Teach The Full Story [on Merely A Thought Monday]

Viewed from space, the earth is round.

That simple fact has led some truly dedicated reality-deniers to the startling conclusion that the earth is flat. They argue that it’s absurd to think that half the population of the earth lives upside-down. Of course, no one has yet been able to prove that there is a top or bottom to the universe so it’s anyone’s guess which hemisphere of the earth is right-side-up and which is up-side-down. Be careful on those vacation cruises not to sail too close to the edge.

The Republican party in these un-united-united-states have become the political equivalent of flat-earthers. Cherry-picked half-data spun by a dedicated-nonsense-media into a Flat Stanley reality. Two-dimensional thinking in a three-dimensional world. It’s a problem. It’s a scary problem. The good ship USA is on course to meet the edge while the captains on the bridge wrestle for control of the steering wheel.

What is the steering wheel? The story we tell ourselves about ourselves. Our history. The Manifest Destiny story is meeting the realities of demographics. The party of white-dominance is in a panic to maintain its story of supremacy. They’d rather run us over the edge than let this richly diverse nation fulfill its promise. Fulling the promise begins with telling the full story. In Florida, the governor has literally banned the schools from telling the full history of this nation.

In other times, more clear-headed times, these laws would be acknowledged as authoritarianism. In our times, it’s marketed as the Republican response to “woke-ness.” In other words, education is the enemy. Stick your head in the sand. Hear-no-evil-see-no-evil. Proclaim the earth is flat or be prosecuted.

It was inevitable. The rhetoric of “All men are created equal” would someday need to reconcile the reality of a system built on the institution of slavery. Our forefathers wrote about it as the single greatest threat to the survival of our nation, this vast difference between our rhetoric and actions. In a school – capable of teaching our history – that would seem to be a very important and timely history to explore.

Systems do what they are designed to do and ours has performed as intended, elevating one group while suppressing others. It’s in our legislative record. It’s in the writing of our founders. It’s history.

For the second time this week I’m using this phrase: As I learned in school, systems are living things and will fight to the death to maintain themselves. We are watching a system – our system – fight to the death to maintain itself. In this fight, it will lie, cheat, scratch, steal, bite and squeal. It will incite fear. It will turn citizens against other citizens. It will whip up division and demonize those it brands as “other.” It will toss away all ethic and morality to maintain itself. It will make laws to protect itself. We are witness to it. We are participants in it.

The national story will maintain itself as flat, or, at long last, take a hard look at itself and change.

I was truly alarmed when I read that teachers in Florida are afraid to teach the history of the United States.

Our nation is round. Plump and full of rich diversity with a rich complex history. It is, after all, the reality of our nation, the story we are living. It is the reason for our successes – cultural crossroads have always been places of innovation. Perhaps it should be the story we at long last embrace. Perhaps, rather than muzzling our story, legislating for white-fragility, we will someday – as a nation – be proud of our iridescence and work to tell our full story rather than the flat-lie the reality-deniers are asking us to swallow.

read Kerri’s blogpost about BE

Take One More Step [on Not So Flawed Wednesday]

Tom and I spent many hours on the deck of his cabin at the ranch watching sunsets. It was during those moments of waning light that he’d reminisce about his life in education and the arts. “To this day I am in awe of what many of my students taught me about perseverance.”

The teacher as student. The lesson – both ways – was tenacity in the face of monumental difficulty. Tom climbed metaphoric mountains in a system dedicated to hurling avalanches against his progress. His was an innovator’s path. He kept climbing, I learned during our sunset talks, because his students inspired him. Some achieved their mountaintop against all odds. In many cases, the mountaintop was – to other eyes – as seemingly simple as showing up for one more day. They kept climbing so he kept climbing. Showing up for each other. A feedback loop of tacit encouragement. They kept climbing because he was present on the metaphoric mountainside every day.

His students inspired him. He inspired me. An ancestry of inspiration.

I might have imagined it. The chipmunk butted in line at the bird feeder, sending the toddler cardinal fleeing to the safety of the Adirondack chair. More birds gathered while the chipmunk gorged. In a moment of chipmunk consciousness, he turned, looked at the growing assembly of hungry beaks, turned back to the feeder and, like Santa Claus, began kicking mounds of seed to the ground. Chipmunk potlatch. Bird extravaganza. Every critter had their fill.

Weeks later, while weeding the garden, Kerri called across the yard: “I think we’re growing corn.” she said. I joined her at the row of dense grasses growing beneath the bird feeder. A tender stalk, against all odds, found enough sun and water to reach through the thick resistance. Nature amazes me. The impulse to life, from chipmunk-seed-toss to corn stalk pushing through impenetrable grasses.

It brought thoughts of Tom. Seeds planted. Mountains to climb. The sunset, glowing orange and pink across his face, he’d smile, “Often the secret is nothing more or less profound than taking the next step, showing up for each other one more day.”

read Kerri’s blogpost about CORN

Drink It In [on Two Artists Tuesday]

…and then, I have nature and art and poetry, and if that is not enough, what is enough?” ~Vincent Van Gogh

We stood for a long time staring at the quaking aspen trees. Initially, we went to the nursery to look at grasses to plant against the fence. Tall grasses. Pampas. Oddly, Colorado called and we were drawn as if hypnotized by the siren song of the aspen stand. In the breeze, the leaves make this sound…

Like all things in our life, our backyard has been blasted to bits by the force of the events of past few years. We are now, slowly, pulling the pieces back together again. We’re working our way toward blank canvas, clawing our way back to zero. We are, at long last, beginning to dream the dreams that percolate beyond mere survival. To design life with more than duct tape solutions.

The aspen quaked for us and we quaked for it. We exchanged a silent promise. Not yet. There are too many things on the list that need to be done. But the promise is made and a design is taking shape.

The gift of free fall is that it indelibly sears appreciation of the small moment, the passing kindness into your soul. It’s a great perspective giver. Precious life is the thing that passes while wishing and moaning to be safe and secure somewhere else. If you’re lucky, as we are, you hold hands and experience the full palette of life experiences.

“The grasses remind me of the beach and Long Island,” she said. “Someday, we’ll bring the aspen and the grasses together. Both of our birthplaces in the backyard.”

A design intention. A new experience. A promise to a vibrant stand of trees made on a sunny day in a quiet nursery. Drinking it all in. Beautiful.

It is enough. More than enough.

read Kerri’s blog post about the ASPEN STAND

Melt And Hammer [on Merely A Thought Monday]

We are easily entertained. Once, we nearly crashed the car laughing-so-hard at the names we gave to our alter-egos. Who drives around naming their alternative selves? We do. Sit us in a corner and we’re pretty good at finding something to do.

Art enables us to find ourselves and lose ourselves at the same time.” ~ Thomas Merton

Igneous is volcanic. Fiery. A few weeks ago we painted rocks to put on the trail. Since we’re both cycling through an artistic-growth-crisis, we painted and fantasized about our new career intentions. When Kerri suggested we call ourselves “igneous artists” I howled. The layers of meaning are too vast to count. Plus, I thought it sounded suspiciously close to “ignorant artists” and I liked that, too. “We should hang out a shingle,” she said, “For Hire!”

Igneous artists.

Art is standing with one hand extended into the universe and one hand extended into the world, and letting ourselves be a conduit for passing energy.” ~ Albert Einstein

Because we tend to riff on everything, while painting rocks, we rolled around our new art-moniker until we had an appropriate clever (to us) sub-phrase. “It sounds like a lyric,” I announced, mostly as enticement for my lyricist wife to spin out a theme song. She did not take the bait.

Igneous artists with sedimentary souls.

‘Layers of soul’ is a yummy image. Especially if the layers are born of elements like fire. Like all artists, we’ve been forged, melted in a hot furnace and hammered into shape. The smith hammers out the impurities. “People don’t change,” Kerri often quips, “They become more of who they already are.”

I could stand to lose a few impurities. I look forward to becoming what I am already.

“To draw you must close your eyes and sing.” ~ Pablo Picasso

read Kerri’s blogpost about IGNEOUS ARTISTS

Let Go And Fly [on saturday morning smack-dab.]

“Learning and unlearning can only take place in the context of decision making.” ~ Russ Ackoff, On Learning and Systems That Facilitate It

I was reading this phrase in the article when Kerri showed me the Smack-Dab cartoon for this week. Uncanny. The decision to change. Unlearning who you think you are in order to learn who you might become.

There’s a lot of unlearning going on in our house.

Here’s a secret about maps: you can only draw them after the fact. “Knowing how” comes second, after “not knowing how.”

Unlearning, facing the unknown, it’s not linear or easily traced. It’s a tug-a-war between the safety of what you know and the absolute necessity of getting lost.

There’s a photograph I often think about: my uncle Al, in the last months of his life, dying from cancer, fulfilled a dream to fly on the high trapeze. In the photo, he’s released the first swing, sailing through the air, reaching for but not quite touching the second swing. The look on his face, eyes wide open, full delight, utter freedom. Elated. Fully alive in the space between.

There’s a lot of that going on in our house, too. The decision to let go and fly.

read Kerri’s blogpost about MAPS

smack-dab. © 2022 kerrianddavid.com

Live Inside The Altar [on Merely A Thought Monday]

Dear reader, you have done me a great service. You’ve connected my past to my present.

I’m not sure why but, initially, I numbered rather than named my blogposts. My 623rd blog post was about a practice I’d all but forgotten. Building an altar of gratitude.

Someone out there read #623 so it popped up in my analytic. “This is old!” I thought, staring at the screen. A numbered post! Another era. “I wonder what I was writing about?”

2012. Thanksgiving. Among the darkest days of my life and yet, on that day, I was deeply, profoundly grateful. Life had chased me to a cliff. There was nothing to do but leap. I remember like it was yesterday wandering the streets of Seattle placing notes of gratitude in the cracks of walls, at bus stops, at coffee shops. I felt as if I was invoking. I wanted a better world. If I wanted it, I needed to offer betterment to the world. It was a prayer. A weaving. It was the last time I built my “altar of gratitude.”

A year later I lived in an entirely different world. Everything went to ashes.

2022. Kerri and I are walking our trail. We’re giggling because we just planted a painted rock in the elbow of a tree. “Do you think someone will find it?” her inner 5 year old asks, too wiggly with excitement to stand still. I expect her to skip in circles of enthusiasm.

“Yes,” I laugh. “Someone, someday, will find it.”

As I reread #623 I realized that, in rising from the ashes, I was no longer building my altar on a single day in a single season. I was no longer invoking gratitude. I was no longer hoping for a world that might someday come into being.

I am creating it. Not on a single day or special occasion. I’m practicing gratitude every day. I’m living gratitude every day. Painting rocks, making dinner, watching sunsets, buying groceries, writing blogposts.

Because you sent #623 back to me, a marker in time, I’ve realized I’m living inside my altar. All the world….

read Kerri’s blogpost about EXPLORE

Shimmy Dance [on DR Thursday]

Barney the piano has been in residence for over 7 years. His sound board was ruined and he was on his way to the junkyard when Kerri intervened. She played him on his first day here. He gave sweet voice for a few musical lines and then went silent. We’d occasionally wander out and press his keys but he was absolute. He was finished with his former purpose and ready for the next chapter.

Over time he lost his facade. The white veneer peeled from his keys and exposed the wood beneath. His decorative layer also began to curl. Pieces fell in strips like bark from a tree, exposing the rougher wooden structure.

Chipmunks have taken up residence. The squirrels glory in sitting high on his bald pate while lecturing Dogga. He’s beginning to sag in his middle and sink into the ground. He has been home to flower pots and once acted as our herb garden. Currently, we’re on the prowl for an appropriate chandelier to hang above him. I understand that pianos, at any age, love a good chandelier.

Barney has become an institution in our backyard. A fixture. I mow around him and never give it a second thought. We turn on the sprinklers to water the grass and water Barney, too. The first time we watered Barney, 7 years ago, Kerri cringed. It seemed sacrilege to spray a piano with water. She couldn’t look and retreated into the house. Now, Barney and the grass are one.

Sometimes at night we sit on the deck and watch the daylight wane. The pond light is on a timer and illuminates the fountain. The shadows dance on Barney. If we sit in the right spot, it seems the fire from our small tower dances in time with the fountain shadow on Barney. Fire and water move in a perfect shimmy dance. The elements come together. Alchemy.

Sitting in the waning light, watching the dancers dance with Barney, I’m reminded that magic is happening all around us. Everyday. Every moment. And, if I stop moving long enough to pay attention, I can see it. Barney also reminds me that we are never the same moment to moment. The changes are visible over time – long periods of time, but the movement is continuous. Slow. Joseph Campbell said that the universe creates forms and take them down. Creates forms, takes them down. Barney was once a piano. Now? To us, he is many, many things.

read Kerri’s blogpost about BARNEY AND FIRE

Overflow With Artistry [On Two Artists Tuesday]

Sitting amidst the boxes that currently fill my studio space, I realized that I’m rolling into the third year since I’ve completed a painting. I’ve been staring at the same canvas set on my easel for a very long time. Broken wrists, the pandemic, another broken wrist, lost jobs and economic free fall initiated an era of blank canvases.

I’ve done this almost every day for two years. I stand at the edge of the boxes. I look at the large canvas layered with undertones of red, covered with layers of tissue, preparing the ground for the image. Charcoal sketch marks barely visible, images I drew and wiped away. I suppose it’s not accurate to say the canvas is blank.

My sketchbook is closed. It sits on the table next to the easel. If I opened it, on the last pages, I would find rough sketches for the painting. Ideas in rude pencil scribbles.

Memory is an organizing principle. A story plot line. We make sense of today based on how we organize our memories into a tellable tale. Looking at the canvas is like looking into a mirror and I ask myself what made me pick up a pencil the very first time. The small-boy-me was seeking. “Running or seeking?” I ask. My studio has always served as a sanctuary. A place where I found quiet, made sense of the chaotic world. “Running or seeking?” I ask again.

Staring at the canvas I should feel loss but I don’t. Each morning, Kerri and I sit next to each other and write. This is the 232nd consecutive week that, five days a week, we’ve written together. She edits what I write, makes suggestions, and I do the same for her. We produce a cartoon every week. For my work I’m also drawing a series of cartoons that, after I script and draw final drafts, I hand them off to Kerri. She digitizes them and, quite literally, adds elements that improves them. I’m not empty of artistry but full to overflowing. I no longer need to retreat to enter my sanctuary.

It’s hard to know where my work ends and hers begins. They are ours. A perfect collaboration. Two as one.

Last week we had a fence installed. Invasive neighbors, throwing rocks at Dogga, lobbing toys into our pond, we’d finally had enough. The fence felt like reclamation of space. The impact was immediate. We hadn’t realized how completely the space invaders – like broken wrists and job losses, had interrupted every rhythm and pattern of our life. Basking in our space – our space – Kerri started to laugh and point. Two birds, lawn art purchased in a small town on our long drive from Seattle, always in our yard but always barely seen, we’d hastily placed them next to the new fence. “Two birds, one shadow,” she said, jumping up to snap a photo.

“Two birds. One shadow,” I repeated her words. I’ll take it as an affirmation. A new fence. A new era. All the world is my studio. My sanctuary. It’s what the small-boy-me was seeking all along.

read Kerri’s blogpost about TWO AS ONE

Live Like. Reach For. [on Merely A Thought Monday]

These messages are everywhere! Marketing tags, song and book titles, posters and billboards. memes. A sentiment also found in poetry, plays, and religious texts. Live like…

Live like you were dying (title of a studio album by Tim McGraw)

Live like a monk (title of a book by Daniele Cybulskie)

Live like there’s no tomorrow (A ubiquitous quote and set up for follow-up sentiments like, “Tomorrow may never come!”)

Live like.

Live. No guarantees. Dance like no one is watching. Be here now. If I was the rain.

It’s the message human beings like to deliver to other human beings. Don’t waste your one precious life. Realize it. Consider the lilies.

So the story goes, the Buddha was asked, “What’s the biggest mistake we make in life,” His reply: “The biggest mistake is to think you have time.”

It’s as if we were trying to wake each other up. Or, wake up to each other. It’s as if we need to say, “Don’t miss it!” It’s as if we are asking, “Will you help me see it?”

These days there’s plenty of fear-mongering spinning around the word “woke.” I wonder at this collision of universal message and partisan agenda. After all, what is the opposite of “woke”? Why would anyone want to walk through life dulled or asleep? Why would anyone want to walk through life with their eyes closed, uneducated, filled with answers but empty of questions? Why would anyone want you to close your eyes and mind and heart to the fullness of life?

An amazing thing happens when near death kisses open the eyes: all the perceived divisions drop away. People throw themselves on bombs to save other people, people give up their seat on the life boat and, in those moments, skin color, sexual orientation, or politics matter not at all. In Highland Park, while the bullets were flying, decisions made in helping others to safety and the promise of one-more-day-of-life had nothing to do with division.

In the real moments, the awake moments, people reach for other people.

Perhaps that is why we are appealing to each other in beer commercials and bibles, lyrics and legislation, to wake up.

read Kerri’s blogpost about LIVE LIKE

Love What You Bring [on Two Artists Tuesday]

“Only mediocrity is sure of itself…” ~ Paulo Coelho, Aleph

Sometimes I wonder why I spent so much of my life believing I was a fraud. I was provided with great mentors, each relaying the same message: vibrant life is never found in what you know. The point of life is to step toward not-knowing. And, yet, for years, I abused myself with accusations of not-knowing. It was proof that I was a fraud. I was certain everyone else knew.

Quinn pointed to a tall building and told me the people occupying the big office at the top were just making it up, too.

Jim worked hard to help me understand that artistry happens in the release of preparation.

Tom McK tried to help me see that the real riches are found in the very moment that you simply don’t know what to do.

I am fortunate. After so many great mentors speaking a singular message to my titanic fear of not-knowing, the penny dropped. Standing alone in the vast open plain of not-knowing, a two-step mantra flooded my being.

Step #1: Have the experience first. Make meaning second.

A Post-it note pinned near my desk reads, “Competence isn’t in what you know, it’s in your capacity to figure it out.” I have great capacity.

Step #2: Suspend your judgments and learn.

Martha Graham’s “divine dissatisfaction” and “blessed unrest” permeate the vast open plain of not-knowing. “Keep the channel open,” she advised Agnes deMille. “No artist is pleased.”

“Your job is to put it out there,” Dick K., told a younger version of me. “What other people think is none of your business.”

It’s simple. Love what you bring.

read Kerri’s blogpost about YOUR WORK