Restless [David’s blog on Not So Flawed Wednesday]

“To be fully alive, fully human, and completely awake is to be continually thrown out of the nest.” ~ Pema Chödrön

These dark days rolling into the winter solstice make me restless.

Last week, while cleaning her studio, Kerri found a demo tape. It was recorded for her producer and included song possibilities for her album As Sure As The Sun. It was just her and her piano, single takes. Simple. I was moved to tears. I didn’t know her during those years. When all of the production values are stripped away, there is nothing between you and the purity of the artist and this demo is a recording of pure artistry. Sharing it with me made her restless.

I have a new painting in progress. I’m painting over another piece, covering a painting I never liked that now reminds me of a not-so-good-time. I began the new painting using rags because I have a tendency to go to detail too fast. With a rag as a brush, detail is not possible. With a rag as a brush, fun is possible. I sighed with relief as the last bits of the old painting disappeared.

We haven’t walked much in these past weeks. It’s been cold and we’re not yet back to full speed after our visit with Covid. It’s making us restless. Our restlessness is helping our impulse to clean out our house. The energy has to go someplace and it’s finding release in moving furniture and tossing old relics. It’s finding release in tossing out long-held stories and too-rigidly-held-beliefs.

We’re mostly in the demolition stage of recreating our nest – and ourselves. There’s no rush. Winter promises to be long. The incoming kakistocracy is not going away anytime soon so our sanctuary-improvement-project, our strategy for self-preservation, need not be rushed and can move at a restless turtle’s pace.

Who wrote that discovery is more useful than invention? I can’t remember. No matter. We are restless and so, therefore, we are wide-open to discover. The gift of restlessness.

“…and the vessel was not full, his intellect was not satisfied, his soul was not at peace, his heart was not still.” ~ Hermann Hesse, Siddhartha

read Kerri’s blogpost about SNOW

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Use The Discrepancy [David’s blog on Merely A Thought Monday]

Every once in a while I flip open one of my well-loved-and-well-worn books to a random page and read a few paragraphs. It’s my way of giving this wise-old universe the opportunity to drop a pertinent message on me. What tidbit of wisdom might I need to hear today?

Yesterday I opened Robert Fritz’s book, The Path Of Least Resistance, and began reading about discrepancy: what is the difference between where you are right now and what you want to create? I read that most people try to remove or deny their discrepancies. They try to eliminate the tension. Artists, on the other hand, understand their discrepancies as fuel. Creative tension. Discrepancy ignites the imagination. The last thing an artist wants to do is blunt their imagination, deny the discrepancy. An artist uses it. It’s a “process focus” rather than an “achievement focus”.

At the stop sign she stopped just shy of the bumper of the car in front of us, pulled out her camera and snapped a photo of the sticker on the window: I hope something good happens to you today. “Now that’s refreshing,” she said. In our travels we see plenty of aggressive bumper messages. Almost daily Kerri asks, “Why would they put THAT on their car? Jeeeeez!”

A wish for something good to happen to you. Today. What is the distance between us-as-a-nation right now, in this very dark moment, and a community that actually hopes for something good to happen to and for everyone? Can you imagine it? Walking in the world with a hope in your heart for good things to happen to everyone you meet, to everyone whose path you cross?

It is an understatement to suggest that there’s quite a discrepancy between what-is and what-could-be. There is a veritable chasm between the incoming angry nightmare and those who voted for hope, decency and kindness. And so it’s a vital time to be an artist. There’s rarely been a time more in need of imagination to counter the backward-looking-conservative-fascist-fantasy.

There’s plenty of fuel for the imagination borne of our massive discrepancy. Hoping for something good to happen to you today – whoever you are – is a great place to start.

read Kerri’s blogpost about SOMETHING GOOD

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Caching Zeal [David’s blog on Not So Flawed Wednesday]

The season of fallow. The period of time when nothing seems to happen. The fruit has long since disappeared. The vine has dropped its leaves. The flowers are long gone; only the hard stalk remains.

And yet, plenty is happening beneath the surface. The energy goes to the root. Rest is, after all, an action. Recuperation. Growth need not be immediately visible. First comes the resupply, storing fuel for the impending internal stirring.

Our cleaning out of the house and our studios is just like that: energy going to the root. Creative disturbance. The blossoms of the past are…past. We are attending to the source or, better, we are tending the source. Making space is like dropping old leaves. Empty branches shedding the once-was to make room for the what-will-be. Caching zeal.

Letting go. It’s a mixed bag, this necessary austerity. At the moment it seems chaotic and harsh but in time, the season will change, the energy stored in the root will sense the warming soil and appear as new buds. In time it will make perfect sense.

read Kerri’s blogpost about WINTER THISTLES

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Embrace Invisibility [David’s blog on Two Artists Tuesday]

In a recent documentary about his life and work, artist Anselm Kiefer said, “Being is nothingness and nothingness is being.” He was pondering how small and insignificant we are in the scope of the infinite universe, and how, for him, our smallness relieves the stresses of having to succeed. He added, “I fail before I begin.”

The best advice I’ve received recently? Horatio’s suggestion that I go into the studio and “Paint crap.” In other words, loosen up, have fun, completely detach from outcomes. Fail before I begin. Sage counsel: paint for pure pleasure and for no other reason. Drop the measuring stick and reclaim the child who loved to paint. The other stuff will take care of itself.

We regularly check in on Martijn Doolaard. He’s reconstructing old stone buildings as his homestead in the Italian Alps. His weekly update films are gorgeous. His way of working is more so. In his own words, he focuses on process. There are goals, certainly, but everything he does, he does beautifully. He is attentive even in the most tedious of tasks, working, not to get through it, but to do it well.

Staring out the window over the kitchen sink, we switched on the backyard light so we might see the arrival of the snow. The season’s first snowfall came in the night. I thought about a post I wrote and then erased, about achieving invisibility. It wasn’t a complete thought and I wasn’t certain whether I was writing about my fear or my freedom. Anselm made an appearance in my mind as I marveled at the flurry of snow made visible by the light: Being is nothingness and nothingness is being. Embrace invisibility and dance with abandon in the fields beyond failure and success. What else?

read Kerri’s blogpost about THE FIRST SNOW

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My Constellations [David’s blog on DR Thursday]

Like stars in the sky, there are moments in life that form constellations. Actually, the stars do not form the constellations, we do. We are pattern seekers in our incessant meaning-making. I constellate my memories, sense-make my path, generate my revelations.

In our dedicated cleaning and rearranging of the house, the restoration project of my studio after the flood, we bought new shelves. My art and work books were piled high on an old computer desk, made mostly inaccessible. Gathering dust. With the new shelves, the ease of access to my books, comes new energy.

I sorted through my books before placing them on the shelves. Many of the work books, the resources I used for my past life, didn’t make the cut. In fact, none of them did. It was a revelation, placing them in sacks and moving them out of the house. With open space comes new energy.

Carrying a particularly loathsome sack of books to the recycle bin, I realized that every major change in my life has come with a book purge. When I left Los Angeles, I gave my library of 1000 plays to a friend. When I left central California for Seattle, I took a truckload of books to the used book store. I left a pile of favorites in the building that housed the school and theatre programs I’d created.

My books about Picasso, Matisse, Renoir, Leonardo, Michelangelo…they’ve always made the cut. They are space openers. Life-givers. The connective tissue in the constellation called “My Life”. This is not a revelation. I wondered why I so often turn away from it, stack my books and my life in difficult-to-reach ways.

Another gift Horatio gave to me in our call last week: as I was dumping on him my truckload of excuses and justifications for not painting, he stopped me, saying, “I think it’s much more elementary than you are making it. Decide what you want to do and do it. Your challenge is that you don’t know what you like.” He added, “You have the germs of what you like…”

Cleaning and placing my books on my shelf was like coming home. When I stood back and could see all that I’ve carried through my many, many moves, there was no doubt what I like, there is no doubt about what connects the many stars in my constellation.

read Kerri’s blogpost on THE DISH

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So We Do [David’s blog on Merely A Thought Monday]

When I began blogging nearly fifteen years ago I believed that I would in a matter of days run out of things to say. I’ve now completely flipped in my belief: not only have I not yet run out of things to say, I now know that there’s not enough time in my life to write all that I want to write. My list of ideas is longer than my remaining days.

Kerri and I through our Melange have been writing together for six years and eight months. We’re having a hilarious experience that is becoming increasingly more and more frequent. When we are with friends and family and start to recount a story from our recent past, they will cut us off and say, “Yeah, I read about that in your blog.” It always takes us aback and makes us giggle.

We are an open book – perhaps too open! But we also edit. Our posts are rarely longer than 500 words. We write snapshots, not totalities. We know that people in our social-media-world won’t read what we write if it’s too long. Each day we ask, “Is this too much?” or, “How can I condense this?” Each day we ask, “Should I stop here?” We rarely tell the full tale. There’s always a next thought, a detail, a longing…There’s always so much more to say, much more that could be written.

It’s become a gift to me, a reminder that I can never know the whole story of any other person’s life. The important stuff as well as the little moments can never be fully expressed. Feelings and yearnings can’t be captured in words. Poetry is the art of attempting to express the impossible.

Lately, after we hear once again, “Yeah, I read about that in your blog,” when we are alone, Kerri asks me, “Are we too much?” It’s become something of a ritual.

Are we too much?

Rilke wrote, “Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart…” This is what I know: we love to write together so we do. And, we love to share what we love. So we do.

read Kerri’s blogpost about A BLANK PAGE

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Simply Arriving [David’s blog on DR Thursday]

“Each one of us is the custodian of an inner world that we carry around with us.”
~ John O’Donohue, Walking in Wonder: Eternal Wisdom for a Modern World

In my early artist-life, showing my paintings threw me into conflict: I really wanted my paintings to be seen but I feared what they might reveal about me – namely, that I believed that I had no idea what I was doing. I was the poster child for imposter syndrome, a boiling bucket of self-doubt. I used to describe myself as having one foot on the gas and one foot on the brakes.

Even though I was surrounded by wise elders and insightful mentors who assured me that no one really knows what they are doing, my fear of exposure shielded me from their sound advice. I huddled behind a fortress of my own making.

We came upon the vibrant yellow leaves still clinging to their branches, seated next to a field of brilliant ochre and orange grasses. The shock of color was enough to drop me into the present which – as always happens when I become fully present – made the colors that-much-more vivid. Then, the yellow sent me through a time tunnel, a visceral memory of that younger version of myself working in a studio, nearly dancing, smearing yellow paint on an enormous canvas. He was completely in the moment, fully alive.

I wished that this older version of myself could have tapped him on the shoulder and said, “This is what makes you whole, authentic.” I would add, “Someday you will understand. Someday you will leave the fortress behind.”

There is a thread, a consistent truth, that binds us, the young artist and this much older version: this beautiful world has always had a way of shocking me into presence; I have always understood the capacity to be shocked-into-presence as a gift. It has has opened my eyes. It helps me see.

And, when I see, I disappear into “something bigger” than myself. The dance beyond striving. I am lucky: not everyone understands the power of not-knowing, the pleasure of simply arriving, fully alive.

Self Portrait on the Oregon Coast (circa 1988?)

read Kerri’s blog about YELLOW

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Voices Of Clarity [David’s blog on DR Thursday]

“A society must assume that it is stable, but the artist must know, and he must let us know, that there is nothing stable under heaven.” ~ James Baldwin (via The Marginalian)

We picked our window of time perfectly. We needed to walk, to get out of the house and breathe yet it had rained much of the morning. Antsy, we took a chance when there was a small break in the weather and headed for the trail.

We walked slowly. We kept an eye on the sky. We watched the next band of storm clouds roll in. It was beautiful. It was ominous. The rain came a few moments after we completed our loop, just as we were getting into the car. We laughed at our good fortune.

Some people take photographs to record events. Kerri, like all artists, takes photographs to feed her spirit. She sees beauty and the photo is way to connect or harmonize with the beauty. It is akin to a hummingbird drinking nectar. I watched her take photos of the coming storm. There was a fierceness in her posture. There was joy in the face of the tumultuous clouds. As I watched I remembered a conversation I had with Brad about the reason artists create. There is a precise moment for the child-artist that a spark lights a soul-fire. In my moment I desperately wanted to see clearly what was happening behind peoples’ eyes; behind my own eyes.

“Tyrants always fear art because tyrants want to mystify while art tends to clarify.”~ Iris Murdoch (via The Marginalia)

Later I looked at her photograph of the rolling storm and thought it a perfect image for our times. The storm is coming. Lydia wrote a comment musing about the surprise rise in prices the maga-faithful (and the rest of us) will experience when the people who pick our crops are deported. I responded darkly that the artists and intellectuals will pick the crops from their place at the corporate farm detention camp. Despots always have to eliminate voices of reason, voices of criticism and opposition. Voices of clarity.

Today, now, more than ever, I want to understand what-on-earth is happening behind peoples’ eyes. As I understand it, this is exactly the time, when chaos and deception rule the day, that artists get-crackin’ to clarify.

Icarus. 30.5″x59.5″, acrylic on canvas

read Kerri’s blogpost about THE COMING STORM

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Empty To Refill [David’s blog on Not So Flawed Wednesday]

Last week I wrote about a realization I had while cleaning my studio: I was cleaning it to close it for a while. As Karola used to say, “Let the glass go empty.”

The day my studio-cleaning-post published, we discovered a waterfall in the basement. Yet another waterfall. The waterline failed in the ceiling above my studio. More than a cleaning, the burst pipe facilitated a complete studio dismantling. My decision to let the glass-go-empty has some serious water-feature assistance.

My current hardcover sketchbook was directly beneath the break and was mush by the time we discovered the waterfall. My ancient beloved studio rocking chair was damaged to the point of needing a complete overhaul. Sometimes I am in awe of the sense of humor of the universe. The quirk of serendipity. There is no going back. There are metaphors a-go-go.

It will take awhile to sort out the wreckage just as it will take some time to completely empty-the-glass. Perfect timing.

In the meantime, fall is in the air. The leaves are changing. There is a call to the canyon lands that we will answer. There are walks to take. Space to create. Life to appreciate.

There is a glass to empty and to refill.

read Kerri’s blogpost about AUTUMN

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Let It Sit [David’s blog on Not So Flawed Wednesday]

Over thirty five years ago, people I loved, people who loved me, bought me an easel. It was a gift for my very first solo show. All these years later, it is the only easel I’ve ever had, the only easel I use. The only easel I will use. If the canvas is too big, if I can’t put it on my easel, I tack it to the wall.

My easel is well traveled. It moved up and down the west coast. It moved into and out of studio spaces. It rode in the truck to the midwest. It has hosted hundreds of canvases. It has become the Velveteen Rabbit of easels. It is no longer shiny and new. It is covered with layers of acrylic drips and splashes, the support stabilizer is bowed, I must be vigilant to keep it square. It is, I recently realized, my mirror image, my double-walker: I, too, am covered with drips and splashes, my stabilizer is bowing, and I am constantly vigilant about keeping myself grounded and square.

A few days ago, during a studio clean, I decided it was time to do a bit of easel excavation and repair. The build up of acrylic paint on the bottom canvas holder is…prodigious. I wasn’t prepared for what I was about to experience. As I peeled back the layers of acrylic, I unearthed the layers of my creative life. The layers of my life. I could literally associate the colors of the acrylic strata with specific paintings, with specific eras, with foibles and triumphs, despair and new hope. There were many many layers. It was like reading a diary, a life review in spatter.

Tom McKenzie taught me that in order to invite in new energy it is sometimes necessary to close the shop. Lock the door and let it sit. Make space. Time and patience will loosen the grip of old ideas, stale patterns – and open pathways to fresh possibilities. I’ve followed his sage advice twice before. Once I stopped painting for a full year. I not only closed the building but I burned the paintings. In both cases, locking the door was followed by a renaissance, a surge of new and surprising work.

I saw the story of my twice-artistic rebirth as I slowly peeled the history from my easel.

And, as I stripped back the layers of my life, the full understanding of what I was doing settled in. I am cleaning my easel in preparation for my third closing of the building. I am cleaning it so it will be ready for that day-in-the-future when I unlock the door. Spacious and rejuvenated. I have been fighting it. I have been angry about it because I feared it – I always fear that the muse will leave and never come back even though I know in my bones that the muse is the wise-voice asking me to breathe, to make space. Now, as is always the case after a few years of fighting a losing battle, I am accepting it. It’s time to lock the door. Empty the glass. Let it sit.

read Kerri’s blogpost about SPACE

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