Like Freshly Fallen Snow [David’s blog on Two Artists Tuesday]

I wonder if you are having the same reaction that I am having? Each time I see an article or video about the year-in-review I slam closed my computer. I change the channel. I flee the room. I don’t want to review, revisit, reconsider, ruminate upon or attempt to make sense of what happened in this nation – to this nation – in the past 365 days.

People review the events of the year-gone-by so they might turn their eyes to the blank-page-hope for the future, just as it is common for people to slowly wander the rooms, touching walls and doorknobs – saying goodbye to their house before it is put onto market.

Mostly, the walk-through-the-past is meant to help us connect to who we are, reinforce what we value, to reaffirm what most matters before stepping into the unknown future and the forces of change. We touch the walls, not only to say goodbye, but to carry their spirit forward with us.

I’ve no need to touch the walls and doorknobs of the past 365 days. Through contrast, the events of the past year have already served to affirm what I believe and sharply clarify what I value. They have opened my eyes to both the deepest ugly and the brightest light in this democratic experiment, in human nature – and in my nature.

Lately, Kerri and I have been cleaning out the house. We’ve been discarding what is no longer useful. We’ve been re-imagining our space. We’ve been doing the same work in our relationship and with the people who populate our world. We are rounding the corner into the new year perhaps clearer than we’ve ever been. We know what side of the divide we stand on. As the nation soils itself and the communal nest, we are cleansing and simplifying our home, affirming our ideals and our sanctuary.

It’s been true our entire lives together: a new snow beckons us to strap on our boots and make a play-path in search of a bit of adventure and an opportunity to be surprised by beauty. It is this spirit that we carry forward into 2026. The blank-page-hope beckons like freshly fallen snow. Strapping on our boots we actively and intentionally step into the expansive white canvas eager to cultivate our capacity for surprise.

read Kerri’s blogpost about SNOW PATH

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The Fire That Sustains [David’s blog on Two Artists Tuesday]

It’s funny what a photo invokes. A contrail and the sun:

When he was young Beethoven wrote a ballet called The Creatures of Prometheus. It is too big for modern ballet companies to produce and symphonies have a difficult time adding it to their program because – well – it’s a ballet and the music needs something to tie it together. I had the great good fortune to develop a story based on original program notes and perform The Creatures of Prometheus with The Portland Chamber Orchestra, conducted by Yaki Bergman, in 2008.

It is a story of the creation of human beings. It is the story of jealous Zeus forcing the newly created humans to accept him as their god rather than their true creator, Prometheus. Zeus is an irrational bully. The other gods on Olympus go along with his brutality because they, like the humans, fear him. Apollo the sun god, the god of reason and light, despises Zeus and plants the seed of reason in the creatures in the hope that, one day, they would awaken to their true nature, they would recognize the old god Prometheus as their true creator.

At the height of the Black Lives Matter protests Yaki contacted me and asked me to rewrite the script to make it relevant to the events of the day. We were to perform the new piece, entitled The Last of the Old Gods, in the spring of 2023. There was a contract snag delay. Yaki was diagnosed with an aggressive cancer and passed before we could perform it. I grieve him. He was a great artist with a big vision and even bigger laughter.

Art is meant to carry the conscience of a community. It is meant to express and explore the values of society. And, since society is mostly blind to itself, It is meant to be a mirror, a mechanism for people to see themselves. Yes, it needs to entertain but entertainment is the warmth that draws the community to the hearth fire. Art is the fire that sustains.

It is enough to say that we are currently living in a time of a false bully who would-be god. He must lie and fearmonger to achieve his desire, just like Zeus in the ballet. In re-reading both of my versions of the script I was struck how they are now more relevant than when I wrote them. The Last of the Old Gods will live in my files. It will, I hope, someday, find its light-of-day.

Here is a segment of text from The Last of the Old Gods, the final bit of story that leads into the musical Finale:

In an instant, Apollo sent a tiny spark, a thread of sun that wove through the spell of Thalia’s masks, that opened a possibility of release. A chance at remembering. As the creatures circled each other in their dance, one reaching, the other rejecting, like a drowning man, one pressing the other down to elevate itself, Apollo whispered into their souls a possibility, a pathway home.

His thread of sun ignited the seed Prometheus planted.

If someday, they could turn and face their fear, see through the false division, let go of the lust for power and belief in dominance and division, if one day these creatures could take a chance and reach toward the other, it might remember itself. Thalia’s masks would fall. The seesaw game would collapse. And the creatures’ natural iridescence would be restored. 

It might, someday, look in the eyes of the other, and remember itself. Whole. Prometheus’ touch would finally reach them. The last old god, Prometheus, and his creation would be free.” 

read Kerri’s blogpost about THE SUN AND CONTRAIL

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A Pendulum With What? [David’s blog on Merely A Thought Monday]

“Along the way, we have unlearned how to live wide-eyed with wonder at what Hermann Hesse called “the little joys” — those unpurchasable, unstorable emblems of aliveness that abound the moment we look up from our ledger of lack.” ~ Maria Popova, The Marginalian, January 28, 2025

I am aware that reading my recent posts, my letters to the world, are like riding a wild pendulum.

Side note: instead of using the word “pendulum” I was going to use “Newton’s Cradle” only I couldn’t remember what the device was called. I was having trouble Googling it because I couldn’t figure out how to ask the question necessary to produce the result. Kerri pulled up “Newton’s Cradle” in a nanosecond. “How did you do that?” I asked, “What words did you use to get it so quickly?”

“A pendulum with balls,” she said. I burst out laughing. “What?!” she protested, “That’s what it is!” I’m still laughing.

And so, a pendulum with balls. Newton’s Cradle. Lately, reading what I write is like riding that – whatever that is. One day my post rages at the coming storm. The next day my inner Buddha grabs the keyboard and espouses the virtues of presence. Kerri is also writing like a ride on Newton’s Cradle but she’s a better writer than I am, more conversational and heart-full, so her posts are less whiplashy than my raging.

Riding the pendulum is a hot topic of conversation here at the international headquarters of kerrianddavid.com. It’s relatively new to our experience, this bouncing between awe at the little wonders of the day and utter disgust at the titanic horror of our historical moment. Do we honestly give voice to what we are thinking/seeing all the time or only half the time? How much is too much? Who do we want to be in this Brave New World? What is the purpose of writing anything?

When does an artist become trite?

I am reminded of the many, many, many times in my life that I’ve stood in front of school boards, boards of directors, faculty boards, boards, boards, boards, and reminded them that the arts actually serve a purpose in a society beyond entertainment. In fact, neutering the artists is among the first acts of every dictator. No autocrat wants a mirror of truth held up so society might see their reflection.

And so, as we ride the pendulum with balls, we walk through our days with no answers to our questions. We know our job is to see and reflect the full spectrum of our experience, the little joys and the worst nightmares. The sweet cardinal that came to our window, the message scratched in the snow on the side of the trail, all the while ringing the alarm that an arsonist has the keys to the national house. Both/And. Holding on for dear life riding Newton’s Cradle.

read Kerri’s blogpost on Merely A Thought Monday

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Happily Blank [David’s blog on Two Artists Tuesday]

Rob gave us the perfect word to describe our passage through COVID. He called it stubborn. It does not easily let go. Fortunately, we’ve been having brilliant autumn days so we entertain our stubborn guest by sitting in the sunshine. We have the energy for sitting and not much else.

Sitting in the sun for days on end has afforded ample time for reflection and random rumination. My thought-trail returns again and again to our southwest trip-COVID combination and how it feels like the end of a chapter. A portal into the new. I recently wrote about the number 9 – spurred by our 9th anniversary – as a significant number of completion. Our anniversary came the day after we returned home and neither of us remember it because we were both fevered, achy, and miserable.

Life passages are often marked by liminal spaces. Neither here nor there; in-between places. My favorite words associated with liminal spaces are uncertain, insecure, unsettling. They can be dreamlike. All are perfect descriptions for how we feel in our seeming eternal COVID zone. Life has stopped. I can no longer remember if I once served a purpose or not. It all seems made-up. The fever zone was preceded by a journey into sacred land, dreamscapes. I dare anyone to visit Goblin Valley and not feel as if they’ve entered another dimension.

A younger me would have tried hard to get grounded, to force a move beyond the discomfort of disorientation – essentially reaching backward to grab hold of what was known. This older version understands the wisdom of insecurity. It is a mistake to reject the liminal. Any significant step into the “new” chapter requires a loss of the known. An open hand, a blank slate, is sometimes uncomfortable.

Holding on to what is no longer useful will in the long run prove to be much more uncomfortable; this amazing universe is in no hurry to deliver its lessons and is quite capable of amping up the discomfort until letting go is recognized as less painful than holding on.

We’re moving on to the next…and, from our chairs in the sun, with achy bodies and no energy to speak of, we have not the first clue what will be written in the next chapter. For now, we do not need to know. In fact, we need to not-know. For now, the blank page will remain happily – if uncomfortably – blank.

read Kerri’s blogpost about TUNNEL ARCH

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Two Moons [David’s blog on DR Thursday]

“Those who dream by day are cognizant of many things which escape those who dream only by night.” ~ Edgar Allan Poe, Eleonora

Looking back it makes me laugh. I advocated – more than once – with skeptical school board members that daydreaming was not only useful but a necessary activity. The inception of every worthwhile invention, every startling work of art, every passionate pursuit, begins with a daydream. An idea somewhere out-there. A student staring out the window is rarely wasting time. I wonder how much life Shakespeare or Einstein or Marie Curie spent gazing into imagination-space?

And what about the light of the moon? More than once we’ve chased the moon and stood at the shore in awe. Moonlight evokes a silent reflection. It pulls me into a different kind of imagination-space: not “out-there” but inside. “When to the sessions of sweet silent thought I summon up remembrance of things past…” (Sonnet 30, William Shakespeare) Things past. Memories.

Many years ago, deep into the night, I stood beside a backyard pool and gazed at the full moon. I knew my life was about to change radically. A leap. I was scared. I whispered, “I don’t know where you will lead me but I will follow you.” Recently, standing on the shore of Lake Michigan, watching Kerri snap photos of the brilliant full moon, for some reason I vividly remembered that long ago poolside moment. I smiled and whispered, “So this is where you led me!”

I couldn’t be more grateful.

Tango With Me, 36″x48″ mixed media

read Kerri’s blogpost about THE MOON

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The Stream [David’s blog on saturday morning smack-dab]

A wedding brought us to the mountains and within reach of a trail sacred to us. It never fails. The hike meanders through aspen groves, opens onto meadows with vistas that take our breath away. And then we come to the stream. Our stream.

Stepping on rocks in the rushing water, fifty yards up stream there is an ancient log straddling the crystal clear glacier melt. It provides a perfect mid-stream seat and has become a place for quiet reflection and insight. Three times in our eleven years together we’ve stepped up the stream to the log, stepped out of time and into hushed conversations and whispered revelations. By the time we return to the trail the world is different, better. Or we are different and somehow better.

I’m not sure what to call the previous phase of our time together. I am excited to welcome The Sweet Phase.

read Kerri’s blogpost about THE SWEET PHASE

smack-dab © 2024 kerrianddavid.com

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Secret Sauce [David’s blog on Not So Flawed Wednesday]

The Des Plaines river spilled out onto the flood plain. The trees, not at all surprised, rose tall through the murky water in this yearly ritual of spring. “Has it ever been so high?” she asked. I shrugged.

We walked the path. It mostly rose above the waterline. With water lapping on both sides, the trail sometimes resembled a bridge. A crystal clear day teased forward the colors of the birch and grasses. The world was vibrant and strange. We had the sense that we were walking in another dimension. Second attention; alternate reality.

The beaver tree made more dynamic by its reflection in the water stopped us in our tracks. Were I judging sculpture in nature’s competition, this would be a clear winner. The massive tree, already tipped and chipped at a precarious angle, compounded by the image mirrored in the river overflow gave the illusion of a sphere without roots and heightened the tension of the unstable tree. Weebles wobble and, despite their reputation, sometimes they fall down.

Creative tension. The secret sauce of all good art. Between the river challenging its boundaries, the trail snaking and in danger of disappearing, the vibrant color teased forward by the sun’s eclipse, and the good work of an aesthetic beaver with the notable assistance of the water’s reflection, this walk was as artistically rich, inspiring and refreshing as any day I’ve spent in a gallery.

read Kerri’s blogpost about THE TREE

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My Wise-Eyes [David’s blog on KS Friday]

We were awake in the middle of the night. I don’t mind these doughnut holes in our sleep because we tend to have heart-to-heart chats. In the dark hours we reach deep into reflection and yearning. We ponder. Last night we talked about our writing. The differences in our styles, what we have learned from each other, how we are becoming better-and-better writers because we write side-by-side, share our work and edit each other.

Every artist needs a person to view or read their work who is completely honest. No energy need be spent protecting the artist-ego. In the theatre that person is called “wise-eyes.” And, in order to take full advantage of the wise-eyes, the artist needs to have open-ears capable of hearing honest reflection. It’s a relationship of deepest trust: “Tell me what you think, see, hear…” Wise-eyes are hard to come by.

Last night, as we talked, I was suddenly overwhelmed by my good fortune: we can – and do – talk about anything. I trust her feedback and insights implicitly. She has my best interests at heart and I have hers. And so we grow. I married my wise-eyes.

The gorgeous shock of dried flowers against an impressionist’s blue sky. I would never see this image were I to walk on my own. And that’s the point. She has me opening my eyes to look at the world in ways that do not come naturally to me. Paradoxically expanding my view to include the close-in, the detail. My head is usually in the esoteric clouds. My wise-eyes-wife is teaching me to also look down, to plant my feet on the ground, to (as she says) “gear-down”. To challenge my idea of what comes naturally. I am becoming a much better artist for it.

Untitled Interlude/Released From The Heart © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about DRIED FLOWERS AND BLUE SKY

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Count The Angels [David’s blog on Two Artists Tuesday]

One day on the trail we talked of the good angels that surround us. 20 and Brad and Jen. The Up North Gang. Horatio and Guy. Smith and Dwig and Arnie. There are too many to count. Dogga is an angel. John and Michele. People we rely on. People who show up when we need help. People who reach out with a kind word. People who let you know that they are there. Alex. Kim. Kate and Jerry. Buffalo Bob. People who listen when we need to talk it through. People who inspire us. People that we simply know are out there, our spiritual safety net. MM. Master Miller. Judy. People who have walked before us. Tom Mck, Quinn, Columbus. Beaky and Pa.

Too many to count.

I believe County Rainy Day was an angel sent to remind me not to fixate on a single path but to look left and right: what might appear a deviation is, in fact, the heart path. Like County Rainy Day, some angels appear in our lives for a brief moment and then are gone. The security guard who let me stay in the small airport after closing; he knew I didn’t have money for a taxi or a hotel. An angel.

This was the point of our trail conversation: the angels that populate our lives are not ethereal abstractions. They are the people and critters who walk the path with us. They show up in critical moments and during the everyday. They are as messy and confused as we are and unafraid to show it. They, therefore, want to help make our path easier. We want to help make their path easier.

And, in the process of helping, of showing up for each other – together – we fill this very short life window with treasure beyond measure. Presence. Attention. Support. Encouragement. Reflection. Good angel stuff.

[happy birthday, pa]

read Kerri’s blogpost about ANGELS

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buymeacoffee is an angel processing plant that manufactures good angels in the form of “tip jar” support for the whacky acts of the artists you appreciate.

Be Unbearably Small [David’s blog on Two Artists Tuesday]

“We fought so long against small things that we became small ourselves.” Eugene O’Neill

“On my last day of work, the back wheels of my car won’t be out of the parking lot before they erase everything I’ve worked for,” Tom said. He was right, of course. I was there and witnessed the dismantling. His words were not resentful. They were matter-of-fact. He helped me understand that a life’s work is not about achievement. Rather, it is about integrity of process. Relationship. Bringing instead of getting.

“I’ve fought my battles. It’s time for someone younger to pick up the fight,” another in my tribe of dear-wise-guides reminded me when I was pushing him hard to care. I am a few years down the road now and I understand to my bones his position. I have limited time here. I have (mostly) turned my eyes away from the fight and toward the wonder-of-it all. I have no idea how to paint it so I am reticent to touch my brushes. How do you contain – or try to contain in an image or word – the inexplicable? It’s the artist’s dilemma and I love it.

Sitting on the back deck staring into the pastel sky, I thought about their words. Quiet summer nights are prime for reminiscence and reflection. I thought about the battles I have fought in my life. The hills I chose to die on. The art meant to heal or change or provoke. To reach and touch a heart. To shake a sleeper awake.

I have been fortunate to have had such wise guides showing me the way. To give me the rare gift of perspective. I am fortunate to understand how unbearably small I am in this limitless universe. Were I to believe myself grand I would not have access to the awe of this summer night, this rolling pastel sky.

read Kerri’s blogpost about the PASTEL SKY

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*happy birthday, columbus.