Witness The Tide [on Two Artists Tuesday]

“You’ll know you are doing something important,” Tom McK said, “by the size of the tide that rises against you.” He spoke those words to me thirty years ago and yet, each day in these un-united-united-states, I hear his voice in my head. Look at the size of the tide rising against BLM. Witness the extraordinary measures Republicans are taking to block access to the vote, to gerrymander and obstruct, to deny an insurrection on the institutions they are sworn to serve.

Based on the tide of resistance, equality for all must be mighty important. Especially since it is central to our rhetoric, the ideal that we espouse.

As a nation we’ve just celebrated the 4th of July, independence day.

Juneteenth was just celebrated for the first time as a national holiday. The Emancipation day of enslaved African Americans.

Are you reading, as I am, of the tsunami of resistance to Critical Race Theory? In a nation that essentially legislated slavery into existence, legislated that black people were lesser-humans, legislated slavery out of existence but created a series of laws enforcing segregation, Jim Crow laws, it wouldn’t be threatening to suggest that racism is embedded in our laws. It’s in our tax codes. In banking practices. It is, today, being legislated in voter restriction laws across this nation. Laws. Laws. Laws.

What’s the big deal with stating the obvious?

Here is the definition of Critical Race Theory: “…that race is a social construct, and that racism is not merely the product of individual bias or prejudice, but also something embedded in legal systems and policies.” [Education Week]

Perhaps stating the obvious is the big deal.

It leaves me wondering (not really) why we as a nation are so resistant to telling our story – our full story. The size of the tide rising against the full story is – and always has been – breathtaking. We forget that this American experiment is just that, an experiment. And, just as no human can ultimately succeed standing on a lie, no nation can succeed until it comes clean with itself.

When the full story of our nation rises to be told, the forces of suppression have always risen with it. Witness the tide. It must be a very important story that, for all of our sake, needs a full telling.

read Kerri’s blog post about RBG

See The Story [on Not So Flawed Wednesday]

Inosculation is a natural phenomenon in which trunks, branches or roots of two trees grow together. ~ Wikipedia

I’m re-writing my Creatures of Prometheus script. Yaki, the conductor of the symphony, asked that I re-imagine it so the story-within-the-music might better speak to the issues of our day. The original performance was in 2008 and the world has changed mightily since the last time we performed it.

Beethoven wrote his ballet, The Creatures of Prometheus, as a creation story. Zeus ordered Prometheus to fashioned a human male and female. Zeus wanted them to be crudely made, their sole purpose, as he imagined them, was to worship the gods. Instead, Prometheus created something more powerful, more beautiful, more god-like. He knew Zeus would never allow something so beautiful to exist so Prometheus stole the spark of life so he might ignite the hearts of his creatures. That’s how the story begins; Prometheus steals fire to bring life to his beautiful creatures. The rest of the story is biblical. The creatures gain knowledge (separation). The gods corrupt the creatures and teach them division and the game of war, essentially booting them out of the garden. The gods like to watch war games like humans like to watch football on the weekends. It is a story of Prometheus’ punishment for daring to create something so beautiful, so capable, as human beings: he must watch them corrupt themselves for all eternity.

It’s a big story in a big ballet.

I take back what I wrote a paragraph ago. The world hasn’t changed so much. Our ancient and epic divisions and challenges have surfaced. They’ve bobbed to the top. The story Yaki asked me to specifically address is the black-white racial divide in these un-united-united-states. I have more thoughts on this story than I care to admit. And the story I will tell – so similar to the original – is a story of unity corrupted. The revision is a gift from Plato, a seed from The Symposium.

It was a common practice in colonial times, when the wealthy were vastly outnumbered by the locals and laborers – and the King’s army was an ocean away, to divide the commoners along some imaginary line. In the American colonies, the imaginary line was a color line. It’s explicit in our colonial logs and legislation. The fear. The solution. The cleaving. Any gain made by blacks is an automatic threat to white power. It’s a game the gods love to watch, like football on the weekends.

I have long thought that our division is impossible to heal when approached through a racial lens. It acts – and has always acted – as a trigger. Just as it was intended to do. The trigger is built into the system: approaching the racial divide as a racial divide will only serve to reinforce the divide. The division is knit firmly into our national DNA.

A systemic flaw must be addressed systemically. The division was designed in our colonial history because the colors united. For a brief moment the united colors were more powerful than the ruling class. The colors were cleaved and then knit back together through inequity. Keep ’em fighting. The dance of supremacy and suppression. United in discrimination. Unnatural inosculation.

Epic stories always end on a promise. There will be an awakening. The lost brothers will find each other. The Creatures of Prometheus, black and white, divided for the security and sport of the gods, will recognize that they are being used, distracted from their original state, and will join hands and together walk off the field. And only then will the natural inosculation, the branches and roots growing stronger together, become possible.

read Kerri’s blog post about INOSCULATED