Reach

Posted on March 6, 2015 by davidrobinsoncreative

photo-6In these few weeks post Lost Boy I’ve been writing thank you letters and sending Kickstarter rewards to the many people who donated to the campaign. I am humbled by the number of people who stepped forward to lend a hand, offer resources (financial and otherwise), and/or heap us with the moral support necessary to produce the play.

The Reminder: no one does anything alone. All creative acts, all things that are useful in this world, all triumphs that seem on the surface to be an individual achievement, are, in truth, a group effort. Life is a team sport. Quarterbacks are nothing without a front line, a coaching staff, a back office, a marketing machine spinning the tale. They also had mothers that for years drove them to practice, families that stood in the cold to watch them play little league, and a host of friends who told them that they could do it if the only kept going. Artists are no different. Even the loneliest painter has a rolling lifetime team whether they recognize it or not. Consider this simple basic: a painting is never complete until someone other than the artist engages with it. A play is never complete until an audience arrives. The whole point is to make or accept an offer to/from an other.

We, the people of these United States, place the accent of our existence on the achievement of the individual and that sometimes makes us blind to the obvious truth of our existence. We do nothing of worth on this earth without the support and participation of others; relationship is at the core of anything worth doing.

from the 2015 Racine snow carving contest. I'm sorry I did not capture the artists names!

from the 2015 Racine snow carving contest. I’m sorry I did not capture the artists names!

Once, many years ago, I lived in Los Angeles. I did not know my neighbors. I had no idea or desire to know who was living in the houses next to me. One night the earthquake came and our illusion of independence was stripped bare. With no power, no water, no heat, and compromised housing, the first thing we did was to reach to each other. When the illusions of comfort and security are stripped, our real need (each other) becomes glaringly apparent.

I wrote this play, The Lost Boy, because someone dear to me, over a decade ago, asked me for help. I was grateful that he asked – it meant I got to spend time with him and return some of the attention and love that he had invested in me. When the metaphoric earthquake hit – when Tom died – I had no recourse but to reach out to others; I produced this play when I realized that I was not alone and all I need do was ask for help. Legacy, like story or life, is an infinite loop of relationships.

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Hear The Voices

Posted on January 7, 2015 by davidrobinsoncreative

photo-2This is the most unusual rehearsal process I’ve ever navigated.

First, I wrote the play and in preparing to perform it, I’m discovering it anew as if someone else wrote it. There have been brilliant and funny moments when I ask myself, I wonder why he wrote that? The good news is that I remember whom to ask.

Second, the play was originally meant for Tom to perform and since the story is Tom’s family narrative, I wanted the language and syntax to be Tom’s. In development, I recorded hours of conversation with him. Much of the first draft was a transcription so that I might capture word-for-word his language choices and speech patterns. Those structures survived the several rewrites that happened after Tom’s death. In preparing to perform the play I’m wrestling with the language. I’m wrestling with his language. It is almost as if I am discovering my own speech patterns and syntax – in telling Tom’s story I’m finding it necessary to tell it my way, not his. Essentially, as is true in all good storytelling, I am finding myself, my voice, through his story.

Tom and me a long time ago.

Tom and me a long time ago.

Finally, the music is a character in the play and the musicians, Mom’s Chili Boys, are madly rehearsing in California while the actors (Kerri and I) are rehearsing in Wisconsin. The internet is a beautiful thing as, each day, we pass notes, record voices, email questions; we will only be together in the same room 3 days before the first performance. We’re essentially workshopping the play from two locations. It is akin to rehearsing a symphony in parts and the parts only come together in the final day. They get to experience the whole symphony, the fullness of their music as played through all of the voices, only in the final hour. And that will be true of this play.

Each day I rehearse and I hear Tom’s voice in my head, telling me the stories that comprise the play. I am reminded that, whether artist or audience, art is a living thing. It is a relationship and ultimately that relationship is with your self.

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Untitled by David Robinson

Untitled by David Robinson

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Look Up

Posted on January 3, 2015 by davidrobinsoncreative
Eve, by David Robinson

Eve, by David Robinson

The nights have been bitter cold and clear. The cold always seems to make the stars sharp like crystals. Standing on the back deck, looking at the stars, I remembered a conversation I had years ago. I was working with students and we strayed into a discussion of human beings connection to the stars. It was cosmology in a nutshell.

Here was the gist of the conversation: something happened to human consciousness when they (we) understood that our patterns of life on earth were (are) oriented to happenings in the sky. For instance, our impulse to worship is intimately connected to the solstice and equinox: the disappearance and return of the light. Our migration habits, planting habits, daily rising-and-shining habits are relative to the movement of the sun. The tides in the ocean and the waters in our body are responsive to the pull of the moon. With the awareness, we crossed a line from chaos to order, from unconsciousness to consciousness. There was a relationship, a pattern, a belonging, a participation. There was something bigger.

During that same period in my life I also worked with a group of inner city students who had never seen the stars. It was a revelation for me. For them, there was no sense of relationship, there was no “something bigger.” There was a load of anger and existential separation.

This holiday season, I was struck by two things: 1) how many times I had conversations with people, glued to their televisions, who are frightened and feeling helpless by the happenings in the world, and 2) how many casual family photos crossed my path featuring a gathering of individuals, alone together, faces to smart phones. Everyone was looking down.

Standing on the back deck on a dark and starry night, wrapped against the cold, I wonder what some distant teacher in the future will tell his or her students about what happened to human consciousness when they (we) ceased looking up.

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Feel The Day

Posted on October 27, 2014 by davidrobinsoncreative
My favorite face of exuberance.

My favorite face of exuberance.

And so, the sun! These crisp, bright fall days bring pause. They make us slow down and pay attention to the small things, the sensual things: the smell of coffee, the sweet taste of butter on warm toast, the gentle music of the leaves, the blue sky vibrant through the luminous yellow leaves.

These are the days of easy appreciation; gratitude stands close-by. With senses heightened and deep inner quiet rising to the surface comes the simple acknowledgment that this day will never come again. It is precious, like all days, but on these days-of-the-senses, when reason, explaining, and justification take a break, the obvious becomes apparent. Every moment of life is this rich, precious. Wisdom comes through the senses, when tight reason takes a break. This life is passing. This life is bigger than any one of us. It is as vast as a human heart.

Turning my face to the autumn sun, I close my eyes and with great relish listen to the exuberant life celebration of Tripper Dog-Dog-Dog, barking because he can, digging holes to bury treasure, racing around the yard for no other reason than it feels really good.

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State The Obvious

Posted on July 7, 2014 by davidrobinsoncreative

Sometimes it is necessary to state the obvious (to myself). Sometimes, for me, the potency of life is found in stating the obvious: children are born and children grow up. They leave home. They become parents. Parents become grandparents. Grandparents grow old and pass away. At no point do things stand still.

Or, the obvious can be stated another way: children have dreams. They pursue their dreams or run away from them. Either way, they pass through the stages of becoming – and, at some point, believe that they have actually grown into something (doctor, clerk, lawyer, teacher, vagabond, parent, athlete, etc.). They learn that their dreams are infinitely more complex than they realized. All dreams come with challenges, regrets, and discomfort. Regardless of the path, at no point do things stand still.

We want to “get there.” We desire to arrive. Usually, the misperception of arrival leads to crisis when things change. And things always change. This river of life never stands still. It is never static. It is never fixed. The moment of birth begins the progression to dying. And, depending upon what you believe, a new form always arises when old forms fall away. The new form, the new leaf, turns brilliant colors, withers, falls to the earth, becomes soil and mineral, feeds the root, and reemerges as the grape that ripens, is picked, and becomes wine.

Where is the arrival?

Even inner stillness is fluid. Try to hang on to it; grasping always disturbs the pond. Stillness is more akin to surfing than to stasis. Chaos and order are not opposite sides of a polarity; they are essential phases in a single cycle. Ripples are necessary to experience stillness. Fulfillment and emptiness are necessary to each other. One does not gain without losing. One does not live without dying.

There is no arrival. There are fluid moments of recognition, moments of presence (a word that is often mistaken for an arrival). Presence, otherwise known as consciousness, might be defined as the awareness and appreciation of each moment amidst the realization that things always change. To try and stop the river, to hold on to the moment, to try and stop time will always bring frustration. Presence describes your relationship with change.

This is the obvious thing: nothing is certain. Nothing is still. We always step into uncertainty. We always step. We are never still. Our steps are always into the unknown because no one has ever lived their moments prior to the living of them- despite what the to-do list and cubicle illusion might lead us to believe. Realize it and life is rich and mysterious. Resist it and life is rigid and rich with hardship.

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Serve

Posted on May 20, 2014 by davidrobinsoncreative
A painting from my archives. This one sold in 2007.

A painting from my archives. This one was 4′ x 4′ and sold in 2007.

Jim asked a world-class question: When did customer service become a firewall against serving customers? If you’ve had to call about a mistake on a bill or to try to get some support from your insurance provider you’ll appreciate his question. How many buttons do you have to push to get to a person? How many levels of supervisor do you need to ascend to get to the person who has the authority to serve you?

What does it meant to serve?

Quinn once told me that the world was ruined with the advent of the salad bar. He was far sighted (and funny) and recognized that it might at first be attractive to build a salad your own way but the trade-off, the loss, would be much greater than the free-will-illusion that the salad bar provided. Service would become equated with efficiency; it would become a cost saving strategy. Quinn suggested that the “salad bar concept” would forever redefine the essential relationship of the business; it would reduce the word “customer” to something consumable for the business. In other words, it would no longer matter whether or not a customer was happy because there would always be someone else to sidle up to the salad bar. In a salad bar world, the word “service” would forever be subject to a strange ongoing cost/benefit analysis. The society would shift the emphasis from service to others to service to self. Do you remember, after the introduction of the ATM, having to pay a fee to your bank if you needed to talk to a teller? Serve yourself. Save time. Do you remember when the airlines started charging travelers for bringing luggage? Or recall the introduction of extra fees for extra legroom? It may seem as if we have product choice but Quinn would tell us that we are forever standing at a salad bar.

What does it mean to serve others?

Martin Prechtel writes that transcending self-interest to put your life in service to the greater communal interest is called maturity. In order for the community to thrive, to grow and renew, the members must be oriented toward serving something greater than their own individual need. Without this necessity of service the society descends to the bottom of Maslow’s hierarchy.

What does it mean to serve something greater than you own self-interest?

I’m preparing to go over seas and do a workshop on “team,” so I’m asking many questions of people who are trying to facilitate teams in organizations. “What’s the greatest challenge you face?” I ask. The response is universal: trying to get employees invested in something other than their own personal gain. In my mind I can hear Quinn laughing; he’d call this  salad-bar-blowback. When customers become consumable, employees also become consumable. The essential relationship in business, the one it has with its customers, is merely a reflection of the relationship it has within itself. Vested action is not something that can be manufactured. One must care in order to be invested. Vested action is the blossom of service to others.

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Give Yourself Some Advice

Posted on April 9, 2014 by davidrobinsoncreative
Horatio as a young man

Horatio as a young man

A few days ago I received an email from Horatio. He is an amazing filmmaker and gifted visual artist. We’ve wiled hours and days away talking about art and acting. He’s a treasure. His email was advice that he wrote to himself, the artist (what a great idea!) and with his permission, over the next three days, I will share it in segments. If you are impatient and want to read ahead, visit his blog or take a gander at his work at www.fidalgofilms.com. Here’s his email with the first portion of his Advice To Myself:

The evening after screening The Bath at Taos Shortz Film Festival in March, 2014, a very adept interviewer with the wonderful name Tamara Stackpoole (straight from Downton Abbey or Jane Austen?) asked if I had any advice to emerging filmmakers. My answer, as I recall:

“Let your teachers go. Just tell your own truth. Learn the craft – setup and payoff, three-act structure, and so on – and learn it well. But then let it go and tell your own truth, your vision. You’ll know it when you see it.”

When I woke the next morning, I realized that I had a lot more to say, and that it amounted to advice to myself. It follows:

You only can control yourself, which means your choices. You cannot control anything else.

Choose ethically, you will regret anything else.

The foundation of ethics is to respect others. Treat others as you wish to be treated. Be humble. Pride is the foundation of all the deadly sins, according to Dante and his mentor Virgil.

Your work is the essential ingredient of your life, an expression of your choices, your ethics. 

Connection to others is the essential mechanism of ethics.

A reciprocal connection of human to human (parent/child, student/teacher, artist/audience, friend/friend, or lover/lover) is the basic means to give yourself to others and to receive from them, to further yourself and others.

You will always be learning and practicing that kind of connection. You will never be finished. 

[to be continued]

Prompted by Horatio’s inspiration, I’ve started writing my version of Advice To Myself. It’s a great exercise and amounts to yanking the blankets on what matters to you. It begs the question: what will be your legacy? What might you write to yourself?

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Eat Well

Posted on March 6, 2014 by davidrobinsoncreative
"Lovers," a work in progress by David Robinson

“Lovers,” a work in progress by David Robinson

[continued from LOOK BEYOND THE BOX]

I’m looping back to Craig’s questions concerning boxes and stages. I think the next question to wade into is about what I see from my stage and when did I know to create my stage.

This is the view from my stage. It may sound bleak at first but stay with me:

Yesterday I had the opportunity to travel into Chicago and work for a couple of hours with Skip’s class at the Illinois Institute of Technology. They are budding entrepreneurs. There’s lots of energy in the world today bubbling around this word, “entrepreneur.” Accelerators and incubators are popping up everywhere. We are now a society gorging on new technology; since we are modeled on the Rome of the Caesars we have little patience for digestion (it takes time) so we prefer to vomit what we just consumed to make room for the next course. We are living at the time of an idea feeding frenzy and mind blowing technological advances. Folks with resources but few ideas are hungry to link up with folks with ideas and no resources. Everyone is insatiably hungry. No amount of gorging will satisfy the hunger.

In our world of rabid consumption, nutrition isn’t necessarily a high priority. I mean that literally and metaphorically. For evidence, look at what the networks call “news.” Long ago we realized that entertainment is more profitable than reporting so reporting is now entertainment. It matters little if there is substance to the story so long as people consume it. More evidence: one of my favorite rants of the past decade came from Dane, a neighbor, who was sitting on his stoop eating a bag of potato chips. He called me over to look at the ingredients listed on the package. High on the list, in fact the second ingredient listed, was sugar. Dane screamed, “There’s more sugar than salt in my chips!” He fumed, “I’ve been reading the ingredient lists on everything and there’s sugar in everything. It’s more important to get us hooked than to feed us anything of substance!” Of course, the punch line to the story is that he ranted with his mouth full of chips. Another bit of evidence: I stopped counting the times I’ve heard a politician say, “We have to weigh our interests against our values.” You can find a variation of this statement in the news of the day everyday. You can find an example of it in your life each day, too. How do you weigh your interests against your values?

This consumption/nutrition question is the epicenter of confusion for lots of people. It is the reason many boxes and stages are constructed.

Most people that I work with are seeking greater meaning. They want a richer experience of life. They want to fulfill their potential. In the midst of their consumption of time, they feel consumed. They have little time to breathe. They have little capacity to develop deep, meaningful relationships. They are finding that their stuff doesn’t fill the void. They are finding that their achievements are hollow unless they serve the real needs of others. They always find that what they seek is something that they’ve had all along: relationships.

There is no magic to sustenance. Slow down and enjoy your meal: literally and metaphorically. Slow down and make the meal: literally and metaphorically. Slow down and make the meal from food that hasn’t been processed: literally and metaphorically. Care for the soil and you will grow healthy food: literally and metaphorically. This requires slowing down. All of these are about the relationship you have with your world. All rich relationships require lingering and the riches are always in the relationship. Always.

Substance is always about a relationship. Relationship can’t be consumed; it must be entered and/or engaged. Tend the relationships, especially the relationship you have with yourself. In this way, the box or stage you construct will be built from self love and self love is the wellspring of love for others.

I see riches in the relationships all around me and a species (homo sapiens) trying to remember what it means to eat from the tree of life.

[to be continued]

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Learn The Space Between

Posted on April 11, 2013 by davidrobinsoncreative

763. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

I just read this phrase in an old notebook. I’m not sure who to attribute it to though it sounds as if it came from Ana-The-Wise: Between the inhale and the exhale there is an empty state. It is from this empty place that we create.

The “space between” has emerged as the theme this week.

A few days ago I had a conversation with a class about the space between actors on a stage. The play is never about the actors or the characters, the play happens in the space between them. It is the space of relationship. It is the place where the verbs express. If the actors are honest, the space between them opens and the audience joins the story. The audience participates. If the actors are pretending, if they are dishonest, the door closes and the audience can only witness the lie.

In Transformational Presence coaching class we also worked with the space between. In this case, it was the gap between what we know and how we live. Alan calls this praxis and has defined praxis as integrating belief and behavior. He writes, “Praxis is closing the gap.” In exploring the gap we worked with the relationship between what we know and how we live. They are not separate concepts but a living relationship. The gap is a dynamic space. It is the space where you will find your fears and stories of limitation. Close your gap and you will discover and transform all the reasons you believed you couldn’t walk your talk. And, just as actors on a stage discover, bringing an honest intention to the space between (relationship) creates movement, openness and flow. Bring dishonesty to the space between and the door closes. Fear takes over. Limits flourish.

The space between is always a relationship. It is never and empty space in the sense that is a void. In meditation it is the door to stillness. Learn the space between your inhale and exhale and you will find a quiet mind; it turns out that your thoughts and breath are as integrated as the rhythms of your heart and lungs. Place your focus outside of yourself, put it on the space between you and the world, and you will find a fertile, vibrant, creative realm ripe with possibilities.

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Listen To The Story

Posted on March 29, 2013 by davidrobinsoncreative

750. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

I found another rich tidbit in the archives and have updated it slightly:

Where is the story that unites us? Story is the gravity that holds communities together, pulling individuals into a common orbit. It is the irresistible cadence of invitation: come. Sit. It is singular and essential; it holds the space of affirmation. It reinforces the knowing of, “This is who we are. This is where we belong.”

Story is the gravity that holds us together, this we’ve forgotten. And like the musicians in an out-of-tune orchestra, when we no longer recognize our common story then the gravity reverses itself, we spin off into the void, alone in a cacophony of inner monologue. Hell is a community of individuals lost in the fog of their own story. Hell is the universe that has forgotten the existence of shared music. Hell is where you compare yourself to others and in a comparison the others will always win. In Hell you think you have to be perfect so you are never good enough. Hell is where you invest in false notions of who you should be, have to be, could have been. In Hell there is no present moment because you are too invested in the fears of the future and regrets from the past. It’s a dense fog, an inner wasteland. In hell you are alone. Staying in Hell takes a real commitment to the story that you tell!

Not only is story capable of holding us in a coordinated orbit and conversely, blinding us to each other, story also holds the power of guiding us through the wasteland and back to the garden. The old stories are like maps capable of telling us. “This is how your trials will look and feel. These are the challenges you will face. This is what you can expect.” Knowing the stories won’t save you from your trials but they will bring greater meaning to them. Stories guide.

Every human that has ever walked the face of the earth has been born, grown to adulthood, wondered what was theirs to do, loved and lost, fulfilled themselves or not, grown old, and died; their advice comes to us in the form of a story. If we listen metaphorically, the wisdom it holds will spill its guts. Stories don’t need to be tortured to reveal their secrets, they are eager to share. However, treat them as fact and they will clench their jaws and clutch their fists and hold their breath until they pass out. Their treasure lives beyond the realm of facts, beyond the superficial. Read a story as literal or as fact and you cage what is wild. Listen deeply, go beyond your chattering intellect and engage it, feel it in your body. Story desires a relationship with you.

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