yaacov bergman | The Direction of Intention

Our Mistake [David’s blog on KS Friday]

Posted on March 14, 2025 by davidrobinsoncreative

I was grateful for the unseasonably warm day. I needed it. Earlier in the day we positioned Adirondack chairs for maximum sun and we literally soaked it up. I felt the marrow of my bones sigh with warm pleasure. We took a very slow late afternoon hike.

It was the kind of day that beckons presence. We knew it was coming so we cleared the calendar. We purposefully lost the to-do list. As evening set in we sat on the deck while Dogga pranced around the yard. The neighbors tree glowed orange. I was so captivated by the color that I didn’t see the moon above the tree until Kerri showed me her photograph. We agreed, life does not get better than this.

Earlier in the day I’d sent Yaki an email. He’d been the conductor/music director of The Portland Chamber Orchestra for years and I saw that the company announced a new music director. It concerned me since the last time we spoke he told me of his cancer diagnosis. In my email I wished him well and hoped he was in good health.

The temperatures were dropping so we came in from the deck. I was telling Kerri about my collaborations with Yaki, what a pleasure he was to work with. She asked a question about his age so I pulled up his Wikipedia page. It showed a birth date and a death date. Yaki had passed away.

It was the kind of moment that beckons presence.

Today I grieve my friend. Grief is a great giver of perspective. It is a reminder not to make assumptions. Not much bothers me today since relative to his loss everything seems minor, insignificant.

I was supposed to do a performance with him in the spring of 2023. The script was already written but a contract snag tripped up the process. We agreed to find a future date. We both believed that there would be a future date. That was our mistake.

Isn’t it always our mistake? Passing up what life offers us today, delaying it until some imagined future date?

Today I am grateful for Yaki. And, I am so glad that yesterday Kerri and I cleared the calendar, lost the all-important to-do list, and held hands while we soaked in a rare day of sun.

My performance of The Creatures of Prometheus with the PCO, Yaki Bergman conducting. 2008

Kerri originally wrote this piece for breast cancer research, cancer survivorship. It generalizes to any fight against darkness: “Fight for others, even if they don’t know who you are.”

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE ORANGE TREE

likesharesupportlivecommentlovesubscribe…thankyou.

Filed under: Gratitude, Heroes, KS Friday | Tagged: appreciation, artistry, celebration of life, david robinson, davidrobinsoncreative.com, grief, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, portland chamber orchestra, presence, story, studio melange, the melange, yaacov bergman | Leave a comment »

Take A Closer Look [on Two Artists Tuesday]

Posted on October 25, 2022 by davidrobinsoncreative

“Knowledge is rarely completely divorced from power, and interpretation is too often an expression of convenience.” ~ Wade Davis, The Wayfinders

Discussing our project, Yaki and I agreed that we needed to step lightly. “We wouldn’t be allowed to perform this piece in Florida,” I quipped. Yet, sadly, it’s true. The piece is Beethoven. Nothing controversial there! I’ve written and will perform the narrative, an update of the piece from 2008. Yaki asked me to rewrite the narrative to speak to the issues of 2022.

It’s odd. Were we to perform the new script in the world of 2008, it would be benign. No one would deny or take issue with the fact that slavery is part of the history of the United States. It would have been laughable to challenge the era of Jim Crow or that the struggle for Civil Rights was and is a part of our story. Our division is not new. It’s institutional, systemic. Yet, in 2022, in red states, the dark side of colonialism is being scrubbed from curricula. They’re attempting to rewrite our nation’s history as a Hallmark movie.

Things are rarely what they appear. It’s one of the reasons why art is so powerful and necessary in a healthy society. When a community goes off the rails, claiming truth is fiction while aggressively promoting fiction as truth, the truth deniers always attempt to shut down and/or shout down all conversation. The theatre, the arts, during turbulent times, can reach into dark fiction, and resurrect the soul of truth.

Things are rarely what they appear. Staring out the kitchen window I was amazed that the bird perched on the wire fence was so still. It was so uncanny that I walked out back to get a closer look.

It’s the only way for people, for ideas, for communities, for nations, to grow. To question. To be curious enough to have a closer look. To laugh at themselves when the bird is discovered to be a leaf. To not be afraid to have their illusions popped, their history unpacked, or to welcome another point of view.

read Kerri’s blogpost about THE BIRD

Filed under: Art, Edges, Two Artists Tuesday | Tagged: artistry, beethoven, civil rights, colonialism, Critical Race Theory, david robinson, davidrobinsoncreative.com, fiction, history, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, narrative, portland chamber orchestra, story, storying, studio melange, systemic reacism, the creatures of prometheus, the melange, The Wayfinder, truth, Wade Davis, yaacov bergman | 1 Comment »

See The Story [on Not So Flawed Wednesday]

Posted on April 28, 2021 by davidrobinsoncreative

Inosculation is a natural phenomenon in which trunks, branches or roots of two trees grow together. ~ Wikipedia

I’m re-writing my Creatures of Prometheus script. Yaki, the conductor of the symphony, asked that I re-imagine it so the story-within-the-music might better speak to the issues of our day. The original performance was in 2008 and the world has changed mightily since the last time we performed it.

Beethoven wrote his ballet, The Creatures of Prometheus, as a creation story. Zeus ordered Prometheus to fashioned a human male and female. Zeus wanted them to be crudely made, their sole purpose, as he imagined them, was to worship the gods. Instead, Prometheus created something more powerful, more beautiful, more god-like. He knew Zeus would never allow something so beautiful to exist so Prometheus stole the spark of life so he might ignite the hearts of his creatures. That’s how the story begins; Prometheus steals fire to bring life to his beautiful creatures. The rest of the story is biblical. The creatures gain knowledge (separation). The gods corrupt the creatures and teach them division and the game of war, essentially booting them out of the garden. The gods like to watch war games like humans like to watch football on the weekends. It is a story of Prometheus’ punishment for daring to create something so beautiful, so capable, as human beings: he must watch them corrupt themselves for all eternity.

It’s a big story in a big ballet.

I take back what I wrote a paragraph ago. The world hasn’t changed so much. Our ancient and epic divisions and challenges have surfaced. They’ve bobbed to the top. The story Yaki asked me to specifically address is the black-white racial divide in these un-united-united-states. I have more thoughts on this story than I care to admit. And the story I will tell – so similar to the original – is a story of unity corrupted. The revision is a gift from Plato, a seed from The Symposium.

It was a common practice in colonial times, when the wealthy were vastly outnumbered by the locals and laborers – and the King’s army was an ocean away, to divide the commoners along some imaginary line. In the American colonies, the imaginary line was a color line. It’s explicit in our colonial logs and legislation. The fear. The solution. The cleaving. Any gain made by blacks is an automatic threat to white power. It’s a game the gods love to watch, like football on the weekends.

I have long thought that our division is impossible to heal when approached through a racial lens. It acts – and has always acted – as a trigger. Just as it was intended to do. The trigger is built into the system: approaching the racial divide as a racial divide will only serve to reinforce the divide. The division is knit firmly into our national DNA.

A systemic flaw must be addressed systemically. The division was designed in our colonial history because the colors united. For a brief moment the united colors were more powerful than the ruling class. The colors were cleaved and then knit back together through inequity. Keep ’em fighting. The dance of supremacy and suppression. United in discrimination. Unnatural inosculation.

Epic stories always end on a promise. There will be an awakening. The lost brothers will find each other. The Creatures of Prometheus, black and white, divided for the security and sport of the gods, will recognize that they are being used, distracted from their original state, and will join hands and together walk off the field. And only then will the natural inosculation, the branches and roots growing stronger together, become possible.

read Kerri’s blog post about INOSCULATED

Filed under: Flawed Wednesday, Identity, Metaphor, Power, Story | Tagged: backstory, Bacon's rebellion, BLM, david robinson, davidrobinsoncreative.com, discrimination, division, inosculated, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, suppression, systemic racism, the creatures of prometheus, white supremacy, yaacov bergman | Leave a comment »

Treat The Origin [on KS Friday]

Posted on June 26, 2020 by davidrobinsoncreative

it's a long story copy

Yaki called. He wants to dust off our Prometheus project and give it another whirl. The Creatures Of Prometheus is one of Beethoven’s early works, a ballet that is nigh-on impossible for a contemporary ballet company to afford. Besides a symphony, it requires scores of dancers. Twelve years ago, Yaki asked if I would write and perform a narrative – a storytelling- that would weave together the movements. It lives among my all-time favorite collaborations. Yesterday he asked, “Can we update it? Can we make it relevant with what’s happening in the world today?’

My first thought: it’s already relevant! It is a creation story. Prometheus is given the task of creating human beings, a man and a woman. Although he is instructed to make them dull and crude, he creates them to be beautiful, to see and appreciate their connection to the earth from which they were made. Angered by his disobedience, Zeus punishes Prometheus by corrupting the new creatures; he fills them with fear and division. He twists their fear into a lust for war. He makes them dull and crude. Now, Prometheus waits for them to remember and recover their original sight, to remember their capacity for pure seeing, fearless living. To drop their madness and return to their senses.

My second thought: people are notoriously incapable of grasping metaphor. It’s the Zeus thing in practice. The update has to be a direct statement. It must leave no doubt and puncture the commitment to dullness. “Gear down!” as Kerri constantly reminds me.

“How can Prometheus speak to Black Lives Matter?” he asked. We are both artists in the later stage of our career. Yaki added, “I want my work – my art to really speak to what’s happening today. I want it to help.”

I’ve been sitting in his questions since we talked yesterday. We are standing again at a moment in time when change is possible. We are also standing at the moment when the system, a living thing, a wizard of recreation, will fight to maintain itself. Consider: we had this moment with the abolition of slavery and the system responded with Jim Crow. Segregation. Institutional racism. We had the moment again with the civil rights movement in the 1960’s and the system responded with a draconian judicial/policing/incarceration apparatus, disproportionate tax structures…segregation by legislation (again and again and again).

In our current moment, in this latest moment, how can we make the necessary changes that are not merely the existing system putting a new face on a 400 year old mechanism? Real change requires steps in unknown directions [the rule: if you know where you are going you are merely re-creating what already exists]. How can Prometheus speak to that?

We focus on behavior when we need to stare at the underlying structures. Behavior, as Robert Fritz reminds us, always follows the path of least resistance – the sub-structure determines the path of behavior.

In the story, Prometheus is in it for the long haul. He knows his creatures are made for beauty and will inevitably see beyond their made-up fear and return to their source. They will one day stop listening to the fear mongers and race baiters. They will wake up and recognize that they are not made to be dull and crude and divisive. In fact, quite the opposite. They were made to appreciate and participate in the creation of beauty and betterment. Nature.

Prometheus is in no hurry. He waits for his creatures to remember. He plays the long story. What will that look like?

IT’S A LONG STORY is on the album THIS PART OF THE JOURNEY

read Kerri’s blog post about IT’S A LONG STORY

joy

it’s a long story/this part of the journey ©️ 1997/2000 kerri sherwood

Filed under: Art, Creativity, Edges, Identity, KS Friday, Metaphor, Pattern, Seeing, Uncategorized | Tagged: beauty, beethoven, black lives matter, change, creatures of prometheus, david robinson, davidrobinsoncreative.com, division, fear, institutional racism, it's a long story, jim crow, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, portland chamber orchestra, possibility, Robert Fritz, segregation, storytelling, systems, the path of least resistance, this part of the journey, unity, walla walla symphony, yaacov bergman | Leave a comment »

Reach Back [on DR Thursday]

Posted on May 9, 2019 by davidrobinsoncreative

prometheus resurrection morsel copy

Artists are constantly reaching backward and forward through time. They daily pay visits to the work of the masters. They periodically revisit their own past creations. Their work sends ripples of inspiration and opportunity far into the future.

When Beethoven was young he wrote a ballet called The Creatures of Prometheus. It calls for a legion of dancers and is way too big for most contemporary ballet companies to attempt. Contemporary symphonies, on the other hand, desire to play the music because Beethoven, for the rest of his life, reached back into his ballet, mining for musical phrases, developing some of the phrases into his most famous work.

How to play the music from a ballet written in 1801 as a symphonic piece in 2009?

Yaacov Bergman, the visionary and laughter-filled director of the Portland Chamber Orchestra had an idea. Why not tell the story of the ballet. A storytelling would provide the connective tissue, weaving the music together into a cohesive symphonic performance. Because Beethoven wrote a ballet, 207 years later, I had the great good fortune to write and perform the story of The Creatures of Prometheus with the PCO.

And, since we were crossing time boundaries, why not cross a few artistic genres, too. Yaki hired artist Liz Gil-Neilson to paint and produce a visual storytelling that was projected during the performance. Music, storytelling, contemporary visual art. Ripples, ripples, everywhere.

But, that was not enough. Since I am also a visual artist, Yaki asked that I translate my story into a visual statement. So, I painted three large canvases (Creation, Garden, Resurrection), one for each movement of the symphony, that hung with Liz’s original images during run of the symphony at the George Broderick Gallery in Portland.

Reaching forward. Reaching back. Today, more than a decade after our collaboration, I mine my experiences and paintings for inspiration. As new collaborations arise, as I stand at the base of a new series of seemingly impossible tasks, I’m fortunate to have my Creatures of Prometheus to remind me of the possibilities. They nudge me forward. Like Beethoven, I reach back into my past work to find a path forward.

It makes me smile to know that in 1801 Beethoven, with a quill pen and ink, scribbled notes at his desk and those scribbles turned into dances and symphonies that inspired stories and paintings and a wacky multi-media collaboration (a phrase that did not exist during his lifetime). And more: a morsel image digitally altered for a blog post written on a computer keyboard. Pen and ink are hard to come by. Reaching backward. Reaching forward.

prometheus resurrection

read Kerri’s blog post about Prometheus morsel

Filed under: Art, Creativity, DR Thursday, Uncategorized | Tagged: artistry, beethoven, david robinson, davidrobinsoncreative.com, George Broderick Gallery, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, life cycle, liz gil-neilson, pco, portland chamber orchestra, reach back, society6.com/davidrobinson, society6.com/kerrisherwood, story, storyteller, storytelling, symphony, the creatures of prometheus, yaacov bergman | Leave a comment »

Yearn [on KS Friday]

Posted on January 25, 2019 by davidrobinsoncreative

last i saw you songbox copy

Kerri breaks my heart regularly. I listen to her play and I have to put down my brushes. She is a magician who can transport me in a moment to another time, another place. She can take me to the top of a mountain. She can leave me lost and yearning.

LAST I SAW YOU is the magician at her finest. What or who do you long for? This composition will take you there. It will break your heart in all the best ways.

Out there in the field of possibility, Yaacov Bergman conductor and past collaborator of mad, mad symphony projects, is considering including Kerri playing her PEACE in a future concert. I’ve pitched the notion of a sequence of her pieces, a longer program. In that future evening in the concert hall and my imagination, if it ever comes to pass, LAST I SAW YOU would be included. It is magic.