A Second Glance [David’s blog on DR Thursday]

Look carefully and you will see the shadow that the dandelion cast upon the white petal.

Can you see the veining of the leaves? The watercourse way? The ridges in the petals serve the same life-giving purpose although by a subtly different, visibly beautiful design. Can you see it?

There is a small spot of purple. Can you find it? It pulls the eye. It provides the tension necessary for focus, inspiring movement of the eye.

Is the ant adventuring across the dandelion apparent at first glance? Like the spot of purple, it is there though probably not apparent at first glance.

At first glance. To the casual eye. On the face of it.

And then there is the purpose beyond the pretty. Do you see it? The petals of white, the yellow pistil attract pollinators in an attempt to perpetuate their species. The ant does not adventure for fun but for food.

Do you see the dried leaves supporting the green and white, the yellow and purple? Once green themselves, drinking the sun, they now provide sustenance to the next generation, warmth to the root.

It was the shadow of the dandelion cast that caught her attention.

It takes time to see the purpose beyond the pretty. It takes a longer second glance. Seeing – and understanding – interdependence takes more than a first glance. It requires some learning. Observation. Study.

My father used to tell me that I’d educated myself into stupidity. I did not take it personally as I knew that he was captive to the fox. He knew, as do I, that the fox is dedicated to the superficial. He was schooled by the fox to believe that looking beyond the superficial, a thing called “learning”, was a worthless thing. The fox preaches simple idiotic solutions. Build a wall. Deport without due process.

Critical thinkers and active questioners are less likely to eat the smorgasbord of drivel and easy conspiracy served up as sustenance by the fox. The fox relies on the superficial. The fox defends against a second glance. The fox talks fast, a carnival barker, enticing people into the tent with freak-show promises, bearded ladies and conjoined twins, performances guaranteed to shock the most hardy of viewer.

Every carnival barker knows that a longer second glance would shed some light on the subject. It would reveal the make-up, the spirit gummed whiskers, the hollow dumbbells of the strongman. A little study would reveal the purpose: outrage in exchange for your nickel.

The only way to keep the viewer in the tent is to escalate the outrage. Keep them solidly in their reptile brain. The only rule? Never ever provide a second glance. Prevent at all cost a deeper look. Stigmatize learning. Undermine fact. Distract. Gaslight. Blame. Assault education. Oh, and never ever pass up a chance to charge another nickel.

Look carefully and you will see the shadow…

read Kerri’s blogpost about THE SHADOW

likesharesupportcommentsubscribe…thankyou.

A Refresher [David’s blog on DR Thursday]

Jim E guided us – actors and directors – through an exercise he called The Spirit of Play. He was a master teacher. Afterward I made copious notes so I, too, might lead others to their spirit of play.

Through my time in the theatre I guided many groups through the sequence. Later, in the corporate world, finally understanding the essence beyond the progression of steps, I led lawyers, business folk, teachers, coaches, consultants…through variations of Jim’s original workshop, all meant to bring people back to themselves, back to their spirit of play. It was my north star, “People just want to play,” I assured my doubtful collaborators.

Play is an umbrella big enough to safely contain the serious stuff. The serious stuff by itself is too small a container to allow for play. The inspiration-well will always run dry if play is banished from consideration. Unfettered imagination, freedom of exploration and expression, so natural as a child, is shackled when the spirit of play is burdened by a purpose called win or lose.

I recently reminded myself that cloud gazing feels good and requires no other purpose for doing it.

Clearly needing a refresher for my own spirit of play, I went into the studio, pulled out eight canvases, mixed a bucket of paint, grabbed several big tools, scrapers and rags, and to the tunes of Jerry’s jazz band, I spattered, pulled, rolled, scraped, smeared. No thought was allowed, not goal was considered. Nothing serious was entertained. I dropped my very-important-role of “artist” and laughed and laughed.

KDot & DDot See An Owl, 24″x48″, acrylic

read Kerri’s blogpost about CLOUDS

likesharesupportcommentsubscribe…thankyou.

The Question Of Orbs [David’s blog on DR Thursday]

“Find a place inside where there’s joy, and the joy will burn out the pain.” ~ Joseph Campbell

She told me this photograph was for me. My paintings often include orbs. I wasn’t aware of my orb-inclusion until the day many years ago that I showed Jim E. my paintings. He asked, “What’s up with the orbs?” Confused, I examined my own paintings. It was a hysterical moment of self-discovery.

At first I liked to think of the orbs as spirits. Guardians or messengers. I am an intuitive painter so I assigned some Glenda-the-good-witch sensibility to my ever-present orbs. Later, I imagined they represented unhatched possibilities or germinating ideas. I loved the idea that we are surrounded by bubbles of potential. Now, I have no story at all for them. I like them. They are there. They make me happy. They make compositional sense.

Last night we discussed our broken road path to each other. If this or that had changed, would we have found each other? Would we be living entirely different lives? From this vantage point, our meeting was all but impossible. At the time, what seemed like the worst possible thing – life collapsed in both of our stories – nudged us to somehow bump into each other. Two bubbles in a vast universe.

Now, joy is burning out the pain.

Perhaps my orbs are homage to the wonder of bubbles in the universe? A nod to the unanswerable question of my life path – ours or any life path: is it random or is it destiny?

“Whatever your fate is, whatever the hell happens, you say, ‘This is what I need.’ It may look like a wreck, but go at it as though it were an opportunity, a challenge. If you bring love to that moment–not discouragement–you will find the strength is there…” ~ Joseph Campbell

Meditation, 48″x48″, mixed media

JOY, 50″x56″, mixed media

read Kerri’s blogpost about ORBS


likesharecommentsubscribesupport…thankyou.

This Storm [David’s blog on DR Thursday]

It seems our weather forecast is regularly filled with dire warnings. Violent thunderstorms. Hail. Tornadoes. We watch the radar as the angry colors move across the map, headed in our direction. So far we’ve been fortunate. In the final approach, the irate clouds veer to the north or break to the south. Sometimes they split and go around us. We catch the margins of the storm, the distant booms, the lesser winds.

After dinner we sat on the deck with 20. Earlier in the evening it was too cold to sit outside, the temperature by the lake was 10 degrees cooler than inland. When I stepped out the back door to cover the grill I was taken aback. It was warm and humid. We relocated outside and marveled at the odd shape and weird color of the clouds. We knew a storm was on the way, the warnings were apocalyptic, but our radar watch confirmed that, once again, it would mostly miss us. Kerri took photographs. 20 and I giggled, lapsing into middle-school-boy humor.

The weather forecast mirrors the augury of our nation. Climate change. Culture change. Waves of anger roll across the land in phallic-shaped storm clouds. We hunker down and monitor the radar. We watch the day’s news for the latest devastation, the senseless chaos, the mean-spirit that blows away our democracy.

Sitting on the deck, we acknowledged that we are collectively holding our breath. We know that there is no avoiding this retribution storm, this oligarchic money-grab. The fight that’s coming will not veer. The fight is already here. The fascist winds have arrived. We stock up as we do for any swelling tempest. We prepare our go-bag as we did during the recent riots. We reassure each other that sense and sensibility will ultimately win the day. Decency will return. And, in the meantime, the warning sirens blare. We do what we can to fight the rising autocracy. We do what artists do.

Coming Up For Air (sketch), mixed media on canvas

read Kerri’s blogpost about the STORM CLOUDS

likesharesupportcommentsubscribe…thankyou.

The Spirit Of Play [David’s blog on DR Thursday]

In a fit of serendipity, while awash with an overwhelming feeling of loneliness, this morning I opened The Marginalian and found musings about loneliness:

“Jungian analyst Robert A. Johnson groups all the possible lonelinesses into the three core kinds that pulsate beneath our daily lives and govern our search for love: the past-oriented loneliness of missing what once was and never again will be, the future-oriented loneliness of longing for what could be but has not come to pass, and what he calls “the profound loneliness of being close to God… The first two lonelinesses are rooted in time…The third kind of loneliness deals not with the temporal but with the eternal; it exists outside of time — like music, like wonder, like love.“[Maria Popova, The Marginalian, April 20, 2025]

Yearning for the past. Fear of the future. Disappearing into the now.

I’ve spent my entire life standing in front of an easel. The younger me was trying to get to something behind the eyes. He was reaching into the mystery to try to understand it. Paint was the means to get there. I miss that man. A later version of me became burdened with trying to get eyes to see what I had painted. He was trying to reconcile the inner pursuit of the mystery with the outer necessity of paying the bills. His valuation became wonky, sometimes confusing personal worth with sales of his paintings. His intention split. He questioned the price of pursuing the mystery. When the acknowledgment finally set in that he would never have pieces in museums or coffee table books written about his work, he struggled but soon realized his struggle was akin to a butterfly breaking free and shedding a cocoon.

Two kinds of loneliness. No one can go with you when you gaze into the past; sense-making what-was is a solo journey. Similarly, no one can accompany you into the cocoon or know what lies beyond.

I loved this phrase in the article: “…the existential disorientation of feeling your transience press against the edge of the eternal, your smallness press against the immensity…” That perfectly describes how I now feel standing before my easel: small.

Kerri sat with me in the studio. I have two tiny canvases sitting on the easel. As I was describing what I was intending she stopped me and challenged me to do something new. She challenged me to let go of what I know. She asked me to step beyond my comfortable place into the mystery. I knew she was right. I know it is the only way forward. That is why I miss terribly the younger version of me who didn’t know any better. He threw paint with enthusiasm because he didn’t know any other way. He lived each day on a new trail; exploring.

I heard Horatio in my head: “Paint crap!” he said, howling, a laughing Buddha. “Paint lots and lots of crap.” Stepping onto a new trail is lonely. And, that’s the point. There’s nothing like not knowing what’s ahead to open the eyes (and heart) to the greater mystery (read: possibility), to fill-up withwonder, to resurrect the spirit of play.

from the archives: LAUGH, 18″x24″ oil on canvas (the collection of Marian Jacobs)

read Kerri’s blogpost about THE FENCE

likesharesupportcommentsubscribe…thankyou.

Teach The Moment [David’s blog on DR Thursday]

As I watched the curtain of grasses sway I thought they’d make an excellent set piece for a production of The Tempest. Their movement was hypnotic. I had the good fortune to design a minimal-budget-production of The Tempest several years ago and used huge pieces of driftwood and a bamboo curtain. I loved it.

The Tempest was on my mind because earlier in the day while doing some research I bumbled across the question, “Why is The Tempest a banned book?” The answer is a very sad statement about our times, the reason our nation cannot seem to mature: “The Tempest,” one of the playwright’s classics, is among the books removed, as teachers were urged to stay away from any works where “race, ethnicity and oppression are central themes,” the website Salon reported.

In our nation race, ethnicity and oppression are the central themes of our history: “246 years of brutal enslavement; the rape of black women for the pleasure of white men and to produce more enslaved workers; the selling off of black children; the attempted genocide of Indigenous people, Indian removal acts, and reservations; indentured servitude, lynching and mob violence; sharecropping; Chinese exclusion laws; Japanese American internment; Jim Crow laws and mandatory segregation…” (Robin Diangelo, White Fragility)

You’d think we might want to encourage teaching The Tempest and other great works so we might consider and discuss the full scope of our history. So that we might learn about ourselves. So that we might become capable of addressing and putting to rest the ugly fear – rooted in race, ethnicity and oppression – exploited for gain by the Republican party, that gave birth to the MAGA movement. It’s the Confederacy by another name.

In a nation of immigrants, you’d think it might be a first principle to teach our children about race, ethnicity, and oppression so we might learn how to reach across – and put to rest – division rather than perpetually recreate it.

The AI overview provided another related and currently more salient reason to teach The Tempest: “The main message of Shakespeare’s The Tempest is that forgiveness and reconciliation are preferable to revenge and punishment, especially when it comes to the restoration of social order and personal peace.

If social order and personal peace are the goals, our current path of revenge and punishment will not take us there. In the play, Prospero chooses release from his island prison through the power of forgiveness and redemption rather than perpetuating his imprisonment by seeking revenge.

In this teachable moment Prospero’s choice is an analogy worth teaching: a path provided to us by a play written in 1610 by one of the greatest poets of the English language; a way out of our national-soul-imprisonment.

I suspect that is why The Tempest and other great works of literature dealing with themes-that-matter are being banned. In the minds of this administration, continued imprisonment, revenge and punishment seem to be the goals.

Angels At Our Side, 24″x48″, mixed media on board

read Kerri’s blogpost about THE GRASSES

likesharesupportsubscribecomment…thankyou.

Joyfully Jump [David’s blog on DR Thursday]

“The true work of art is but a shadow of the divine perfection.”Michelangelo

I still marvel even though I’ve grown used to it. Without warning she suddenly jumps up and races to capture an image. Walking on the trail, mid-conversation, she suddenly disappears; I turn and find her kneeling in the dirt, her camera aimed at a new bud or the methodical march of a caterpillar. Her muse is not gentle. Her muse demands immediate action.

At first her sudden bursts of energy frightened me. I thought she saw a snake or was leaping to dodge a tarantula. I jumped, too, usually crying out, “WHAT? WHAT?” After the hundredth scare I learned to temper my response to her bursts of inspiration. I’m painfully aware that with my new conditioning it’s likely that she will someday leap to avoid a rattlesnake while I step on it, thinking she’s having a muse-call. I am certain that she will get an excellent photograph of the snake biting my ankle.

In The Artist’s Way, Julia Cameron wrote, “Creativity is God’s gift to us. Using our creativity is our gift back to God” She continued with a more tangible sentiment, one that every human being experiences: “The refusal to be creative is self-will and is counter to our true nature.”

Blunting ourselves is not natural. It is what KDOT is teaching me. Do not doubt or delay the muse. Jump with both feet into the beauty when it beckons. Play with the moment. Share what you find there.

We forget that we, too, are works of art. We’re not finished pieces but ongoing shadows of divine perfection. We express. We are most alive when we are uninhibited in our participation and celebration of what we experience. It’s called “connected”. Plugged in. Present. Flow.

The muse will open the door and like Kerri, we could all learn to joyfully jump through it. Anything less is unnatural.

from the archives: Maenads

Go here to visit my gallery site

read Kerri’s blogpost about THE MUSE

likesharecommentsubscribesupport…thankyou.

What Grows In Us [David’s blog on DR Thursday]

For several months we kept a book on our bedside table: Benedictus by John O’Donohue. It’s a book of poems in the form of blessings. Each morning we’d select one at random, and read it aloud. It was one of our strategies for starting the day with a meditation on goodness rather than a doomscroll through the news.

It’s an ages-old adage: where you place your focus grows. Focus on fear and that’s what you’ll see. Focus on your blessings and that’s what populates your garden.

I believe in the adage but I also know that no mind, heart or soul is healthy if singularly focused. I also believe fear can be useful, anger can be generative, and grace is most often found on a walk through despair. Focus is not an end goal or an achievement. It is not meant to fortress us from “negative” emotions since experiencing the full spectrum of emotion is, after all, how we learn and grow. A full palette of feeling is what makes us human. Focus is the choice of a conscious mind.

Fear can be a prayer. Loss is one of the many shades of love.

I’m aware that most of what we write about these days is about the dismantling of democracy. Some of my pals are worried that I am lost in a dark land or too focused on the negative. And with each outreach I am reaffirmed in the certainty that I am a fortunate man to have so many who care so much about me. I do not write this as a platitude. I know to my bones that I am a fortunate man.

I am fortunate because I have known shame and terror. I have made titanically stupid choices. I have learned and questioned and followed my wandering heart into every valley that beckoned and climbed every mountain that called. I have fought battles that did not exist and found my seemingly good intention was destructive for others. I have felt deeply. I ran when I should have stood my ground. I betrayed myself. All of these experiences have expanded my life-palette and given me some small understanding of the power of focus. These experiences introduced me to the gorgeous people who now surround me, who worry that I am lost in a dark land.

This morning we sipped coffee in bed. Dogga was asleep on the quilt at our feet. We listened to the bird chorus come alive with the rising sun. We held hands as we always do. At the exact same moment, we had the overwhelming realization that life does not get any better. I was so taken with the gorgeousness of being alive that words failed me. We sat in utter appreciation of all that we enjoy.

That happens for us multiple times every day. It is where we choose to place our focus. It is what grows in us. It is the same place – this love of life and gratitude for all we enjoy – that necessitates writing with such urgency about what’s happening in our nation. We do not write to solve a problem. We do not write to complain or blame.

Do you recall the story of Kitty Genovese? She was a young woman who was raped and murdered in NYC in 1964. Although many people heard her cries for help, either no one listening recognized the horror of her plight – which lasted over half an hour – or no one cared. In any event, no one called the police; no one came to her aid. It was the inception of what we know as the “bystander effect”: everyone thinking someone else will take the responsibility. Focus elsewhere.

Our national house is on fire. The rights of women around this nation are being brutalized. The rights of all people of this nation are under assault. It’s no time to be a bystander. We write because Kitty is screaming. All that we love and enjoy makes it impossible to turn away and turn up the volume of the television. Were we capable of turning away, were we actually pretending that what is happening is not actually happening – as is the republican congress – then we would be in a very dark place, indeed.

Prayer Of Opposites, 48″x48″, acrylic on panel

read Kerri’s blogpost about DOGGA

likesharecommentsupportsubscribe…thankyou.

The Many, Many Things [David’s blog on DR Thursday]

Although I see signs of spring everywhere, it wasn’t official until we received a text from The Grass King that the reality of the earth’s orbit set in. He’s monitoring the ground temperature and will let us know when it’s the perfect time to seed and fertilize. Like all of the plants, we yearn for some time in the sun.

For her birthday six years ago I gave her a paint bucket containing 60 slips of paper: 60 things I love about her. There were – and are – many more than 60 things so I had to edit. A few years after the bucket, among other things, I gave her a piano tuning. She has yet to cash in the tuning but I have hope that this is the year. True confession: my gift of tuning was selfish since I love to hear her play. Broken wrists et. al. has made those opportunities few and far between but I see signs…This truly may be the year.

Today she completes another lap around the sun. It’s her birthday. Dogga and I will spoil her to the degree that she allows (she generally resists being coddled). The day promises to be beautiful so we will take a nice walk. Perhaps a small adventure will beckon. 20 will come for dinner so there will be abundant food and laughter. Our celebrations are mostly low key – rather than fill them with events we tend to clear the space and follow our hearts.

13 years ago I followed my heart and stepped off an airplane to meet in-person this woman named Kerri. I’m so glad I did. Now, I could fill hundreds of paint buckets with slips of paper telling her of the many, many things I love about her.

Go here to visit my gallery site

read Kerri’s blogpost about TULIPS

likesharesupportsubscribecomment…thankyou

The Pizza Thing [David’s blog on DR Thursday]

My latest painting I did for Kerri. It is a painting of invocation. I did not paint it from knowledge or plan. I felt my way through it.

On the day I thought I’d completed the painting I asked her if she wanted me to make any changes. After staring at the image for a few minutes she said, “I love it,” and then asked, “But what’s up with the pizza thing?”

In the many art openings I’ve had in my life I’ve learned that what I paint is rarely the whole of what a viewer sees. I used to be surprised by what others saw in my paintings but now I expect it.

“Pizza thing?” I asked.

“You know, the thing they use to put pizzas in the oven. A paddle.”

“Where is it?”

She pointed to a series of connected shapes on the canvas.

Once someone sees something in an abstract image – like a dragon in a cloud – they can never again not see it. I knew the painting was not-yet-done. She would always see a pizza paddle in the painting if I didn’t alter the shapes. “Do you want me to change it?” I asked. She nodded, afraid I was offended.

It is the great challenge of perception: people rarely look in the same direction and see the same thing. We do not share experiences until we…share them, talk about them, compare notes, come to a common perceptual ground.

A younger me would have defended the painting as I saw it. This older version of me feels no need to defend what I see since I don’t expect others to see what I see. I want to learn what they see. I want to step into a common ground, a space of collaboration. That doesn’t mean that I necessarily must change the painting. It does, however, afford me the opportunity to make it better if I so choose, if my question, “What do you see?” actually opens my perspective.

It’s why I feel the need to shout into the winds of our current political and national circus. It is unimportant whether or not we see eye to eye. It is most important that we share notes, ask questions, discuss discrepancies…discern what is fact from what is fiction. We have to want to step into common ground.

When we walk she often stops and aims her camera at the ground. “What do you see?” I ask.

She snaps the photo and shows me the screen. “A heart,” she smiles. “Do you see it?”

“Now, I do.” I say. I would have stepped over the stone and never seen the heart. And aren’t I fortunate to walk through life with someone who is surrounded by hearts and takes the time to show me what I do not see?

In Dreams She Rides Wild Horses (finished, without the pizza thing)

read Kerri’s blogpost about HEARTS

likesharecommentsupportsubscribe…thankyou.