Emulate Martijn [on Merely A Thought Monday]

I have a theory about why so many of us are addicted to Martijn Doolaard’s weekly installments. He’s rebuilding two stone structures, turning them into cabins, on a remote mountainside in the Italian alps. He confirmed my theory this week at the very end of installment 76. Responding to a question from his viewers he said something akin to “I focus on the process and not on goals.”

It’s magnetic. Presence.

Effortless action is a concept in the Buddhist tradition and Martijn is a stellar example. The work is heavy, dirty and sometimes impossible, yet he rarely seems stressed or burdened. He is never in a hurry. He is present in his task. He’s not pushing for an outcome or holding himself to a schedule. He’s creating a process that is as elegant as it is efficient, fully engaging the task at hand. He’s a craftsman from another era. No resistance to “what is”. Consequently, he achieves more in a week than most people realize in a month.

And, amidst the dawn to dusk workdays, he films the process. Beautifully.

His work is his meditation.

Watching him build a stone arch doorway for his utility shed, I had a minor revelation. Most, if not all, spiritual traditions embrace a version of “make no assumptions.” The absence of assumption is presence. The lilies of the field. The release of control. Flow. The path of least resistance. Deal with what is there, not what you think is there.

We watch Martijn because we desire to know what he knows. We desire to work as he works. Why is he never exhausted? How is it possible for him to bake bread over a fire, make beautiful meals, after a full day of digging in rocky soil and hauling impossibly large slabs of stone?

Whether the task is answering 150 emails or lifting a one ton stone from the roof of a shed, his answer is abundantly clear. Make no assumptions. Release the notion of where you should be and be where you are. Beautifully.

read Kerri’s blogpost about NO ASSUMPTIONS

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Come Home [on saturday morning smack-dab.]

It’s a big day. Kerri has lived in this house more than half of her life. I am approaching a decade in our home. In other words, I’ve lived in this house longer than I’ve lived anywhere in my adult life.

The first moment I stepped foot into this house I felt and saw in my mind the word, “Home.” It unnerved me a bit since, after several months of correspondence, Kerri and I had only just met in person. Also, I was a dedicated wanderer, the kind that is never lost, so I didn’t believe I would ever experience the feeling of “home”. It wasn’t in my cards.

Life changes fast. That first night we crawled out a second-floor window, sat on the roof and sipped wine. It was cold so we wrapped ourselves in blankets. I’d been waiting my entire life to find someone who wanted to crawl out the window with me. Home. My wife and our house. Inseparable stories woven together through time. I am unbelievably fortunate that her house has become our house and it loves us as much as we love it.

Home. I feel it. It was in my cards all along.

read Kerri’s blogpost about HOME

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Feed The Ammals [on KS Friday]

Cris wrote that a bunny comes to their back door each day and Brenda feeds it by hand. “I want to feed a bunny by hand!” Kerri pouts and looks at me with the look, which means I am supposed to do something about it. My head fills with images of unsuccessful bunny wrangling, ridiculous bunny coercion techniques, failed bunny temptation – and then I race to write down my mad imaginings since they’d make fine smack-dab cartoons.

This is the year of the bunny in our backyard. We’ve never had rabbits-in-residence until this summer. As we wrote earlier in the year, we discovered a bunny nest in the tall grasses beneath Breck-the-aspen-tree. Dogga has been on constant sniff-patrol and is consistently outsmarted by the bunnies. My favorite was the day he stared intently at the last-known-bunny-location while the bunny circled around and sat behind him, watching Dogga watch.

The bird feeder is an attraction for all kinds of ammals (animals in Jaxon-speak). Chipmunks and squirrels are regular raiders. The wrens and finches and cardinals toss seed to the ground so there’s plenty for everyone. The bunnies are regulars, too. It’s a well-ordered united nations under the feeder. I am of the opinion that diplomats could learn a thing or two from this happy gathering of critters. The pie is not limited in the ammal-kingdom (I know, I know. Idealist…)

We have a suspicion that the mother bunny – or another mother bunny – is rebuilding the nest. Kerri quietly checks the tall grasses a few times every day. “Maybe you should sit there with snacks at the ready,” I suggest. “If you’re the first thing the baby bunnies see in the world they might take snacks out of your hand.” She wrinkles her brow, completely rejecting my bright idea. “Just a thought,” I say. “Hey, I’d bring you wine. And a blanket!” Her eyes narrow, a sign of imminent peril if I persist.

I race to the notebook to record another fantastic-true-to-life-smack-dab idea.

and goodnight/and goodnight © 2005 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about BUNNIES

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Ponder It [on DR Thursday]

As you know, Breck-the-aspen-tree almost didn’t make it. Three years in a pot and one ill-conceived planting in the backyard left our poor Breck withered. A new spot in the yard restored Breck’s health but her growth was minimal. We removed dead branches. We assumed we’d stunted Breck’s growth so she would always be beloved and diminutive.

And then…It seems Breck is growing an inch every day. We began the summer looking down at her. Now, we crane our necks to see the new leaves sprouting at the top of her gangly reach. We joke that Breck is doing her Jack-In-The-Beanstalk imitation, though, at this rate of growth, it’s no joke. I confess to having a sit-down chat with her, cautioning her to not grow up too fast.

Last night I was awake most of the night. I thought about Breck and new growth. I thought about the cicadas, a surprising new form emerging from a discarded old body. I hoped against all hope that nature was talking to me, sending me a message. Be patient. All in good time. I’ve been sitting in the hallway for a very long time.

Perhaps, like Breck, I too am waiting for the optimal time, some intrinsic trigger and, suddenly and without warning or inhibition, I will reach to the sky. Perhaps, like the cicadas, in a moment of surprise, my new form will burst out of the old body, amazed at the sudden addition of wings.

In the meantime, I continue to do as I was taught: my job is to “put it out there”. The rest is out of my control [meantime: the intervening time. The hallway]. The operative word is “it”. It. I write and publish almost everyday. I paint and publish. We cartoon and publish. I toss resumes into the wind.

In the dark of night, thinking of aspen trees and cicadas, I ponder worthy questions. Breck needed assistance to move to new soil and then required recovery time. Storing energy for the right moment. The cicada lived underground until it felt an internal imperative to climb – an imperative that I imagine made no sense but had to be heeded just the right moment. For me, if nature is talking to me, it has me pondering what else – that I’ve not yet considered – might “it” be that I should “put out there”? Or better, does “it” matter at all? Perhaps all that I lack is the right moment. And there’s nothing to be done about that.

weeping man, 48x36IN, mixed media

My Site. Up and Running. At Long Last.

read Kerri’s blogpost about BRECK

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Sail Toward It [on Not So Flawed Wednesday]

Gordon MacKenzie ends his wise little book with this: “You have a masterpiece inside of you, too, you know. One that is unlike any that has ever been created, or ever will be. And remember: If you go to your grave without painting your masterpiece, it will not get painted. No one else can paint it. Only you.”

His analogy – his encouragement – is to let go of others’ expectations and paint your painting, not the paint-by-number painting that you think is required of you.

I wrote this note to myself over ten years ago: you do yourself a terrible disservice to doubt what you know.

I know the world is round. If I set off on an adventure to the unknown I will never touch the horizon. It will always call to me. And, if I sail toward it long enough I will arrive back where I started. Home.

If I believed the world was flat, I would delude myself into thinking that I could catch the horizon – and touch it – merely a moment before I sailed over the edge and into the dark abyss. I know this: no one holding a flat world belief will knowingly sail toward the horizon, the great unknown. That would be crazy! No one willingly sails into the abyss. Better stay safe in the harbor! Color within the lines!

Masterpieces are made by sailing into unknown territory. Releasing control and discovering what’s just over the horizon. And, what’s just over the horizon is more horizon! More questions. More experiences. More discoveries. More tastes. More textures. More sounds. And, to sail toward the horizon with abandon first requires an understanding that the world is round. It is all horizon.

Paint-by-expectation is the road of a flat-earther. Perfection is a false horizon. Try to touch it and the abyss is yours.

Young artists jump back and forth between the flat and the round earth philosophy. They have to. Vulnerability is a learned skill and comes easily when the quest to touch the horizon is abandoned. In other words, painting a masterpiece comes when the quest for a masterpiece is ditched. When making a mess takes precedence over “doing it right.” When following your bliss determines the rules you uphold.

It’s counterintuitive. There’s a place where control and freedom blend into one. You’ll find it when you aim at the unattainable horizon.

read Kerri’s blogpost about THE HORIZON

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Join The Kerfuffle [on Two Artists Tuesday]

Rob and I have been having a text conversation about AI. For him, an Orwellian curtain is descending. For me it’s a pattern: progress that pushes people into the unknown always ignites a kerfuffle.

Months ago Skip suggested that I jump into the dialogue raging around phrase engineering for AI. Basically, people learning better ways to ask the technology for more efficient and effective results. As a visual artist and a writer, he believed I might be able to stand with a foot in both evolving camps. Cross disciplines. I thought about it. Read everything I could find. I decided against. As an artist, someone who’s taken his artistry into the wilds of organizations, education, change initiatives, DEI, intercultural communication, coaching, software start-ups…a cross-pollinator – I’ve shouted my perceptions at the top of my lungs but rarely found ears that would or could listen. Why should an engineer listen to an artist? Why should a CEO give credence to a theatre artist? There are many many reasons. The notion of doing the same old thing in the same old way in a new context made me…tired.

What is a new way?

I’ve read that the mission of the industrial age was to create technology capable of sparing or lessening human physical labor. The mission of the information age is to create technology capable of sparing us from the rigors of thought. All in service of making life easier.

My last exchange with Rob led me back to Neil Postman’s short forward to his book Amusing Ourselves To Death. “Huxley feared we’d become a trivial culture…” Rereading the forward I thought, “Spot on”. Among the many upsides, having something or someone else think for you definitely has a downside.

Perhaps our AI era will hold up a mirror so we might better see ourselves as part-of rather than separate-from. Perhaps all the space we gain in our brainpans, as we are spared the rigors of thought, will open new frontiers. It always has in the past. In a miracle of biomimicry, one of Skip’s creations in our start-up was a social network view: a visual of personal connectivity, an active map of all the people a user communicates with. The lines of connectivity were profoundly meaningful to me. The ability to see the thriving network active in my working life was a revelation. A pulsing flower, a wild carrot of interconnectivity. I appreciated my peers – my support system – in new ways because I could see them. My social network view made it undeniable: nothing I do, nothing I think, is independent of my community. We create.

Growth and learning is always in the direction of the unknown. Whether we realize it or not, even amidst the greatest kerfuffle, we take these bold steps together.

read Kerri’s blogpost about WILD CARROT

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Take Another Look [on Merely A Thought Monday]

I am surprised that our favorite go-to trail is the yellow route at Des Plaines. The first time we tried it, years ago, we were swarmed by mosquitoes from beginning to end. We ran-walked, swatting the air the entire way. Kerri stopped to take a photograph and I lost site of her in a mosquito cloud. It was a scene straight from an Alfred Hitchcock movie. We swore we’d never go back.

I have no memory of why we gave it a second try. How long was it after the first very-bad-no-good-mosquito-fest? I can’t remember. I only know that I’m grateful that we challenged our first impression and gave it a second chance. It has become our solace, our reset on a bad day. It is the place where we walk away our troubles and talk through our tribulations.

Over time we’ve learned it. We know its rhythms. We know when and where we are most likely to see deer. We know when the cranes will pass through. We know when the turtles will emerge. And, we now know when to avoid it. It has become a significant part of our story.

As we walked it yesterday, in the hour before the mosquitoes come out, I pondered how many opportunities and rich experiences I’ve missed because of a bad first impression. A useful mantra popped into my head from my days facilitating DEI workshops: have your first thought and work on your second. In other words, doubt what you think. First thoughts, first impressions, are often sandy soil.

A single experience is a very small test sample. Give the trail another hike. Go at dawn or dusk. What’s true in spring is different in fall. The same is true with people. I’m an introvert and generally make a lousy first impression. How fortunate am I that others decided to give me a second chance?

Of course, the fly in the ointment of this thought-train is mosquitoes. I have no need to give them another look!

read Kerri’s blogpost about MOSQUITOS

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Line Up [on saturday morning smack-dab]

Costco. Waiting for the next batch of rotisserie chickens. People gather. Like racers at the starting line, chicken-shoppers jokey their carts for prime position. We call it “The Chicken Line”.

While we are in the Chicken Line, I people-watch. I look at faces, changing like the moon as they review their shopping list or life-choices.

Kerri talks to people. She makes friends. She makes people laugh. It’s not unusual, as we depart the Chicken Line with our newly acquired hot bird, for her to wave and call out, “Nice talking with you!”

“See you next time in The Chicken Line,” the stranger (to me) replies and giggles.

“Do we know her?” I ask, oblivious.

“We do now.”

read Kerri’s blogpost about THE CHICKEN LINE

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Appreciate The Caper [on KS Friday]

Kerri’s photos serve as our writing prompts. Sometimes I know exactly what I want to write about. I lead. Sometimes, like today, I stare and follow the first thought that comes to mind, whether or not it makes sense. I let the thought lead me.

Sometimes I follow. Sometimes I lead. Inevitably, during the writing, the process flips. The follower takes charge and leads. The leader gives over and listens. It’s a nice description of a creative process, a tennis match between the intuitive and intentional.

Today’s first thought? It’s perfect design. A still shot masks the truth that this flower is designed for motion. Time-lapse photography reveals the pulse of life, opening and closing. Petals and sepals, pistils and stamen, folding and unfolding with the delicate movement of the planet spinning around the sun. And those tiny hairs on the stem and sepal? Trichome – absorbing life, protecting the dance.

It occurs to me that the word “design” implies a designer and there we go again bumbling into the morass of the godhead. How to explain such perfection? This miracle of life, utter interdependence, as seen in a purple coneflower.

Perhaps it’s enough to acknowledge that my mind is way too limited to grasp the enormity of the concert. I dabble in the power of imagination but will never grasp the infinite, contain the uncontainable, neither in word or way.

Perhaps my desire to affix a definition to the undefinable, to understand the boundless, is no different than staring at a writing prompt. Sometimes I know exactly what I want to write. Sometimes I have no idea. Sometimes I lead. Sometimes I follow. Intuition dances with intention yet neither are capable of explaining the boundless, of measuring the immeasurable, describing the indescribable.

It is enough to perform my part and fully appreciate the caper.

silent days/blueprint for my soul © 1997 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about CONEFLOWERS

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Look Both Ways [on DR Thursday]

I love our smack-dab cartoon. In a cartoon, dogs can talk, people can transmogrify, we can laugh at the worst of ourselves and reveal the best of ourselves. In other words, anything is possible. I think that’s why cartooning has long been an aspect of Kerri and my relationship. Anything is possible.

Our first cartoon idea popped up when we were punchy on a roadtrip. We asked a “what if” question. What if we’d met earlier in life and had children. What would we have named our little pot roast? Miles of hilarity ensued because we landed on Chicken Marsala. Our boy Chicken was born and for the rest of the trip, the voice of our imaginary child chimed in with commentary about his parents. We submitted five rounds of Chicken Marsala cartoons to the syndicates. Chicken strips and single panel Chicken nuggets (clever, no?). The imaginary child of two artists who met late in life. What a great premise! Especially since the two artists were hot messes and the child was grounded, capable of scaring them into sensibility and taunting them into play. Idealists, all.

It used to be that when I asked a “what if” question I zoomed into the outer reaches of inner space. That’s still true though now I have a second, equally powerful path to imagination. Look close-in at the miracle shapes of plants. Look close-in at the worlds at play all around us. I give full credit to Kerri’s compulsion to photograph minutiae. “Lookit!” she proclaims and shows me a miracle image. I’ve picked up the pattern. I rarely photograph what I see but I am just as apt to look close-in as I am to fly into the Netherworld. I am on a daily basis gobsmacked by color or texture or shape or sound or smell or taste of this amazing world. Look at the lavender! Just look! No, really. Slow down and look.

This morning I read a definition of imagination: thinking that is not bound by real world constraints. I wanted to add this: senses that are capable of experiencing real world detail.

It’s a great polarity, the spectrum of potential between “anything is possible” and “I never could have imagined it.” Chicken tried to tell us to look both ways but, you know, it’s harder than you think to listen to your imaginary child, especially when they understand more about life than you ever will.

my perpetually almost but not quite as yet incomplete holding pen of a website

read Kerri’s blogpost about LAVENDER

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