Cheer The Artist [on Merely A Thought Monday]

Even with our earplugs, the music was loud. Our son was the artist on stage, his spontaneous composition making movement irresistible. We danced. The crowd whirled and cheered. I was proud. It was the first time we’d seen him perform live. He was fully in his element. This is what he is supposed to do: Make music that sets people free.

In our current world I can imagine nothing more potent or necessary. I wish his music might reach into the cold heart of Texas, dispel the manufactured fears of Florida. I hope his music rattles the foundations of the tightly held and airless “norm”. It is imaginary. Norm depends upon where you stand and, last I knew, there were many places to choose – all of them central to one. I will cheer on the day that his music pierces the veil of man-made-ugly-and-exclusive rules that are attributed to one angry god or another.

The best artists practicing the best of their artistry erase boundaries and lead people into their shared, common center: a place called love. It’s a boundless place, a place where people celebrate each other, where people dance for the joy of being alive, for the deep appreciation of being-just-who-they-are: unique in all the universe.

I saw it this weekend. Of the artist and the bountiful revelers I can truly say I am Proud.

read Kerri’s blogpost about PROUD

Enjoy The Mountain Calm [on saturday morning smack-dab.]

This one is for my dad. Actually, this one is from my dad. He was in his happy place when he had a line in the water. Catching a fish was not nearly as important as the peace and quiet he experienced while fishing. He had a special spot on the lake; the door to his sanctuary was a fishing pole.

One of my favorite memories is of the day that Columbus taught Kerri to fish. I sat on a rock jutting into the water and watched two of my favorite people enjoy the mountain calm. Late summer breezes fluttered the aspen leaves. The ziiiing of the cast. The plop of the bubble hitting the water. Click. A slow reel in. Repeat. No place better to be. Being there – and nowhere else. What could possibly be better than that?

read kerri’s thoughts on this saturday morning smack-dab.

smack-dab. © 2023 kerrianddavid.com

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See The Best Of Good Things [on KS Friday]

The world does not stand still for anyone. When Craig led us down into his studio I felt as if I was living a fable by Aesop. The same technology that essentially crashed Kerri’s career is now making Craig’s musical genius possible. Is it a good thing or a bad thing? “Well, that depends,” says the farmer to his fate.

I was witness to best of good things: the son, a consummate musician, sharing his artistry with his mother, a consummate musician. Craig showed Kerri how he creates EDM, electronic dance music. Layers upon layers of sound mixed and altered through digital magic. EDM is his passion. He comes alive when he talks about it.

EDM was not possible 20 years ago. Watching Kerri and Craig play in the studio together I remembered something that Kerri once said: “I feel like I was born 10 years too late.” Mourning the rapid change to the music industry, brought about by the advent of streaming services, she felt as if “her time”, the music that she most understands and resonates with, was the wave just in front of her. Analog. No acrobatics. Soulful. Her star was rising just as her business was washed away in the raging digital stream.

The music remains. It’s everywhere, available to anyone, anywhere. We regularly come across her pieces used in commercials or underscoring everything from tiktok moments to youtube tributes. She’s popular. She’s just not paid.

If she was born 10 years too late, then Craig was born right in his zone. Digital complexity. Fast-moving, multi-layered, the music of emoji attention spans. It’s thrilling, a sensory assault. Strategic and improvisational, both. Trance music for urban dwellers seeking a drumming-dance path to transcendence.

And, in the end, the essential eclipsed the gap of music styles and time: a mother who infused music into her son was elated as he, now a musician in his own right, immersed his mom into his music. It was thrilling to witness. A moment in rushing time. Ancient passage in a contemporary mask.

read Kerri’s blogpost about THE STUDIO

unfolding/as it is © 2004 kerri sherwood

Kerri’s albums are available at iTunes and streaming on Pandora and iHeart Radio

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Illustrate The Energy [on DR Thursday]

This afternoon I received a lovely email from John. He asked permission to use an image from my website, “…to illustrate what angel energy might look like.” I was delighted. The image he wanted to use was of my palette, a fantastic mess of swirling, colliding color.

It occurred to me that my palette is perhaps where I do my most honest painting (the action as opposed to a finished piece). I mix color on top of color. It’s a terrible habit and, if it becomes public knowledge, I’ll be banished from the art league: I never clean my palette because I love the paint build-up. It’s a history of the dance. It also grinds down my brushes. I love working with rough worn brushes. Don’t tell anyone.

“Don’t you love that he called your palette ‘Energy!'” Kerri said. I do. It brought to mind Jakorda Rai, a healer, a Balian that is significant in my life. He was a painter, too. His paintings were visual captures of the movement of energy in the body. A mix between solid structure and whirling flow. Color streams that resembled photos of distant galaxies. His pieces were unceremoniously tacked to the walls of the hut where he saw his patients. Spiritual healing; the art of moving energy stuck in an eddy. The art of regaining natural flow. Natural pace.

We walked through the city as night fell. Dinner was done and we had a train to catch. Kerri snapped photos along the way. The river. Reflections in the buildings. The ceiling of the train station. As she focused her camera, I watched the people hustling to the rhythm of the city. The pace is fast. The gestures emphatic. Aggressive. People racing to “get there”. Never here. It’s easy to get caught in the undercurrent. Hyped up. Swept away. I thought of Georgia O’Keeffe’s city paintings. Towering buildings reaching to the heavens. Hard linear thrusts obstructing the sky. “That’s why New Mexico was so appealing to her,” I thought. A different energy. Softer. Deeper. Ancient. Less eddy. Human scale and slower. A place to be still and meditate.

As we boarded the train Kerri said, “I like visiting the city but I like it better because we can leave it.”

I thought of a phrase I’d read earlier in the day in The Marginalian: “…our golden age of compulsive productivity at the expense of presence…” [William James]. “Sometimes it’s too much energy through the wire,” I quipped, suddenly yearning to move to New Mexico and walk the arroyos where Georgia painted. “Nothing between the artist and the stars,” I whispered, “…angel energy.”

angels at the well, 24x48IN, acrylic on hardboard (2 panels) © circa 2004

read Kerri’s blogpost about ENERGY AND STRUCTURE

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Dine With Jonathan [on Not So Flawed Wednesday]

I lost my copy of On Reflection by Jonathan Miller in one of my moves. He gave it to me. I treasured it both for the generosity of his gift but also a reminder of a night I had a casual dinner with an artistic giant. He was kind. And funny. And shared his ideas, thoughts and new work like an enthusiastic child. He listened intently to my ideas and thoughts like a fascinated friend. It is the mark of a great artist: humility. Healthy doubt. He loved his work and loved to share the exploration. He was brimming with questions.

I left that evening thinking, “I want that!”

That. Secure in my work. The playfulness of a child. The love of the exploration. The fearlessness to my bones knowing that each painting and every play is not an end in itself – not an achievement – but part of the dance of life on the playground called artist. Dedicated to asking questions. Dedicated to surfacing shared truth.

To Mary Oliver’s question, “What will you do with your one wild and precious life?” I say, I want that. Wild and precious.

That. It’s not an achievement; rather, it is a way of being. A practice. It alters Mary Oliver’s question: How will you be within your one wild and precious life?

Safe. Steady. Unshakable through dedicated practice. Arrived at through a lifetime of grace and humility. Or, perhaps, grace and humility arrived at through a lifetime of questioning. The certainty of doubt. That’s what I saw in Jonathan Miller that night. The paradox of the artist: security in vulnerability. To feel so safe as to play without inhibition. To express sans trepidation. To share and receive with equal enthusiasm.

It is a practice available when the artistry is no longer about the “I” but about the “we”. The bigger energy, call it what you will. It’s humbling. That.

read Kerri’s blogpost about REFLECTION

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Take Pride [on Two Artists Tuesday]

This is Pride month and, for myself, to the the brilliant rainbow flag I’m adding a metaphor: the circle.

The circle is a universal symbol and that is precisely the point. Ubiquitous. Common. Applicable to all.

Google the metaphoric meanings of a circle and you’ll discover simple, nonpareil aspirations. “The circle is both an image and metaphor of completeness and equality. There is both protection and democracy within its confines as people face each other without visual hierarchy.”

Completeness and equality. I rolled these words around a bit. Celebrations like Pride are how we strive to complete the dream of equality. Or, better: how the dream of equality strives to fulfill our founding intention. It’s written in our Declaration of Independence. We hold these truths to be self-evident.

Protection is a word but in practice it is among the deepest of human necessities. Protection is the gift of equal inclusion. Every single point on the circle is necessary; “…without visual hierarchy”. Inclusion has recently been made a tug-of-war term, a specter of the scary monster, Woke, but beyond the ruckus it is not an abstract highbrow concept. Not really. It’s a fundamental: a community that cares for its own. In tribal communities being cast-out is a fate worse than death. An outcast is never safe. Safety-for-all is among the aspirations of Pride. To come safely home. One need not be woke to grasp the concept. Compassion for others requires very little sophistication to grok.

And so, for me, I take Pride in the circle. That which leads back to itself, the original source. Our oneness. Our deepest humanity. Wholeness. Original perfection. Timeless. All the colors of the rainbow.

read Kerri’s blogpost about THE CIRCLE

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Name It [on Merely A Thought Monday]

The artist, Joe, had us write our names again and again until the lines lost their meaning, until we realized the lines were…lines. And shapes. Until we realized that our names were drawings. Unique and easy. His message? Everyone draws. And, more importantly though less obvious, the lines do not carry the meaning, the person infuses the line with meaning.

Visiting a pal in the hospital, I watched a heart monitor. More lines. Pattern. Waves. Visual indications of the drumbeat of the body. The drumbeat of the body propels the rhythm of the poet’s pen. Iambic pentameter. Short, loooong. Short, loooong. The poet’s lines reach through time and space, heart-meaning yearning to pulse through another person, to perhaps synchronize with their heart-wave pattern. Centuries may have passed between the inky scribbles from the poet’s pen to the person absorbing the meaning into their beating heart. Time travel. Ancient heart touches the living. “When to the sessions of sweet silent thought/ I summon up remembrance of things past…”

Watch a child learning to “write” their alphabet. Assigning meaning to shape. Crayon fist making lines. The refined adults see the shaky line as crude. Cute. Titanic imagination squeezes itself into alphabetic parameter. The little hand becomes a giver of meaning to shape and line. Expression. Learning to combine the limited shapes for greater and greater complexity. The conundrum: among the first lines we learn to scrawl are our names yet these few lines carry a question that can never be answered. Who am I?

The artist, Joe, had us dash off our names again and again until the lines seemed nothing more than a doodle. The meaning is not found in the lines; the lines and shapes merely point the way to the question.

read Kerri’s blogpost about THE CONTRAIL LINE

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Dance [on saturday morning smack-dab.]

We find that the balm to most of life’s greatest challenges is to dance. Anxious? Dance! Confused? Dance! Worried? Dance!

In truth, most of our worries, anxieties, and confusions don’t have a solution or a single answer. They are passing circumstance. Monkey mind run amok. Unsolvable dilemmas. In the face of uncertainty, quandary, or existential mess, it feels really good to dance. And that’s precisely the point. No sense to be made? Dance. Dance. Dance with the one you love! In the kitchen. In the front yard. In the airport.

And, isn’t that the name of the balm! The epicenter of existence! The purpose of life? To dance with the one you love. Preferably a slow dance. There’s no reason to rush when a solution feels so good.

read Kerri’s blogpost about DANCE WITH ME

smack-dab. © 2023 kerri sherwood

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Help Chris

Chris Domig dreams big dreams. I’ve never worked with a better actor. And, more importantly, he is among the best people, truly – truly – a great person.

Chris is the artistic director and founder of Sea Dog Theater in NYC – one of his dreams, come true. He works harder than anyone I’ve ever known to make his dreams a reality.

In the next week he has a mountain to climb: for this new off-broadway production, Tuesdays With Morrie, he must raise $100,000 before this time next week. Seriously.

I have little money but a rich network. You can help Chris in two ways: 1) Pass this on, or 2) Follow this link and give-what-you-can to a worthy artist making very worthy art. Or, if you wish, do both.

Thank you for passing this through your network. Thank you for helping Chris climb this mountain.

[a note: Thirteen years ago I made a rule never to promote anything through my blog – except my own mad-mad-artistry. This post – for the first time – busts my rule and I’m delighted to do it – a statement of how much I value Chris and his work.]

Sail Anew [on KS Friday]

It’s hard to know what to believe. For instance, each day I cross paths with an advertisement showing me what to do if I experience tinnitus. The ad is muted so what I see is a smiling woman yanking repeatedly on her earlobes. And, each day, I think the same thing: this has to be some trickster-ish plot to get masses of people to pull on their ears. Invisible theatre worthy of the great Augusto Boal. I’m considering jumping on the city bus, taking a center seat, and without comment, begin tugging my lobes. I’ll either clear the bus, make friends or, in these United States, most likely be shot by an armed citizen whose only answer to the unknown is to shoot it. I suppose that sounds cynical but we citizens of the U.S.A. are living proof of the adage, “If a hammer is the only tool in your toolbox, then everything looks like a nail.” If a gun is your only solution, you’ll kill a teenager who accidentally pulled in your driveway or shoot someone who mistakenly knocked on your door. We read about it everyday. Every single day.

There’s another ad I appreciate appealing to people to check-the-facts before forwarding or liking what they read. “We are awash in misinformation…” it warns. “Amen, advertisement!” I cheer, “What took you so long?” With so much mis-info-noise ringing in our ears, we either need to regularly check what we hear or smile and yank our earlobes. My theory is that yanking our lobes will occupy our fingers so we can’t like or forward info-dreck. By-the-way, the statistics on gun deaths are easy to check. No one is making up the story of neighbors killing neighbors rather than talking to them. Of course, in one horrific case, a neighbor killed his neighbors because they talked to him. Sometimes the factual stuff is so disturbing it’s better to yank on your ears than consider how out of control it’s all become. Our elected officials are certainly yanking on their ears to make our noise go away.

My hope? My fantasy? We are trying to bust out of our cocoon. A caterpillar transformed can’t know it has become a different critter until it breaks out of its hard protective shell. Escape from a cocoon is not an easy process. It looks ugly. It’s not meant to be easy. The difficult cocoon-exit is essential for the next stage of butterfly survival and thriving. An arduous rebirth is necessary for the caterpillar to fulfill its transformation. Flight, an utter impossibility prior to the protective cocoon, the next part of the story. The fulfillment of possibility beyond imagining. Maturity. Wings dry while the butterfly catches its breath following the struggle. And then, the newly-minted butterfly takes its first step off the branch, releasing the old story, and sails anew into the world. Or, sails into a new world.

A new world. People protecting each other as civilized people are meant to do. All grown up. Listening. A bag full of tools for every situation. No guns needed. No longer a necessity to yank on its ears.

taking stock/right now © 2010 kerri sherwood

Kerri’s albums can be found at iTunes or streaming on Pandora or iHeart Radio

read kerri’s blogpost about BUTTERFLIES

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