite was the field of pocks sculpted by drips falling from eaves and branches. Nature is both an excellent painter and a sculptor.

An old friend sent us a message on Kerri’s birthday. “Don’t let the old woman and old man in.” We are lucky, we have young spirits and are given to exploration and play. Nevertheless, I took the message to heart, though with a subtle modification. I altered the message to eliminate the resistance. Rather than erect a fortress against aging, I want to feed the spirit in my life-sand-painting. I want to appreciate all the phases and beauty along the way as nature sculpts me. Amor fati. Love your fate. Love your face. Love your spirit and the day in which it dances.

read Kerri’s blogpost about SNOW POCKS

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A Sculpture Worth Making [David’s blog on Two Artists Tuesday]

The question floated across my screen, something I’d asked a group many years ago. I don’t remember the moment so it was a blast from the past of a former me: apparently I asked, “What if no one else has your answers?”

The timing was interesting since I am currently without answers. Well, more accurately – more honestly – I’m standing still surveying the wreckage.

I appreciated my blast from the past because now, at this point in my life-journey, were I working with a group, I’d flip the equation and ask, “What if no one else has your questions?” I’m no longer a big believer in answers.

We stopped in the long hallway leading to the contemporary art collection to admire the lens. I didn’t note the title or the name of the artist so I cannot give credit where credit is due. I’ve looked at the piece before but never with the same appreciation. Never from this moment in time. It was suddenly, intensely relevant. All points bend toward a common center. A point of view that generates circles. A single intersection.

“It’s an ego,” I thought. It believes it’s the center of everything that’s happening. It made me laugh. It brought to mind the ubiquitous lesson from Quinn: “There are six billion people on this planet and you are the only one that cares what you think.” Or feel. Or see.

No one else has your questions. No one else has your answers.

Standing before the sculpture I imagined flipping the script and reversing the circle: what would it look like to genuinely care what other people think. Or feel. Or see. With no need to understand it or change it or control it. Only care about it. About them. There’s a common center available in that paradigm, too.

Now, how do I make that lens? That’s a question worth asking, a sculpture worth making.

read Kerri’s blogpost about THE LENS

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