Hitched To Everything [David’s blog on DR Thursday]

If you are not paying attention you could walk right by them and never know that they are there. They are experts of stillness. They are masters of vanishing.

“Keep close to Nature’s heart… and break clear away, once in awhile, and climb a mountain or spend a week in the woods. Wash your spirit clean.” ~ John Muir

We quietly hoped we’d see them. It was a special day and we desired an affirmation of all things good. The trail was both muddy and icy, hard to navigate. We were on the verge of turning back but decided to go just a bit further. Had we turned back we would not have seen them.

Our messengers from another world did not disappoint. They leapt, white tails flashing in the sun, making certain we did not miss them. And then they were still. Watching us watching them.

“I understood at a very early age that in nature, I felt everything I should feel in church but never did. Walking in the woods, I felt in touch with the universe and with the spirit of the universe.” ~ Alice Walker

They are teachers of presence. It is no wonder that they have come to symbolize spiritual renewal. In my stillness, in my presence, all the roiling troubles of the troubled-human-world dropped away. I think it is what John Muir meant: my spirit was washed clean.

“When we try to pick out anything by itself, we find it hitched to everything else in the Universe.” ~ John Muir

After they delivered their message and leapt toward the river, I recognized that what is accessible in the woods is also available in my studio. Presence. My brushes hitch me to everything else in the Universe. It is one reason why I am so extraordinarily lucky. If I do not go to nature to wash clean my spirit, nature comes to find me in my work.

read Kerri’s blogpost about DEER


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Back In The Day [David’s blog on DR Thursday]

Our basement archeological dig has revealed a punch bowl. I asked Kerri if she ever used it and she said “Yes. Back in the day.” She told me that she made punch with 7 Up and sherbet. I stared at her like she was an alien creature. I have a hard time reconciling the image of the woman I know, the one who wears boots and black thermal shirts, the woman who stands at her piano and plays it so passionately that it hops…with the woman who makes sherbet-&-7-Up punch in a cut-glass bowl.

I had to sit down and take a few deep breaths.

We had to renew our driver’s licenses a few weeks ago and the new versions just arrived in the mail. It is always shocking to compare the photos. My new license betrays a white white beard while in the previous photo I sported a more salt-n-pepper look. “They photoshopped my face!” I gasped. She rolled her eyes. I thought that whipping up a good government conspiracy was a more potent explanation than facing the truth of my face. When in Rome…

This week I complete another lap around the sun. This one is a milestone. It has me in a full-blown life review. I did not accumulate stuff in my passage across adulthood but if I had, in my deep archives, I’m certain we’d find an artifact, a punch bowl equivalent, something long forgotten, that would make Kerri ask, “Did you ever use this?” And I’d say, “Yes. Back in the day.”

So many chapters. So many miles walked. So many changes and lessons and losses and revelations. It makes me sit down and take a few deep breaths. It fills me with intense gratitude that this is where my punch bowl brought me.

*****

(A short scene:

Children of the Future: What’s this old piece of paper?

Us: It’s called The Constitution.’

Children of the Future: Did you ever us it?

Us: Yes. Back in the day.

We sit down and take a few breaths)

A self portrait (detail) from long ago.

read Kerri’s blogpost about THE PUNCH BOWL

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Take The Time [David’s blog on DR Thursday]

My mind tells me this photo is a study of black and white but if I really look at it – really look – there are purples and blues and greens and browns. It is, in fact, a festival of color. There is very little white. We don’t often see. We think we see or, better, we see what we think.

We see the world through a lens made mostly of confirmation bias: the tendency to interpret new evidence as confirmation of one’s existing beliefs or theories. It’s black and white – unless you take the time to really look. It takes time to see what’s there beyond what we think is there.

If your confirmation bias tips toward the maga, it makes you easy to gaslight. Believe what I tell you; do not believe what you see.

Gaslighting: the practice of psychologically manipulating someone into questioning their own sanity, memory, or powers of reasoning.

The antidote to gaslighting is the same as sorting through a dedicated confirmation bias. Take time. See what is there beyond what you think – or are told – is there. Take the time to look. Take the time to check. Take the time to challenge or question. Take the time to see all the colors. A manipulator, an authoritarian, will insist that the entire world is black and white. Their goal is to reduce all things to two choices: Us or Them. Their goal is to hardwire the populace to be reactive rather than thought-full.

But, if we look – really look and question – we’ll see that there is an expansive palette of choices, a rich and colorful world available if we only take the time to see what’s actually there, to see beyond what we think – or are told to think.

Eve, 48″x48″, acrylic on panel

read Kerri’s thoughts about THE RAIL

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No Need [David’s blog on DR Thursday]

In their struggle for power, the princes, the two sons of the king, meet in battle and both die. It’s an ancient tale. Aesop could have written it. In the blind greed for power everyone loses.

I’ve tried to paint this analogy several times over the past decade. Each time I have been unsuccessful; the painting takes on a life of its own. Twice, instead of painting dead princes on the battlefield, both attempts morphed into Shared Fatherhood.

I tried again just before the turn of the new year. I am disgusted with both parties, democrats and republicans and tried again to paint the brothers dead on the battlefield. The meaningless loss.

Yet, once again, the lifeless bodies morphed. Their weapons and wounds disappeared. Clenched fists relaxed. Full of life, the figures embrace. They sleep together, peacefully.

I will not again try to paint the warring brothers. Clearly, my analogy for power-greed serves a greater invocation of generosity. Unselfishness. A shared cause, like a parent’s love for their child, a kindness for each other.

Invocation. The people protesting on the streets of Minneapolis are summoning peace. They are looking out for each other. They are standing in harm’s way for each other. They serve a cause greater than greed for power. They are teaching me what my paintings are trying to reach. A calling forth of the best in us. A desire for our representatives to serve a common center – democracy – instead of personal gain.

We walked the trail on a bitter cold day. The snow was frozen and crunched beneath or feet. It was quiet. The sun streamed through the trees and offered a touch of warmth. It never fails. When we step into nature and out of the noise, when we listen to the wind through the trees, spot the deer motionless in the tangle, when we stop to feel the sun touch us on a bitter cold day, I know beneath the greed for power there is a greater force, a deeper meaning. Two people sharing the joy of their child. Two people resting in the comfort of an embrace. A community in service to common good. The generosity of peace. The creation of peace.

These power-mongers will slay each other. It’s inevitable.

After so many attempts I’ve learned that I have no need to paint the obvious, I have no need to make a statement as old and evident as the sons of Oedipus.

Untitled, 33.25″x60″, mixed media

Shared Fatherhood II, 25.25 x 40.25IN, mixed media

Shared Fatherhood 1, 39 x 51IN, mixed media

read Kerri’s blogpost about THE SUN ON TRAIL

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These Bright Lights [David’s blog on DR Thursday]

“We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light.” ~ Plato

And aren’t we now witness to a real tragedy. A president and his party desperately afraid of the light of truth. They pretend bravado, they posture as leaders, all the while terrified of shining a light on the Epstein files. Their dance is a dance of distraction. Their abject fear of light shining on their darkness makes them monstrous. They throw shadows on the wall in an attempt to divert attention from the files.

We have “happy lights” strategically placed all over our house. During the dark days of winter these lights lift our spirits much as a campfire might if we were lost in the deep woods. Firelight repels shadow monsters. Happy lights repel sadness monsters. In the dark of early morning, after plugging in the coffee pot, I plug in the happy lights.

Plato wrote an allegory about prisoners’ chained in a cave. They mistake shadow for reality. One of the prisoners escapes and learns that the shadows are not the truth. He returns to the cave excited to share his discovery with the other prisoners and is met with hostile rejection. The others have grown accustomed to their chains and comfortable in their ignorance. It’s an allegory appropriate for MAGA and perfectly describes the propaganda-Fox casting shadow-monsters on the wall.

In Minneapolis and other cities, people of color are afraid to leave their houses. There are real monsters, masked and armed, roaming the streets. Although these monsters are not themselves shadows their minds are awash in them. Comfortable ignorance is a cancer that metastasizes as darkness in the heart. There are other people who do not fear the light, in fact they are bringers of the light, delivering groceries to the people in hiding, blowing whistles to alert the neighborhood of the presence of the monsters. They film the monsters. Their whistles and their cameras are forms of light. The sound is an alarm calling attention to the monsters, calling in the communal light. The cameras serve to lay bare the dark shadowy lies the monsters claim as truth.

I have hope that these bright lights will one day repel the masked monsters roaming the streets, monsters grown comfortable in their chains and ugly in their ignorance. Orks.

These bright lights, gathering together all across Minneapolis, the nation and the world, stoking the bright light of freedom and truth, will one day overwhelm the republican/authoritarian darkness and expose the ugliness that their leaders so desperately fear and work so hard to hide.

Helping Hands, 53.5 x 15.25IN, acrylic on canvas

read Kerri’s blogpost about HAPPY LIGHTS

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A Little Bit Of Hope [David’s blog on DR Thursday]

We were gifted a day with sunshine instead of the incessant rain promised by the forecast. We threw on our vests and headed for the trail. We stopped at every sun-soaked curve and drank in the warmth. “This will get us through the next few weeks,” she said. A little bit of sun in a dark, dark time generates a full tank of hope.

The rubber band disintegrated and the ancient roll of tracing paper unraveled. It revealed a crinkled and torn tracing of a painting I completed decades ago. I have no memory of making this tracing. I don’t trace my paintings. I must have wanted to keep a template or record of the lines. I must have been about to send the painting out into the world. In the spirit of experimentation, in a spontaneous moment of play, I adhered the crumpled ripped tracing to an old canvas, retraced the lines with the last bit of charcoal I had in the studio, sprayed it with hairspray in an attempt to fix the charcoal, and slathered it with acrylic medium. It was messy and fun and decidedly un-serious. I had no idea what would happen. It reminded me of how I worked when I was very young. No – not how. Why. It reminded me of why I ran to the edge of every idea and jumped without reservation or plan or parachute: to find out “what if”. Playing with that tracing paper was like the little bit of sun on the trail. I basked in it. It will carry me a long way.

I’ve been thinking about Renee Nicole Good. I am haunted by something in the video made by her executioner. In the last 25 seconds of her life, she told her soon-to-be murderer that she’s not mad at him. As a citizen of the United States, as someone who lived her entire life under First Amendment protections, as someone who believed in the freedom to protest and the rights afforded her in the Constitution, it never occurred to her – not for a moment – that her life was in danger. It never occurred to her that her rights were null and void in the eyes of the regime that employed and empowered the man in the mask. He was there, not to protect her rights, but to make her an example. He was there to strip her (and, therefore, us) of her/our rights. The hope? The people gathering on the streets blowing whistles, the people protecting each other by recording each outrage, the small acts and gestures of everyday people, like Renee Good, who believe in exercising the freedoms and values afforded us in the Constitution…are like that little bit of sun. Renee Good’s unwavering belief, like the people who show up on the streets for their neighbors, like the people marching against this tyranny – around the nation and the world – give me hope. And a little bit of hope in this very dark time can carry us a long way.

read Kerri’s blogpost about WINTER SHADOWS

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Come See This! [David’s blog on DR Thursday]

about this week: there is a peril, it seems, to writing ahead these days. we had decided that this week – the first full week of a new year – we wished to use images of light as our prompts, we wished to linger on the possibility of light, of hope, of goodness. though our blogposts might stray from that as we pen them, it was without constant nod to the constant updating of current events – a mass of indefensible, unconscionable acts. we pondered what to do about these blogposts we had written and decided to keep them. we hope that – whether or not any absence of the happenings of the day, whether or not the chance these written words seem somewhat inane at this moment – you might know that those events – of corruption, illegality, immorality – do not distill or distort our intention – to bring light and hope to this new year – the first days of which bring more insanity and unnerving instability. we are still holding space for light.

The theme uniting this week’s Melange photo-prompts is light. My response to the prompts are surprisingly (to me) amalgamated: the illumination discovered through differing points of view. A birds-eye-view versus the view from the ground; inviting the outside furniture inside the house, and vice-versa. We have a chiminea in our sunroom and a piano in our backyard.

What opens our eyes to new possibilities? What opens our eyes to what is unseen and right in front of us?

“You have to come see this!” she exclaimed. We stood on the front porch in the bitter cold and watched the full roll-call of winter sunset colors, from vivid to pastel. Warm-cold.

A new year. A year gone by. What do I hope will happen? What did I learn from what just happened? What do I think I can control that I cannot? What can I control that I do not?

What is important now that Dogga is growing old? What is he helping me to see?

What is important now that I am aging? What do I fundamentally understand about importance that I did not understand even three years ago? Has importance changed or have I? The smallest things now seem the most profound. They call me to life, fill me with light. Not so long ago I overlooked the small things in pursuit of lofty dreams. What a waste!

Can I share what calls me to life? Beyond reporting or narrating? Can I be like the sunset, calling others out of their locked doors to marvel at the roll-call of life’s colors?

read Kerri’s blogpost about THE SUNSET

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A Symbol of Hope [David’s blog on DR Thursday]

There is no more appropriate symbol on the first day of the new year than the pine cone. It is an ancient symbol that reaches across cultures and religions. Spiritual awakening, inner vision, new growth, enduring spirit.

When we were married, Joan gave us a box of pine cones. We’ve followed her suggestion and each year commit a cone to fire to release the seeds. New life. The symbology also includes resilience because fire is often required to free the seeds. Fire transforms.

2025 was like a forest fire in these un-United States. It is my hope, our hope, that the hot authoritarian fire of 2025 released the seeds of democracy’s renewal, that we awaken – reawaken – to the enduring spirit of our diverse nation and the promise of equality under the law, the expectation of liberty and justice for all. It is the epicenter, the aspiration-seed planted by our founders and protected by our Constitution.

On this, the first day of this new year, 2026, there is no more appropriate symbol of hope for our future than the pine cone.

read Kerri’s blogpost about THE PINECONE

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If We So Choose [David’s blog on DR Thursday]

We had a debate about the painting on my easel that was so passionate, so intense, that Dogga thought we were having an argument and fled to the his safe-spot in the bathroom. We were startled out of our vehemence, laughed at ourselves and loved on him, reassuring him that all was right in the world.

We celebrate the return of the light. Depending upon the tradition, the celebration-of-light’s-return takes many forms and expresses through beautiful and unique rituals and symbols. The lighting of candles. The exchange of gifts. The sharing of a meal. If you think about it, each of these rituals, across all of the various traditions, are meant to bring us together. Light’s return is a symbol of hope, an annual call to the possibility of unity. Many paths, one mountain.

It is the time of year that we are for a moment capable of acknowledging the impact of our vehemence and actions upon others. It is the time of year that we at least pretend to desire peace on earth; it is the time that we sing songs of goodwill toward others. We ask it of our gods but know deep down that it is a wish that only we can grant if we so choose.

We first must choose it.

Our choices on this day? We will walk a snowy trail and revel in the quiet. We will come home, laugh at ourselves, share a meal and love on our Dogga, his unconditional love reassures us each-and-every-day that all is right in the world. Grateful, we will light our happy-lights, and crawl under a blanket.

read Kerri’s blogpost about BLANKETS AND SOCKS

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Incessant Musing [David’s blog on DR Thursday]

grasses. winter. snow. root. energy. fallow. aging. relevance.

I am ever so slowly working on a painting. In my mind it is a political statement which is why my movement is glacial. I sit in my rocking chair staring at the work-in-progress and wonder if what I want to say needs to be said. I wonder why I need to say it. I wonder if paintings that “say it” are worth painting at all. My teachers and mentors, all of them, taught me that great art happens when you “say it without saying it”.

Dogga stands in the middle of the snowy yard and barks. These are test-barks. Nothing is happening in the neighborhood and he wants something to bark about. In the absence of a meaningful bark objective, in the absence of other dogs barking in the neighborhood or the neighbor starting his car, he barks, “Is anyone out there?” Is my painting akin to Dogga barking?

Tom told me that when my beard was grey I would have a crisis of relevance. My age-peers would read my rough drafts and consider my work viable but the younger artist in my life would not. I have found that to be true. When Tom was in his middle 60’s he was arguably at the peak of his abilities yet the many, many artists whose careers he’d informed and shaped simply stopped responding to his calls. So he simply stopped trying. That was his last and perhaps greatest lesson to me: do not place your relevance in the hands of others. Follow the muse until your legs will no longer carry you. Bark and see what comes back at you.

Michelangelo sculpted his most prescient work in the last chapter of his 88 year life though he kept them under wraps since his patrons would have thought them to be irrelevant. It took the world 450 years to catch up to his Mannerist pieces.

And then there is this timeless bit of advice from a younger version of Tom: A writer writes. A painter paints. The rest is not really relevant. It’s always at this re-membrance that I stand up from my chair, put down my incessant musing, and grab my brush. A painter paints.

relevance. aging. fallow. energy. root. snow. winter. grasses.

a work in progress: Polynices & Eteocles

read Kerri’s blogpost about WINTER GRASSES

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