Tacit Teachers [David’s blog on Not So Thawed Wednesday]

“Rilke recommended that when life became turbulent and troublesome, it was wise to stay close to one simple thing in nature.” ~ John O’Donohue, To Bless the Space Between Us: A Book of Blessings

For my one simple thing this winter, in these turbulent and troublesome times, I choose icicles. Or, perhaps it is more accurate to say that icicles have chosen me. We are spending an inordinate amount of time together.

When one is as up-close to icicles as I have been in these past weeks, it is impossible not to notice their unique self-expression; each has an individual personality, a beauty all their own. They are sculptural wonders. And yet, follow them back in drip-time and they originate from a single formless origin.

With hot water or Dan’s heat gun I attempt to alter their form and they laugh. I call myself an artist but am no match for their sculptor. That is why it is wise to stay close to them. They are tacit teachers. They put me and these troubled times into perspective.

They are a temporary map of the path of least resistance. And they are gloriously impermanent. Even in seeming stillness, they are moving, changing. Worthy reminders and ample reasons to keep them close. I am glad that they chose me for remedial instruction.

read Kerri’s blogpost about ICICLES

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Above All Else [David’s blog on Merely A Thought Monday]

“Life is strange. You arrive with nothing, spend your whole life chasing everything, and still leave with nothing. Make sure your soul gains more than your hands.” ~ unknown

As a young artist Roger often asked, “What is sufficient?” If you solely choose an artist’s path – or an artist’s path chooses you – the odds of realizing a modicum of financial prosperity are slim. An artist in the USA necessarily makes peace with chasing a different kind of wealth. Soul wealth. Yet, the question of sufficiency is important to ask since it is the thin ice that many artists – especially as they age – disappear beneath. It is impossible to live on the bottom of Maslow’s Hierarchy of Needs indefinitely. Perpetually struggling for food, heat, and shelter will inevitably drown the muse.

What is sufficient to keep the muse happy and fed?

Kerri came home and told me of a conversation she had with Steve. Most people – including us – want nothing more than to live a simple life. We do not need to own yachts or mansions. With the disappearance of the middle-class, the stagnation of wages, the wealth of the nation running to the top 1%…more and more people in these un-United States are sliding to the bottom of the Hierarchy of Needs. It’s one reason why there is so much anger out there. Safety is further and further out of reach for more and more people. Sufficiency is nowhere to be found.

We watched a conversation between two people who make their living on social media. Their discussion revolved around the cancer that social media has become. They explained that the algorithms sort to the extremes. The middle ground is nowhere to be found in social media conversations. Extremist views are elevated while moderate voices are minimized. In their conversation, they asked their substantial viewership to turn off their screens and go outside and sit with real people. Real connection is only possible when sitting face to face with real people – and that’s the only place where we might reclaim our common ground, our communal sufficiency, our safety – especially with those whose opinions differ from our own. Middle ground is a shared space.

Craig enticed me into a long text conversation about artistry. It made me reflect on what I believe and how many great mentors and teachers I have enjoyed. In my life I have been rich in life-guides. I still am. I told him that all of the great artists I have known – or who have been inspirations for me – have wrestled with their demons and, therefore, were fearless at asking hard questions of themselves and of others. Their hard questions, in the form of lyrics or images or dances or compositions or characters that they played…ultimately transformed their demons into teachers. They walked toward their fears and made them into something beautiful.

I lost three of my guide stars in the past few years. They created lives of sufficiency. They thrived beyond any measure that money could bring. Simple lives marked by a real connection with real people. Lives lived in conscious – and joyful – support of other people. Three rich souls who gained in their lives more than a mansion or piles of money that they would have never been able to spend. They brought people together.

The single thing that I remember about these three artists – above all else – above all that they taught me – is their abundant laughter. Isn’t that the sign of a good life well-lived? A life to emulate?

read Kerri’s blogpost about SOUL GAIN

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Stand Out [David’s blog on Two Artists Tuesday]

Yesterday, in our basement reorganization shuffle, I moved my paintings. It is not a small task to move the remains of a life’s work. At this point, I’ve moved them hundreds of times: between studios, into and out of shows, within a studio space to make more space. Paintings take up a lot of space. Besides my clothes, my unsold paintings have been the extent of my possessions most of my adult life. During this latest painting-location-change I realized what an oddity I must sometimes seem. It sparked some random recall and minor revelation.

It’s not always easy to be a sore thumb, the one one that sticks out; the one doing life a bit differently than the expected norm. The lone tree in a vast field.

I read this quote this morning from Robert Pirsig‘s Zen and the Art of Motorcycle Maintenance: “Schools teach you to imitate. If you don’t imitate what the teacher wants you get a bad grade…Originality on the other hand could get you anything – from A to F. The whole grading system cautioned against it.”

One of my favorite activities to do with teachers comes straight out of Augusto Boal and the Theatre of the Oppressed. Each teacher “reenacts” for their peers the simple ritual of preparation they do each morning for the upcoming day. The revelation was always the same. “I’m preparing to control my students,” a wide-eyed teacher gasped when the penny dropped, “It’s the opposite of what I want to do.”

We live in the church of the individual yet the message we actually preach is conformity.

I had the opportunity to create a school-within-a-school and I followed the popcorn path suggested by Neil Postman. He wrote that “learning” in our system conditions students to suss-out what teacher wants and regurgitate it. It was possible to kickstart their original impulse toward curiosity but it would require a bloody battle of about six weeks. Hold the line. Don’t fill in the blank for them. And one day, in a fit of anger and defiance, one student would take the brave step and say, “This is what I want to learn!” Support the step of the defiant one and the rest of the students would follow. They would dare to speak their truth and follow their passion. Postman was right! The battle was bloody. It took exactly six weeks.

This is the ubiquitous misunderstanding about originality: it requires the removal of boundaries, the absence of control. A free-for-all. The opposite is true. The most disciplined people I’ve ever known are artists. Their discipline is internal, not imposed. It was the seed of the question I’d ask the teachers after their uncomfortable revelation: “What would it look like if each day you prepared to unleash the student’s curiosity? What, then, would you have to control?” It was an uncomfortable question. It would require them, probably in anger and defiance, to take a brave step. To stand out. To do something different. To expect their students, through the pursuit of their burning questions, to control themselves.

Everyone has a unique star to follow. Sometimes they simply need help to see it.

read Kerri’s blogpost about THE LONE TREE

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Take One More Step [on Not So Flawed Wednesday]

Tom and I spent many hours on the deck of his cabin at the ranch watching sunsets. It was during those moments of waning light that he’d reminisce about his life in education and the arts. “To this day I am in awe of what many of my students taught me about perseverance.”

The teacher as student. The lesson – both ways – was tenacity in the face of monumental difficulty. Tom climbed metaphoric mountains in a system dedicated to hurling avalanches against his progress. His was an innovator’s path. He kept climbing, I learned during our sunset talks, because his students inspired him. Some achieved their mountaintop against all odds. In many cases, the mountaintop was – to other eyes – as seemingly simple as showing up for one more day. They kept climbing so he kept climbing. Showing up for each other. A feedback loop of tacit encouragement. They kept climbing because he was present on the metaphoric mountainside every day.

His students inspired him. He inspired me. An ancestry of inspiration.

I might have imagined it. The chipmunk butted in line at the bird feeder, sending the toddler cardinal fleeing to the safety of the Adirondack chair. More birds gathered while the chipmunk gorged. In a moment of chipmunk consciousness, he turned, looked at the growing assembly of hungry beaks, turned back to the feeder and, like Santa Claus, began kicking mounds of seed to the ground. Chipmunk potlatch. Bird extravaganza. Every critter had their fill.

Weeks later, while weeding the garden, Kerri called across the yard: “I think we’re growing corn.” she said. I joined her at the row of dense grasses growing beneath the bird feeder. A tender stalk, against all odds, found enough sun and water to reach through the thick resistance. Nature amazes me. The impulse to life, from chipmunk-seed-toss to corn stalk pushing through impenetrable grasses.

It brought thoughts of Tom. Seeds planted. Mountains to climb. The sunset, glowing orange and pink across his face, he’d smile, “Often the secret is nothing more or less profound than taking the next step, showing up for each other one more day.”

read Kerri’s blogpost about CORN

Be A Zebra [on KS Friday]

The Post-It note beside my desk reads “Zebra.” It is a reminder to be more like the zebra. After a near miss with a lion, the zebra does not return to the herd and perpetuate their stress by recounting the story over and over to any other zebra that will listen. The zebra shakes off the adrenaline rush and moves on. No extra stress necessary.

For many years I’ve known that most actions are relatively easy to perform, the stress we experience comes from the story we wrap around the action. There’s a full range of stress stories, from “I can’t do it” to “I have to be…” The it-has-to-be-done-now story is pervasive. At some point in my youth I got it into my human head that faster was better. It’s not a good story since it requires the lion to be on your heels all the time. Watch people sitting in a traffic jam: the story of stuckness has otherwise rational people red-faced and pounding on their steering wheels. The I-have-to-be-there-now story is a recipe for never being present. Running, running, running. Lion on your tail.

Zebra.

When I moved in Kerri cautioned me that the to-do list would never be done. We live in an old house and, like an old body, extra care and patience is required. It’s been quite a transition. This house has become my teacher. It’s in my nature to get-things-done. True confession: If I start a project, I become myopic until it’s finished. All my life, after starting a painting, I lay awake at night rolling the possibilities over and over in my mind until the final brush stroke hits the canvas.

This old house has taught me to let go of my story of need-to-finish. It’s softened the edges of my Puritan work ethic. I’ve grown to appreciate having to tighten the handle on the backdoor once a week. Some day we’ll get to putting knobs on the kitchen cabinets. I’ve come to appreciate jiggling the burner to make the stove work. Our monthly puddle-prevention-thaw of the freezer is part of the rhythm of our lives.

Zebra. No resistance. It’ll get done when it gets done.

Life is infinitely better without an imaginary lion on my heels. It makes me wonder why I spent so much of my life creating stress for myself. I’ll save my stress for the real lions and you can bet when one of those appear, I’ll tell you about it. Again and again. I’m a human after all. Half the fun of being human is telling the tale so I want to make certain my tale, if I’m going to perpetuate my stress, has bonafide lions snapping at my hooves.

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about THE REFRIGERATOR

i didn’t know/this part of the journey © 1998 kerri sherwood

Reflect [on DR Thursday]

This reflection spiraled me into a fond memory. A long ago chance dinner in London with Jonathan Miller. He was kind and funny and took me upstairs to his studio to show me photographs he was readying for a gallery show. I could have talked with him all night. As I left he gave me a copy of his most recent book, On Reflection. Questions of reality and identity in the arts and beyond, explored through reflections. I had the book for years and lost it in a loan.

Reflections. I have crossed paths with many brilliant artists. Some, like Jonathan Miller, a single evening, a passing glance. Others, I had the good fortune to spend many years assisting and watching and learning from their work. James Edmondson. If I ever delude myself into the notion that my artistry is unique and truly individual, I only need stop for a moment and track the people who shaped me, who inspired me, who challenged me, who passed to me their traditions, who gave me an hour of their time to share their work and thoughts with me. I am a reflection of those many, many people.

My work in the world is made better by the reflections of Horatio and David and Master Marsh, people who give me their time by reading my work and sharing their thoughts. People who have jumped into my mad projects and made me and my work better.

I am the luckiest man alive. Each morning I get up early and sit next to my wife. We drink coffee and write. She edits my posts. We read to each other and offer advice or talk about word choices. I take her hand and bring her into my studio and ask, “Will you tell me what you see?” Lately, as I draw in pencil cartoons for work, she digitizes them, dumps them in Photoshop, cleans up my messes and makes them better. She makes suggestions. She offers reflections. She formats them for publication. They are transformed from my work to our work.

And, that is the secret I learned from my many master teachers. A unique perspective, an artist’s eye, is the blossom of many, many wise eyes coming together, expressing through a single moment, an opportunity. It’s all collaboration. Artistry is nothing more than a hologram of reflection.

read Kerri’s blogpost about REFLECTIONS

pax © 2015 david robinson

Root And Fly [on KS Friday]

“Inspiration does exist but it must find you working.” ~ Pablo Picasso

At some point I realized that all of the good guidance I have received, all of the masters that I have admired, made statements about Roots & Wings.

“A writer writes. A painter paints.” ~ Tom McKenzie

“You must write 10 bad pages to arrive at one good page.” ~ John Guare

“Live on the plateau (in the present moment).” ~ George Leonard

“Cultivate your serendipity.” ~ Tom Quinn

I remember Jim E. teaching actors not to push their voices to be heard but, first and foremost, to root down into the earth.

After years of practice I am approaching the lesson that Saul taught his tai chi students: stay on the root and the energy will move you. He also taught me, on a brilliant Saturday morning when I was trying to bend the world to my will, to look beyond my opponent into the field of opportunity. It is two ways of saying the same thing. Root. And the wings will appear. Root, and possibility will find you.

Work at the easel, and inspiration will arise.

all of Kerri’s albums are available on iTunes or streaming on Pandora

read Kerri’s gorgeous blog post on ROOTS AND WINGS

give me roots, give them wings/released from the heart ©️ 1995 kerri sherwood

Believe In The Impossible [on Chicken Marsala Monday]

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All of my life I’ve been surrounded by people who believed in the impossible. At a school for developmentally disabled children, there were therapists who believed against all odds that they could help a child catch a ball. And, one day, after ten thousand tries, extraordinary therapies on frozen muscles, endless encouragement for the child and for each other, those little hands closed around the ball at just the right moment. A catch. Cheers, celebration dances and tears erupted, this feat greater than winning a Super Bowl. The impossible became possible. And then, as if there was not a moment to waste, the next impossibility was named: ball catching could become routine!

Artists, who go day after day to the studio or the stage, their lives an impossibility of economic headwinds and community disinterest. They create. They find a way. They keep the doors of deep humanity open, mythology alive. In this age of dedicated differences and echo-chamber-information, they reinvigorate the experience of a shared story. The impossible becomes possible, even if only for a moment. And the next day, they do it all over again, refreshed with inspiration and improbability.

Teachers who walk into classrooms every single day, their budgets cut, their student load swelling, their hands tied with standardized-testing-madness, and yet they reach. They try. They inspire. Like icebreakers, they cut new paths through impossibly frozen circumstances to locate and nourish the minds and hearts of their students. To free them from disbelief. To embrace the challenge of an obstacle. To encourage discovery of self and other. The impossible becomes possible. And, the next day, they do it all over again.

Inspiration. It’s all around us. It makes people do crazy things.

 

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inspiration makes people do crazy things ©️ 2016/18 david robinson & kerri sherwood

Teach [It’s Flawed Cartoon Wednesday]

A teachable moment on Flawed Cartoon Wednesday from studio melange

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This one is for all the teachers I know and love. They’ve made it their life’s work to seek the teachable moment and they are masterful at finding it. Everywhere.

On this Flawed Cartoon Wednesday, studio mélange pays homage to the elusive yet ever-present teachable moment.

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read Kerri’s blog post on TEACHABLE MOMENTS

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teachable moment cartoon & designs ©️ 2016/2018 kerri sherwood & david robinson