Study It [on DR Thursday]

Although this news will come as a blow to my ego, I am not a genius. My work is not opening new and exciting doors in the trajectory of western art. My boyhood fantasy of becoming the next Picasso has evolved into the happy reality of becoming the only…me. I love to paint. That is more than enough. Becoming, with no end in sight.

I rarely do studies or rough drafts. Only when a painting is giving me fits do I stop and study it. And, if I actually stop to do a study, the next step is to wipe the painting off the canvas. You might say that the act of doing a study is a warning to the elusive painting. “Last chance, dude.”

FACE THE SUN began as a study, a warning to CHASING BUBBLES. I was ready to wipe it away. In fact, I was cackling at the satisfaction a fresh start would bring. Kerri intervened. She has an uncanny sense for knowing when I am about to wipe away a painting. More than once, at the very moment my hand is reaching to annihilate the trouble-maker-painting, she rushes in to plead its case. I knit my brow. “You’re kidding, right?”

CHASING BUBBLES lived to see another day. Cleaning the studio, I saw the study that saved the painting. I liked it so I finished it and called it FACE THE SUN. Kerri came into the studio and said, “That painting makes my neck hurt.”

“What?! You’re kidding, right?”

She smiled her “gotcha” smile. Not only am I not the next Picasso but the painter that is becoming me is gullible. I am not a genius but I am an easy mark.

 

read Kerri’s blog post about FACE THE SUN

 

 

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face the sun/chasing bubbles ©️ 2019 david robinson

 

Will Her Safe Passage [on DR Thursday]

MotherDaughter morsel copy

a morsel: motherdaughter

Lately I am learning about parenthood. Actually, to be more specific, I am learning about the power of motherhood. Even though her children have flown the nest and are living vibrant lives a thousand miles in either direction, Kerri senses their movements. She feels their triumphs and their pains as if they were her own. We have a game: mention Kirsten’s name in casual conversation and she will almost certainly text or call within minutes. It is uncanny. The daughter and the mother are deeply connected.

This winter, Kirsten taught snowboarding lessons in Telluride and coached a team in Aspen. It required a four and a half hour drive on Friday night to Aspen and a Sunday night return trip to Telluride. Friday and Sunday evenings, Kerri tracked Kirsten’s travel path. Snowy roads. Ice. Avalanches. The mother’s eye casting a cloak of protection over the daughter, willing her safe passage. Holding her in a mother’s sheltering embrace.

Anyone who doubts the power of sympathetic magic has never been a parent, a mother willing the universe to keep her girl safe.

 

 

read Kerri’s blog post about MOTHERDAUGHTER

 

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motherdaughter ©️ 2019 david robinson

Use Your Magic Wisely [on DR Thursday]

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…and the wily old story fox told the pack, “Words are like magic, misused they are tragic…”

“Words are like magic, misused they are tragic, but handled with care they bring insight and good cheer. So listen, dear friends, listen with care.” ~ The Story Fox

I wrote and illustrated Lucy & The Waterfox in 2004, long before this common era of weaponized language use.

Declan Donnellan wrote that, “There will always be a gap between what we feel and our ability to express what we feel. The more we wish the gap to be smaller, the more we want to tell ‘the truth’, then the wider the perverse gap yawns.”

The more we need words, the less capable they are at expressing what we mean. That is the blessing and curse of language: it can never achieve the goal. It can only point us in a direction. The closer we step toward ‘the truth’, the less language can actually reach it. Which, if you think about it, requires us to keep reaching for it. Conversely, we can stand directly on a lie and say exactly what we mean. Dead air.

‘The truth’ is a verb. It is a moving, alive, relational thing.

Language is imprecise and, so, easily manipulated. Endlessly interpreted to fit an agenda. That is precisely why language requires respect and care in the handling. Words are more powerful than most people understand. They are capable of starting wars. They are capable of creating peace. They are capable of inciting division. They are capable of inviting unity.

When the ‘perverse gap yawns’, when words become the weapon of the small minded, it is incumbent upon us – all of us – to listen beyond the words, to recognize and acknowledge the agenda. It is incumbent upon us all to handle our powerful magic with care and use it wisely.

Waterfox coverLUCY & THE WATERFOX is a story for children and adults about believing, following your own path, the power of word

 

read Kerri’s blog post about LUCY

 

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lucy & the waterfox ©️ 2004 david robinson

Chase The Bubbles [on DR Thursday]

morsel bubble chasers copy

Some paintings don’t make it to the finish line and I suspect that this painting, Chasing Bubbles, will be one of those. I’ve been working on and off with it for weeks and that’s the problem. I’m not paying enough consistent attention to the painting to actually develop it into something good. Like an absent father I return to it every once in a while and wonder why the relationship isn’t progressing.

The playwright John Guare said that writers need to write ten bad pages to get one good page. Remove failure from the equation. Place the emphasis on the process and not on the product. Experiment. Play. Make strong offers.

The same principle is the reason why actors rehearse or artists do drawing exercises and rough drafts. A photographer for National Geographic (whose name escapes me) said that he shoots a thousand shots to get one really good photograph.

For an artist, silly notions like perfection interrupt the necessity of flow.

Kerri just thumped me. She looked over my shoulder and read what I was writing. “I like this painting!” she declared. She wants a stay of execution. She rapidly listed all of the reasons why I shouldn’t paint over it. “At least consider it,” she said, glaring at me.

I will consider it. After all, that is exactly what I have been doing. Considering whether or not to keep working it or start anew. Trying to find a way, given my spotty attention, to bring life to this Frankenstein. In either case, I am certain of one thing: this bad page will eventually lead to something good.

 

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Chasing Bubbles in process or perhaps in its last hours (thump).

read Kerri’s blog post about CHASING BUBBLES

 

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chasing bubbles (for better or worse) ©️ 2019 david robinson

Re-Member [on DR Thursday]

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a morsel of ‘alki beach’

I was surprised. This was the first painting Horatio pulled from my stacks. It’s an older painting, a piece I’d forgotten.  “I like this one,” he said, and told me why.

Horatio is a great artist so it was a rare treat to rummage around the studio and talk about my work. I don’t often talk about it, not really. When showing paintings, people ask questions and I usually deflect the question back at them. It’s a rule. Artists often get in the way of the relationship between their painting and an observer. I want people to see what they see, not what I think they should see. There is no right answer or any one way of seeing a painting.  That’s the point; they have the power to re-create it for themselves. The magic is on the purity of the relationship. I’m more interested in their re-creation than I am in what I think they should see.

Horatio gave me a great gift. He helped me see ALKI BEACH anew. He helped me remember and in remembering I saw the painting again as if for the first time. It was like meeting an old friend after many years. Since Horatio’s visit I’ve had a chance to chat with ALKI BEACH over coffee. We reminisced about the day, the event that inspired it. I remember how the sun and air felt walking that day so long ago on Alki Beach. I remember sitting in my chair in my studio staring at a blank canvas. I remember the birds, the gulls and crows and eagles. I remember reaching for the charcoal.

I remember my surprise at what emerged on the canvas, the day I stepped back, paint on my face and hands, and saw ALKI BEACH for the first time. I remember thinking, “I like this one.”

 

 

read Kerri’s blog post about ALKI

 

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alki beach ©️ circa 2009, david robinson

Mix It [on DR Thursday]

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True confessions: I never clean my palette. I like the messy build up of color. I like the chunky texture. It serves as a gunky history of my work, a genealogy of paintings past. And then, over time, it becomes a tactile work of art in its own right. Unfettered by any of the mental gymnastics or over-ponderous considerations that plague my “real” work, it is the closest to child-mind that I will achieve. It is accidental. It is free.

This might be a stretch but it is, for me, nevertheless true. I love my palette because it is the place of alchemy in my artist process. It is the true liminal space. I begin with pure color. I smashed the pure color together with another color and transform it into a third color, the hue I intend. On a palette, color becomes intention. And then, once transformed, with a brush or knife I lift the color-intention from my palette and in an action that is often more responsive than creative, I place it onto a canvas. It transforms yet again relative to all the color it touches. An image emerges. More color is called for.

And, somewhere in this call and response of color, I become like the palette. The pass-through of alchemy, the door that color passes through en route to something beautiful. And, in the process, perhaps I, too, in my messy build up of life/color, grow closer to that child mind. Unfettered. Accidentally interesting. Free.

“You never know what is enough until you know what is more than enough” ~ William Blake

 

read Kerri’s blog post about my PALETTE

 

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Horses FullSize copy

untitled, mixed media 48 x 48IN

 

 

 

 

Bring Peace [on DR Thursday]

PAX morsel copy

a morsel of PAX

Coming out of a deep sleep I pass through the flotsam layer at the bottom of consciousness. I call it the ‘garbage layer;’ the place where fears fester and worries lurk. It is the monster layer, the place where Grendel lives. When passing through the garbage layer I’m careful not to hook any of those thought-demons and bring them to the surface with me. Give them light and they will eat your day.

Just as I broke through the garbage layer, feeling the pull of a new day, my eyes not yet open, I was warmed by this thought:

Bring peace to your day and you will experience a bit more peace. Bring joy to your day and you will experience a bit more joy. Bring anxiety to your day and you will experience a bit more anxiety. Bring fear to your day and you will experience a bit more fear. Bring hope to your day and you will experience a bit more hope. What will you bring to this day?

My eyes popped open and I was floating on a raft of hope. A raft of my own choosing. A raft I could share.

This painting is called PAX (the kiss of peace). Like the thought that awaited me above the garbage layer, it is a meditation on the power of what you bring to your day. It is a meditation on the raft you choose to create.

It’s a simplicity. Bring peace. Experience peace. Bring hope to your day. Experience a bit more hope in your day. Share a bit more hope in your life.

 

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PAX, 24 x 24IN, mixed media

read Kerri’s blog post about PAX

 

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PAX/PAX morsel ©️ 2015/18 david robinson

Distort! [on DR Thursday]

lovers distortion1 copy

Lately, when picking images for the melange, I go into the studio, quick snap a few photos, toss them to Kerri and ask her to choose one. It’s that random. This week, I tipped a stack of canvases, much like you’d open a book, shoved my camera in the ‘open page’ and snapped this photo. A morsel of LOVERS. Also, because the painting was tipped, there is an angle of distortion that I like.

Angle of distortion. I like the phrase. It implies that there might be a viewpoint without distortion. As an artist it doesn’t take long to learn that a point of view – every point of view – is a distortion. Follow people through a gallery displaying your paintings and you quickly discover the varied and surprising nature of perception. A single painting. A multitude of interpretations, few of which have anything to do with the painting you thought you’d painted.

My grandfather used to count the fingers and toes in my paintings. Sometimes there were six toes, sometimes four fingers. It puzzled him. My response, that I live post-Picasso, was of no comfort to him. He was puzzled and delighted by my straying from the standard number. He would knit his brow if I’d have told him that I live post-Michelangelo. Those renaissance artists knew how to distort things and get away with it!

Reality. Normal. I’m no longer sure what those words mean anymore other than “agreement.” A gathering of the distortions at the crossroads to compare notes.  My grandfather would have shaken his head and told me that idea was nuts.  “We live post Einstein,” I’d say, much to his chagrin. What do you see in this painting, deep within the age of relativity? Well, it all depends upon your angle of distortion.

 

lovers - full copy

lovers, 18 x 37.75, acrylic on canvas mounted on hardboard

 

read Kerri’s blog post on LOVERS

 

 

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lovers ©️ 2012 david robinson

Hear Yourself Think [on DR Thursday]

painting FOR PEACE I PRAY morsel copy

Ultimately, if you are lucky,  you come to the realization that you are in prayer, in meditation all day every day. What rolls through your noggin each moment of each day is your meditation. It is your prayer. The question is this: what is your meditation?

We need not go to the mountaintop, enter the big stone building, or walk a thousand miles to the sacred site to find it. It’s all a sacred site. There is no class or teacher that can show you the way to understanding your meditation. I learned in my travels that the high priests in Bali are in prayer/meditation all day, every day. Chanting mantras, reciting prayers. Directing their thought. The only difference between the priests and the taxi driver is that the priests know that they are in constant prayer. They understand the creative power of their thoughts.

I love to paint because my rambling river of thought simmers down. I become quiet. I can ‘hear myself think.’ And, from what I hear, my thoughts, are mostly ridiculous fear fantasies. Rabbit chases. Human-made-up-separation-anxiety.

Beyond all the noise and the chanting is the quiet place. That is what this painting, FOR PEACE I PRAY, is about.

ForPeace,IPray copy

a rough shot of the finished piece. it sold before I took an archival shot. in fact, the image on my site was taken before the words were painted in. go see the difference.

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the sketch

 

read Kerri’s blog post about FOR PEACE I PRAY

 

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for peace i pray ©️ 2016 david robinson

Chase Bubbles [on DR Thursday]

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a morsel from Chasing Bubbles

“I must have a prodigious amount of mind; it takes me as much as a week, sometimes, to make it up!” ~Mark Twain

Lately, I’ve been hoping that my paintings are really more iconography than autobiography. When I sit and review my pieces I see a festival of introversion and introspection.  Lots of figures looking inward. Or down. It is true that I would have made an excellent hermit. Most of the news of the day seems to me like so much noise. I mean that literally. It’s too loud and drives me in search of quiet places. All of this is to note that my autobiography would most certainly be a snore to read so I worry that my paintings – if autobiographical – put people to sleep.

So. The sweet saving grace, the possibility of symbol. A reference to something bigger. Chasing Bubbles. A few years ago at the farmer’s market I saw a young girl racing after a  huge bubble. She was laughing with delight in the chase and I took a photo thinking, “This would make a great painting.” And, then, I thought (this is a confession)…a great painting of the human condition. We are bubble-chasers all.

This is the point where Kerri routinely tells me to ‘gear down.’ “You think too much!” she gasps, clutching her now-aching noggin. “Why can’t it just be a painting from something you saw!?” Well, that would make it autobiographical. ZZZZZZZZZZZZZZZ.

It’s a dilemma.  And, there I go again, chasing bubbles.

 

 

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Chasing Bubbles (in process). It still has a long way to go. Mixed Media 33 x 48IN

 

read Kerri’s blog post about CHASING BUBBLES

 

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Chasing Bubbles (in process) ©️ 2019 david robinson