See The Pattern [on Not So Flawed Wednesday]

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Virgil: From what you wrote, I see that you think you have a problem. The first recognition is simple: you do not have a problem. You have a pattern. ~ David Robinson, The Seer

I’ve stared at this napkin for a long time wondering what to write. It’s not that I have nothing to say, it’s that I have too much to say. I’ve killed more than one dinner party going on and on and on about patterns.

In 2014 I published a book, The Seer. The first three chapters are about patterns of seeing, patterns of thinking. Patterns of self-story. So, rather than rewrite something that I have already written, here’s a small slice, an email conversation, from the first chapter of The Seer:

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Me: I realized that I think in patterns. I think the same stuff over and over. This is a puzzle: the act of looking for patterns opened my eyes. So, patterns reveal. And yet, later, when I became aware of the patterns of my thinking, I recognized that those patterns were like ruts or grooves. It’s as if I am playing the same song over and over again so no other music can come in. My thinking pattern, my rut, prevents me from seeing. So patterns also obscure. Make sense?

Virgil: Yes. It must seem like a paradox to you. Think of the song or rut as a story that you tell yourself. Your thoughts, literally, are a story that you tell yourself about yourself and the world; the more you tell this story the deeper the rut you create. So, a good question to ask is: what is the story that you want to tell? Are you creating the pattern that you desire to create? We will return to this many times. This is important: the story is not happening to you; you are telling it. The story can only control you if you are not aware that you are telling it.

 Me: Can you say more?

 Virgil: We literally ‘story’ ourselves. We are hard-wired for story. What we think is a narrative; this pattern (song) that rolls through your mind everyday is a story that you tell. You tell it. It defines what you see and what you do not see. What you think is literally what you see.

 There was a pause. That was a lot for me to take in. When I didn’t respond, he continued:

Virgil: So, what you think is nothing more than a story; it’s an interpretation. You move through your day seeing what you think – instead of what is there. You are not seeing the world, you are seeing your interpretation of the world. You are seeing from your rut and your rut is a pattern. So, your patterns of thinking, your rut, can obscure what you see. Make sense?

 Me: Yes. I guess 😉 So, when I started looking for patterns outside of me, I…stopped seeing from within my rut? I stopped assuming that I knew what I was seeing. So, I was capable of discovering new patterns and connections?

 Virgil: Yes, something like that. You said that when you looked for patterns you slowed down and felt that you could see. I would say it this way: you stopped moving through your world and for a brief period you were actually in your world. For a brief period you were no longer lost in thought but present with what was right in front of you. You suspended what you think you know so you started to see again. You were curious. To be curious is synonymous with “not knowing.”

 Me: Okay….

 Virgil: Humor me and entertain this notion: your thought, your story, is not passive. It is a creative act. What you think IS what you see. Most of the time people create what they see based on their rut. They see what they expect to see. To practice curiosity is to suspend the assumption of knowing. To practice curiosity requires us to step out of the rut. Stop assuming that you know and you gain the capacity to see beyond what you think.

 A glimmer of light pierced the dark recesses of my mind. Suddenly I was back in front of the Sphinx and I could see the answer to the riddle. It was so clear! I typed:

Me: Wait! Is this why I need to distinguish between problems and patterns? If I tell myself that I have a problem to solve, I am telling a certain kind of story. If I tell myself that I have a pattern to change, I am telling an entirely different kind of story. Is that true?

Virgil: Yes. It sounds too simple, doesn’t it? A problem is a story. It is a lens that filters your sight. A problem does not exist unless you insist that it is there. You say that you are an entrepreneur. How many great products and services were the results of an accident in the lab? How many innovations were missed because the ‘solution’ did not fit the ‘problem’ as identified? A problem is a rut that separates you from possibilities. On the other hand, a pattern connects you to possibilities. See the pattern not the problem.

 

[go here for a fun Escher-activity about pattern to use during this time of social distancing]

 

read Kerri’s blog post about THE NAPKIN

 

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the seer ©️ 2014 david robinson

Give And Receive [on Not So Flawed Wednesday]

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DogDog has two distinctly different personalities. In the sunny hours he is high strung, high energy, high joy. He rarely stops moving, circling the yard, circling the rooms of the house, moving his toys from here to there and back again. When it is time to take out the garbage, he delights in clearing the yard of marauding squirrels. I am always well protected when I deliver the trash to the can.

At night, our energizer-bunny-of-a-dog collapses. He gently herds us into the living room and, if we sit, even for a moment, he believes that his people are securely in the pen and he is off duty for the day. He punches out,  settles on the cool floor and is asleep in a nanosecond. In that moment he is transformed into ‘sweet dog.’

Rather than serving as the protector, sweet dog is a sponge for affection. If we move, stand, cross the room, cough,… he rolls onto his back, availing himself for a belly-belly. Sweet dog does not bark. Sweet dog knows our nighttime travel patterns and is somehow always positioned in our path. Sweet dog is a no-apology opportunist.

High joy. Sweet. Giver. Receiver. Both are qualities to be admired.

At night, before he retires to his crate, he waits for us on the foot of our bed. We spend several minutes loving on him. He gives himself over completely to our affection. It is among my favorite rituals of the day to heap love on DogDog before putting him in his crate.

I read once that the phrase “unconditional love” was redundant. The quality that makes love love is the absence of condition. If what we call “love” comes with qualifiers or expectations then it is not love at all. It is something else.

High joy. Sweet. Love (unconditional). I am always, everyday, in awe of this furry teacher and mostly grateful that he is endlessly patient with the glacial pace of his student.

 

read Kerri’s blog post about DOGDOG SLEEPING

 

 

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Knit A Better Structure [on Not So Flawed Wednesday]

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“…the test of a civilization is how it cares for its helpless members.” ~ Pearl Buck

As a nation, we are currently enamored with tests, and it is not a stretch to say that we’d receive a failing grade on this test of civilization. The helpless members do not fare well.

As Horatio pointed out, much is lost between the cracks of the quintessential conundrum built into the DNA of these United States: the dueling philosophies of every-man-for himself versus I-am-my-brother’s-keeper. Republicans versus Democrats. Corporate greed versus social need. Black and white thinking that leaves gaping voids into which the helpless members disappear. There is no both/and to be found. Division has been a useful tool of control since the inception of the American experiment. The ideological cleaver is sharper than ever these days.

Yet, there is hope that reveals another side to our character.  Kerri said, “Look at this!” The Appalachian Wildlife Refuge put out a call for used mascara brushes. They are a useful tool in saving small critters and returning them to health. They received so many brushes, the response was so great, that they had to put limits on when they would accept new brush donations. It’s my bet that people of all political stripes and social strata sent their used mascara brushes to the Refuge. It’s my bet that the critters and the caregivers were grateful in every case.

When tragedy strikes, we rush to meet the need. When a photo moves us, we respond. Something pierces the superficial divide and reaches into our communal heart.

Robert Fritz teaches that behavior is like water, it follows the path of least resistance. If you want to change behavior, you must first change the underlying structure of the land. What might it take for us to challenge this superficial concocted divide, to reach deep  into our DNA and knit a better structure of the land – something more useful and more profound than perpetually dueling philosophies? What might it take for us to put down our cleaver and pick up our mascara brushes? What might we imagine and create together that would help history give us a better grade on our test?

 

read Kerri’s blog post about IMPACT

 

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Bother to Ask A Question [on Flawed Wednesday]

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All of us know this tale: A farmer loses his ax. He saw the neighbor boy playing in his field so he suspects the boy took his ax. He tells his wife the neighbor boy is a thief. The wife goes to town shopping and tells everyone she meets the story of the neighbor boy stealing her husband’s ax. People share the story and the story magnifies. An ax is now the least of the boy’s crimes! They tell other people and when things go missing or worse, the boy is their suspect. If he could steal an ax he could also steal a shirt off the line. He’ll take your horse when you’re not looking! He’s a chronic thief! The boy is shunned. His family is ostracized. The farmer feels satisfaction until the day he finds his ax resting on the tree – right where he’d left it.

Narratives are very, very powerful.

Yesterday I listened to a speaker from SelahFreedom present on the growing “industry” of sex trafficking. It was horrifying. One of the slides on the speaker’s Powerpoint was from a pimp’s notebook, instructions about how to keep his women under his control. Drugs help but the narrative weave is all. It could have been notes taken from the commandant at a concentration camp or a cult leader’s handbook. Paranoia tactics. Isolationist, us-versus-them strategies. Lies and distortions repeated to the point that it is impossible, once inside the narrative, once hooked in the story, to distinguish between reality and the distortion.

We live in the age of information and misinformation. We now inhabit the era of hyper-magnified distortion. A single post, a tweet, can reach millions in an instant. The boy stole the ax! They are trying to make us all socialists! The judge was biased! Don’t believe what you see! Witch hunt! Hoax! Believe what I say not what I do.

When was the last time you checked the veracity of your news sources? When was the last time you bothered to fact check or research something that alarmed you in your stream?

Fear is a great brain scrambler. Robert Sapolsky, researcher of stress in animals, has shown that zebras are capable of shaking off their stress after the lion gives up the chase. People, on the other hand, whip up and maintain their stress by repeating the story over and over to all who will listen. And, more to the point, there need not be a real lion chasing us, just someone who knows how to manufacture a lion and get us to spread the terror, to share without question.

It’s the pimp’s strategy. Stoke fear. Discourage thinking.  Threaten. Sow doubt. Play on insecurity. Keep them hooked. Encourage thoughtless sharing of an empty narrative. It validates the perspective of the pimp and the farmer who couldn’t possibly have lost his ax all by himself.

Despite what they tell you, the pimp is never protecting your interests. The pimp is only concerned with his own interests and needs a deep state of delusion running rampant through his stable, to control the narrative.

Imagine what might have been possible if anyone in the ax chain had thought to ask a question, had stepped back to think about what they were hearing before they hit the easy button to share.

 

read Kerri’s blog post about THINK BEFORE YOU SHARE

 

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Pick Your Star [on Not So Flawed Wednesday]

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Mike Libecki is a mountain climber. He calls the necessary suffering of his sport pre-joy. “That way,” he explains, “I get to use the word joy in all of my sentences.” There’s joy at the summit. There’s pre-joy on the way up. It’s not a bad orientation to life, everything is relative to joy.

Skip’s meditation these days is on resilience. After a horrific car accident, he has more than a few tales of pre-joy. He has even more tales of joy. Human beings have a remarkable capacity to choose their stories, to orient to a path that is life-giving or to collapse their story into a state of no-joy. Skip chose resilience. The capacity to recover. To spring back in order to spring forward. Pick your star and sail toward it. That is Skip’s lesson to me.

Judy just wrote a book, Summoned By A Stroke. It is the blog posts she wrote to her community of support after her husband, Kim, suffered a major stroke. It is a remarkable testament to the invincibility of the human spirit when it intentionally orients to joy. It is also pays homage to the magnetic pull joy has on a community. There is  no attempt in Judy’s story to deny the pre-joy; there is a deep understanding that there would be no real joy without it.

During my Seattle years, when I was feeling blue, I would jump on the ferry to Bainbridge Island to visit Judy and Kim. This man wrecked by a stroke and, my friend, Judy, his wife, never failed to lift my spirits, to fill me up with laughter. More than once, on the return ferry, I would sit in utter amazement. I told myself that I should be bringing comfort and support to them but the opposite was, in fact, the case. What I experienced with them was beyond words. So much joy. If there is a place where pre-joy and joy blend together, Judy and Kim inhabited it. Today, this is Judy and Kim’s lesson to me:

“Kim and I are learning that happiness is not about what we do or where we go but how loving we are in relationships, how open and curious we are about where we find ourselves, and how inventive we can be with what we are given.” ~ Judy Friesem, Summoned By A Stroke

 

read Kerri’s blog post on PRE-JOY/JOY

 

 

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Climb The Rough [on Not So Flawed Wednesday]

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It’s an odd quirk but Kerri likes to watch mountain climbing documentaries before she goes to sleep each night. We’ve seen most of the world’s catalogue of climbing videos, Everest and K-2. I feel as if I’ve been to base camp. I sometimes shout at the screen, “NO! Don’t you know that the weather can turn on a dime!”

We’ve watched the story of the team that discovered George Mallory’s body. He fell and broke an ankle. Fatal on Everest. We’ve watched footage of Sir Edmund Hillary and Tenzing Norgay on their summit bid.  We’ve watched documentaries about the Sherpa people, the dangers of the ice fall, and the emergency doctors at base camp.

I tease Kerri and tell our friends that she needs to watch someone fall off a mountain before she can get to sleep. She protests, “I don’t need to see them fall!” The life and death struggle is soothing enough, a gentle entry into slumber.

The message from the climbers is as beautiful as it is simple: if you fear failure you shouldn’t climb mountains. You will fail far more than you succeed. You will attempt. You learn. You choose to be wise and live rather than push to the summit and then lose your life. It is the ultimate reminder that a healthy process is much preferable to the achievement of the goal. They remind us that most climbers die after the summit. They die coming down because they forget that the goal is not to summit, the goal is to summit safely and come back alive. The goal is life. The summit need not happen today. Live and take your chance tomorrow. The only failure on the mountain is to die when you didn’t need to.

It’s a great metaphor. Life is like that. No one does this life without more than a few rough patches, more than a few falls. When you recognize that everyone has a mountain to climb and, regardless of the mountain, it is all about learning, all about the experiences that may someday bring you either to the summit or to the recognition that the summit was actually never the goal. It’s about the appreciation of the experiences.

There will always be another goal. Another summit. However, the experiences you remember and appreciate will be the struggles. The easy stuff is easily forgotten. The hard stuff, facing the doubt, finding a new edge, makes for a great life story and helps us understand that we are far more capable than we at first realize. Everyone is far more capable than they imagine and would never go beyond the limits of their imagination without the rough patches on the way up the mountain.

 

read Kerri’s blog post about ROUGH TIMES

 

 

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Hold On And Smile [on Not So Flawed Wednesday]

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I do not know the full history of the Ernie straw. I only know that he holds a place of reverence in our odds-n-ends drawer. And, when Ernie makes an appearance, there is general celebration, photos taken and texted, and laughter-rooted-in-deep-memory swirls like the straw through our kitchen. I watch and appreciate their glee.

I do not share the lived history that Kerri and our children share. They are, as Michael Perry taught me to say, rather than my step-children, they are my given-children. At Kerri and my wedding, my newly given-children shook my hand and said mechanically, “Welcome to the family.” And then they laughed and hugged me tight. Our memories together are new and have tender, shallow roots. We are early in the creation of our history together.

This summer, I was on Island and Kerri made a trip home to see Kirsten. During our late in the evening phone call, Kerri was thrilled that Kirsten had found the Ernie straw and was using it everyday! She sent me pictures. Kirsten posing with Ernie joyfully spiraling out of her cup. I heard Kirsten laughing in the background. Kerri joined her laughter and they giggled me through their history with Ernie.

Ernie is out of the drawer every day since Kerri broke her wrists. He fits nicely into the lid of her Hydro Flask, the only safe coffee-delivery-system. Ernie has been seen rocketing out of her wine glass, too. These days he does duty on both ends of the day.

Mostly, I’m delighted to be making memories with Ernie. The next time he comes out of the drawer I will be more than an passive watcher, a mere listener to the stories of the Ernie straw. I now have real experiences with Ernie. I am slowly entering the weave of story, the fabric of participation. And, like Ernie clutching tight to his corkscrew straw, I couldn’t be more pleased to be winding my way into this part of the tapestry.

 

read Kerri’s blog post about the ERNIE STRAW

 

 

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Circle [on Not So Flawed Wednesday]

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Perhaps the most true phrase I’ve read about The Circle is that its symbolism is inexhaustible. It is universal and the ultimate cross-cultural sign. No beginning, no end.

Wholeness. Unity. Infinity. It points to the mystery. Cycles of life. Endless movement.

It also has a meaning-making-flip-side. It can be as vicious as it is virtuous. A closed community. The shape that distinguishes us from them. Loops of reactivity. An energy eddy. An inescapable whirlpool. A widening gyre.

Ask a circle, “What does it all mean?” and the circle will ask in return, “What does it mean to you?”

It is a radically different action to search for meaning than it is to make meaning. And, most likely, the search for and the assignment of meaning are dancing partners. All of us seek. All of us assign meaning.

We can’t help but ask, “Why is this happening?” A few curious scientists and seekers go beyond their circles of understanding and look for answers. They inevitably find more questions. Another loop.

The artists always live on the edge of the circle precisely so they can see in. When the community asks, “Why is this happening?” they scribble lines, make music, write poems, and dance. Communing with what is on the other side of the known. Making meaning. Perhaps incapable of approaching an answer to the question, “Why?” but certainly opening the circle of possibilities to what we might come to understand together. Creating a commons. Another loop.

 

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Coalesce [on Not So Flawed Wednesday]

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Sometimes, when we are walking through the woods, I imagine myself with none of the labels that I claim as important. What if “artist” did not apply? Or “teacher.” What if none of my opinions or ideas or justifications had any merit or substance? What if they were bits of armor or heavy clothing that I could drop as I walked? So much lighter, less encumbered, who, then, would I be? Divested of my made-up-meaning and my hard-fought-for stress, what might I experience?

These imaginings, my questions – at least to me – are not nihilistic. They are the opposite. When I am walking in the woods and all the clutter and noise and the oh-so-important-to-do-list falls away, when all of my investments in my-very-important-ideas and my-resistances-to-immovable-objects drops off, when my frustrations and anxieties evaporate, I come back to my senses. Literally and metaphorically. The cold air. The limbs waving and groaning in the breeze. The quiet chatter of the brook that ambles through Bristol Wood. I become the moment I inhabit. I inhabit the moment of my becoming. That’s it. My “meaning” takes on a proper proportion, no greater or smaller than life itself.

Listening to the brook, the sound of our feet crunching the snow, I remember something John O’Donohue wrote. “The river is a miracle of presence. Each place it flows through is the place that it is…In a river, past, present, and future coalesce in the one passionate flowing.”

 

read Kerri’s blog post about THE WOODS

 

 

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Look Beyond [on Not So Flawed Wednesday]

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“Technology is anything that wasn’t around when you were born.” ~ Alan Kay

On the one hand, this could be a display of old technology. Shelf after shelf of what was once understood as a camera. Not so long ago a camera was a device that employed a once-revolutionary-invention, a light sensitive plastic strip called “film,” to capture images. These film devices, the miracles that populated my youth, are now antiques.

On the other hand, this could be an art piece, a commentary on the contemporary world. Many, many, many cameras, all with their lenses pointed back at us. There are cameras in phones, each a trafficker of the relatively new obsession known as the “selfie.” There are cameras at almost every major intersection of my town. Traffic selfies that come with tickets. In stores I am told to smile because I am on camera. There are cameras in doorbells. Many medical procedures employ teeny tiny cameras capable of fantastic voyages, inner selfies. The cameras shot into outer space transmit back to us images of a tiny speck in this vast universe, a dot called Earth.  Our art piece reveals to us that we are the central object of our study.

Standing in front of the shelf, looking at the myriad lenses looking back at me, I understood with some sadness that the cameras on the shelf used to be understood as arbiters of truth. There is a now an antiquated term, you may have heard it: photographic proof. Proof. It is not so much that the camera – film – is antiquated – but it’s purpose is most certainly passe’. Truth is out of date. Proof has no reliable root. We have replaced ‘photographic proof’ with a new concept, a ‘post-fact’ world.

Buckminster Fuller once said that, “Humanity is acquiring all the right technology for all the wrong reasons.” Were this beautiful unintentional-art-piece-found-in-an-antique-mall one of my creations, you can bet that I’d scribble Fuller’s quote someplace on the shelf, though, you’d have to look beyond the cameras to find it.

 

read Kerri’s blog post about CAMERAS

 

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