Burst [David’s blog on KS Friday]

If there is a metaphor for Kerri and me, it is this. A seedpod filled to bursting, ready to release into the world an abundance of the new.

We write more than most people care to read. I’ve calculated that, at this point, we’ve written the equivalent of ten full length novels. We have readers all over the globe – yesterday someone in Mongolia showed up. “Why would someone in Mongolia want to read what we write?” we asked, delighted. No matter. It’s what happens when you love what you are doing.

Yesterday, in a fit of no-duh, I reformatted the Smack-dab page on our site so it might be readable (I’m not sure what took me so long…) and I was astounded at our output. I fell into it. Smack-dab joins the comic canon of Chicken Marsala, Flawed Cartoon, At the Door, Flip, and the KnowNow series.

We love to share what we love. Sometimes I see-just-for-a-moment that our ordinary is extraordinary.

We have the third of Beaky’s books to produce. Kerri’s written a children’s book that someday she will allow me to illustrate. I have new ideas every day that get written on slips of paper and tossed in a bin called Someday.

Our Roadtrip is ready to roll and join The Lost Boy in our canon of plays performed together. I am working on a draft of a new play that I’ve been thinking about for years. I allow myself an hour of space away from the job hunt to write or work on a scene. One scene a week. I’m awaiting the decision whether or not my Last of the Old Gods will be rescheduled into the PCO season. It’s a timely story. It needs performing and I need to perform it.

Kerri stares at her piano. There is so much more music to make. I know it. She knows it. I can personally attest to the fact that some of her best vocal pieces have yet to be recorded. I am the sole recipient of such riches.

Each day I stand in my studio and close my eyes and feel the pulse. There are so many more paintings to paint.

Years ago, Joyce, staring wide-eyed into my future, said to me: You express what is true. You reach people through their hearts. You help them to believe.

It’s not a career. It’s an imperative. Seedpods. Ready to burst.

That Morning Someday/The Best So Far © 1995/1999 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

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Go With Abundance [David’s blog on KS Friday]

The sound of the tree cracking sent us scurrying. We didn’t know if the falling branch was above us so it was best to move until we could locate it. Fifty feet behind us and well off the trail, an enormous branch collapsed, snapped, fell, and broke into several pieces. “What are the odds that we’d be here to see it fall?” Kerri asked. “I wonder what it means when you see a limb or tree fall?”

We Googled the symbolism and, not surprising, it’s either a good omen or a bad omen. It depends on what you choose to believe. It might not mean anything at all. To re-use a favorite quote from Alan Watts, “The whole process of nature is an integrated process of immense complexity, and it’s really impossible to tell whether anything that happens in it is good or bad.” We decided the falling limb was a terrific sign of positive changes on the horizon.

There’s a sigh of relief that comes when you realize that meaning isn’t found, it is made. It is given. We are, all of us whacky humans, in every moment, giving meaning to our experiences. Is it good or bad? That depends on what we choose to see. The real magic happens when the measuring stick of meaning is not based on a polarity. There are infinite colors available between good and bad.

A chance meeting happens because of a missed plane. The loss of a job opens new avenues of possibility. A closed road leads to an amazing discovery. We found a lost puppy on the side of a county road because we made a detour to avoid road work. My heart blew wide open when that puppy leapt into my arms. “We were meant to come this way,” agreeing on the meaning we wanted to make.

Earlier on the trail we found a blue jay feather. The blue bird of happiness. A sign of abundance and healing. Of course, it might also signal the opposite. “I think I’ll go with abundance and healing,” I said.

“Me, too,” Kerri agreed. “Why not?”

[If you want your heart to blow open, listen to Kerri’s THE WAY HOME. It gets me every time]

the way home/this part of the journey © 1998 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

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Aim The Magic Lens [David’s blog on KS Friday]

“That men do not learn the lessons of history is the most important of all the lessons of history.” ~Aldous Huxley

You may be as amazed as I to learn that Dogwood is not Doll’s Eye. They have a similar creepy Seussian stare but are not kin. In this brave new world, all we need do is aim Google Lens at the question, “What is that?” and, voila! An answer!

I delight that I am living in the time of easy access to information. I could not write as I do without instant access to synonym and antonym, the lighting fast check-of-fact or spelling, the interesting variations-on-a-theme that pop up the minute I jump down a thought-rabbit-hole. Technology has made it possible for me to be a writer. Were I confined to pen and paper my output would be minimal and certainly impossible to read.

Easy information means easy misinformation. It means easy mass-misinformation. If I were the wizard of the universe I’d provide everyone with a Google Lens for information. All we’d need do is aim our magic lens at a pundit, news-bit or politician and, voila!” Accurate or Absurd or somewhere in between! It would make it fairly impossible to toss a lie into the commons and get away with it.

It’s not that I am enamored of just-the-facts. I’m not. I write stories so I prize a good dose of imagination. But in our time, knowing the difference – or caring about the difference – between fact and fantasy – is tantamount.

One of the great challenges of our brave new world is the intentional passing of fantasy for fact. For instance, Florida. If you are a student of history you’ll recognize in Florida (and, now, sadly, other states) the resurrection of the Lost Cause narrative, a history bending education initiative driven hard by the Daughters of the Confederacy at the conclusion of the Civil War. White supremacy sweeping its dark-side under the rug. Lipstick on a history pig.

I’m capable of imagining that my magic Google Info-Lens would put a stop to the cycle of non-sense but it’s starting to dawn on me that Aldous Huxley had it right: at this moment in history, we have the capacity to check every story, to look up every assertion, to scrutinize every source. It may not be as lightning fast as my imagined Lens but it’s close. We simply choose not to use it. It’s so much easier to believe without question than it is to question a belief.

“Huxley feared the truth would be drown in a sea of irrelevance.” Well.

Today on the trail I learned in a nanosecond that a Dogwood is different from a Doll’s Eye. I know it is possible to assert that slavery was on-the-job-training but it takes a dedicated-head-in-the-sand – and a heart full of ugly intention- to drown the truth of history in a sea of utter non-sense.

No lessons learned. No questions asked. Oops. Here we go again.

I Will Hold You (Forever and Ever)/And Goodnight, a lullaby album © 2005 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

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Triangulate [David’s blog on KS Friday]

It had to fall just right. What are the odds? When it snapped from the trunk, it fell into a perfect three-point cradle? Three points of contact.

Three-points-of-contact is the rule for safe climbing. It’s a shorthand phrase, like “turn-around-don’t drown,” the mantra meant to pop into your noggin at the moment you think it’s a good idea to drive through a flooded section of road. Three points of contact make it harder to fall.

A few years ago I collected conceptual models defined by three elements. Look around and you’ll find them everywhere, from brain processing to filmmaking, it seems that the three-points-of-contact rule provides stable footing for complex models of meaning making. Father-son-and-holy ghost. Brahma-Vishnu-Shiva.

Every story has a beginning, middle and an end. Though, no one tells us that the end is a new beginning in search of an unknown middle en route to an end. I’m currently working on a story and realized that I often tell myself to “triangulate.” Two plot points are a line, the third gives the story shape, depth, and movement.

The best visual compositions work on a model of thirds. Drawing a face is best learned by a rule of three. Many Renaissance paintings are built on a compositional triangle. Perspective works with three points even when we call it two-point-perspective.

Take heart. If you are lost, your rescuers will certainly triangulate to find your location.

As you walk through the day today, notice the patterns of three that are swirling all around you. Red light, yellow light, green. Like a limb falling from the sky, you might discover yourself cradled.

holding on/letting go on the album right now © 2010 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

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Check Your Reaction [David’s blog on KS Friday]

I confess to being disconcerted. At lunch, Kerri asked me a question about my blog so I typed “the direction of intention” into Google. The top slots were a prayer, rather, a type of prayer originated by Saint Francis de Sales. “Oh, No!” I thought. I don’t want my blog to be associated in any way with any church or any religion. “I hope people know that I am not that,” I said, surprising myself with the vehemence of my sentiment.

We’d just finished reading and discussing a Washington Post opinion piece, I Left The Church And Now Long For ‘A Church For The Nones.’ “… I couldn’t ignore how the word Christian was becoming a synonym for rabidly pro-Trump White people who argued that his and their meanness and intolerance were somehow justified and in some ways required to defend our faith.” So Perry Bacon, Jr.’s very interesting opinion piece was fresh in my mind.

So, too, was a passage I’d read earlier in the day from Vāclav Havel‘s book, Disturbing The Peace. The interviewer asked him to define “absurd theatre” (Havel wrote absurdist plays). He responded that absurdist theatre “demonstrates humanity in a ‘state of crisis’…it shows man having lost his fundamental metaphysical certainty, the experience of the absolute, his relationship to eternity…, in other words, having lost the ground under his feet.” In my mind, he could not have written a more prophetic or accurate description of our times. We are untethered without a functioning moral compass. We are awash in a flood of content mostly bereft of shared context.

I attended a Catholic college. I am not Catholic. I have never identified as Christian or Buddhist or Hindu…Yet, I am not an atheist. One of my favorite memories of my college years are the many conversations I had with Father Lauren sitting on the stoop of the barracks, sipping tea, discussing his faith and my belief. We explored ideas. We compared and contrasted philosophies. We laughed. We asked questions. We considered and expanded each other’s point of view. We respected each other’s differences because we were both driven by a desire to do good for other people. We shared a common intention. A common direction of intention. We both believed in “something bigger” but did not share the same idea of what “something bigger” might be.

Suddenly, I yearned for that time of openness of thought and generosity of sharing opposing points of view. I imagined sitting again with Father Lauren. Eschewing any black-or-white opinion, attempting to practice what I preach – to practice what I believe – I clicked on a few of the links of Saint Francis de Sales. I read. I wanted to know rather than to judge.

I read that Saint Francis de Sales was noted for “…his deep faith and gentle approach to the religious divisions in his land…” We could use some gentle approaches to division in these rabidly discordant times…This also caught my attention: the direction of intention, the heart of Salesian spirituality, is a practice of prayer consciously directing to god what you are about to do… In other words, intending goodness of action.

My definition of the direction of intention: it’s not about what you get, it’s about what you bring. Saint Francis de Sales and I are not so far apart in our direction of intention. Other-focused. Purposive goodness. We both encourage consciousness of action in the world and awareness of the impact of our actions on others.

So, I amend my initial thought: I do not want to be associated with any church or religion, but there’s plenty of common ground to share when we’re driven – and united – by a conscious desire to do good for other people. 

grace/right now © 2010 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

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Find Up [on KS Friday]

We almost turned around. From the path we could hear the large earth movers rolling up and down the beach. “They’re working,” she said. “Why are they working? It’s the weekend!” Beyond the beach, massive cranes plucked unthinkably large stones from barges and placed them onto the breakwater. We decided to take a look. Maybe we could find a quiet spot at the far end of the beach. The day was scorching. We needed to put our feet in the water.

We stepped around the “Stay Out! Under Construction” sign. Considering who we’d call if arrested, we climbed the hill through the brush and tall grasses before emerging onto the beach. We stopped and laughed at what we saw. The far end of the beach was packed with people. A party boat was anchored just off shore. Jet skis parked at the shoreline. A family hauled in a barbeque. A man threw balls into the surf for his Goldens to retrieve.

“I guess we won’t be alone in the jail.” Our rogue fantasy blushed and vanished.

After wading in the water we spread our towels in a shady spot just beneath the weathered trees. We watched the massive machines construct the breakwaters, a tug boat deftly spun a rock laden barge into the queue. I wondered how the tiny boat could possibly move the massive barge.

Kerri lay back and shot photos of the clouds. She captured our sentinel tree in a few shots. One shot immediately brought to mind an early Georgia O’Keeffee painting. The Lawerence Tree. Georgia stayed at DH Lawerence’s ranch on a visit to New Mexico. At night she’d lay back on a bench beneath a huge pine tree. She painted what she saw. Google the painting and you’ll learn that there’s some confusion: what is the top of the painting? I prefer the trunk of the tree coming from “the top,” just as in Kerri’s photograph.

In the archive I have a few of those confusions. One painting in particular, Earth Interrupted VI, Kerri suggests that I painted it upside-down. “Green at the bottom. Blue at the top.” It’s not a unique problem. Many great masterworks spent decades on their heads before someone noticed and flipped them.

“It’s nice,” I said of her photograph. It perfectly captured the theme of the day. Upside-down. Expect solitude and find a crowd – yet in the shade we found sweet solitude. Believe you are going rogue only to discover you are merely one of the pack. The plan for the day fell apart and led us to the beach and this moment of rolling upside-down surprises. “I’m glad we did this,” I smiled, laying back to see what she saw, to wonder if I have ever really known which way is up.

each new day/right now © 2010 kerri sherwood

Kerri’s albums are available in iTunes and streaming on Pandora and iHeart Radio

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See A Gull [on KS Friday]

A Haiku

a scavenger bird.

opportunistic, seeker.

see! a gull am I!

The gulls congregate in the Kohls parking lot. We’re not sure why. It seems an unlikely spot for gulls to hang out. Hot pavement. No snacks. Cars coming and going. They camp en masse. Later in the day they exit in full voice and return to the marina. Make sense of that, I dare you!

Susan asked when caring-for-others left the building. I launched into a pedantic monologue that, even to me, sounded like the screech of a gull. Lots of noise, little helpful substance. Or, my diatribe mimicked the adults in a Charlie Brown special. Wah-wah, wah-wah. The sound of a preacher who thinks the path to deeper spirituality is through a map or a dry history lesson. A rule book. A witless shepherd caught lecturing the sheep. (baaaahhhhh)

I wondered what or who I might become if I dedicated myself to knowing nothing. What if I understood to my root that my opinion is just that…an opinion. Not a fact or a truth or blue-ribbon winner at the world-thought-fair. What if life needed no explanation?

What if there is no higher meaning to be found or greater mystery to be solved in the daily seagull pilgrimage to Kohls? What if, rather than seek a rationalization, I gave myself over to the wonder-of-it? What if Joseph Campbell had it right:

“People say that what we’re all seeking is a meaning for life. I don’t think that’s what we’re really seeking. I think that what we’re seeking is an experience of being alive…”

take flight/this part of the journey © 1998 kerri sherwood

Kerri’s albums are available on iTunes or streaming on Pandora and iHeart Radio

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Lead With The Heart [on KS Friday]

Do you remember The Little Prince? “It is only with the heart that one can see rightly; that which is essential is invisible to the eye.” ~ Antoine de Saint-Exupéry.

What about this one: “The best and most beautiful things in the world cannot be seen or touched – they must be felt with the heart.” ~ Helen Keller

Two extraordinary people sharing the same sentiment.

One more from Mary Oliver: “Every morning I walk around this pond, thinking: if the doors of my heart ever close I am as good as dead.”

What is this business with the heart? Seeing the essential. Feeling the best and most beautiful. Vital life an open door of the heart.

It is a simple message that reaches back through Aeschylus and Confucius, it reaches beyond the invention of the written word. You’ll find it scratched in glyphs. It’s a message older than any religion or spiritual tradition yet weaves its way through all of them. Lead with your heart.

I am a student of metaphor and pattern and can say this with absolute certainty: beneath the hoohah of our angry times is a simple enduring pattern, an appeal from wise voices ringing across the ages and cutting across cultures. A single metaphor: seeing rightly has nothing to do with our eyes. To be human is to lead with our hearts. Closing our hearts to one another might seem righteous but leaves us as good as dead.

[Now that I’m finished moralizing for the day, I think I’ll take a slow walk around our tiny pond, close my eyes, feel the sun, and revel in this day of being alive.]

slow dance/as sure as the sun © 2002 kerri sherwood

…and a bonus!

same sweet love/as sure as the sun © 2002 kerri sherwood

Close your eyes and you’ll see that these tracks have nothing to do with Jazz. Open your eyes and you’ll note that Rumblefish has absolutely no ownership right or copyright to these songs though they somehow possess a ridiculous capacity to misrepresent Kerri and her music.

Kerri’s albums can be found on iTunes or streaming on Pandora and iHeart Radio

read Kerri’s blogpost about HEART LEAF

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Feed The Ammals [on KS Friday]

Cris wrote that a bunny comes to their back door each day and Brenda feeds it by hand. “I want to feed a bunny by hand!” Kerri pouts and looks at me with the look, which means I am supposed to do something about it. My head fills with images of unsuccessful bunny wrangling, ridiculous bunny coercion techniques, failed bunny temptation – and then I race to write down my mad imaginings since they’d make fine smack-dab cartoons.

This is the year of the bunny in our backyard. We’ve never had rabbits-in-residence until this summer. As we wrote earlier in the year, we discovered a bunny nest in the tall grasses beneath Breck-the-aspen-tree. Dogga has been on constant sniff-patrol and is consistently outsmarted by the bunnies. My favorite was the day he stared intently at the last-known-bunny-location while the bunny circled around and sat behind him, watching Dogga watch.

The bird feeder is an attraction for all kinds of ammals (animals in Jaxon-speak). Chipmunks and squirrels are regular raiders. The wrens and finches and cardinals toss seed to the ground so there’s plenty for everyone. The bunnies are regulars, too. It’s a well-ordered united nations under the feeder. I am of the opinion that diplomats could learn a thing or two from this happy gathering of critters. The pie is not limited in the ammal-kingdom (I know, I know. Idealist…)

We have a suspicion that the mother bunny – or another mother bunny – is rebuilding the nest. Kerri quietly checks the tall grasses a few times every day. “Maybe you should sit there with snacks at the ready,” I suggest. “If you’re the first thing the baby bunnies see in the world they might take snacks out of your hand.” She wrinkles her brow, completely rejecting my bright idea. “Just a thought,” I say. “Hey, I’d bring you wine. And a blanket!” Her eyes narrow, a sign of imminent peril if I persist.

I race to the notebook to record another fantastic-true-to-life-smack-dab idea.

and goodnight/and goodnight © 2005 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

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Appreciate The Caper [on KS Friday]

Kerri’s photos serve as our writing prompts. Sometimes I know exactly what I want to write about. I lead. Sometimes, like today, I stare and follow the first thought that comes to mind, whether or not it makes sense. I let the thought lead me.

Sometimes I follow. Sometimes I lead. Inevitably, during the writing, the process flips. The follower takes charge and leads. The leader gives over and listens. It’s a nice description of a creative process, a tennis match between the intuitive and intentional.

Today’s first thought? It’s perfect design. A still shot masks the truth that this flower is designed for motion. Time-lapse photography reveals the pulse of life, opening and closing. Petals and sepals, pistils and stamen, folding and unfolding with the delicate movement of the planet spinning around the sun. And those tiny hairs on the stem and sepal? Trichome – absorbing life, protecting the dance.

It occurs to me that the word “design” implies a designer and there we go again bumbling into the morass of the godhead. How to explain such perfection? This miracle of life, utter interdependence, as seen in a purple coneflower.

Perhaps it’s enough to acknowledge that my mind is way too limited to grasp the enormity of the concert. I dabble in the power of imagination but will never grasp the infinite, contain the uncontainable, neither in word or way.

Perhaps my desire to affix a definition to the undefinable, to understand the boundless, is no different than staring at a writing prompt. Sometimes I know exactly what I want to write. Sometimes I have no idea. Sometimes I lead. Sometimes I follow. Intuition dances with intention yet neither are capable of explaining the boundless, of measuring the immeasurable, describing the indescribable.

It is enough to perform my part and fully appreciate the caper.

silent days/blueprint for my soul © 1997 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about CONEFLOWERS

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