Sit Together [on DR Thursday]

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Our cartoon, At The Door, lives in the category of ideas-that-we-knew-would-never-fly-but-wanted-to-do-anyway. In other words, we knew we’d make the submission and the syndicate would reward our good efforts with silence. And, they did just as we predicted!

If conflict is the epicenter/driver of story, then At The Door has a premise filled with great story potential. The dog wants to go out exploring the unknown. The cat wants to stay in his comfort zone. His bowl is the center of his cat-world and he is rarely found far from the bowl. The dog is an idealist, a dreamer. The cat is a realist. A conservative. He enjoys raining on the dog’s parade.

You’d be surprised how much material you can write with such a simple premise. We laughed heartily in the writing of it, especially because we drew our inspiration directly from our crazy Aussie and enormous cat. They share space. Together, they stare out of the door or window, their desires are wildly apparent. Each following their star. Each honest in their pursuit.

In versus Out. Cats-and-dogs-living-together. Oh, my!

Truth? I’d forgotten about At The Door. And, then, watching the news of the day combined with the wave of contention swirling around us, I remembered. I sought the cartoon file more for solace than anything.  I wanted to revisit my belief [my experience] that division need not be ugly. Division need not be disingenuous. Division provides the ripe necessity for collaboration. Two points are a mathematical requirement for the third point to become possible; it’s called ‘perspective.’ Creative tension can be a positive force for forward movement and new ideas if the division serves an honest intention.

If the division is the intention, sitting at the door together becomes, as we’ve seen, altogether impossible.

 

read Kerri’s blog post about AT THE DOOR

 

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Hold On And Smile [on Not So Flawed Wednesday]

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I do not know the full history of the Ernie straw. I only know that he holds a place of reverence in our odds-n-ends drawer. And, when Ernie makes an appearance, there is general celebration, photos taken and texted, and laughter-rooted-in-deep-memory swirls like the straw through our kitchen. I watch and appreciate their glee.

I do not share the lived history that Kerri and our children share. They are, as Michael Perry taught me to say, rather than my step-children, they are my given-children. At Kerri and my wedding, my newly given-children shook my hand and said mechanically, “Welcome to the family.” And then they laughed and hugged me tight. Our memories together are new and have tender, shallow roots. We are early in the creation of our history together.

This summer, I was on Island and Kerri made a trip home to see Kirsten. During our late in the evening phone call, Kerri was thrilled that Kirsten had found the Ernie straw and was using it everyday! She sent me pictures. Kirsten posing with Ernie joyfully spiraling out of her cup. I heard Kirsten laughing in the background. Kerri joined her laughter and they giggled me through their history with Ernie.

Ernie is out of the drawer every day since Kerri broke her wrists. He fits nicely into the lid of her Hydro Flask, the only safe coffee-delivery-system. Ernie has been seen rocketing out of her wine glass, too. These days he does duty on both ends of the day.

Mostly, I’m delighted to be making memories with Ernie. The next time he comes out of the drawer I will be more than an passive watcher, a mere listener to the stories of the Ernie straw. I now have real experiences with Ernie. I am slowly entering the weave of story, the fabric of participation. And, like Ernie clutching tight to his corkscrew straw, I couldn’t be more pleased to be winding my way into this part of the tapestry.

 

read Kerri’s blog post about the ERNIE STRAW

 

 

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Know They Are Watching [on Two Artists Tuesday]

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We go to Bristol wood to return to center. It is a place of peace. It somehow breathes serenity into our overactive minds.

Sign of deer are everywhere in the woods. We rarely see them but we know they are there. I imagine they watch us. I imagine they silently encourage us to walk slower, to catch our breath. To listen to tree song. We delight when we walk a path where they recently tread.

Deer are a symbol of gentleness and intuition. Balance and peace. This summer, on the Island, we saw deer everyday. We would retreat from the contentious community back to the littlehouse, pour some wine, and take a walk. A deer would inevitably appear and we’d stop talking. We’d breathe. We’d watch. It would watch us, too. After a few moments it would leap and disappear and, with it, our day’s concerns would also disappear. The deer would shift our conversation, from a lengthy list of disgruntlement to the beauty immediately surrounding us.

I’ve decided that, in our broken-wrists-time-out, our goal should be to make the whole world Bristol Wood. That we shouldn’t retreat to find peace but should invite peace and balance and serenity into the rest of the day, no matter where we happen to be living it.

Things I used to know. Things I once practiced.

Know that they are there, everywhere. Watching. Silently encouraging us to walk slower, the breathe, to focus on the beauty immediately surrounding us and not on the other stuff. It turns out that balance and serenity are practices, not pursuits. They are choices. Peace-of-heart-and-mind do not exist in the woods exclusively. Peace comes to the place where I decide to allow it. To practice it. To make it a priority.

 

read Kerri’s blog post on DEER SIGN

 

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Get Serious [on Merely A Thought Monday]

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Looking back on the experience, I see a map of choices.

Kerri fell. Both wrists were painful. We knew it was bad. In the ski patrol hut, the medic’s advice was to go get x-rays. Choice #1: To get x-rays or to not get x-rays? We had a conversation in all seriousness with the medics, that, given the nature of healthcare in America, it might be a valid option to skip it. To go home. To ignore it and let it heal as it will. The problem with ignoring it: the loss of motion that comes with ignoring what might be broken or torn in her wrists.

So the choice was not actually to get x-rays or to not get x-rays. The choice, the real choice, was financial ruin or loss of motion. Kerri is a pianist. It is her livelihood and her life. So, choice made: financial ruin.

We pulled into the medical center and saw a sign. To the right was the emergency room. To the left was the urgent care center. We sat in the truck and debated the option. While Kerri writhed in pain, in all seriousness, we sat in an idling truck and discussed the merits [or lack thereof] of our insurance policy. If we chose the right hand path, we would meet the vast, gaping deductible. Like Evel Knieval attempting to jump his motorcycle over the Grand Canyon, we’d have to gun our engine and run at the edge. No parachute. So, we chose the left hand path. We went to the desk of the urgent care and asked if they did x-rays.

Choice #2 was not, in truth, the emergency room versus the urgent care. The choice was which canyon did we have the best chance of surviving?

A few days later. An appointment with a great orthopedic doctor. She, in all seriousness, told us that she ignores the part of the patient file that speaks to their health insurance. She explained that there is dilemma that doctors face: do I advise my patient to do what is best for their health or do I advise them to do the thing that might keep them out of bankruptcy? She ignores the file because she wants her patients to hear what is best for them. She told us that she needs to keep herself blind to the financial reality that her best advice might necessitate. “Yet another untenable choice,” I thought.

Our choices reminded me of an experience we had a few years ago. We were shopping for a new washing machine. The salesman, an older man, was embarrassed by the products he was selling. He, in all seriousness, took us down the aisle of appliances and told us what was wrong with each machine. He was convincing us NOT to buy his appliances. Mostly, he told us, they were designed to fail. He said, “We used to know how to make things in this country. Now we make crap on purpose.”

The healthcare in the richest country on earth is just like the appliances sold in the richest country on earth: Designed to fail. Making crap on purpose. The way I am certain that I see clearly? Sit with your wife, a world-class pianist, who has just broken both wrists, and listen to the choices you are considering. Clarity, in all seriousness, comes when the crisis hits.

As we shake our increasingly obese and unhealthy bellies, wave our angry signs and shout about making America great again, it seems we are falling further and further behind. We saw it this week in our senate, did we not? At least our capacity for denial of the truth [in our post-fact, low-information frenzy] is running in front of the rest of the world. I can only hope, as a nation, we break our collective wrists sooner rather than later. In our pain, perhaps we will look at the sign and have a real conversation, in all seriousness, about our choices, about what we can and cannot survive.

 

Read Kerri’s blog post [written with a cast and a splint!] on CHOICES

 

 

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Suspend And Rest [on KS Friday]

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Kerri took a fall earlier this week and broke both of her wrists. For a professional pianist there are few injuries more debilitating and frightening. Needless to say, our world stopped. We’ve stepped out of time.

Judy once told me, after her husband suffered a terrible stroke and she became his full-time caregiver, that she could not think about tomorrow or even an hour ahead. The moment at hand, the task immediately before her, was all that existed. I understood in an abstract way what she was experiencing. The weight of presence. The unbearable lightness of presence.  All that exists is now. Today, I understand what Judy experienced beyond a simple abstract appreciation. At this point, there is no sense in thinking ahead.

A sip of coffee through a straw. Move the hair from her eyes. Help her sit up. There is the task at hand. That is all. And in “that is all” comes a great gift: instant perspective on what has actual importance and what does not. In these past several months everything has felt like a fight to swim upstream. Today, since Monday, there is no fight, there is only stream and it carries us where it will. We let go and are resting. A whole rest.

It is ironic to me that since her fall, in addition to the pain and the real fear of losing her capacity to play the piano [read: lose who she understands herself to be], we have laughed more in four days than in four months. We have let go. We look at what-this-time-last-week appeared to be so heavy with importance and merely shrug. Not important. It floats away. Or we float away from it. In this whole rest there is no capacity to push, no desire to paddle or resist. Suspended, we rest. We take this bite, sweet or savory, and that is all.

 

read Kerri’s blog post about WHOLE REST

 

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Take Heart [on DR Thursday]

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I dipped into the Flawed Cartoon archive to find this one. Not only is it is one of my favorites, but it describes perfectly this time of my life. In my case, the scarf is for warmth and not fashion. I have no explanation for the hat.

My inner-misguided-philosopher whispers, “Take heart, all are made of the same snow!” I wince but scribble a note because that would make a great groan-inspiring cartoon if I ever jump back into the Flawed pool. Who knew snow could inspire bad philosophy!

I remind myself that every great knight probably looked pathetic and skinny when not in their armor. All that chain mail and shiny metal hid the truth revealed in tights and tunics. I suspect that knights avoided mirrors unless encased in polished alloy! I scribble another note. A good seed for a sumpin-sumpin someday.

“Take heart,” my inner-misguided philosopher reminds me, “Sometimes the best possibilities come wrapped in a scarf wearing a goofy hat.” I roll my eyes. Always the optimist.

 

read Kerri’s blog post on THE POSSIBILITIES

 

 

 

 

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flawed cartoons ©️ 2017 david robinson

 

 

 

Circle [on Not So Flawed Wednesday]

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Perhaps the most true phrase I’ve read about The Circle is that its symbolism is inexhaustible. It is universal and the ultimate cross-cultural sign. No beginning, no end.

Wholeness. Unity. Infinity. It points to the mystery. Cycles of life. Endless movement.

It also has a meaning-making-flip-side. It can be as vicious as it is virtuous. A closed community. The shape that distinguishes us from them. Loops of reactivity. An energy eddy. An inescapable whirlpool. A widening gyre.

Ask a circle, “What does it all mean?” and the circle will ask in return, “What does it mean to you?”

It is a radically different action to search for meaning than it is to make meaning. And, most likely, the search for and the assignment of meaning are dancing partners. All of us seek. All of us assign meaning.

We can’t help but ask, “Why is this happening?” A few curious scientists and seekers go beyond their circles of understanding and look for answers. They inevitably find more questions. Another loop.

The artists always live on the edge of the circle precisely so they can see in. When the community asks, “Why is this happening?” they scribble lines, make music, write poems, and dance. Communing with what is on the other side of the known. Making meaning. Perhaps incapable of approaching an answer to the question, “Why?” but certainly opening the circle of possibilities to what we might come to understand together. Creating a commons. Another loop.

 

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Stand Out [on Two Artist’s Tuesday]

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You be you. If you think about it, who else can you possibly be? As trite as it may seem, this appeal on the side of a bus captures in simple marketing language one of the greatest paradoxes of living life in the most individualistic culture on the planet. We are reinforced to be hyper-unique but hammered repeatedly to fit in. It is the ultimate split intention. It is why we have such a ubiquitous self-help industry and so many preachers-of-purpose-seeking. Asking, “Where do I fit in?” is a terribly hard question to answer when the expectation is to stand out.

I suspect our current dedication to division is, to some extent, built upon this paradox. Split souls are generally angry souls and anger is an easy organizing principle to exploit. Tribes of anger need nothing more than enemies to bridge the split. A good enemy, real or imagined, can provide to an angry tribe both a sense of individual purpose and a place to belong.

I heard a term the other day that frightened me: low information voter. Years ago I heard an economist speak at a conference and his message was profound. A healthy democracy requires an educated populace. Without the capacity to sort through the heaps of rhetoric, pull apart the agendas to see beyond the manipulation, without some simple capacity  for analysis, or a bigger picture, then votes will be cast from simple, uninformed and often angry belief. In other words, democracies fall when its members do not care enough to know what they are voting for. Power will always corrupt. The brilliance of a democracy is that the people are meant to be the ultimate check on power. In order to be the check, they have to look beyond the political party line and ask, “What really happened here?”

The leaders of angry tribes need low information voters. It’s the only way they can stay in positions of power. It feels good to fit in. But, in a culture known for its individuality, it feels all the more satisfying to stand up, to stand out and ask, “What’s really going on here?”

 

read Kerri’s blog post about YOU BE YOU

 

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Spin Off Center [on Merely A Thought Monday]

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I’ve always been a bit mystified by the hyper-charge surrounding the word ‘change.’ It doesn’t matter which way the word slices, it will either evoke great fear and trepidation [we’ve always done it this way!] or it will reach to the deepest depths of yearning and impatience [we need to be different!]. Guard the bastion. Explore new worlds.

Organizations try to manage change. Yet, organizations sell their products as cutting edge. They promote themselves as leaders of change.

We celebrate change-makers. Game changers. We also honor the keepers of the flame. Rule keepers. We pride ourselves on our innovative spirit while pondering the loss of tradition.

Creative tension. Push, pull. It’s a balancing act, yes? A continuum. Where exactly is the hard line between progress and tradition?

Stepping into the unknown is never easy though, isn’t it true that each day of life is, in fact, a step into the unknown? The wheel spins on and on and on.

Growing old is not for wimps. That’s what Beaky said. We all do it. Movement is life and life is change.

We live in an interesting time. Everything is recorded. Evidence of change is everywhere. Actors get old. Politicians vehemently defend the opposite of what they vehemently defended 20 years ago.

The question is not about change or not change.  It is more about what we desire to be  steadfast in the midst of change. Circumstances change. Opinions change. Beliefs change. Traditions change. But, what is in the center of the wheel? Values like ‘honesty’ and ‘truth?’ Agreements of decency? A constitution?

What happens when those hubs are manipulated and simply fall away?

 

read Kerri’s blog post about CHANGE

 

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Take Another Step [on KS Friday]

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We spent some time last week talking about our beginning. We’d written a post and it prompted us to remember. It was surprisingly necessary to recount our story. To revisit our genesis.

In the guest room in Kerri’s parent’s house was a wall of family photographs. Many were pictures of weddings. A proud man in a uniform about to leave for the second war to end all wars, arm-in-arm with his bride in her wedding gown. A generation back in time, stiff collars, seated brides. There were more recent grooms and brides, too. Kerri’s sister and Bill. Wayne and Jan. Wendy and Keith. Heather and Brian. Beaches and rains of rice. When we stayed in that room, I’d sit on the bed and study the pictures. People standing together on the threshold of a new life. All of the unknowns, the triumphs and tragedies, the obstacles and stories of overcoming, waiting to be lived. But, in this one photographic moment, the vow, the unsullied togetherness, shines: we will walk hand in hand through thick and thin. I promise.

I loved looking at those photographs. The people in them are focused on all good things. There is not a hint of future fear. It’s as if the camera crew at the edge of the mystery was taking snapshots of the bold adventurers on the day the expedition set sail. Anticipation. Hope.

Our photograph is on a wall now. Not Beaky and Pa’s, but on our wall. In our picture, we stand toe to toe. In another, we are skipping out of our ceremony just as we skipped out of the airport the day that we met. Ours, we remembered last week, is a story that began with skipping. With wine on a roof top. With burgers and champagne. With a mystic Taize.

Kerri wrote this song for her niece’s wedding a decade ago. So much life is being lived! So many roads walked. So many adventures ahead.  What would the camera crew at the edge of the mystery capture in their photographs today, at this stage in the adventure? Anticipation? Hope? Holding hands, squeezed in affirmation. Let us take another step together, my best friend.

 

 

the single, MY BEST FRIEND is available on iTunes & CDBaby

 

read Kerri’s blog post about MY BEST FRIEND

 

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my best friend ©️ 2010 kerri sherwood