Sort And Re-Member [on Two Artists Tuesday]

eileen's gloves copy

We often wander through antique stores. While Kerri shops for unique treasures, I find myself lost in the historical, the stuff-ness that lingers when the story is forgotten and only the artifact remains. Shelf after shelf, booth upon booth, of time gone by.  Former possessions awaiting a rebirth, a new story-maker to take them home.

We are helping 20 prepare an estate sale at his parent’s house which simply means we are helping him open drawers, clean out closets, sort what has meaning and worth for him, what will have meaning and worth for an estate sale shopper. It is impossible to do this for someone else without significant blowback. At home, we are opening our own drawers and closets and asking ourselves if we really need all this stuff. What no longer has value? What is still used and use-full? What carries so much story that we will never part with it?

There was a time when women wore gloves and hats. There was a time when people wrote letters with ink and paper, folded their note and put it into an envelope, licked a stamp and dropped the whole affair into a box for a postal pickup. There wasn’t an expectation of immediate momentary reply because it simply wasn’t possible. Things change and that changes us (not the other way around).

“Do you recognize those bowls?” Kerri asked. It is common for us to find duplicates of our stuff in the the antique store. We laugh and make the sound of dialing a rotary phone. Sometimes we hover over the bin of albums and reminisce. “Oh, I played this album over and over!” We ring the bell of a typewriter return. We wrinkle our noses at the musty-dusty smell of hardcover books, “My college library! The stacks!”

Artifact. Possession. Story lost and story found. Expectation. Change. Tom asked of the ranch and a treasured box of an ancestor’s artifacts, “What will happen to it after I’m gone?”

 

read Kerri’s blog post about GLOVES

 

preadventure painting sale box copy

Browse now. Buy Wednesday through Thursday

 

 

bistrochairs website box copy

 

Carry The Message [on Merely A Thought Monday]

*everyone is a messenger copy

Rick Stone, founder of the StoryWork Institute, began his workshops with this fill-in-the-blank prompt: I come from a people who___________, and from them I learned____________. Try it. You will be surprised by the characteristics that jump up, the things you don’t really think about that you hold dear or that you resist. The connectivity that, for better or worse, defines you. The seedling of the answer to “Who am I?”

Jean HoustonJean Houston called it the burning point: you are the living flame, the burning point, of an ancestral line. You carry those who came before you. You will live through those in your line who come after you. It is the greater story, “Where do I come from?” It is the greater story, “Where am I going?”

One day, I caught myself standing with my elbow bent, just as my father stands when he is thinking. It is the posture his mother took when she was deep in thought. I imagine it was how her father or grandmother stood. An entire line of elbow tension reaching back into dark history. My elbows connect me. Kerri said, “This DNA thing is real!”

With all the time, money, ego, and energy we spend in life trying to distinguish ourselves as individuals, as distinct, as separate, it is actually the opposite, it is our connective tissue that gives us definition. It is in and through our relationships – our stories – that we generate meaning. It is through our roots – our stories – that we understand who we are.

I come from a people who___________, and from them I learned_________. We are messengers, all.

 

read Kerri’s blog post about MESSENGERS

 

boardwalk shadow feet website copy

Live So Much [On Merely A Thought Monday]

so much life lived box copy

“So much life lived this week,” Heidi said to Kerri. Yes. So much.

It is, of course, true every week. Some weeks it is simply more apparent. The happenings seem bigger. A wedding. A graduation. A passing. A new job. A birth. A week of life.

Last week? A walk on the beach. Both children under the same roof; something that has not happened in years. Travel to another state. Staying present with my dad for those moments when he’d forgotten who I was. Staying present with my mom as a wave of fear washed over her. A job lost. Taking his keys and truck away. The deep gratitude of sleeping in my own bed, even for a night. So much life lived.

I have taught myself, in my waking moments, to think, “Make this day a discovery.” I have given too many weeks of my life away, too many days, too many hours, too many minutes, believing that I knew what was going to happen. Dulling myself. Blinding myself to so much life happening. ‘Discover the day’ is a much better approach than ‘Get through the day.’ The truth: none of us really know what is going to happen.

And this week?

 

read Kerri’s blog post about SO MUCH LIFE LIVED.

 

flipflopelevator website box copy

 

 

Create A Ritual [on Two Artists Tuesday]

flip flop parking copy

The deceased horseshoe crab was the perfect marker. It was the place we could leave behind our flip flops and venture onto the sand. And, like all actions that become repetitive, the horseshoe crab parking lot became one of our rituals.

It became assumed. Known. We leave our flip flops at the horseshoe crab. To the horseshoe crab we will return. There is comfort in knowing the leaping point. There is even more comfort in knowing the landing place. Home is just beyond.

Our ritual began like many rituals began – out of necessity.  From the house to the dunes and the beach beyond, it was necessary to cross the land of sand spurs. “You have to step with intention,” Kirsten instructed us. “Otherwise you get stabbed.” And, so, we put on our cheap flip flops and stepped with intention all the way to the dunes. The horseshoe crab marked the safe zone. To park our flip flops meant we were out of danger. It meant the armor required to cross back over to the house was waiting for us when we needed it. After several crossings and returns, the horseshoe crab became a location ritual. And then, the crab grew into a symbol.

Once, late at night, we stayed out too long and the houses in the distance blended into shapes without distinction. For a time we were lost. The only way we found our place, located our path, knew home was just over there, was finding the sentinel crab standing guard over our footwear.

It all sounds silly, doesn’t it? Consider how carefully we protect our holiday rituals, our morning rituals, our rituals of identity (what’s in your closet? Why do you wear your hair that way and not this way?). How vigorously we defend our rituals of location (‘This is where I belong!’). Our known paths. The repetitions that give us comfort. The expectations and the stories we tell. The beliefs we embrace despite all the evidence to the contrary. You are not broken. Nothing needs to be fixed. We, humans, create rituals. And then embrace them as story.

The horseshoe crab, for us, will forever mark the leaping place. It will, forever, be a symbol that home, that safety, is just beyond the dune.

 

read Kerri’s blog post about FLIP FLOP PARKING LOT

 

HH waves feet website box copy

See Two [on Merely A Thought Monday]

 nature of life box copy

 

“Birth is painful and delightful. Death is painful and delightful. Everything that ends is also the beginning of something else. Pain is not a punishment; pleasure is not a reward.”
― Pema Chödrön, When Things Fall Apart: Heart Advice for Difficult Times

I am fond of symbols. A horizontal line bisecting a vertical line. Two triangles interlocked to create a star. A black and a white swirl,  coupled to form a circle and each containing a dot of the other. All symbols of opposing forces interconnected and counterbalancing.

It is a story of two. Spirit and body. Male and female. Inhale and exhale. The pull of the moon rolling the tide in and out. Birth and death.

Most of us live our lives in abstraction, that is, generally removed from the push-pull of nature. Electric light. Hot and cold running water. Food picked from a grocery store shelf. Our trash easily goes to the curb and disappears.

We do not see that life eats life. We rise with the alarm rather than the sun. Perhaps that is why we engage in the ridiculous debate over whether or not we the have impact on the environment. We somehow have deluded ourselves into thinking we are not part of nature or worse, that we are above it. Our actions do not matter. Isolated, we somehow have come to live in a disembodied story of one.

Kerri and I walk almost every day. We often walk the same trails through Bristol woods or the Des Plaines river trail. We walk them through every season. The barren snowy winter, the budding spring, the full leaf of summer, the color and fall of autumn. As we cycled through the seasons on our trails, I am reminded that these symbols were always meant to help us live and understand life here and now, to engage fully in the dance between the natural forces, the story of the two. Interconnected. Counterbalanced. A part of. The middle way.

It is only when these symbols are mis-taken within the story of one that they become warring emblems. Self-righteous. Inert and other-wordly. Out of balance. Domineering.

Tornadoes are impersonal. Forest fires are not discerning. The tsunami does not pick its direction. The sun melts the snow without ire. Judgment has not place in a story of two. Building up. Tearing down. Sunrise. Sunset.

 

read Kerri’s blog post about BUILDING UP & TEARING DOWN

 

 

arches shadows k&d website box copy

Listen To The Whisper [on Not So Flawed Wednesday]

blessed are the curious copy

this image comes from my niece Hannah, a great adventurer and inspiration.

One of the mantras – I called them caveats at the time – that I hammered into clients when I was young and foolish, was this: have the experience first, make meaning of the experience second. It is the natural order of things. It is, after all, how the brain works. Stimulus first. Then comes the meaning-making.

Curiosity is at the epicenter of every hobby. It is what makes us look at hills and walk toward them. It is the driver of scientists and artists alike. What if…? It need not be grand or earth shattering. In fact, curiosity most often leans in and gently whispers.

Adult-people routinely do themselves a great disservice  by making meaning of an experience before they actually have it. It’s going to be hard, bad, no good, dirty rotten, obstacle-laden, shame-ridden, horror inspiring,…or the worst pre-determination of them all: same-old-same-old. Just another day like any other.

So much armor against experience.

Human beings are hard wired for curiosity. What happens to put a crimp in so much good wiring? Why is it so difficult to open to possibilities? To allow that each day of life is not prescribed but is actually filled with unknowns.

The unknowns are the things we sometimes call ‘play.’  I have great faith in people’s desire to play. Inside all of that heavy armor lives the original impulse, curiosity, and it only takes a small reach beyond the protection to touch play. From play, it is a short hop to full-fledged adventure.

Blessed are the curious. Yes. A secret to “how?” The armor comes off – always – with these powerful magic words: “I don’t know. Let’s find out.”

 

read Kerri’s blog post about BLESSED ARE THE CURIOUS

 

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Listen Again [on KS Friday]

ffod song box copy

At studio melange we rarely repeat our songs or paintings. However, this week, as we roll into Mother’s Day, Kerri and I are standing squarely at a crossroads. We’ve been looking down many pathways. We’ve been looking back. Reviewing. Telling stories, expressing gratitude. And, isn’t that what this day, set aside to honor our mothers, is all about? Gratitude. Stories of moments large and small.

This song was our Mother’s Day gift last year. In listening this year it occurred to me that it is a song of gratitude from a mother to her mother AND to her children. I wanted to post the song again.

This was my message from last year:  Some things need no interpretation and this song, going into Mother’s Day, is one of those. So, from studio melange, a gift-song from a mom, Kerri, to mothers everywhere.

 

FISTFUL OF DANDELIONS is available on iTunes & CDBaby

 

MotherDaughter (full)

this is motherdaughter. kerri tells me this painting reminds her of her relationship with kirsten.

 

cropped head kiss website copy

fistful of dandelions ©️ 1999 kerri sherwood

motherdaughter ©️ 2019 david robinson

Reach Back [on DR Thursday]

prometheus resurrection morsel copy

Artists are constantly reaching backward and forward through time. They daily pay visits to the work of the masters. They periodically revisit their own past creations. Their work sends ripples of inspiration and opportunity far into the future.

When Beethoven was young he wrote a ballet called The Creatures of Prometheus. It calls for a legion of dancers and is way too big for most contemporary ballet companies to attempt. Contemporary symphonies, on the other hand, desire to play the music because Beethoven, for the rest of his life, reached back into his ballet, mining for musical phrases, developing some of the phrases into his most famous work.

How to play the music from a ballet written in 1801 as a symphonic piece in 2009?

Yaacov Bergman, the visionary and laughter-filled director of the Portland Chamber Orchestra had an idea. Why not tell the story of the ballet. A storytelling would provide the connective tissue, weaving the music together into a cohesive symphonic performance. Because Beethoven wrote a ballet, 207 years later, I had the great good fortune to write and perform the story of The Creatures of Prometheus with the PCO.

And, since we were crossing time boundaries, why not cross a few artistic genres, too.  Yaki hired artist Liz Gil-Neilson to paint and produce a visual storytelling that was projected during the performance. Music, storytelling, contemporary visual art. Ripples, ripples, everywhere.

But, that was not enough. Since I am also a visual artist, Yaki asked that I translate my story into a visual statement. So, I painted three large canvases (Creation, Garden, Resurrection), one for each movement of the symphony, that hung with Liz’s original images during run of the symphony at the George Broderick Gallery in Portland.

Reaching forward. Reaching back. Today, more than a decade after our collaboration, I mine my experiences and paintings for inspiration. As new collaborations arise, as I stand at the base of a new series of seemingly impossible tasks, I’m fortunate to have my Creatures of Prometheus to remind me of the possibilities. They nudge me forward.  Like Beethoven, I reach back into my past work to find a path forward.

It makes me smile to know that in 1801 Beethoven, with a quill pen and ink, scribbled notes at his desk and those scribbles turned into dances and symphonies that inspired stories and paintings and a wacky multi-media collaboration (a phrase that did not exist during his lifetime). And more: a morsel image digitally altered for a blog post written on a computer keyboard. Pen and ink are hard to come by. Reaching backward. Reaching forward.

 

 

read Kerri’s blog post about Prometheus morsel

 

arches shadows k&d website box copy

 

prometheus resurrection ©️ 2008 david robinson

Open Your Hand [on Merely A Thought Monday]

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Asked another way, this question might read, “Why do we hang on so long to the painful stuff and so easily let go of the magical parts?” Or, “Why do we so easily focus on the obstacles and so rarely look for the possibilities?”

Sit in any cafe and eavesdrop and you will mostly hear tales of woe. Any good news editor will tell you that the stories of goodness are a much harder sell than the stories of tragedy. It seems we are attracted like moths to a flame to the struggles, the uphill battles, the pain-full disasters. It is the most human of activities, whipping up and diving into stories of calamity.

In a bygone era, when wearing my consulting cap, I loved doing an exercise with groups that revealed their addiction to blame stories. Blame-stories are like sugar. They are fun to tell. It is yummy to consume handfuls of it’s-not-my-fault or it-happened-to me and once the blame-story gets rolling, it blossoms into an endless dessert buffet. Everyone rolls down the line and loads their plate.

Hanging onto pain. Grasping onto regret. Whipping up conflict. Tug of war. It is so easy. Close the hand and make a fist. Shake it at the sky.

The magical parts? They happen. There’s no need to keep an accounting. Words are woefully inadequate in heart-matters so the story is harder to tell. An open hand is available for the next moment. An open hand is not holding on.

 

read Kerri’s blog post about MAGICAL/PAINFUL

 

 

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face the rain (certainly I will finish it this year…) ©️ 2019 david robinson

Slow Down And Join [on Not So Flawed Wednesday]

just bob just leslie copy

We were in Madison at the campus. It was Friday afternoon and the party was already raging. Music thumping, horns honking, people pouring out of class, racing to feel the freedom of week’s end. The rush hour was revving. Cars swerving, cutting in and out, vying for ‘the advantage’. People all around hurrying to be some-other-place.

We went to Madison to flee the noise and mess of our life. We needed a mini-getaway. A breather from walking into our current life-headwind. We thought we’d walk a bit. Grab some dinner. I’d never actually been to Madison. We forgot it was Friday. We chose a destination without really thinking it through. In our search for peace we stepped into chaos.

So, we fled Madison. A day of double fleeing. Or, one long extended flee.

Leaving Madison we knew without doubt where to find refuge. When you walk through the doors of Cafe Carpe in Fort Atkinson you step back in time. It is a place dedicated to the simple art of slowing down. It is a place where people come to be together, to chat and laugh and linger. To join. There is a backroom with a stage no larger than the average kitchen table. Musicians passing through know that it is a good place to stop and play. People listen. And then they talk to you about making music and relevance.

We sat at the end of the bar and watched people trickle in, join their friends, enter the storytelling. A woman stepped through the door and asked if anyone knew about the poetry reading at the library.

“That was last night. I heard it was good.”

“You mean I missed it?” the woman rolled her eyes. The cafe crowd erupted in laughter. “Yep.” The woman took off her coat and sat down. People introduced themselves to her. She joined.

Screwed to the bar where we sat were two small brass plaques. Just Bob. Just Leslie. Kerri asked the bartender about the plaques. “Oh, Bob and Leslie come in every Friday night.  They have for years. They put those plaques on the bar to mark their spot. Should be here any minute.” she said.

“Let us know when they come and we’ll move,” Kerri offered.

“Oh, they won’t make you move. They wouldn’t want that. But they might want to join you and have a drink.” she smiled.

 

read Kerri’s blog post about CAFE CARPE

 

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