Color It Vivid [David’s blog on Two Artists Tuesday]

These two beauties are Black Swallowtail butterflies in the making. Caterpillars that look as if some artist applied yellow and green paint pens, decorating their black bodies with line and dot. The pop of vibrant color drew our eyes and brought us to our knees to investigate. “Unbelievable!”

I felt the same way the day we saw the orchids at The Chicago Botanic Gardens. The shock and variance of vivid color challenged my dedication to the notion that mother earth paints exclusively in earth tones. She does not. Her palette extends from neon to neutral, her color combinations are as enthusiastic as they are subtle.

I am aware that the further I walk down this life-road, the more I see – or am able to see – the feisty mix of color calling from the hummingbird and cardinal, the caterpillar and coneflower, the sunset and sea foam. I know they’ve always been there. I’ve always appreciated them in a passing way. Now, they catch me in their color-nets and hold me captive. My eyes are willing prisoners. “Unbelievable,” is my patent sigh and I find myself grateful beyond words that I have access to a world that spins color beyond my tiny expectation, my limited belief.

read Kerri’s blogpost on COLORFUL CATERPILLARS

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Burst [David’s blog on KS Friday]

If there is a metaphor for Kerri and me, it is this. A seedpod filled to bursting, ready to release into the world an abundance of the new.

We write more than most people care to read. I’ve calculated that, at this point, we’ve written the equivalent of ten full length novels. We have readers all over the globe – yesterday someone in Mongolia showed up. “Why would someone in Mongolia want to read what we write?” we asked, delighted. No matter. It’s what happens when you love what you are doing.

Yesterday, in a fit of no-duh, I reformatted the Smack-dab page on our site so it might be readable (I’m not sure what took me so long…) and I was astounded at our output. I fell into it. Smack-dab joins the comic canon of Chicken Marsala, Flawed Cartoon, At the Door, Flip, and the KnowNow series.

We love to share what we love. Sometimes I see-just-for-a-moment that our ordinary is extraordinary.

We have the third of Beaky’s books to produce. Kerri’s written a children’s book that someday she will allow me to illustrate. I have new ideas every day that get written on slips of paper and tossed in a bin called Someday.

Our Roadtrip is ready to roll and join The Lost Boy in our canon of plays performed together. I am working on a draft of a new play that I’ve been thinking about for years. I allow myself an hour of space away from the job hunt to write or work on a scene. One scene a week. I’m awaiting the decision whether or not my Last of the Old Gods will be rescheduled into the PCO season. It’s a timely story. It needs performing and I need to perform it.

Kerri stares at her piano. There is so much more music to make. I know it. She knows it. I can personally attest to the fact that some of her best vocal pieces have yet to be recorded. I am the sole recipient of such riches.

Each day I stand in my studio and close my eyes and feel the pulse. There are so many more paintings to paint.

Years ago, Joyce, staring wide-eyed into my future, said to me: You express what is true. You reach people through their hearts. You help them to believe.

It’s not a career. It’s an imperative. Seedpods. Ready to burst.

That Morning Someday/The Best So Far © 1995/1999 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about SEEDPOD

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Give It Shape [David’s blog on DR Thursday]

Learning to draw begins – or it did for me -with seeing shapes. Cones and squares and spheres. Shape is the first illusion to acquire.

Lately, I am spending an inordinate amount of time revisiting “beginnings.” My beginnings. Our beginnings. We open bins long stashed in the basement, the musty vaults securing evidence of our passage. We dig through the artifacts and discuss what gave us shape.

Important people shaped us. Many unimportant people shaped us, too. Circumstance and serendipity chipped away the stone that now reveals who we think we are. Shape, I am learning, is as much about what we hold onto as what we determine to let go. At long last setting down a closely held burden creates inner space, shape by another name. Picking up the burden of another to help them with their load necessitates a change of shape inside and between.

I recently decided that it was time to go back to basics. I have my sketchbook close at hand. I’m paying attention to shape, both inside and out. I wonder what I have forgotten about shape and what I need to re-member. If shape, in all its permutations, is the first illusion to acquire, I suspect it is also the last illusion we learn to release.

Some themes remain incomplete. I’ve painted this series-of-shapes over and over again.

my online gallery

read Kerri’s blogpost about SHAPES

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Be Unbearably Small [David’s blog on Two Artists Tuesday]

“We fought so long against small things that we became small ourselves.” Eugene O’Neill

“On my last day of work, the back wheels of my car won’t be out of the parking lot before they erase everything I’ve worked for,” Tom said. He was right, of course. I was there and witnessed the dismantling. His words were not resentful. They were matter-of-fact. He helped me understand that a life’s work is not about achievement. Rather, it is about integrity of process. Relationship. Bringing instead of getting.

“I’ve fought my battles. It’s time for someone younger to pick up the fight,” another in my tribe of dear-wise-guides reminded me when I was pushing him hard to care. I am a few years down the road now and I understand to my bones his position. I have limited time here. I have (mostly) turned my eyes away from the fight and toward the wonder-of-it all. I have no idea how to paint it so I am reticent to touch my brushes. How do you contain – or try to contain in an image or word – the inexplicable? It’s the artist’s dilemma and I love it.

Sitting on the back deck staring into the pastel sky, I thought about their words. Quiet summer nights are prime for reminiscence and reflection. I thought about the battles I have fought in my life. The hills I chose to die on. The art meant to heal or change or provoke. To reach and touch a heart. To shake a sleeper awake.

I have been fortunate to have had such wise guides showing me the way. To give me the rare gift of perspective. I am fortunate to understand how unbearably small I am in this limitless universe. Were I to believe myself grand I would not have access to the awe of this summer night, this rolling pastel sky.

read Kerri’s blogpost about the PASTEL SKY

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*happy birthday, columbus.

Arrive At Wisdom [David’s blog on DR Thursday]

The meeting of sand and surf. In the children’s-book-of-my-mind, at the beginning of the story, sand and surf have completely different points of view. They have radically different understandings of each other and opposing orientations to ebb-and-flow, to the movement of the earth and their place in it. They insist that they are in conflict.

And yet, they meet. Every day. In the story of sand and surf they eventually learn that they can focus on their differences or they can focus on what they have in common. They are surprised to learn that one could not know itself without the other. They are gobsmacked by the knowledge that one would have no purpose without the other! In fact, they would have no identity without the other!

With their new understanding, sand and surf begin to ask a different question: who do they want to be together.

At the end of the story, the climax of this children’s tale, they come to understand that their reason-for-being is each other. They are not, in fact, separate. They are symbiotic. They transform each other in their mutual dance. Thus, they arrive at wisdom.

Sand and surf. Harmony, in the children’s-book-of-my-mind. Nothing really changes other than their choice of where to focus. And then, of course, everything changes.

my favorite illustration from Lucy And The Waterfox

Peri Winkle Rabbit Is Lost. A book I wrote and illustrated for a hurricane Katrina relief project. The organizers asked for an original story to help children understand and cope with loss. Original illustrations, no copies. I loved making this little book and i hope some child, somewhere, now an adult, loves it, too.

My gallery site

read Kerri’s blog post about SAND AND SURF

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Find Up [on KS Friday]

We almost turned around. From the path we could hear the large earth movers rolling up and down the beach. “They’re working,” she said. “Why are they working? It’s the weekend!” Beyond the beach, massive cranes plucked unthinkably large stones from barges and placed them onto the breakwater. We decided to take a look. Maybe we could find a quiet spot at the far end of the beach. The day was scorching. We needed to put our feet in the water.

We stepped around the “Stay Out! Under Construction” sign. Considering who we’d call if arrested, we climbed the hill through the brush and tall grasses before emerging onto the beach. We stopped and laughed at what we saw. The far end of the beach was packed with people. A party boat was anchored just off shore. Jet skis parked at the shoreline. A family hauled in a barbeque. A man threw balls into the surf for his Goldens to retrieve.

“I guess we won’t be alone in the jail.” Our rogue fantasy blushed and vanished.

After wading in the water we spread our towels in a shady spot just beneath the weathered trees. We watched the massive machines construct the breakwaters, a tug boat deftly spun a rock laden barge into the queue. I wondered how the tiny boat could possibly move the massive barge.

Kerri lay back and shot photos of the clouds. She captured our sentinel tree in a few shots. One shot immediately brought to mind an early Georgia O’Keeffee painting. The Lawerence Tree. Georgia stayed at DH Lawerence’s ranch on a visit to New Mexico. At night she’d lay back on a bench beneath a huge pine tree. She painted what she saw. Google the painting and you’ll learn that there’s some confusion: what is the top of the painting? I prefer the trunk of the tree coming from “the top,” just as in Kerri’s photograph.

In the archive I have a few of those confusions. One painting in particular, Earth Interrupted VI, Kerri suggests that I painted it upside-down. “Green at the bottom. Blue at the top.” It’s not a unique problem. Many great masterworks spent decades on their heads before someone noticed and flipped them.

“It’s nice,” I said of her photograph. It perfectly captured the theme of the day. Upside-down. Expect solitude and find a crowd – yet in the shade we found sweet solitude. Believe you are going rogue only to discover you are merely one of the pack. The plan for the day fell apart and led us to the beach and this moment of rolling upside-down surprises. “I’m glad we did this,” I smiled, laying back to see what she saw, to wonder if I have ever really known which way is up.

each new day/right now © 2010 kerri sherwood

Kerri’s albums are available in iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE TREE & SKY

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Bring It To Life [on saturday morning smack-dab.]

We’re staying put this summer. Circumstance requires it though that hasn’t put a damper on our capacity to dream. “If you could go anywhere right now, where would you go?” For us, it’s a daily game and fun to play.

Kerri and I are roadtrippers. New experiences feed our imaginations and our artistry. Kerri imagines composing with her piano firmly seated at the edge of the canyonlands. I imagine a series of artist-residencies providing stops along the way, taking us to beautiful places to create, stir the pot, meet new people, ignite ideas…

It’s a great dream. Our job, as we see it, one way or the other, is to bring it to life.

read Kerri’s blogpost about TRAVEL DREAMS

smack-dab. © 2023 kerrianddavid.com

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Whack! [on Merely A Thought Monday]

This is a tale of coincidence.

If you want to learn some great Italian recipes – or just simply want to pick up some great cooking tips, visit Sip-And-Feast. We stumbled on their YouTube channel a year ago and have been desperately hungry ever since. We fantasize about making a trip to Long Island and showing up on their front stoop just in time to taste test their latest recipe. We don’t care what’s cooking since everything they make looks delicious.

I howled with laughter in a recent installment when Tara Delmage suggested whacking mint leaves to release their oil. My current two-pages-a-day-book is called A Whack On The Side Of The Head: How You Can Be More Creative. In an instant I imagined people as mint leaves needing a whack to release their creative-impulse-oil. It was a hilarious image.

It was an accurate image, too.

I’ve coached a lot of people in my life. The pattern is explicit. Erecting barriers against creative impulses comes standard in all human beings. As social animals, conformity is a vital skill. Fitting-in equates to survival. The dark-side of fitting-in is the requirement of walling-off natural expression. It’s why so many people seek their voice or try to find the time but never find the time to write their book or paint their painting. It’s scary to step out of line.

It’s the reason artists are often seen as wild or dangerous: they exercise the muscles of free expression. It’s also why artists are essential: they counter-balance the conformity. They open doors in the wall. They serve as a gravitational pull toward the mint-oil of natural creativity. They know the secrets of a good whack on the side of the head. They know the right moment to deliver the shock. They know when to encourage chaos and when to infuse some order. The push-me-pull-you of progress.

From the wisdom of Sip-And-Feast I can now offer this piece of solid advice: go make yourself a nice limoncello spritzer. The recipe for the spritzer will provide you all the information you need to pop open your creative flow.

Bon appetit!

read Kerri’s blogpost about MINT LEAVES

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Follow The Popcorn Trail [on DR Thursday]

More than a decade and a half ago, a friend, a mystic, gave me a short-hand for my ikigai, my life-purpose. We were having a casual conversation when she got that look in her eyes. Nodding to some whispering voice I could not hear, she turned to me and said that she saw no career for me. Mine to do, my job, had (has) three aspects: to express what is true, to reach people through their hearts, to help them to believe (in themselves).

I confess to being a bit distraught at the “no career” part of her message. “What about my career as an artist?!” I wanted to protest but kept my panic to myself. I wanted her to ask the future a surprisingly pertinent question: In the absence of a career, how will I make a living? I kept that question to myself, too. I knew what she was telling me was true. Apparently I will bushwhack my way through life to the very end.

I thought about our conversation, her message to me, this morning while staring at Kerri’s photograph of green teasel. Staring at our prompts I never know what will pop into my mind. I never know what popcorn trail I will follow when we sit down to write. I am constantly surprised by the memory or idea that reveals itself. It’s akin to consulting the oracle: Why did this memory flood my heart and overtake my mind while staring at green teasel? It’s why I love writing our posts: the cultivation of surprise.

Looking back I have to admit that the whispering voice was spot on. When we write – and we write together every day – my hope is to reach people through their hearts. We laugh because I am much more “heady” in my writing than Kerri, who is all heart. Perhaps the whispering voice saw clearly our daily dedication to writing. Expressing my truth in word and image. It is the singular constant in my otherwise seemingly incoherent passage.

Wild teasel is a medicinal plant. In an age before modern medicine I would have sought it to treat my Lyme Disease. It’s an anti-inflammatory so I’d make a tincture to help my aching joints. I’d be filled with the wisdom of self-healing, connected to and grateful for the plants that surround me.

Perhaps that is why wild teasel inspired a memory of my mystic friend? An oracle. Nature’s healing. The sagacity of hindsight. Grateful for the wisdom and good hearts that surround me. The willingness to follow the popcorn trail, especially when it makes absolutely no sense, but knowing in my bones that it will lead to a delightful surprise: a memory of Ikigai revealed. A worthy life-purpose that can only be found in giving your gift to others.

read Kerri’s blogpost about TEASEL

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Ponder It [on DR Thursday]

As you know, Breck-the-aspen-tree almost didn’t make it. Three years in a pot and one ill-conceived planting in the backyard left our poor Breck withered. A new spot in the yard restored Breck’s health but her growth was minimal. We removed dead branches. We assumed we’d stunted Breck’s growth so she would always be beloved and diminutive.

And then…It seems Breck is growing an inch every day. We began the summer looking down at her. Now, we crane our necks to see the new leaves sprouting at the top of her gangly reach. We joke that Breck is doing her Jack-In-The-Beanstalk imitation, though, at this rate of growth, it’s no joke. I confess to having a sit-down chat with her, cautioning her to not grow up too fast.

Last night I was awake most of the night. I thought about Breck and new growth. I thought about the cicadas, a surprising new form emerging from a discarded old body. I hoped against all hope that nature was talking to me, sending me a message. Be patient. All in good time. I’ve been sitting in the hallway for a very long time.

Perhaps, like Breck, I too am waiting for the optimal time, some intrinsic trigger and, suddenly and without warning or inhibition, I will reach to the sky. Perhaps, like the cicadas, in a moment of surprise, my new form will burst out of the old body, amazed at the sudden addition of wings.

In the meantime, I continue to do as I was taught: my job is to “put it out there”. The rest is out of my control [meantime: the intervening time. The hallway]. The operative word is “it”. It. I write and publish almost everyday. I paint and publish. We cartoon and publish. I toss resumes into the wind.

In the dark of night, thinking of aspen trees and cicadas, I ponder worthy questions. Breck needed assistance to move to new soil and then required recovery time. Storing energy for the right moment. The cicada lived underground until it felt an internal imperative to climb – an imperative that I imagine made no sense but had to be heeded just the right moment. For me, if nature is talking to me, it has me pondering what else – that I’ve not yet considered – might “it” be that I should “put out there”? Or better, does “it” matter at all? Perhaps all that I lack is the right moment. And there’s nothing to be done about that.

weeping man, 48x36IN, mixed media

My Site. Up and Running. At Long Last.

read Kerri’s blogpost about BRECK

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