Follow The Intention [on DR Thursday]

2mayyouBEpeace jpeg copy 2

It occurred to me, last night, when writing about the heart symbol, that the mistake we too often make is to hold fluid aspirations as ‘fixed’ states. Heart as a frozen symbol. An achievement. An arrival station on the train of life.

Nothing in this vast universe is still. Every molecule, every cell, is in constant movement. Constant transformation. Peace, hope, heart, love,…are not end-games. They are not winnable sports. They are dynamic, fluid, ever moving. Try to wrap your fingers around them and they will slip through, fog in a butterfly net. They are unattainable.

What, then, does it mean to dwell in your heart? To be at peace?

None of us are ‘fixed’ states. We, too, are in constant movement. Constant transformation. Constant relationship. Constant choice.

Last week I told the choir that their voices would go where their eyes go. Look up. Look to the back of the hall. In that way all are included in the song. It is also true that our actions will go where our thoughts go. Meditate (think about) division and opposition and that’s where we go. That’s what we see. That’s what we create. It’s a choice.

The words on this painting come from the Buddhist prayer of loving kindness. It is a prayer that ripples out, ripples back. Constantly moving. Peace as a motion, hope as a practice. Love as a dynamic action that follows the intention of a fluid mind.

 

read Kerri’s blog post about BE PEACE

 

2mayyouBEpeace jpeg copy 2

this image is available here. Scroll down for options.

 

 

prayerflagsinsnow website box copy

 

yoga series: may you/morsel: may you be peace ©️ 2015/2017 david robinson

 

 

 

Go Tiny And Skip! [on DR Thursday]

PeaceOnEarth copy

Kerri called them ‘morsels,’ little snippets of my paintings. She’d isolate a spot, crop it, perhaps add some words or simply let the cropped image become a new, stand-alone design. We offered her morsels through society6.com [prints, cards, coffee cups, pillows, etc.]. This morsel is from the corner of a large painting, An Instrument of Peace.

The morsels had a profound impact on how I see my paintings. In many cases, I liked the morsels better than the paintings they came from. The morsels said more with less. They took me by the hand and led me back to the forgotten lands of shape, form, and color in their purity.

The morsels helped me comprehend and then dance back and forth across the crevasse between design and painting. Painting [for me] is a deep dive, personal spelunking. It is a meditation. Design is visual play. It’s skipping in the sunshine, looking for shells on the beach. Carefree [Kerri is the designer in our family so it is especially easy for me. I’m like the supervisor on a road crew; she does all the work and I stand there, pat my belly, look important, and get all the accolades].

Originally, Kerri made this morsel as a wish for peace. It is among her many morsels that celebrate this season, the return of the light. Peace seems in short supply in our divided nation, our angry world. She asked that we use this morsel today so I pulled it from the archive. She knows that art carries great power and can inspire people to see anew, to dance back and forth across their personal crevasses, and lead the way back to forgotten lands of community and shared vision. Shape, form, color. Beauty generated and shared inside as well as out. Reaching rather than rejecting as a first action.

All of this possibility, hope, an enormous wish, carried in one little tiny morsel.

 

 

 

read Kerri’s blog post about PEACE ON EARTH

 

PeaceOnEarth copy

for a print or wall art of this image, go here

 

 

oversizedjoy copley place website box copy

 

an instrument of piece ©️ 2015 david robinson

morsel: peace on earth ©️ 2018 david robinson & kerri sherwood

Play [on DR Thursday]

Sometimes, when the well runs dry, it is a good exercise to play with a single image.

Recently, I wrote that I didn’t feel complete with this painting, Softly She Prays. What could be a better source for the exercise than a painting that feels not-quite-complete? Kerri thinks I’m nuts and made me swear not to rework this piece. What could be a better reason to make new work from an old painting than the threat of violence from your wife?

 

 

 

 

 

 

Here’s another study [18 x 14IN]Untitled Prayer

 

Underpainting

And, an underpainting for another version. The initial image may or may not remain the same. The fun is in what happens beneath. Or, better said as a life motto: it’s the process not the product. Eye-rolling phrases like that are why I am often banished to the studio. I do not take banishment personally. I know that I am hard to live with. Besides, banishment means more studies. Maybe in my next exile I’ll finish what I started in this study and it will be next week’s Melange addition.

[okay. I just showed this post the Kerri. She thinks the underpainting piece is cool and wants me to stop. She calls it Prayer Under Fire. She says it’s like you are melting away. Now what do I do?!]

 

 

For some meaningful/useful comments on the Blue Prayer, read Kerri’s blog post.

 

 

their palettes website box copy

 

blue prayer, study, and underpainting (OMG!) ©️ 2019 david robinson

softly she prays ©️ 2018 david robinson

Unlock The Lock [on DR Thursday]

“The confidence of creativity knows that deep conflict often yields the most interesting harmony and order.” ~John O’Donohue, Beauty

To me, the most interesting moment of the story happens when Sisyphus has managed to chain Death to a post. No one could die. And, although suffering continued, famine raged, people begged Sisyphus to keep Death locked to the post. They’d rather have certainty than experience change. They’d rather suffer with what they knew than face the scary unknown.

Krishnamurti once wrote that people fear death because they are afraid to live.

Over and over we hear stories of soldiers or mountaineers or extreme athletes who felt the full force of living when they understood that they had little or no control over their life.  On the battlefield. Leaping off the mountaintop. Climbing without ropes.

There is an equation between releasing the illusion of control (locking Death to the post) and experiencing fully this crackling unpredictable life. Brad said it best, “Bored people are boring people.” Break the pattern. Step out. Go do something new. Julia Cameron called it an artist’s date. Get out of your comfort zone. Heed the call. Live a little.

Sisyphus did what we all must finally come to do: even though he knew it would mean the end of his life as he knew it. He walked over to the post, unlocked the lock, and set Death free.

 

read Kerri’s blog post about PRAY NOW

 

 

k&dbw backs website box_ copy

held in grace series: pray now* ©️ 2010 david robinson

 

*Originally titled “John’s Secret. John was my framer and I gave him the wrong measurement for this painting; I was a quarter of an inch short. We had to release one end of the canvas and add a small spacer so the painting would fit the frame. Now you know John’s Secret. Don’t tell!

Listen For The Splash [on DR Thursday]

I’ve shown this painting more than a few times and it always generates interest. More people have considered buying this painting than any other in my catalogue. Yet, it remains the bridesmaid. Angels At The Well.

What a crazy title! I can’t remember why I painted it or why I thought angels at a well was such a compelling subject. In fact, I chose it for this week’s Studio Melange because I pulled it out of the stacks and thought, “Really, what a bizarre subject! What was I thinking?”

In mythology, wells are sources of rejuvenation, places of fate, the future can be read in the waters, omens uttered, they are holy, cursed, or a place where wishes are cast. Spirits get caught in them. Stories begin or end at the well. They reach into the earth, the element of  water disappearing deep into the element of earth.

Angels are messengers (remember that the next time the postal person delivers the mail). They are liaisons between gods and people, between the vertical and the horizontal realms. They meet you at the crossroads. They stand watch. They announce. They fall.

Perhaps symbol collision is why Angels At The Well piques so much curiosity but is consistently left behind? What kind of well? What kind of angel? And, maybe that is why I found it compelling enough to paint. Or, it occurs to me that it might be this: drop a pebble into the well. Listen how long it falls. With the splash will come new knowledge, an answer to a wish, a question, or there may be no splash at all. Then what?

 

read Kerri’s blog post about ANGELS AT THE WELL

 

drc website header copy

Happy Thanksgiving (for all of you USA-based angels)

 

pumpkinfarm website box copy

angels at the well ©️ 2004 david robinson

Talk To Yourself [on DR Thursday]

softly she prays copy

softly she prays, mixed media, 40 x 30IN

Sometimes an image exploration does not feel finished. This painting went into the stacks a year ago. I pull it out all the time because something about it is calling me.

Each time I pull it out I sit with it. We have a long silent conversation. I am compelled to work into it again. I should have named this painting The Siren.

I’ve promised Kerri not to work into this piece – or paint over it. That used to be a common practice for me. This version will remain untouched.

It amuses me because this painting was the result of another version, a very colorful painting that hung in a public space for so long that I forgot about it. I left Seattle without it. A few years ago, an honest gallery owner sent it back to me. It inspired this chatty descendant, Softly She Prays.

If my math is correct, when I one day in the future decide that the next version is complete and toss it into the stacks, I will have had a twenty year dance with this image, a sketch from a long ago sketchbook. A thirty year conversation.

It occurs to me that I  am now talking to a much younger version of myself. The figure/image is the same. The prayer is much, much different. Maybe I’ll title the next version Reaching Back In Time. Or, perhaps a better title is Just Another Way Of Talking To Myself.

Either way, there’s so much more to discuss.

 

read Kerri’s blog post about this painting

 

 

bootsbythestage website box copy

softly she prays ©️ 2018 david robinson

Have Fun [on DR Thursday]

0006a copy 2

I actually wrote and illustrated my children’s book, Play To Play, for adults, for grown-ups who’d lost the love of play in the tangled weeds of incessant competition. At the time I was facilitating workshops for people dulled by the daily grind of corporate America or the under-siege-mentality of education. When I’d scratch their paint, get beneath their veneer, they’d confess to feeling that life was passing them by. Their creative impulse was waning or worse, being snuffed. They’d forgotten how to play. They’d forgotten why to play.

I’d tell my groups that they ought to read James Carse’s book, Finite & Infinite Games. Most couldn’t be bothered. No time to read. Or, possibly, a book recommendation is a lousy response to someone who is suffocating.

In any case, I decided to condense the central idea and draw some cool pictures mainly because I like to draw cool pictures. Drawing cool pictures is one of the many ways I tend my creative flame. I thought that fewer words combined with fun pictures would be a better response to suffocation.

I wrote it. I drew it all. I put it in a folio. I stuck it on a shelf. I’d show it now and again to someone who’d ask, “What’s this?”

Inevitably, I’d ask myself, “Why didn’t you try and publish this?” Drawing the cool pictures, writing the tiny story, must have served its purpose: I took deep long breaths and laughed heartily during the process. I drew pictures to draw pictures. I had fun for no other reason than to have fun. I played to play. In the end, I suspect, this book must have been written for me.

 

read Kerri’s blog post about PLAY TO PLAY

 

drc website header copy

 

heart in island sand website box copy

 

playtoplaycopyrightsometimeinmysordidpast

 

 

Say Less [on DR Thursday]

ddot studio copy

Under construction. I’d like to say that I was undergoing construction (a lifetime job) but at the moment the shortened phrase is more apt. The construction is on top. I am under it.

This is week 91 of our Studio Melange. 91 DR Thursdays. It might not surprise you to know that I have more than 91 paintings in my stacks though Kerri cautions me against posting the nudes. She worries that Facebook might ban me if my naked art hits the e-waves (unless, of course, my paintings of naked people were used for misinformation campaigns, then they’d be safe;-). Combing through my stacks for this week’s post left me at a loss.

I learned that the real skill in painting is knowing when to stop. Knowing when to put the brushes down.

The next skill, truly the center of all artistry, is how to say more with less. This week, what I have to say is this: I got nothin’.

 

read Kerri’s blog post about UNDER CONSTRUCTION

 

 

Joy copy 2

[a nude? tough to tell. you decide]

 

pumpkinfarm website box copy

Pick Up The Tool And Play [on DR Thursday]

Paint Box copy

If every life is a journey of self-discovery then it follows that every life-journey is supported with a unique series of challenges. The challenges reveal ourselves to ourselves [how’s that for an awkward use of language!]. Obstacles wake us up.

My challenges require a special set of tools. Master Miller sends photos of his young son, Dawson, painting. I love those photos because Dawson is free in his use of paint and brush. His exploration is pure pleasure. It is beautiful (seriously. It is Beautiful).

Last night I sat on the floor of my studio and played with the tools that support my unique series of challenges. I scraped paint with knives. I mushed around color with a fan brush. I was not free. My challenge is to circle back to what Dawson already knows. I think too much. I study too hard. I seek rather than simply experience.

What Dawson knows: I don’t have to look for it. What I seek is already here. I merely need to pick up the tool and get out of the way.  It’s a platitude for the aging but true nevertheless.

 

read Kerri’s blog post about MY PAINT BOX

 

windyHHwebsite box copy

 

Say It Over And Over and Over…[on DR Thursday]

IMG_1824 copy

While Kerri plays the service, I often sit in the choir loft and scribble images on the back of old bulletins. On the left side of this sketch (not visible in the crop) is a running stream of words, ohpleaseohpleaseohpleaseohpleaseohplease…

I’ve been playing with words as images a lot in the past few years. The words become pattern, the repetition renders the symbols meaningless-as-language but potent-as-design. I love pattern for this very reason. Too much repetition dulls the eyes and mind and in the dulling, something new emerges. It is how a good ritual works: dance fervently the pattern until you drop. Exhaustion opens the door to let in the spirit.

Pray hard enough and often enough and the words become meaningless. It is exactly at the point of meaninglessness, that perception shifts and something new rushes in. Saul-the-Tai-Chi-master would say it this way: wrestle with the obstacle long enough and you will eventually give up. In giving up, in your defeat, you just might glance beyond the obstacle and, at last, see the field of possibility.

 

InstrumentofPeace copy

read Kerri’s blog post about SCRIBBLES

 

drc website header copy

 

blackwalnut website box copy

 

the sketch is a sketch and not useful and may be pirated and spread widely all over the world so feel free to insert it into your recipes or instagram or populate the cover of your technology with it or send it to china without guilt.

 

instrument of peace ©️ 2015 david robinson