The Origin [David’s blog on Two Artists Tuesday]

“Fire is the origin of stone. By working the stone with heat, I am returning it to its source.” ~ Andy Goldsworthy

We journeyed to her place of origin. Circumstance rather than intention took her home.

We retraced the steps she took as a child. We sat at the spot in the harbor where she once wrote poetry and lyrics for songs. We retraced the streets and avenues where she once drove in her ’71 VW Beetle. We ate baked clams. We visited the beach that lives on as one of her sacred places. She told me stories of her life. Before.

After walking the beach, after gathering rocks and shells, we sat on a weathered bench and listened. We felt the power of the place. The tide was coming in. The gulls flew high and dropped clams, attempting to crack them open. The warmth of the fall day was tempered by the cool wind off the sound.

My job was to hold the silence.

She was communing – not only with this sacred place – the origin – but with the young girl who rode her bike to this beach half a century ago. She walked to the water’s edge looking for that girl. She reached back in time and held out her hand. The young girl, unsure of what the future might hold, cautiously opened her hand and accepted the offer.

read Kerri’s blogpost about THE BENCH

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Bitter Sweet [David’s blog on saturday morning smack-dab]

And isn’t that the point of a tradition? To connect the memories of the past to the celebration of today in order to pass them into the future? As Jean Houston once wrote: we are the burning point of the ancestral ship. In our ritual we honor the ancestors en route to joining them.

Conservation and progress need not be at odds.

Today is the Solstice. I just read that the Latin origin of the word “solstice” is “the sun stands still”. “This is because the sun’s apparent movement north or south stops before changing direction.”

In this moment, all of us, regardless of religious tradition or to which date we assign the light’s return, in lighting our candles, making our meals, singing our songs…we stand still with the sun. Just for a moment, in the pause between far and near, we acknowledge that we are the connective tissue between yesterday and tomorrow, bearers of the ritual, missing those we no longer see yet grateful beyond words for those we hug, hold close, and send into the future with leftovers from the feast. Bitter sweet.

read Kerri’s blogpost about BOTH/AND

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Step Out. Step In [David’s blog on Merely A Thought Monday]

“In rivers, the water you touch is the last of what has passed and the first of that which comes: so it is with time present.” ~ Leonardo da Vinci

I might say that, in the mountains, in the sanctuary, we stepped out of time.

We sometimes forget that time is a relatively new invention in human history. The mechanical measurement of our moments. So, when we say that we “stepped out of time”, I literally mean that we temporarily exited the quantification of our moving experience. Future/past. To-do lists and locators. It begs the question, “If we step out of time what do we step into?”

Everyone knows the word “present”. The present. It’s a very big little word. The English language would have us understand it as a place. An arrival. We look for it, strive for it and, paradoxically, we enter it by forgetting to look or strive. It is where we are – always – and yet we so rarely know it. It’s where meaning is found and connection. It’s where peace and beauty are realized.

A poet might write that to die is to step out of time. To be born is to step into it. It’s the epicenter of our mythology, this cycle of dying and rebirth. Into and out of time. Winter and spring.

We stepped into the sanctuary and stepped out of time. Our cares dropped away. We took a deep breath. Sometime later, we stepped back into time and both felt renewed. Of course.

read Kerri’s blogpost about THE PRESENT

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Enter Happiness [David’s blog on Not So Flawed Wednesday]

The day brought to mind Avalon, the mythical island hidden from sight by the spells of the wise women who rule there or perhaps by charms cast by King Arthur’s sister, Morgaine. It is where Arthur was taken after he was gravely wounded in battle. To heal or to die. It depends on which version of the legend that you read. As I watched her take the picture I wondered if Avalon could pop-up off the coast of Lake Michigan. If it can be spelled and disappear from sight it certainly can be spelled to appear wherever Morgaine chooses. Magic is magic. Possibility is open-ended until doubt or belief renders it otherwise.

While I was studying the photo, pondering what I might write, Kerri played a song by John Denver. I didn’t recognize it and looked over her shoulder. It was the last song he wrote before he died. Yellowstone (Coming Home). He did not know it would be his last song. He had no expectation of dying on the day his plane dropped from the sky into the ocean. I have sometimes wondered what would be my last painting or the final piece I might write. In my imagining, I always know. “This is the last,” I think and set down my brush, one more step in preparing to enter the mist.

I read somewhere that the real key to happiness is to lose your self-importance. It’s counter-intuitive in a culture that identifies through individual achievement. Climbing the ladder. Top dog. Happiness as a by-product of achievement and possession. Yet, it seems simple if you think about it. Happiness, not as an acquisition but as as an aspect of presence. Happiness enters when we are present in our moment and, in order to actually be present in the moment, the eyes and heart and mind need to let go of the desire to be other places, future or past. Happiness finds us when enough is truly enough and everything else, all the imagined importance, the yearning and the lack, disappear into the fog of time’s illusion.

read Kerri’s blogpost about FOG

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Learn Mu [David’s blog on KS Friday]

“The heavier the burden, the closer our lives come to the earth, the more real and truthful they become. Conversely, the absolute absence of burden causes man to be lighter than air, to soar into heights, take leave of the earth and his earthly being, and become only half real, his movements as free as they are insignificant. What then shall we choose? Weight or lightness?” ~ MIlan Kundera, The Unbearable Lightness of Being

It’s too easy to boil life’s weighty decisions down into two easy choices. Go left or go right. Say it or don’t say it. Stop or go. It’s to imagine a kind of clarity that doesn’t really exist. Sink or swim.

I’ve been rolling the Japanese word, Mu, around in my head these past several months. Mu is a useful third choice, an escape from the imagined duality. It means, “Nothing.” Make no choice. When I berate myself, demanding an absolute answer to the question, “What do I do now?” I know to whisper, “Mu.” Decide not to decide. Stand still. Mu is a third way. The constant nest.

In Mu I’ve learned that frustration is a choice. And anger. When fear takes me by the throat, rather than choose to wrestle with it or attempt to control it (that which I cannot control), I ask myself to make a choice other than fight or flight. “Mu,” I whisper. Choose anything else.

I’ve learned that the weight of the burden is only a small part of what keeps a person’s feet on the ground. The greater part is how the burden is held – rather – when it is held. Future fear or past regret? Ah, there it is – another too easy choice, both crushingly heavy.

Mu. There is lightness in standing still, in choosing nothing. In nothing there is presence with what might seem a heavy burden. Instead of fearing what will be or grinding against what was, I am learning Mu. There is lightness of being in the midst of swirling turmoil, not unbearable, Mu, with feet both firmly planted on the ground, holding in my hands only what is…

[this is one of my favorite of Kerri’s compositions]

The Way Home/This Part of the Journey © 1997/2000 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE NEST

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Welcome Jacob [David’s blog on Not So Flawed Wednesday]

For reasons that I cannot explain – even to myself, these Honeysuckle berries bring Jacob Marley to mind. Ebenezer Scrooge’s deceased business partner, “…doomed to wander without rest or peace, incessant torture and remorse!” Jacob’s ghost visits Ebenezer in the dark of night to issue a warning. “BUSINESS?” Mankind was my business!” (sound effect: irate ghost rattling chains)

We know the rest of A Christmas Carol story. After a long night of life review and literal soul-searching, Ebenezer changes his miserly ways.

This season is rife with ghosts of the past. It’s the brilliance of Dicken’s Carol. We sat at the table and told stories of Christmas past which made us yearn for those loved ones we’ve lost along the way. We revisited childhood. Kerri told me of being a young parent and planning the magic of the season for her children (now our grown children).

We talked with 20 who said, “I’m becoming my dad!” More and more jaded by the rampant commercialism, he’s finding it hard, like Ebenezer – like his father, to reach into the deeper meaning of solstice, return of the light and the hope of renewal. I understand. I’ve spent more than one holiday season repulsed by the Walmart stampede. My revulsion has always driven me to quiet walks in nature. A deeper appreciation of dinner with my friends.

If I could give one gift to the world this season, it would be a visit from Jacob Marley. “Stop messing around!” he’d rattle his chains and roar, “YOU’RE FOCUSING ON THE WRONG STUFF!” Humankind is our business.

This year, I’m especially moved and delighted by the ghosts that are visiting. For the first time we’ve hung Beaky and Pa’s ornaments on our living room branch. They are here. I can hear Columbus’ laughter. My heart aches for old friends, just as it should. Most nights, to finish the day, we turn off the all the lights except the “happy lights” on our many branches and e.e., our holiday tree. We sit in silence and appreciation, welcoming the ghosts to visit. It’s a moment to cherish the abundance of holidays-past and enliven this season, a quiet nightly invitation to the ghost of holiday-present.

read Kerri’s blogpost about HONEYSUCKLE

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buymeacoffee is a welcome site for visiting ghosts meant to offer appreciation for their wise-less insights and the musicality of their rattling chains

Utter Life [on Not So Flawed Wednesday]

The theme of the mural is “humanity represented through different stages of life through song.” Past, present, future. The song of Sorrow. The song of Joy. The song of Hope. It’s painted above the proscenium arch of Chicago’s Auditorium Theatre, designed by artist Charles Holloway, the words at the apex are “The utterance of life is a song, the symphony of nature.” The symbols of his time.

Even as I write this, the birds this morning are in full-song. The utterance of life. The symphony of nature. Dogga barks to round out the bass section. Yesterday, standing on the bridge over the Des Plaines river, as we watched two deer amble across the trail, the ancient sound of Sandhill cranes croaked from above and two gawky-yet-glorious birds careened in for a landing on the sandbar just to our right. “We’re smack-dab in the middle of a National Geographic special,” Kerri whispered.

Sitting in the auditorium I wondered why the song of the past is Sorrow. Hope, Joy…Sorrow? It seemed a mismatch or, perhaps, a wrong assignment. Most of the people I know are suffering in the present moment. They sand off the rough edges of their memories so they remember their life-walk fondly. The song of warmth.

Honestly, the mural reminded me of another painting, a piece by a master-painter that lived during the same period as Charles Holloway. Gassed by John Singer Sargent. It was not something that sprung from his imagination. He witnessed this moment. A man who’d spent his entire life painting portraits of the elite. A genius artist. He painted his composition from what he sketched that day and it has become a symbol. The suffering of his present moment. The sorrows of the past in a world that had lost its mind. As testaments of the horrors of war, it lives up there with Picasso’s Guernica.

I just took a peek out of the window at the bird feeder. In addition to birds eating the seed, at the base are chipmunks, a squirrel, and the adolescent bunny. The song of Joy is also available in the present moment. I wonder, if I was commissioned to paint a mural over the proscenium arch of an enormous theatre, what would I paint to represent the human condition? The songs of past, present, and future?

It was a National Geographic Live event that brought us to the Auditorium Theatre: Coral Kingdom and Empires of Ice. The brilliant underwater photography and the lifetime exploration of a husband and wife team: David Doubilet and Jennifer Hayes. Among other things they’ve documented the impacts of climate change in the oceans. Even amidst the loss of reefs and disappearing ice that sustains life, theirs was a message of Hope. They infused us with their rich hope, drawn directly from their duet with nature. The utterance of life. Interconnected. The song of the future.

read Kerri’s blogpost about THE MURAL

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Unroll And Renew [on DR Thursday]

During the past weeks I have rectified a wrong that I did to myself. A few years ago, after several water disruptions in my basement studio, with the space in disarray and too full of stuff, I had a fit of “what-am-I-going-to-do-with-all-of-these-paintings. With no thought to the future, I rolled several of my canvases. There are many, many paintings so I made multiple heavy rolls. And then I stacked them. The stacking was my crime. The weight of the top rolls pressed those on the bottom. Left too long and the canvas warps; the paint cracks.

I feel as if I am emerging from a dream. The past. Dried flowers in springtime.

At breakfast on Monday, Liam asked if I had been painting. I blinked, not ashamed of my reply but mostly shocked at the truth of it. “I just finished a painting,” I said, “the first I’ve completed in three years.” Three years ago I rolled my paintings to keep them out of the water – to get them out of the way. Broken wrists, lost jobs, pandemic, an uncanny series of water issues…A pause. Or, I feared, a finish?

I carefully unrolled the paintings. Flattened the waves in the first canvas roll with books. I built successive layers of flat paintings, using the weight that caused the problem to my advantage. Opening the rolls was like taking a walk back through my life. Two of the rolls were paintings from the early 1990’s. A self portrait in orange on an Oregon beach. I recognized the paintings but had to reach to find the painter. Dried flowers. A dream. The past.

Kerri wrangled carpet tubes from a big box store. We cut them and carefully rerolled the paintings, now with a solid center so they cannot be smashed. We devised a strategy to stand the tubes, protected from any future water problem.

Emerging from the dream. Perfect timing. It is the season of renewal. Spring.

read Kerri’s blogpost about DRIED DAISIES

Remember This Vivid Moment [on Merely A Thought Monday]

When we first met, we sat on the living room carpet staring into the fire, and talked the night away. The sound of the birds at dawn surprised us. I remember the coming light and sweet birdsong like it was yesterday.

A few days ago we sat on the living room carpet in the sun, and talked the afternoon away. Our quiet conversation reminded me of that very first night. Our topic in the winter sun: letting go of too-tightly-held-ideals. “Truth will out,” wrote Master Shakespeare in his Merchant of Venice. Our truth was out in quiet voices that brought affirmations of better days.

A story I once loved to tell was The Crescent Moon Bear. The heroine, a young wife, must go on a journey. She must leave all that she knows in pursuit of her purpose. Leaving all that you know is easier said than done. It doesn’t happen in a moment; it requires some sweet visitation of the past. “What was” as launching pad to “What will be.”

Before I left my studio in Seattle, I had to touch the walls, run my fingers along the sill. I knew I would never be back. Even in that moment, all I could remember was the goodness I experienced in that space. The refuge. The sanctuary. The creative fulfillment. The hard times I’d known there dissipated like mist.

What was. Krishnamurti wrote, “You can only be afraid of what you think you know.” I marvel that the hardships of my past soften into pastel remembrance, translated into useful lessons, while my future fears are as sharp as broken glass, monsters around the corner. Acute imagination.

I marvel that the generosities heaped upon my life are vivid and bring tears to my eyes just as they did the day that I first experienced them. Keen remembrances.

Sitting on the carpet, the low afternoon sun warming us, I realize that I will always remember this vivid moment. The day we opened our hands and let fly illusions. We both took a deep breath. New air rushed into the open space, Not knowing where we might now go or what we might now do, we sat in the waning light, surprised that the sun was setting so soon.

read Kerri’s blogpost about REMEMBERING

Have A Constitutional [on Two Artists Tuesday]

“Have you not noticed that love is silence? It may be while holding the hand of another, or looking lovingly at a child, or taking in the beauty of an evening. Love has no past or future, and so it is with this extraordinary state of silence.” ~ Jiddu Krishnamurti

As the evening cools the heat of the day, we look at each other, no words need be said, stand, hold hands and walk out the gate. In another era, they called this kind of evening stroll a “constitutional.” Walking at days end is good for your constitution, your health.

I’ve learned it’s good for my mental health. All of the energy swirling around inside my brain channels down and out through my feet. Fifteen minutes into our stroll, I take a deep breath. I sigh. The last swirl spirals out. With a clear mind, I relax. I squeeze Kerri’s hand. The beauty of the evening flows in. I can see beyond what I think.

We walk a loop through the neighborhood that winds toward the shore, past the beach house where we held our wedding reception. We follow the path through the park, emerging onto First Avenue along the row of houses overlooking the lake, by Jim and Linda’s old house. Echos of laughter. Good times gone by.

Sometimes we talk. Sometimes not.

The other night, as we strolled in silence, I smiled at how much of my life I spent trying to “get somewhere.” Trying to “achieve” or “obtain” some imagined thing. Always separate from my moment. It made my constitutional that much sweeter, knowing I had no where else I wanted to be. No imagined place, racing around my mind, pulling me from the lapping water, the cooling evening air, my wife’s hand, the sound of our slow walking.

read Kerri’s blogpost about EVENING