Discover Again [on Not So Flawed Wednesday]

Some books sit idle on my shelf for years and then, one day, with no warning, they leap forward and demand to be read. And so it is with Vāclav Havel’s book Disturbing The Peace. It is my new 2-page-a-day-meditation-book. I’m only a few pages in but already finding the words of this playwright-become-president of the Czech Republic, published in 1991, speaking clear thoughts to the un-united-united-states of 2023.

“It seems to me that if the world is to change for the better it must start with a change in human consciousness, in the very humanness of modern man.”

The change in consciousness? It is this:

“He must discover again, within himself, a deeper sense of responsibility toward the world, which means responsibility toward something higher than himself.”

He writes that we must extricate ourselves from “the mechanisms of totality” and the “manipulation” of media. We must “rebel against [our] role as a helpless cog in the gigantic and enormous machinery hurtling god knows where.”

Climate change. Attempts to white-wash history rather than learn from it. Populism and a republican party dedicated to authoritarian rule rather than the democratic ideals they are sworn to uphold. The absence of a moral center and, to use a phrase from the past, common courtesy. Courtesy to the commons.

Vāclav Havel led his country through their great chaos, the tension of their divide, power struggles, and the collapse of repressive communism. He was an absurdist playwright. He did not pretend to have answers. He had abundant questions. He argued for the simplicity of confronting the tasks at hand, tasks that are the responsibility of all the people in a nation, tasks like honestly looking at and dealing with their full history. Tasks like turning away from anger-inducing propaganda, conspiracies and lies – and learning to discern what has merit and what does not. In other words, transcending individual-self-serving-belief-bubbles in order to realize and secure the higher ideals of the community.

Every book has its time. I find it extremely hopeful that this book chose this moment to jump off the shelf.

read Kerri’s blog about SKY-THROUGH-TREES

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Listen To The House [on Not So Flawed Wednesday]

When it’s humid our refrigerator has an incontinence problem. Upon entering the kitchen and stepping into the latest puddle, we call out as if it was normal, “The fridge tinkled again!” Sometimes I wonder if the neighbors can hear us. And, if they can, do they double-lock their front doors against our madness? Do they pull down their shades as we pass by?

We think we know the problem with the fridge’s urinary tract. We ordered a part months ago that arrived magically through the mail and now sits within view of the tinkling-fridge. It’s like knowing you’re going to need a hip replacement, ordering the part, and setting the titanium hip on the kitchen counter for months until you have the courage to schedule the surgery. “Yep. There’s my hip. Someday I’m going to install that thing…” Our new part has been in view for so long that I no longer see it. I’ve incorporated it into my visual expectations. We’re still working up the courage.

The refrigerator’s incontinence began when the ice-maker went on strike and refused to make ice. We met and negotiated but the ice-maker negotiating team is difficult. We’re having a hard time discerning their demands and are clueless about the original issue. We know the ice-strike and the fridge-tinkle are connected but are somewhat mystified by the humidity-trigger. So, in the meantime, thoroughly mystified but incredibly adaptive to our circumstance, we bring in ice from our beloved the corner market, Morelli’s Deli. We place towels on the kitchen floor.

And what might this have to do with living the good life? “Deferred maintenance is a fact of life!” Kerri insists and she is right. As I’ve learned from our sweet old house, there is always something to fix and that’s what gives our beautiful home its character. And, in the face of the obvious-never-ending-list, the best plan of action is to relax. Do what you can do when you can do it.

This may come as a surprise but, in the face of a long to-do-list, I had to learn to relax. I had to practice the skill of letting go. I’ve had to exercise the muscle of realistic expectations. I was not a willing student at first – I had to recognize that I had lessons to learn! …so many lessons…

How fortunate am I that our house is a master teacher? When you visit, I’ll show you how to jiggle the door. And don’t ask me about the cabinet handles in the kitchen! The first lesson from our house: explain nothing. Smile, relax, and say, “Yes. I know. It appears that needs fixing.”

read Kerri’s blogpost about ICE

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Sail Toward It [on Not So Flawed Wednesday]

Gordon MacKenzie ends his wise little book with this: “You have a masterpiece inside of you, too, you know. One that is unlike any that has ever been created, or ever will be. And remember: If you go to your grave without painting your masterpiece, it will not get painted. No one else can paint it. Only you.”

His analogy – his encouragement – is to let go of others’ expectations and paint your painting, not the paint-by-number painting that you think is required of you.

I wrote this note to myself over ten years ago: you do yourself a terrible disservice to doubt what you know.

I know the world is round. If I set off on an adventure to the unknown I will never touch the horizon. It will always call to me. And, if I sail toward it long enough I will arrive back where I started. Home.

If I believed the world was flat, I would delude myself into thinking that I could catch the horizon – and touch it – merely a moment before I sailed over the edge and into the dark abyss. I know this: no one holding a flat world belief will knowingly sail toward the horizon, the great unknown. That would be crazy! No one willingly sails into the abyss. Better stay safe in the harbor! Color within the lines!

Masterpieces are made by sailing into unknown territory. Releasing control and discovering what’s just over the horizon. And, what’s just over the horizon is more horizon! More questions. More experiences. More discoveries. More tastes. More textures. More sounds. And, to sail toward the horizon with abandon first requires an understanding that the world is round. It is all horizon.

Paint-by-expectation is the road of a flat-earther. Perfection is a false horizon. Try to touch it and the abyss is yours.

Young artists jump back and forth between the flat and the round earth philosophy. They have to. Vulnerability is a learned skill and comes easily when the quest to touch the horizon is abandoned. In other words, painting a masterpiece comes when the quest for a masterpiece is ditched. When making a mess takes precedence over “doing it right.” When following your bliss determines the rules you uphold.

It’s counterintuitive. There’s a place where control and freedom blend into one. You’ll find it when you aim at the unattainable horizon.

read Kerri’s blogpost about THE HORIZON

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Try This [on Not So Flawed Wednesday]

A lonely cloudy day. I wandered through a farmer’s market. The sun-baked-old-man behind the table looked up, waved me over, cut a slice of peach and said, “You have to try this.” I accepted his offer. I couldn’t believe how delicious it tasted. Seeing the taste-revelation in my eyes, he told me a thing or two about peaches. I bought a few and continued on my way, no longer feeling alone.

The other day, after yet-another-day of fruitless job searching (good pun, yes?), Kerri cut a peach and we stood at the counter, savoring. I was tossed back in time to that lonely day, the sun-baked-farmer, the taste revelation. I can’t recall a thing he told me about peaches but I vividly remember the taste. I remember the kindness in our conversation. He wasn’t in a hurry. He had all the time in the world to share with me what he knew.

Sometimes, as I recount these experiences, I wonder if they happened the way I remember them or am I determined to give them a positive spin? Was that old farmer as kind as I paint him? Did he see a lonely man passing his booth and cut a peach to lift his spirits? Or, was he a really good salesman? Or both/and? I want to believe in his generous spirit. I felt it. So I will hold on to my interpretation. He knew about peaches. He knew about loneliness. He knew one thing might help the other.

A second hand lesson from way back: Find the artists. Ask them to tell you about what they know. People like to share their stories, their knowledge, their foibles, their wisdom. And, most importantly, assume everyone is an artist.

Sometimes it’s a simple as cutting a peach…

read Kerri’s blogpost about PEACHES

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Play With Life [on Not So Flawed Wednesday]

On my list of things to think about: raindrops are water held together by surface tension. The elements of air and water at play. And then, as if that were not enough, there’s refraction!

Now you know why I’m such a bore at parties. While everyone else discusses recipes or the antics of their children, I’m captured by the drip of water on the houseplant. Talk to me at your own risk.

It’s a question of attractions. Water molecules like hanging out with other water molecules more than they like hanging out with air molecules. Like seeks like. The liquid contracts. An inward force of attraction creates a surface tension at the crossroads with air. Don’t worry. Beyond the metaphor I don’t really understand it, either.

In my next life I’m going to be either a gospel singer or a physicist. If a physicist, I’ll still be an outrageous bore at parties but at least I’ll understand the forces behind what I’m seeing. If a gospel singer, I’ll be great fun at parties and I won’t for a moment think of the forces at play. I’ll sing with the power of unquestioned faith.

Our backyard is a sanctuary. The birds love it. The chipmunks race along the fence line. The bunnies eat the grass and lead Dogga on wild-bunny-chases. The pond gurgles. The plants thrive. All are interfaces of forces. Water and air. Life playing with life.

It gives me plenty of fodder to think about. And, plenty to love.

read Kerri’s blogpost about HOSTA

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Giggle Across The Threshold [on Not So Flawed Wednesday]

This one acted like a threshold guardian. Usually, when we come upon snakes on the trail, they want nothing to do with us and quickly slither away. This one, stretched across the trail, soaking up the sun, sensed our presence, and rather than escape, coiled into a defensive posture. “You shall not pass!” I almost expected it to hiss a riddle in our general direction. Ready to eat us if we failed to answer correctly.

It was a garter snake. Much smaller than this picture portrays. Not poisonous. All bark and no bite. Like a little chihuahua that imagines itself alpha to a german shepherd, this snake had much more attitude than body. It was serious.

I imagine there are few things more humiliating for a threshold guardian than for a sock-and-sandaled tourist to completely miss its ominous threat and enthusiastically take a picture of it. ‘Lookit!” Kerri smiled, knelt and began snapping photos. The snake flexed its machismo and Kerri giggled, “Why do you think he’s doing that?” The snake doubled-down. Kerri’s delight escalated.

It was like watching a Monty Python movie. Threshold humiliation. I imagined The Sphinx encountering a couple of Wisconsin tourists clad in khaki cargo shorts who guffaw at her scary posture, her incomprehensible riddle. They put their arms around her, ask her to pose for a nice selfie. “Smile!” they chime, two thumbs up to the camera. They invite her to a hot-dish dinner.

The Sphinx lets them pass and hopes no one was watching.

And so it was with the snake and Kerri. The more threatening it became, the more laughter it invoked in her. The more photos she took.

We moved on. Thrilled, she showed me her snake series. I couldn’t bear to look back and watch the mortified snake slither into the grass, deflated.

[I stop here. It is too tempting to suggest this an effective strategy for dealing with all the puffed up political snakes and slithering pundits on our trail. So I won’t do it. I won’t suggest it. I’ll keep it to myself. Really.]

read Kerri’s blogpost about THE SNAKE

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Tend The Daisy Magic [on Not So Flawed Wednesday]

The simple daisy is central to our relationship mythology. She held a daisy the first day I met her at the airport. A few weeks later I flew in a second time to test whether or not I’d merely imagined the power of our first meeting – and she met me with an armload of daisies. She carried daisies the day we were married. On special days we opt for daisies over roses every time [note: daisies are nigh-on impossible to find in February. The only time I sent Kerri roses for Valentines Day they arrived exploded; naked stems in a pile of rose petals. No doubt a message from Daisy].

Each year on the trail we await the arrival of the first daisy. “LookIt!!!” Kerri sings, “It’s here!” Simple joys. Simple celebrations that touch back to our root-story. I delight that we attend to and nurture these source connections. With intention we keep them open and vibrant. It is how we “story” our life, translating moments like the first daisy sighting as an affirmation or our togetherness. A powerful meta-story: Mother Nature says to us, “This is good.”

The other day, walking through Costco, we passed the flower cooler. Kerri was having a-very-bad-no-good-day. Hot steam was swirling above her head. Small children sensed the coming cauldron and scurried from the aisle. I ducked into the flower-fridge hoping to find a bundle of daisies in the hope that they might help her find more peaceful thoughts. There were none but to her puzzled look I said, “I wanted to give you some daisies.”

The impact was immediate. Daisy-calm washed over her, squelching her inner fire. She smiled. Our root story rushed in, a restorative perspective that released her monster-mind-madness. It is the power of a well-tended root story. Peace of mind in the midst of a storm. Mother Nature reached through Costco’s concrete floor, wrapping us in daisy-magic, reaffirming, “This is good.”

read Kerri’s blogpost about DAISIES

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Dine With Jonathan [on Not So Flawed Wednesday]

I lost my copy of On Reflection by Jonathan Miller in one of my moves. He gave it to me. I treasured it both for the generosity of his gift but also a reminder of a night I had a casual dinner with an artistic giant. He was kind. And funny. And shared his ideas, thoughts and new work like an enthusiastic child. He listened intently to my ideas and thoughts like a fascinated friend. It is the mark of a great artist: humility. Healthy doubt. He loved his work and loved to share the exploration. He was brimming with questions.

I left that evening thinking, “I want that!”

That. Secure in my work. The playfulness of a child. The love of the exploration. The fearlessness to my bones knowing that each painting and every play is not an end in itself – not an achievement – but part of the dance of life on the playground called artist. Dedicated to asking questions. Dedicated to surfacing shared truth.

To Mary Oliver’s question, “What will you do with your one wild and precious life?” I say, I want that. Wild and precious.

That. It’s not an achievement; rather, it is a way of being. A practice. It alters Mary Oliver’s question: How will you be within your one wild and precious life?

Safe. Steady. Unshakable through dedicated practice. Arrived at through a lifetime of grace and humility. Or, perhaps, grace and humility arrived at through a lifetime of questioning. The certainty of doubt. That’s what I saw in Jonathan Miller that night. The paradox of the artist: security in vulnerability. To feel so safe as to play without inhibition. To express sans trepidation. To share and receive with equal enthusiasm.

It is a practice available when the artistry is no longer about the “I” but about the “we”. The bigger energy, call it what you will. It’s humbling. That.

read Kerri’s blogpost about REFLECTION

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Show Us The Way [on Not So Flawed Wednesday]

Our Sweet Boy is getting older. A few night’s ago, for the first time, I watched him struggle to stand up; for a moment his back legs refused to cooperate. I felt a hot rush of panic, Kerri caught my eye to acknowledge that she saw it too. And then, in a miracle moment of instant transformation, he caught sight of Boris-the-cat next door and all signs of decrepitude vanished in his hot-dogga-dogga-rush to bark at the window. Crazy Boy was back.

He’s always had two distinct personalities: Crazy Boy in the daylight hours and Sweet Boy after the sunset. Each evening, Crazy Boy herds us to the living room. Once we are settled safely into the couch, the signal that his duties for the day are done, he collapses on the floor between the living room and dining room. When next he raises his head, Crazy Boy is gone. The spirit of Sweet Boy fills his furry being. Our now gentle dog checks in for a head-pet, and nestles in beneath our feet.

It’s the ratio that is pulling at my heart. Once, Crazy Boy dominated the hours of the day, wearing deep circle-paths in the backyard in his exuberant patrol. In the past year, there is a new more-equal balance of Sweet Boy and Crazy Boy hours. His ebullient patrol still wreaks havoc with the backyard flora and fauna, just not so often. He’s become more content to observe his vast territories from the cool of the deck rather than continually clear the yard of marauders. Now he sleeps more of the day away.

When we are away on errands he sleeps in the sunroom by the backdoor but is joyful and bouncing by the time we get the key in the lock. He is the world’s best welcoming committee. Yesterday, we were completely inside the house before he was aware that we were home. “Some watchdog!” we quipped. Once again he struggled to get up. Kerri knelt by his side, ruffling his ears, she said, “Don’t worry, Dogga, our joints hurt, too.”

We’ve joked that Dogga had a tough assignment with us. A hyper sensitive dog with two overly sensitive artists. He’s been part weather vane – I know when Kerri or I are about to storm because Dogga looks at us and heads to the bathroom, his quiet space. We’ve averted many-a-storm because Dogga turns and slinks toward his sanctuary. “It’s okay!” we call after him. Not wanting to upset the dog has taught us how to not upset each other.

“I guess we’re learning how to grow old together,” Kerri said.

And Dogga – as always – is showing us the way.

read Kerri’s blogpost about CRAZY SWEET BOY

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Look At Them Now [on Not So Flawed Wednesday]

Kerri hit the nail on the head. “Most people wouldn’t do this,” she said. “They’d think it was the same. They’d be bored” True. Too true.

She made her observation while we were walking our usual trail. We don’t walk it everyday but often enough to call it “ours” or “the usual.” Although we walk the same trail, to us it is never the same. Never. For instance, a few days ago the Mayapples bloomed. A single white flower hides beneath the leafy canopy. Last week we checked but the flowers hadn’t yet appeared. They’ll be gone by Father’s Day, the flower and the plant, just as the mystery cowboy told us. Walk the same path long enough and you’re likely to converse with a mystery cowboy.

It’s an exercise in seeing. Or, perhaps, it’s an exercise in not taking the surrounding world for granted. It is constantly moving. Dynamic. A crane flew right over our heads! The turtles are barely visible buried in the mud of the river. Tender green shoots broke through the devastated landscape and now, only a few weeks later, a blanket of vibrant viridian covers the forest floor. Tiny purple and blue flowers soon followed. The honeysuckle have now made an appearance. The thunderous frog song has all but disappeared.

And then there is the light. Dear god, the light. The colors shape-shift as the sun moves across the sky. The cloudy days evoke entirely different tones. There’ a reason filmmakers call the impending sunset “golden hour.” The winter palette is a world away from the summer hues.

We hold hands. We walk slow enough to see, slow enough to immerse. Slow enough to give our attention to the unique-within-the-same. Each day uncommon. Seeing it is a practice of challenging the assumption of “sameness.”

The practice of the trail has become the practice of our lives – or vice versa. Move slow enough to see. Pay attention. Give attention.

Across the yard from the farmhouse porch stand two guardian trees. “Look!” she exclaimed, running to show me the latest photo. “They’re so amazing,” she said, showing me the growing series. “They’re entirely different in the morning than they are in this light…” she said, turning her focus and camera back to the trees. “Geez! Look at them now!”

read Kerri’s blogpost about THE TREES

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