Pass Through [David’s blog on Two Artists Tuesday]

“Love does not begin and end the way we seem to think it does.” ~ James Baldwin

We watched each day as the pink tulips passed through their many phases of life, each beautiful and surprising. As they neared the last chapter, I thought they echoed orchids. The subtle pinks ran to the edges of the wrinkling petals, heads bowed, devotees in quiet prayer.

Initially, the tulips brought hope and light into our house. For weeks the table had been stacked with so-much-paper, a mammoth project. We cleared the table of its heavy burden and replaced the weighty paper with a row of delicate tulips. We’d catch ourselves staring into the dining room; inevitably one of us would say, “I love this.”

20 would call it the contrast principle. The delicate lightness of the tulips were made more pronounced because of the heaps of paper that preceded it. Perhaps. All I know is that the tulips lifted my spirit like few other things have in these winter months. They became a celebration of love. A symbol that joins daisies in our canon of symbols and will forever signify a step into love. A new chapter. A next chapter.

As it bowed its petals, as they began to fall, we found ourselves more rapt in their beauty, not less. Their age made them translucent. Fragile. Their impermanence somehow made them eternal. As it should be. Passing through transformation.

“I love this, she said, squeezing my hand.

read Kerri’s blogpost about TULIPS

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Trance Dance [David’s blog on KS Friday]

Our son is an artist. He composes EDM – electronic dance music. The proper term is “DJ” but that doesn’t begin to describe the art form. He does more than select tunes and spin discs. He builds layer-upon-layer of sound to create new and uniquely styled pieces. A surprise weave of repetition and pounding rhythm; it is a master class of tension-and-release. Improvisation meeting intention. Storytelling in sound.

His artistry is a pure root reaching into trance traditions, ancient impulse colliding with modern technology. To me, it is an invocation of ecstatic dance, freeing human bodies of their inhibitions so they might give over to the rolling wave of music. It is an invitation to ecstasy. It invites full-body surrender allowing the music to shake free the spirit. Earplugs are the only requirement.

I love the juxtaposition, the music composed by the mother and the music composed by the son. Kerri’s piano compositions are meditative, they turn the eye inward. They slow the pace like a rich memory. She eschews vocal acrobatics preferring a simple line. Craig’s EDM compositions thump every thought from the noggin, assault the senses, accelerate the pace, tossing bodies into the movement of the moment in a fête of complexity. Both mother and son induce a type of trance; one gently, the other with ferocity.

I’ve watched him watch her play. I’ve watched her watch him play. There is wild respect both ways. On the surface it would appear that their artistry – their music – is worlds apart but, like all things, surface impressions miss the greater depth of the human spirit. There is harmony in their appreciation. There is a shared center in their impulse to make music.

I am the lucky bystander. The proud husband and father. I am in awe no matter which way I look.

figure it out/right now © 2010 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

Listen to Craig’s music here or visit his site here

read Kerri’s blogpost about EDM

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buymeacoffee is a full body ecstatic dance of appreciation for the artists who get you there;-)

Scratch The Soil [David’s blog on DR Thursday]

For some reason this photograph reminds me of Andrew Wyeth’s great painting, Christina’s World. The landscapes are not remotely the same. His Christina pulls herself through dry grasses on the coast of Maine. Kerri’s photo is of a cornfield in Wisconsin. But there’s something similar about the spirit. Maybe it’s the starkness? I feel it in my belly, an inner quality to the outer image.

There is something willful about corn. In the cliff houses of the Anasazi, archeologists found corn. We take it for granted. Since we can purchase butter lettuce grown hydroponically we forget that there was a time when cultivating food was a new experience. A new relationship with the mystery. It’s the reason people worshipped the corn. It’s like an old joke: it’s not the corn, stupid, the worship was with the relationship to the mystery. It’s never about the form. It’s always about the relationship. A lesson we moderns have yet to learn. The joke continues to be on us.

It’s the same lesson that every artist learns and relearns. It’s not about the painting, the final image. Andrew Wyeth’s painting was not about Christina. It is his reach into the mystery. He must have touched something because his painting opens the mystery to us.

Standing before a blank canvas is like the Anasazi scratching open the soil, the wonder of the seed. The planting of the corn. The promise of nourishment.

read Kerri’s blogpost about CORN

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buymeacoffee is an online tip-jar where corn-ideas are seeded, new work is planted and watered, and the creative growth of the artists you value are supported.

Define It [on KS Friday]

“Dangerously soft-hearted. Derogatory. Informal.” Thus, the great book of words begins its definition of Bleeding heart. It’s no wonder we’re value-confused. Poke around the word “compassionate” and you’ll find a string of synonyms that are soft-hearted without the informal-derogatory in the mix: sympathetic, pitying, caring, understanding, empathetic…

Qualities to be admired.

If I care for you, if I feel your pain, if I consider your feelings, if I make space for your grief, if I feel sadness for your suffering…am I dangerously-soft-hearted or caring? The associated verb that pops up again and again is “to feel”. The portal to standing in another person’s shoes is through feeling.

We caution our little tykes not to let their emotions cloud their judgments. It’s good advice when understood that emotion…feelings…are necessary to arrive at sound judgement. Mind and heart are indivisible dance partners. Separating the two is a recipe for psychosis. And meanness.

Does compassion cloud or clarify? In the Christian tradition a bleeding heart, the bleeding heart, is the spirit that nourishes. “The salvation of humanity.”

Empathy is an epicenter of artistry. Love is a word of the heart, soft or otherwise.

It’s quite a mix of meanings! I suppose that’s why the wise advice found in all wisdom traditions is to find the middle way. “Balance” as a Buddhist might recommend. “Get neutral” as divemaster Terry instructed. Parcival; pierce the veil with the arrow aimed straight through the middle. There, the grail is found.

A bleeding heart is a plant, too. Beautiful and it always evokes a sweet sigh from Kerri. Life giving. Instant presence. Now, isn’t that an apt example of a spirit that nourishes? Try to find that in a dictionary!

kerri’s albums are available on iTunes or streaming on Pandora and iHeart Radio

FREEFALLIN’ IN LOVE © 2002 kerri sherwood, sisu music productions inc. (Note: this is not jazz, nor does rumblefish own any copyright or publishing rights to this song).

read Kerri’s blogpost about BLEEDING HEARTS

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Tip The Cup [on KS Friday]

“We are cups, constantly and quietly being filled. The trick is, knowing how to tip ourselves over and let the beautiful stuff out.” ~ Ray Bradbury

My grandmother famously hid a horse in her kitchen when the truck from the glue factory showed up to take it away. What makes that story remarkable to me is that my grandmother was 4’7″ tall when she stood on her tiptoes. Although her physical size was diminutive, her spirit was grande.

Another detail of the story that confounds me: from the backdoor, there were stairs up into her kitchen. And then a hard left turn. It was no small feat getting a horse into the kitchen. Sometimes I ponder what it must have looked like, watching this teeny-tiny woman hurriedly coaxing a big-big horse through the backdoor, up the stairs and into the kitchen. I wonder if she shushed it as she peeked out the kitchen window, waiting for the truck to drive away. I can’t help but laugh heartily every time I imagine the scene.

Once, she and my mom drove me to college in Santa Fe. On the way we stopped to have lunch. I was grateful for their efforts, driving me several hours to school, so I reached to pick up the check and my grandma pinned my hand to the table with her fork. We burst out laughing. She was fast and left no room for debate.

The sun streaming into the farmhouse brought grandma to mind. Standing in the kitchen, looking at all the food we’d prepared, the mountain of snacks and beverages Kate and Jerry hauled from Minnesota, the bins of cookies and sweets, I thought, “This place is just like grandma’s purse.” Her purse looked like a punching bag and she could produce anything you needed at anytime from that bag. Screwdriver? Yep. Saltines? Yep. Duct tape. Of course! Water? How much do you need? It was the clown car of purses. Were I to be lost in the desert and had one precious wish to be granted, I’d wish for my grandma’s purse.

Tiny woman. Endless supply of love and support. She knew how to fill our cups. She knew how to tip herself over so all the beautiful stuff could rush out.

where i’m from/blueprint for my soul © 1997 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora & iHeart Radio

read Kerri’s blogpost about SUN IN THE FARMHOUSE

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Refill [on KS Friday]

I confess to being a bit blue. Blue. That’s a metaphor for low-in-spirit.

And, isn’t it odd that we locate our spirits as either high or low? Where, exactly, is your spirit? Today, mine is low. Apparently, I think spirits are spatial.

That means my spirit is either laying down, taking a nap, dancing the limbo, or that its flame is minimal. My spirit isn’t burning much fuel. Don’t try and read a book by the light of my spirit! Not today, anyway.

Last night we had dinner with 20. After he left I told Kerri that I was grateful because he “lifted our spirits.” Spirits are impressionable. 20’s spirit breathed some air into my balloon. Balloon. That’s another metaphor. Expansive-spirit. Receptive of the light-hearts brought by others. Apparently, I think spirits are fickle, malleable. Or connected.

The sunset stopped us in our tracks. We knew the ranger would be waiting in the parking lot. Tapping his foot. He can’t go home until the parking lot is clear and people are supposed to be leaving at sunset. He previously threatened a citation. A citation is not a deterrent when a sunset is filling your spirit. I hoped the ranger was standing outside of his truck (and his role) and, like us drinking it in. Refilling.

Apparently I think spirits can be refilled. Refilled. That’s a metaphor. What’s the full capacity of my spirit?

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about SUNSET

in transition/released from the heart © 1995 kerri sherwood

Sing With Pooh [on KS Friday]

Why does a song suddenly pop-up in your mind and beg you to hum along? Yesterday, for no apparent reason, out of the blue, Loggins and Messina’s song, The House At Pooh Corner, washed over me and forced me to maul the lyrics. At the time I was writing a business blogpost about assembly lines (uff-da). House At Pooh Corner was released in 1971, it’s a bubble from the deep-deep archives.

It changed my day. I made such gumbo of the lyrics that I pulled it up on YouTube. I sang along so I might refresh the muddied words in my mind. In addition to word-recall, it lightened my spirits. Writing about spirit-stripping manufacturing processes, command-and-control structures, had my brows knitted and my brain squeezed. Maybe that’s why Pooh decided to visit. I had a honey jar stuck on my nose. I sang along and laughed.

By the end of the sing-along I was dedicated to taking myself less seriously. I suspect that’s the message and gift A.A. Milne released upon the world with Pooh and Piglet. None of it is as serious as we pretend. Will my knitted brow blogpost about new systems illuminate the world? Yawn. Probably not. Did it feel good to write? Absolutely. I love thinking about a better world. Pooh lives in one – and maybe that’s yet another reason he jumped a bubble and rode to the surface of my thinking. He came as a song. A lovely light-hearted wish. A seed pod of silly presence.

“…So I sent him to ask of the owl, if he’s there, how to loosen a jar from the nose of a bear…Help me if you can I’ve got to get back to the house at Pooh corner by one, you’d be surprised there’s so much to be done….” Kenny Loggins & Jim Messina

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about WISHES

i will hold you (forever & ever)/goodnight: a lullaby album © 2005 kerri sherwood

Blur The I [on Not So Flawed Wednesday]

We capture quotes all week. Some we see. Some we hear. Some find their way into the Melange. Most do not. We usually note where we heard or found the quote so we remember the context. It’s a practice. It’s not as if we are perpetually eavesdropping on conversations. We’ve simply tuned ourselves to immediately write the amazing words and phrases that catch our attention.

A common phrase is mind-over-matter. Athletes and actors and dancers are conditioned to ignore the limits of their bodies. To keep going. The mind as master over body. I loved this quote because it is the flip side. The mind, the “I”, wanted to stop but the body did not listen. It kept going.

Lately I’ve been reading about – so, paying attention to – the false separations that language necessitates: Mind and body are spoken of, thought of, as separate things. And, the question is this: where does one begin and the other end? Mind over matter. Body did not listen. I made myself do it. Once you start listening for it, it is ubiquitous. Exactly where is the line between “I” and “myself”? When your toe is in pain, isn’t your whole body is in pain? Follow your gut. What does your heart say?

When Dogga gets excited, his little body bounces. He runs in circles. He has to work hard to sit still. Say, “Do you want to go…” and he’s bouncing before the words “on errands?” reach his ears. He knows he won’t actually go on errands until he first sits on the rug. Eventually, he bounces his way into compliance. Control follows unbridled enthusiasm. Control is a means to an end. Rug before errands. Sit before snack.

Dogga might say, while bouncing enthusiastically, “I wanted to stop but my body kept going!”but I doubt it. Given his unified happy spirit, I’m certain the phrase would come out of his muzzle this way: I wanted to stop but I kept going. Watching him is like reading the I-Ching: no separation.

read Kerri’s blogpost about I AND BODY

Smile With Pete [on Two Artists Tuesday]

It is a hot and humid morning as we sit to write. The sky is dark and rumbling. A storm is moving in. Dogga doesn’t like the thunder. He stays close. He studies our responses. Kerri jumped up to close the windows against the rain.

News of Pete’s passing came yesterday. And, although I have not seen him in a few years, it sucked the air from my lungs. His path through life was not easy. He was the first truly free spirit I met in my youth. I’d met lots of pretenders, cape-wearing artists that fancied themselves to be free. Angry activists. Pete was different. His protest against the Vietnam war meant that he simply refused to fight. Peace made him a criminal so he went where he could live as he believed, a hippie, living off the land and off the grid. He understood that his actions mattered. He understood that his choices impacted everyone so he was dedicated to making sustainable, non-violent life-choices. Pete was way ahead of his time.

He was a beekeeper and, occasionally, when he needed help, I rode in his old truck and helped him lift the heavy hives, moving them to the next field. He collected the honey for sale and made beeswax candles. If a puritan work ethic smashed into a Buddhist mindset, Pete was the result. He worked hard. He relaxed hard.

He believed in the illumination of human consciousness. He meditated and practiced presence. We talked endlessly about the nature of…nature and what it was to be of the earth and not on the earth.

One night, after a long drive and a long day of moving hives to a farmer’s field, too late to drive home over the passes, the farmer gave him permission to camp overnight. Pete rolled out his sleeping bag and fell asleep under the stars. Two county ditch riders, seeing a hippie in a farmer’s field, decided it would be great fun to run their truck over the hippie. Pete’s hair got caught in the bumper. He was drug behind the truck for a long, long way before his hair finally released from his head.

No one can explain how he survived. His body was broken, his brain was damaged, but his spirit was unharmed. I’ve never seen another human being go through so much, lose so much, and come out smiling. In my middle age, years after the “accident,” sitting with Pete at family picnics, I’d ask him how he was doing. “Greeeeaaaaat!” he’d say, smiling his famous smile, closing his eyes again, turning his face to feel the sun.

No one I’ve ever known had more reason to be bitter yet had less capacity for self-pity. A peace-lover who became a survivor of horrific violence, an independent spirit who became impossibly dependent, a man of nature who was rendered incapable of doing any more than looking at the mountains and the fields, and his response was to smile.

Pete was rendered present. He embraced a simple gratitude for every day of life. He was capable of being no where else and inhabited his limitation with appreciation.

Even in his wreckage he managed to live fully his convictions. Isn’t that the mark of a great person?

read Kerri’s blog post about GRASSES

Wash Your Spirit [on Two Artists Tuesday]

“Keep close to Nature’s heart…and break clear away, once in a while, climb a mountain or spend a week in the woods. Wash your spirit clean.” ~ John Muir

I did not know how badly my spirit needed a good washing until we were hiking the Ditch Trail. The aspen trees were just beyond their autumn peak so the mountainside popped with islands of orange and vibrant yellow. The only noise was the breeze murmuring through the trees, quaking the leaves. I literally felt the world of angry people drop away. I breathed deeply the air, the sun warmed me to the bone. The cleansing commenced. Silence of the mind.

Jim once told me that people go to the seashore to experience the eternal. The tides were coming and going long before your birth and will come and go long after you are gone. It puts everything into perspective.

The mountains are like that, too. They are perspective-givers. This week Horatio told me “This life is short so we better get out there and do what we want to do.” The mountains are in constant motion but our lifespans are too short to see the waves rising and falling. On our last day in Colorado, while climbing above timberline, I realized (again) that in my short life I have been less and less concerned with what I want to do and more and more interested in how I want to be. Standing at the edge of Lower Lost Man Lake with Kerri and Kirsten, a bitter wind watering my eyes, I wanted nothing more. The spirit washing continued.

Driving back to Wisconsin, we mused that our re-entry into the world of people would be difficult. It was nice to be out of the fighting and the lying and the aggression. It made me wonder how the mountains perceive us. Such a small creature steeped in a full-blown-delusion-story of having dominion over all things. “Hubris,” the mountain blinks and we are gone.

In the midst of our incessant search for value and meaning and achievement and worth and dominance, our bitter fight over whose story we will tell, the mountain issues an invitation. Come. Walk awhile. Exit the chatter and stand in this moment. What else do you seek?

read Kerri’s blog post about THE MOUNTAINS