Step Out Of Time [on DR Thursday]

The color was other-worldly. The morning was cool. Low clouds hung in the valley. We walked on a deep carpet of leaves through a white oak forest. We chatted. Periodically, Linda and Bill stooped to move branches off the path. I couldn’t take my eyes off the beech trees. The leaves of the beech were paradoxically soft yet electric, quietly luminous. I felt as if they were guardian spirits. Forest creatures. I could have watched them all day.

The path led to a tiny cemetery. Bill told stories of the man who owned the forest, now the newest resident in the grave yard. There were stones so weather-worn that the names and dates had vanished into time. The 19th century. We wandered. “Look at this one,” and we’d gather. Speculate on a life lived before electric light and power tools. The beech trees holding vigil. Another paradox: time made timeless.

I will paint my entire life and never be capable of capturing the color of the beech leaves. I have no name for the hue. Not to worry: the camera could not capture it, either. It was like attempting to photograph a specter. The life of the spirit dodged the lens.

The path led back to the road. The alpaca led the way. Stepping onto the asphalt felt like waking up after a long quiet sleep; blinking into time. Rip Van Winkle. I stood for a moment and wondered about the world we’d find, now that we were re-entering time. I was disoriented.

“Are you okay?’ Kerri asked, taking my hand.

“Yeah,” I said, “I just can’t stop thinking about those leaves.”

read Kerri’s blog post about THE LEAVES

Three Graces © 2012 david robinson

Look Down [on DR Thursday]

To all the rugged individualists out there living under the grand illusion that you are blazing a new trail, I have only one thing to say: look down. Someone has been there before you. It’s why there’s a path. And, more to the point, someone – a crew of someones – worked very hard to make and maintain the trail you now tread. It’s true in the forest. It’s true in the big-bad city. Every time we flick a switch and the lights come on it might not be a bad idea to recognize how many people were – and are – involved in the maintenance of our comfort and our self-reliance-fantasies.

On the Pink Bed trail there’s a boardwalk that elevates hikers over the swampy sections. I stopped in utter admiration at the section that took a hard left. Someone – a crew of someones – spent a long time making my corner not only easy to walk but beautiful. Certainly there are more efficient ways to build a turn in a boardwalk and they could have chosen any number of simpler solutions but they didn’t. They took the time to make their work functional, sturdy, AND aesthetic.

Daniel was building a house on the lake. He only builds one a year these days, mostly for fun. He invited us in. Far from being finished, the craftsmanship was exposed. The joints were meticulous. The lumber he chose was solid. The materials mattered. There was beauty in the structure and he was proud to point out the love taken in every step, even the roughest stage of the build. The eventual buyers would never see or know the care alive behind the drywall. They might never fathom the depth of effort and design involved in making their comfort – their triumphant lake home – a possibility.

Horatio and I talk often of the deep philosophical divide in these un-united-united-states. The every-man/woman-for-him/herself camp is at odds with the I-am-my-brother/sisters-keeper folks. I understand the appeal of the self-made-man/woman story but I also recognize it to be mostly a fantasy. Sir Edmund Hillary understood that standing atop Everest, celebrated as the first, was only made possible by the efforts of hundreds of Sherpa, months of expedition planning by John Hunt and team, financing, travel arrangements, government officials, 8 previous unsuccessful expeditions, and the good graces and guidance of Tensing Norgay.

We’d be better off if periodically we stopped and simply looked down.

read Kerri’s blog post about the BOARDWALK

prayer of opposites © 2003-4 david robinson

Sing, “EEE-AAAWWW!” [on Two Artists Tuesday]

Drive across the country with Kerri and one thing is certain to happen: the moment she sees a donkey, she bursts into a rousing chorus of “EEE-AAAWW-EEE-AAAWWW!” She loves donkeys. She wants one. Or two. “They’re like big dogs,” she assures me. I have my doubts but I confess to picking up her quirk. Now, if I spot a donkey before she does, I point and launch a festive “EEE-AAAWW!”

Bill and Linda have two donkeys. We arrived after dark so had to wait until morning to go to the barn for a donkey-confab. She wiggled all night with excitement. “Smack-dab material,” I thought. I’ll be drawing cartoon donkeys soon. I can’t wait to figure out how to make the Kerri-cartoon character wiggle in anticipation.

Linda knows of Kerri’s donkey-love so she had donkey treats ready. I stood back and watched. “This is my future,” I thought. “Can I have another?” Kerri asked and Linda smiled, handing over the plastic container of orange donkey-cookies. Those lucky donkeys hit the cookie lotto.

Donkey cookies. Who knew! There’s more amazing wonders in this world than any of us can comprehend. Stand outside of anyone’s world, peer in at their passions, and you’ll have to try hard not to drop your jaw in fascination. From inside their world, the quirk seems boringly normal. I try to remember that when people stand agog at something in my world that seems normal-to-boring. “What’s the big deal,” I think.

People are great at reducing the magic in their lives to seem insignificant. I’m a “people” so, like all people, am guilty of my own diminishment. Beware of the word, “normal.”

Bill and I bumped fists. We are brothers-in-quirk. While Kerri and Linda stuffed the donkeys with cookies, Bill and I talked about the-things-that-come-out-of-our-mouths that get us into trouble. We think they are obvious. Ordinary. But, the response to our commentary indicates otherwise. He just retired from a board position and, his peers, in their farewell speech, described him in two words, both beginning with the letter “o”: outspoken and opinionated. All laughed. “It’s true!” he said, “And I’m proud of that,” and added, “No one wants to be a rubber stamp.”

What a perfect summation. EEE-AAAWWW-EEE-AAAWWW. Donkey cookies! Magic-in-the-ordinary. No one wants to be a rubber stamp.

read Kerri’s blog post about DONKEYS!

Gain The Force [on KS Friday]

It seemed appropriate, in order to conclude our year of water, that we travel to visit a region of the country with 250 waterfalls. Of course, we didn’t know about the waterfalls until we arrived. Water, water everywhere. I howled with laughter and secretly affirmed that our unintentional pilgrimage to the waterfalls might appease the great WHATEVER and finally release us from water-resistance into the watercourse way.

I will someday look back at our journey to the falls and realize the extent to which we “let go.” It already serves as a marker, a breaking through the resistance and fight of the last chapter and into the next. The new chapter.

Yesterday, at work, I had the opportunity to tease apart a question en route to asking a better question. I am fortunate to have a team of collaborators that, instead of rejecting my alternate perspective outright, even amidst the frustration of my challenge of the norm, ask me to lean into it. My assignment was to return next week with a better question. I am a firm believer that the form of a question – the way that it is asked – determines the answers that are seen or – more importantly – not seen.

Better questions are like the watercourse way. They show up when, instead of swimming against the current, against “what is,” the swimmer/questioner turns and allows the current to carry them. Wu-wei. Natural action. Every creator knows the moment of frustration when trying to force something into being. More force can only produce more frustration. Or, it breaks something. The best thing to do, when force can only produce an eddy, is put down the brushes, step back, and look at what-is. Force never produces a better question. Stepping off the mountain so it becomes visible – or acknowledging the direction of the river’s flow and giving into it, always reveals new possibility.

It is what I remembered for myself at the waterfall. It made me chuckle, then, when my first moment back at work, I was doing for my team what I’ve done all my life: attempting to flip or free a perspective by lobbying for flow; acknowledge what exists-in-the-moment versus what we want to exist. The better question – for me – and others – is always found when we turn and gain the full force of the river.

[I can’t imagine a better piece of music to carry us into 2022. Give yourself a treat – truly – and listen to Riverstone]

read Kerri’s blog post about THE WATERFALL

riverstone/as it is is available on iTunes or streaming on Pandora

riverstone/as it is © 2004 kerri sherwood

Note The Beautiful [on Not So Flawed Wednesday]

There is a genius in simplicity.

Lately, one of the conversations swirling around me, a conversation I very much appreciate, is about beauty. What is a beautiful building? What makes a software beautiful? Certainly, beauty is subjective though I suspect a sunrise over the ocean is beautiful to all. A baby’s smile. A first kiss.

We are surrounded by noisy advertisements telling us what is (and what is not) beautiful. By this standard, most of us fall into the not-beautiful category. Though, deep down, we know, that the real test of beauty is not in what is concealed but in what is revealed. A warm heart is more potent than skin creme or make-up.

My niece had a birthday yesterday. She is on this earth to help people. She is creating a beautiful life. She probably doesn’t know it – and, that’s a mark of true beauty – it doesn’t need to call attention to itself.

Every collaboration I’ve had with MM was beautiful. We had fun. We explored ideas. We have nothing but respect for each other. We’ve made each other better people, better artists. When I revisit any one of the many projects we created together, I smile and feel rivers of gratitude and pride. A memory that inspires a smile is the very definition of beauty. It brings the goodness of the past into the present moment. Light travels.

20 is a master of the beautiful because he knows the power of simplicity. A heart shape torn from a piece of paper – acknowledging grief that goes beyond words. A construction paper bow. He’s not forgotten the lessons he learned in kindergarten. Laughter, he knows, is the most beautiful gift of all and we receive it from him weekly.

What makes a design beautiful? Aspen leaves shimmering in fall. I’ve stood in front of paintings by Picasso, Matisse, John Singer Sargent…and cried. They were so beautiful. I’ve held Kerri’s hand, walking on a trail, and wanted the moment to never end. Simple.

read Kerri’s blog post about THE BOW

See The Life [on Two Artists Tuesday]

There was a transformation the moment we raised the branch and secured it in the pot. “It looks happy,” Kerri said. I was thinking the exact same thing. This broken branch, muddy and discarded and sad, we brought into the house, trimmed it, lifted it, and positioned it, was instantly revivified. The moment was palpable.

“Are we just making it up” she asked.

“No,” I responded, not certain what, exactly, I was seeing, but this branch was suddenly full of life. It was warm and energetic where, only a few moments before, it was downcast. “I think it likes being here.”

We stood and stared and tried to make sense of what we were seeing. “This would make a good children’s book,” we said at the same moment. Happy, happy, happy.

We added a few simple lights, a single ornament, but mostly we let it be. Its happiness is decoration enough.

We visit our tree during the day. Its exuberance is infectious. Before retiring each night, we turn off all the lights in the house except for the tree. We sit with it and drink in the warm feeling it radiates.

“That tree is like good sculpture,” 20 said, admiring it. “It reaches,” he added. Good energy.

We remain amazed. We’ve not yet grown used to the sudden metamorphosis. I hope we never do. It’s become more than a symbol for the season. It’s a possibility. A promise. A reminder.

read Kerri’s blog post about THE TREE

Become Simple Enough [on KS Friday]

I took a photo of Kerri taking this photo. There’s nothing more inspiring to me than watching an artist at work. Her focus was singular. Pure. I saw her “see” this possibility. She turned, left the reality that the rest of us occupied, and approached the window as if it was an animal in the wild. Carefully, quietly. Reverently.

Her photo immediately brought to mind Ellsworth Kelly’s Austin, his temple of light. The vibrant squares of color. Someday we will make a pilgrimage to the Blanton Museum to stand in Austin and, in that moment, I will remember Kerri’s window.

In a world of just-get-to-the-point, time-is-money, and bottom-lines, and the centuries-old-delusion that we are rational beings and the analytical is supreme, an artistic heart and mind is an outlier. We use too many words. We are not reserved in our gesticulation. We express what words cannot reach because we see what lives beyond words. And, developing eyes-that-see takes time. Ellsworth Kelly designed his Austin in his last years. It takes years and years to become simple enough to see the sacred.

Recently we were told, not for the first time, “So many people want what you have but they don’t want to pay for it.” Kerri and I looked at each other. Her great pet-peeve, the pinnacle of all pet-peeves, is how often she’s been asked to play, not for money, but for exposure. She’s considered by Yamaha, the maker of fine pianos, to be one of their select artists, a modern master. Yet, all of her life, with frightening regularity, she’s heard, “It will be good for you!” the face smiles, “It might lead to something.” Yes. It does lead to something: more people wanting what you have but not willing to pay for it. Point in any direction to anyone who’s achieved the pinnacle of their career, and imagine asking them to perform surgery or keep the books or go to trial or build the house for exposure. Can you imagine? She – we – have heard it throughout our lives.

And, when she turned and saw the window, her sudden awareness shocked the people in the gallery into silence. Everyone turned, made space, and watched. She had no idea that she was on stage. Pure. And, without exception, everyone in that room wished they could see what she was seeing. They wished they could see how she was seeing. Sacred. It takes a lifetime. Austin. The window. Priceless.

read Kerri’s blog post about THE WINDOW

Kerri’s albums are available on iTunes and streaming on Pandora

See The Subtle Color [on Not So Flawed Wednesday]

“The most colorful thing in the world is black and white, it contains all colors and at the same time excludes all.” ~ Vikrmn

I loved watching Kichom facilitate groups. His specialty was impasse. He spent years developing and refining processes that opened pathways in hopelessly divided communities. He helped them find a third way. His was not a process of compromise. I’d describe his work as escalation-to-breakthrough. In minds and hearts entrenched in black-and-white, he’d reveal the nuance of color. He loved the moment when eyes-squeezed-closed-against-possibility opened ever so slightly to see.

Kichom understood that, to fully open a story, it was necessary to first look at the full story.

I often think of Kichom and wonder what he would do if these un-united states were his client. I wonder what he say to a nation built on slavery that refuses to discuss something as simple (and obvious) as critical race theory. Every healing path begins with acknowledgement of the wound. Perhaps Kichom would tell me that our current escalation might very well lead to a breakthrough. That is my inner idealist speaking.

It was a very cold day. Even wearing gloves, the tips of our fingers were growing numb. When Kerri said she wanted to leave the trail and step into the grove of trees, I jumped up and down to stay warm. She waded into the thicket, took off her gloves, and pointed her camera to the sky. A few minutes later, as I jumped up and down, she waded back through the thicket to the join me on the trail. “Isn’t this cool!” she exclaimed, red fingers holding the camera for me to see. “People will look at this photo and think it’s black and white but it’s not! It’s winter!”

Looking at the photo, divided on the diagonal, I heard Kichom’s laughing voice. “It’s never black and white,” he giggled. “It only seems that way. Keep looking and soon the eyes will open to a world filled with subtle color.”

It’s something to be hoped for. The opening of the eyes. The acknowledgement of a problem. A good hard look at the full story. A breakthrough in a community that is dedicated to seeing in black and white.

read Kerri’s blog post about BLACK AND WHITE

Relax And Prime [on KS Friday]

“None are so old as those who have outlived enthusiasm.” ~ Henry David Thoreau

I spent a good chunk of the afternoon yesterday drawing cartoons. I had to get away from the computer screen. I’ve learned – relearned – that staring into the screen too long makes me myopic and unimaginative. I’m not certain if this is true for everyone but I am kinesthetic. There’s a necessary balance. Sitting still and staring at a screen without the opposite focus are creative-killers for me. I do my best thinking when I move around, when I stop trying to solve or deconstruct. I’m fortunate that drawing with a #2 pencil at an old-fashioned light table is part of my job.

Greg lives his life in front of a screen – multiple screens – and, to get away, he dives. His underwater photography is gorgeous. In a meeting a few days ago, he said that diving clears his mind. His greatest insights come when he’s underwater or sitting on the beach after a dive. There’s good science behind his insight. Relaxation triggers dopamine: the more dopamine, the more creative. Comfort and relaxation prime the creative pump. Stress and tension unplug the pump.

The best thing to do when trying to squeeze out a revelation is to walk away. Take a drive. Take a shower. Stop thinking so hard. Daydreaming is very productive. I’ve learned that anger and frustration rarely – if ever – lead to creative insight and generally produce the opposite of what’s desired. Anger (like too much time in front of a computer screen to me) is myopic. It narrows. It squeezes off the dopamine. It blinds the mind and heart to possibility.

Kent Nerburn wrote that, “For those of us in the arts, enthusiasm is never outlived. The sun is always rising before us, and our wonder at the world, the true source for all meaningful art, only grows stronger as life slows from passage to moments…” There’s always a next painting to paint. Another song to write. A photograph to take. It’s one of the reasons I love taking walks with Kerri: we rarely get very far before she gasps, and stops to take a photograph of some small miracle. And, while she’s collecting images of small miracles, I look to the sky and let my mind wander, a walking meditation, a creative pump primer.

And, almost always, somewhere on the trail, the dot that refused to connect while I was too-long staring at the screen, takes me by the hand and says, “It’s so simple. Do you see?”

read Kerri’s blog post about EVERGREEN

Kerri’s albums are available on iTunes and streaming on Pandora

Dump The Suit [on DR Thursday]

“When you are content to be simply yourself and don’t compare or compete, everybody will respect you.” ~ Lao Tzu

Lately, I’m on a Lao Tzu quote kick. Have you noticed? An advocate for a simple life, his words – or those attributed to him – appeal to me at this moment in my walk.

The outstanding characteristic of my working life is that I have mostly been a sore thumb, the person in the collective who doesn’t belong to the collective. That’s been my value: I am the consummate outsider. I do not sit on the mountain so I can more clearly see the mountain. The alternative perspective. I’ve not always found that to be a comfortable role. For instance, alternative perspectives are invited into conversations but the alternative perspective, when voiced, is rarely welcome. The first response to the alternative perspective is almost always an emphatic whisper, “Conform!”

I have, my entire life as the sore thumb, been told that, “Our people will never do that!” or “They don’t think that way, therefore you must conform-modify-edit…” The emphasis is placed squarely on the limit, the notion that “They can’t…” or “They won’t…”

And, I’ve never found that to be true. In fact, that’s precisely the perception that a sore thumb is hired to challenge. “They” can. “They” will. The job of the alternative perspective is to emphasize the possible, to open paths to the not-yet-imagined, to the revelation of, “We didn’t know we could do that.” Or see that. Or feel that.

In order to walk in an alien world, the sore thumb necessarily steps into the unknown. The first step is to listen and learn: to open to the possible within themselves, to challenge the inner-limiter. The alternative perspective lives on a two-way-discomfort-street with their client.

It is never comfortable to “not know.” It’s never comfortable to say, “I have no idea what that means.” However, it’s a great exercise, a necessary practice. And, it’s actually what the alternative perspective is paid to do and to model. “We didn’t know we could do that,” are words that come after a step into discomfort, a step beyond the known limits. “We step together because we both know how this feels.”

The alternative perspective is never right or wrong, it is simply an alternative. “These are the patterns I see. They may be useful or not.” Conformity bristles when the unknown beckons. Conformity is safe, and the emphatic whisper, while meant to maintain comfort for all, is the line that a sore thumb is hired to help the whisperer cross, “The possibilities we seek live beyond this line.”

The first day I put out my consultant shingle, I bought a suit. It’s what I thought I was supposed to wear. I bought my suit because I’d snagged a client, a financial advisor who wanted me to work with his staff. He’d seen my work – he’d seen me work – in another context. After the job, he asked me, “What’s up with the suit?” I’d always been told by well-meaning teachers that I should “dress for the job I wanted,” so I told my client that I’d dressed for the job. He gave me some great advice: dump the suit. “I want you to show up as you are, not as the person you think we want to see.”

His words became my mantra.

Truth: I hated that suit. I felt like an imposter wearing it. My client gave me a great gift. Be content to be yourself. Challenge the inner-limiter. Inner-limiters are very loud, and like outer-limiters, are generally not worth listening to; they will always advise you to conform, say nothing, and put on an ill-fitting suit.

[Happy Thanksgiving]

read Kerri’s blog post about GOURDS

tango with me © 2018 david robinson