Come Home [David’s blog on Two Artists Tuesday]

I don’t know why but this photograph reminds me of a song by Dan Fogelberg:

End of October
The sleepy brown woods seem to
Nod down their heads to the Winter.
Yellows and grays
Paint the sad skies today
And I wonder when
You’re coming home…

Old Tennessee from the album Captured Angel. I played this album – this song – over and over again when I was painting. I could sing loud in my studio because no one could hear me. So, permission to sing horribly and with gusto. My fantasy musician fulfilled!

Woke up one morning
The wind through the window
Reminded me Winter
Was just ’round the bend.
Somehow I just didn’t
See it was coming

It took me by surprise again.

It was present with me the moment she took the picture and showed it to me. “Lookit!” she said. “It looks like a glimmer wand!” A glimmer wand. A wish ready to be granted. And the lyrics began running through my mind. A song of loneliness. A song of yearning.

End of October
The sleepy brown woods seem to
Nod down their heads to the Winter.

Yellows and gray
Paint the sad skies today
And I wonder when
You’re coming home
I wonder when you’re coming home.

Later, looking at the photograph, I realized that we – Kerri and I – are singing a song of yearning. We are awaiting the glimmer wand, the wish to be granted. A coming home. A return to ourselves. Lost jobs, broken wrists, all wrapped up in a global pandemic…Artistry as we knew it went missing. The life that we knew was lost.

For awhile we waited in silence. And then we went looking. And now, we know better. There is and never will be a return to what was. It cannot be found. Rather than seek for what was lost, we realized that it’s time to get acquainted with what is. Not artistry as it was but as it is. As it will be. Learning anew who we are. Now.

This life! As Kerri would say (in her cartoon self): “Sheesh!”

Somehow I just didn’t
See it was coming

It took me by surprise again.

read Kerri’s blog post about GLIMMER WAND

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Learn About Silence [David’s blog on KS Friday]

Sometimes an action is not what it seems. For instance: she decided to sell her cello. It sounds so simple, doesn’t it?

When she broke both of her wrists in the same fall, she worried that she’d lose the ability to play her many instruments. To bow a cello requires a flexible and strong wrist. It healed and she recovered. Bowing the cello was not a problem. And then there was the second fall. A newly mopped floor with no signage. Her first words, laying on the wet linoleum, writhing in pain, holding her right wrist: Oh God! Oh, god, I can’t believe it!”

She lost degrees of movement in the second fall. It sounds mathematical, doesn’t it? Simple math. On a good day she has half the degrees of movement that she had before she met the wet floor. Enough to open a door but far short of bowing a cello.

After three years and countless hours learning about degrees of silence, she decided to sell the cello. “It needs to be played,” she said. “It deserves to be with someone who can play it.”

A simple action. A very complicated story. A heartbreaking moment when the luthier handed her a check. She touched her cello, turned, head down so the man could not see her tears, and walked away.

Last I Saw You/This Part of the Journey © 1997/2000 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE CELLO

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buymeacoffee is what you make of it.

Life Spilling Out [David’s blog on KS Friday]

If this beautiful winter skeleton of Queen Anne’s Lace was a sculpture – my sculpture – it would be titled The Impossibility of Containment. Trying to hold on to the magic movement of life. It spills out in every direction.

I once had an espresso martini in Aspen, Colorado. It was the single best drink I’ve ever had. It was so good I did something I never do: I had two. I savored every sip. Occasionally since then, in other watering holes on earth that offer a drink by the same name, I’ve tried to replicate the past. To no avail. The bar in Aspen no longer exists so, like a good sand painting, my espresso martini revelry lives where it belongs, on the wind and in my yearning.

This week I completed another trip around the sun. I look in the mirror and am sometimes surprised by the face that stares back at me. My eyes remain consistent, yet what my eyes are capable of now seeing has changed dramatically. Although I occasionally yearn for my younger face, I would never exchange my current eyes for my former sight.

I see possibility spilling out in every direction. Simplicity. I see extraordinary friends all around. Each morning I open my eyes to the one face that fills my heart to bursting. I am, as Nietzsche suggests, loving my fate. Every pothole, every mountain-to-climb, every seeming obstacle, every frustration, a magic moment, a heart-seed leading to who-knows-where. Life spilling out in every direction.

I’m practicing the skill of opening wide my arms, welcoming the impossibility of containment.

Sweet Ballet/Released From The Heart © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about QA LACE

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buymeacoffee is a possibility cast onto the winds of time.

Find Hope [David’s blog on Two Artists Tuesday]

To say our weather has been weird is an understatement. It is February in Wisconsin and I’ve not yet used my snow shovel. I know that a mile or so inland there has been some substantial snow – some – but here, by the lake, not so much. We’re having rain and fog. Seattle in Wisconsin. The world just recorded the warmest January on record.

We just finished watching a three-part National Geographic series, Arctic Ascent with Alex Honnold. A scientific expedition across remote Greenland with two objectives: to gather data on climate change from arctic glaciers, and for Alex and his climbing team to make a first ascent of Ingmikortilaq, a wall 1000ft taller than El Capitan in Yosemite. Beautiful, extreme, unimaginable. Breathtaking. The lead scientist on the team, Heidi Sevestre, much to her surprise, finds hope in her research. Although the glaciers all around are melting at an rapid rate, the Daurgaard-Jensen glacier remains stable. “This glacier is holding on,” she said.

Holding on. Across time, human being have been brilliant at spoiling their nests. Societies disappear when they either pollute or exhaust their resources. Historically, we’ve rarely demonstrated the wisdom to change our behavior before losing it all. We are on track for a repeat performance, this time on a global scale, so it was curious that this single glacier, to date, was somehow impervious. Hopeful. “All is not lost,” Heidi Sevestre suggested.

Resilience. Tom used to tell me that he was often stunned by the resilience of some children. They were capable of transcending unimaginable odds, emerging from their fire with humor and balance and wisdom. “They give me hope for all of us,” he said.

Alex Honnold and Hazel Findlay, against all odds, climb an impossible wall. Heidi Sevestre finds impossible hope in the movement of a single glacier. “These are the people I want to emulate,” I tell Kerri. They are upbeat. Positive. Generous with each other. Generous because of each other. “These are the people who give me hope.”

read Kerri’s blogpost on FOG

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buymeacoffee is a bit of hope in a steep upward climb.

Unbridle Your Enthusiasm [David’s blog on Two Artists Tuesday]

In our house, no single question evokes more genuine excitement than, “Do you want to go on errands?” Vertical jumps. Full body wags. Circle zoomies. Finally, a “sit” so we can clip on the small leash that we call his necktie. He gets gussied-up for errands.

Last week Kerri wrote that our bar of contentment is low. It’s true. We don’t need much to feel fulfilled. A walk in the sun. A good cup of coffee. Cooking together. Laughter with friends. Life reduced to the moment.

We recently had a significant-morning-conversation about our egos. We discussed how these past few years have lowered the bar on our self-images. “I’m not all that,” she said, summing it up.

Quinn used to say that, “There are six billion people on this planet and you’re the only one that gives a damn about what you think.” Or how you look. Or what you feel. The other five-billion-nine-hundred-ninety-nine-million…are more concerned with how they look and what they think and feel. You are not the star in their movie. He was a terrific perspective-giver.

It’s a powerful day when you realize that you are not all that. It’s a powerful day when you realize that you are the single steward of your gifts and like any other gift they are meant to be given with no regard to how they are received. Your job is to give your gift. It’s an especially powerful day when you realize that your gift is no better or worse than any other person’s gift. It is just uniquely yours. It is not better-or-worse-than.

When the measurement falls off, when the ego takes a much needed belly punch, then the fun really begins. Flow. Love of what you do and who you are. A giddy return to child-eyes. A low bar of contentment means more and more contentment. Paint to paint. Play to play. Unbridled enthusiasm at the simplest of things. Like full body joy when going on errands.

read Kerri’s blog about ERRANDS

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buymeacoffee is a low bar of contentment offered to the artists tilting at the rowdy windmills of ego.

Celebrate And Release [David’s blog on DR Thursday]

If this was a painting it would be titled “The View from the Kitchen Window in the Middle of the Polar Freeze.” It’s lovely and abstract yet also carries hints of an impressionist sky. One hundred years of painting history all wrapped up in a single frozen moment.

When I lived on the west coast I experienced my share of earthquakes. They were of varying intensity, some subtle shakers, another knocked my neighbor’s house off the foundation. And although they were different in character and spanned a few decades of time, one thing remained constant: in the moments that followed the quake, the best of human nature stepped forward. People immediately reached to strangers and friends – it didn’t matter – to ensure that everyone was alright. A shared experience, a shaking-to-the-core, loosened all the protective layers. The light came through the frozen facade.

As we’ve written, the polar freeze has driven us into the basement to clean out the stuff-of-life collected over three decades. It’s been a minor fascination that our cleaning process has inspired stories from friends about the time that they cleaned out the stuff-of-their-lives. Amidst the many stories we’ve heard, there is a triple constant: the stuff they saved, just like us, are the artifacts of their children with the intention of someday giving the treasures to their children. Clothes. Finger paintings. Trophies. Sporting equipment. Children’s books…our collection fills many shelves that now dip from the weight of too many books packed onto too small a shelf.

The second constant: the children do not want what the parents have saved. The museum of parenthood. The cleaning commences once the parents realize that saving the artifacts was, in fact, something they did for themselves. And so their life review is called “cleaning out.”

The third constant: the cleanse is actually a portal. A next chapter, another identity, lives on the other side of the purge. New light calls through the frozen memories. The memories warm in the telling. The sharing of the tales of parenthood, lovingly mourned and with gratitude, celebrated and released.

I Will Hold You, 29.75 x 39.25, mixed media

read Kerri’s blogpost about THE FREEZE

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buymeacoffee is…

Clean Inside And Out [David’s blog on KS Friday]

And by the grace of some unseen internal trigger, the long-awaited-often-discussed-house-cleaning-out has commenced. I have no other explanation than the time must be right.

The time is right.

In truth, I’m just beginning to understand that the external house cleaning is an extension of the internal house cleaning that has been going on for some time now. It just finally hit the surface. The bags I take to the trash, the boxes readied for the Goodwill, are extensions of that ongoing internal process.

Making space on the outside is labor intensive. It takes some sweat and muscle. Dedicated time. Making space on the inside begins with the intense heat of disruption. Discomfort. The disorientation of masks falling off, the scary peel of protective layers. Exposure. Loss and lost.

Kerri introduced me to a phrase that I at first resisted: People don’t change, they just become more of who they are. Now, I think she is spot-on with one slight adjustment: People don’t change, they just reveal more of who they are.

It turns out that I am none of the labels that I so eagerly apply to myself. I’m not a winner or loser, an artist or an educator. Those designations are either things I do or fleeting judgments about the things I do. It’s very easy to get lost in the dark forest of self-stick labels. I love what I do. Even so, the labels are not who I am.

Talking about Abe Lincoln – who knows how we got there – Horatio hit me with some of his usual uncanny insight. “His fame is a fluke but his good works are not,” he said, “We often confuse the two.” Good works are intentional. Fame is circumstantial.

As the onion peels and the layers of circumstance fall-off, I discover more center. Or, said another way, applying Kerri’s rule, I become more of who I am. Less peel. More heart.

The river keeps moving. Neither hard times or easy days are permanent, nor are they entirely one thing or the other: hard times hold easy days. Easy days invite hard reflections. In the cleaning-out, in the opening of space, there is one thing that is becoming abundantly clear: Bob Marley has it right. No matter what, “Every little thing is going to be alright.” Because it already is.

Taking Stock/Right Now © 2010 Kerri Sherwood

Kerri’s albums are available on iTunes or streaming on Pandora and iHeart Radio

read Kerri’s blogpost about EVERY LITTLE THING

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Share The Symbols [David’s blog on KS Friday]

When I was a wee-turnip I found a textbook on the shelf from a course my dad took in college. Comparative religions. It’s a big-big book full of many-many comparisons. It now resides on my shelf. This book sparked a life-long fascination for me. The universal nature of myth and story across individual cultures and how these stories and symbols are, over time, pulled and twisted like taffy, co-opted, integrated and sometimes claimed as the private property of religion x or y.

Today, as I write this, we sit squarely on the solstice. I thought a few tidbits of story-symbol might be fun to visit so, together, we might taste the taffy.

In Italian tradition, La Befana is the goddess of the solstice. She rides a broom through the skies leaving candy and presents to the good little boys and girls. As a broom-riding pagan goddess, she predates Saint Nick by more than a few centuries. The Christian tradition snagged her and after a bit of twisting, she became a character in the Magi story. On a cold, cold night she gave shelter to those three wise-men but declined to join them on their quest because she had unfinished chores. After they left she had a change of heart but couldn’t find the manger on her own so she gave the gifts she had in tow to the nice children she met during her manger-search.

On the solstice, the goddess Isis gave birth to her son Horus, the sun god. Leta gave birth to Apollo on the solstice. The Persian god of light, Mithra, was born on the solstice. These births were technically virgin births since the conception in every case was immaculate. Egyptian. Greek. Persian. These stories predate the Christian story by centuries. It’s a ripple across time and culture of the same human impulse: after a long dark season to celebrate the return of the light.

We lose more than we know when we – to borrow a great term from Joseph Campbell – concretize a symbol. The stories and myths are meant to open us to greater unity with each other and the world we share. They are not meant to be taken or understood literally. Holding them literally slams the door on their greater meaning and unifying power. It renders them a possession, a plot point on a map.

On this winter solstice I can imagine no greater gift to this divided world than to recognize we are, through our unique symbols and characters, telling the same story, yearning for the same possibilities, sharing the same ideals whether they soar through the air on a broomstick or in a sleigh, both rides brimming with toys for good girls and boys. We borrow each others best ideas and ideals, rewriting them to fit our unique audience. From Isis and Horus to Mary and Jesus, it’s time once again to celebrate the rich warm return of the light through our myriad forms and cultural traditions, to feel the push and pull of something ancient and deeply human. Together.

this season/this season © 1998 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE HOME IN THE TREE

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buymeacoffee is a surgically implanted intention, a medicinal tradition stretching back eons to a time when beauty and analytics held hands and shared meals. together.

Go Curly [David’s blog on Two Artists Tuesday]

Left to its natural state, Kerri’s hair is as curly as curly-ribbon or the curling leaves of this winter grass. It’s gorgeous though someone, somewhere, convinced her that her curls were passé. Her mom and I waged a not-so-secret campaign to stop-the-straightening but we had little to no impact. Every so often Kerri lets loose her curls and always receives raves but they somehow bounce off the image-shield of straight hair.

I have an image of myself. Lately, when I look in the mirror, I see something other than the image that I expect. It’s something to play with! I appreciated the early days of acting school because it demanded a constant change of image. More than once I had to cut off all my hair for a role. There is a power in studying character, realizing that who we are is not a noun but a process. Character – personality – is how-you-do-what-you-do and not “who” you present to the world.

Also, as a teenager I had an image of who I would become. I am surprised to report that I’m not the cross between Leonardo da Vinci and Joseph Campbell that I intended. No amount of straightening the road could alter my wandering (curly) path. I realized, none-too-soon, that to achieve my image I would have had to betray my nature. I am – and always have been – the steward of a “beginner’s mind.”

Kerri has a theory that people do not change, they become more of who they really are. The layers of imagined-self drop off. The core is revealed over a life-time of shedding images. Self-discovery a la paring down.

I grew my hair (again) after moving to Wisconsin. When I met Kerri I was still sporting the short-short hair that my clients expected of me. For some reason, my clogs were acceptable as an outsider invited into the hallowed walls of the corporate arena but long hair was too much. Long hair was a bridge too far. So I cut it. Now, the longer it gets, the more Kerri (and 20) tell me that I look more myself. I’m not sure what that means to them but I agree. It fits my image of me. I always use the opportunity to tell Kerri that when she allows her hair to go curly, she looks more herself, too. After all, her mom and I have not given up our campaign. Although Beaky is on the other side of the veil, I feel her poke me. That’s my cue to lobby Kerri to shed the image-of-straight, to become more of who she really is, and sport those gorgeous naturally curly locks.

(The title track of Kerri’s very popular X-Mas album, The Lights. She’s inserting into her post so I wanted to also drop it into mine. Happy Holidays!)

the lights/the lights © 1996 kerri sherwood

The Lights is available on iTunes

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read Kerri’s blogpost about CURLS

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buymeacoffee is an internal image of wildly curly hair meant to bring you at long last to your true nature.

Voluntarily Contemplate [David’s blog on DR Thursday]

It’s tempting to say that the snow is white. A second look, a better look, will prove otherwise. Purples and cool blues with some muted green and pink thrown in for good measure. A subtle festival of color. In general the light on the trail painted the snow – not surprisingly – ice blue, so the burnt orange in the leaf made for an eye-popping compliment. Some abstract expressionist might use this bit of natural composition for inspiration. Helen Frankenthaler or Joan Mitchell. Monumental paintings with the power to force contemplation. Well…to force voluntary contemplation.

Forced contemplation! A great phrase, to be sure, and another name for “problem solving.” Take a moment and look around during this busy holiday season: everyone you see elbowing their way through the crowd will be deep in forced contemplation. Rushing to the next. Making a list and checking it twice.

I’m a few pages into my fourth reading of Zen and The Art of Motorcycle Maintenance. It fell off the shelf and hit me so I took that as a sign that it was time for a revisit of Robert Pirsig’s novel. The subtitle is An Inquiry Into Values. I’ve learned that the books I read are forms of voluntary contemplation. What has value? What does not? And why? I regularly ask myself a question that comes from the title of another favorite-book-of-the-past: How Then Shall We Live. Wayne Muller’s voluntary contemplation on meaning, purpose, and grace. Given what I know – that I shall die – how then shall I live this day of my life?

There are very few answers to the question but there are values that, like a marble sculpture, take shape and emerge over time. The single value that consistently dominates my voluntary contemplation: walk through this day slow enough to see that the snow is not white. Rather, experience the full celebration of color and live inside – rather than rush through – the perfection of this composition.

meditation, 48×48, mixed media on canvas

read Kerri’s blogpost about SNOW AND LEAF

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buymeacoffee is a slow walk of appreciation through a world that holds more magic than any single mind can conceive.