Follow The Map [on Two Artists Tuesday]

In the era when I was telling stories at conferences I liked to tell a particular tale of a woman on a quest. She didn’t know it but the many trials she faced on her journey gave her the exact knowledge she needed to confront her monster, complete her quest and return safely to her home. A field of shifting boulders. A dense impassable forest. A thicket of lost souls. She navigated all of them, learned from them, and returned home, changed by her experiences, wiser from her travails.

It’s most often the message in stories about quests. The journey changes us. We rarely understand the purpose or meaning of our passage until its conclusion. We only know we’ve changed after we arrive back from where we started. Then we can turn around and see.

Prior to the Brothers Grimm, there was no woodsman-savior in the tale of Little Red Riding Hood. A little girl sets out in life on a winding road to grandma’s house. It’s a metaphor. The little girl becomes an old woman. The wolf is metaphoric of time. The wolf “eats” all of us in the end. No woodsman can save us. No Hallmark ending is possible. What did Red experience on the way to grandma’s house?

It’s hard not to want to rush to the end. To know. There’s the fantastic story of the western businessman who wanted the Dalai Lama to tell him the secret of illumination so he could fast-track enlightenment, to achieve in a month-or-a-minute that which takes many lifetimes. Life lessons pay little attention to the demands of efficiency and effectiveness. Business, after all, is never just business.

Stages of development. Queen Anne’s lace. In its first year it is dedicated to sinking a taproot and developing a “rosette of basal leaves.” Creating a solid base. Only in the second year does it “send forth a flower stalk with blossoms.” It’s impossible to skip step one and arrive at blossoms. In truth, step one and step two are not really separate phases but are a single, gorgeous process of life’s renewal. I imagine that is what the Dalai Lama thought but did not say to the businessman.

In stories, the magic sword fails. Death knocks politely on the front door. The ogre stands in the path. The sphinx smiles and demands an answer. A young girl skips with Time along a winding road. A woman returns home, wiser from her experiences, changed by her journey.

Stories serve as universal maps, like taproots and basal leaves. They ground us. They can help us understand that the arrival we seek, the journey we take, is to ourselves. They can locate us on the winding road of life’s renewal.

read Kerri’s blogpost about QUEEN ANNE’S LACE

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Emulate Martijn [on Merely A Thought Monday]

I have a theory about why so many of us are addicted to Martijn Doolaard’s weekly installments. He’s rebuilding two stone structures, turning them into cabins, on a remote mountainside in the Italian alps. He confirmed my theory this week at the very end of installment 76. Responding to a question from his viewers he said something akin to “I focus on the process and not on goals.”

It’s magnetic. Presence.

Effortless action is a concept in the Buddhist tradition and Martijn is a stellar example. The work is heavy, dirty and sometimes impossible, yet he rarely seems stressed or burdened. He is never in a hurry. He is present in his task. He’s not pushing for an outcome or holding himself to a schedule. He’s creating a process that is as elegant as it is efficient, fully engaging the task at hand. He’s a craftsman from another era. No resistance to “what is”. Consequently, he achieves more in a week than most people realize in a month.

And, amidst the dawn to dusk workdays, he films the process. Beautifully.

His work is his meditation.

Watching him build a stone arch doorway for his utility shed, I had a minor revelation. Most, if not all, spiritual traditions embrace a version of “make no assumptions.” The absence of assumption is presence. The lilies of the field. The release of control. Flow. The path of least resistance. Deal with what is there, not what you think is there.

We watch Martijn because we desire to know what he knows. We desire to work as he works. Why is he never exhausted? How is it possible for him to bake bread over a fire, make beautiful meals, after a full day of digging in rocky soil and hauling impossibly large slabs of stone?

Whether the task is answering 150 emails or lifting a one ton stone from the roof of a shed, his answer is abundantly clear. Make no assumptions. Release the notion of where you should be and be where you are. Beautifully.

read Kerri’s blogpost about NO ASSUMPTIONS

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Fill The Space With Goodness [on Two Artists Tuesday]

When I was learning to be on a stage there was a phrase I particularly appreciated: fill the space. There was also a companion question that seemed to be more important: what are you bringing to the space?

The assumption beneath both the phrase and the question is that you have a profound impact on your world. Not in abstraction. You are an active participant in creating it. After all, the space is shared, co-created. What do you intend to bring to the shared space? Are you going to “take” energy from the shared space (it’s all about me) or are you going to “bring” energy to the shared space (we are in this together). I understand this choice to be the direction of intention. It’s the origin story behind the name of this blog. A performers job is to bring good energy and light to the shared space, to unify it. To grow the goodness.

I think that’s why Kerri and I are attracted to prayer flags. The mantras on the flags are blown by the wind to fill all the space of the world with good will and compassion. Fill the space with goodness to the benefit of all. A straightforward yet profound intention.

It seems like such a simple thing, doesn’t it? Intend to bring good energy to the space that is shared by all. And, to us, it seems like the number one imperative of our times. In this me-me-me era, rife with “taking” energy from the space, it’s crucial to help reverse the tide.

She was holding black and white bandanas and I saw the thought hit her. She turned and asked, “Do you think it’s a good idea to make our own prayer flags?”

“Absolutely.” I said. “Why not? This world could use all the good intention that we can muster.”

All the world’s a stage, after all.

read Kerri’s blogpost about PRAYER FLAGS

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Reflect The Light [on Two Artists Tuesday]

One of my most prized possessions is the homemade notebook DeMarcus made as an art student. It’s his notes from a class on color. The pages become more brittle with each passing year. The pencil notes are fading. Every so often, when I need a masterclass from a simpler time, I gingerly open the notebook and read a few pages.

The first entry always catches me. “Color: Light is a form of radiant energy transmitted by wave movement through space and is perceived visually.” The underlines are his. Radiant energy. Wave movement. Perceived.

It’s the second half of the page that grabs me: ” The (3) Qualities of Light: Physically = Life-giving. Mentally = Intelligence. Spiritually = Divine Wisdom…Think of color as light reflected.”

Keep in mind this is a beginning art student taking notes during his very first course introduction to color. His instructors are teaching him that working with color is working with light that is either life-giving, intelligence emitting or wisdom divine. In other words, working with color matters. To work with color is to give voice and expression to light. The work of an artist is about more than finger painting.

“Light is individualized by its contact with substances into COLOR…Think of color as LIGHT REFLECTED.”

If I could, I’d offer DeMarcus’ little notebook to all those fear-mongers out there scrubbing Diversity, Equity, and Inclusion curriculums and initiatives from their states. Scrubbing color from their palettes. Eliminating light. Life-revoking, intelligence numbing, wisdom stripping.

Repeat in pencil: To work with color is to give voice and expression to light. Think of color as light reflected.

Simple clarity from the first pages of a first year art student written in a homemade notebook more than a century ago. This nation is made vibrant through its rich diverse color palette. Why-on-earth would we knowingly, willingly, turn off the light?

read Kerri’s blogpost on COLOR

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Make Peace [on Not So Flawed Wednesday]

Look closely. There’s a turtle motoring through the water, scooting along the muddy bottom of the river. Turtles always elicit squeaks from Kerri. We watched this shelled-wonder for a long time. There were a few others that caught my attention, heads rising just above the water, floating peacefully in a pose of suspended animation. Turtle tai-chi.

We went to a sound meditation at the Botanical Gardens. Singing bowls and rain sticks. I was transported. I felt as if I was gifted with a turtle-moment: floating in a calm suspended animation. I recognized that feeling of ease and vowed to practice it more often. There’s wisdom in non-motion. Non-resistance. Flow by another name.

We were awake deep in the night. She asked if I could remember the places I’ve lived in my life – specifically the apartments and houses. Mostly she wanted to know if I could remember living-in-them. Making dinner. Doing laundry. How they felt. The sounds and smells. For me, there have been many. Most were creative spaces. Most of my living spaces were also studio spaces. Sacred spaces. Quiet places.

I don’t remember the day-to-day. I remember the place and time that I decided I was going to learn to cook. It was a statement of self-care. It was a decision to make all the world my studio and not just the places where I painted. Moving out from a solid center, joining the world, rather than closing off from the noise. Making peace with my out-of-step-ness. It was a decision to move into the chaotic world, to crawl with abandon and explore the river’s muddy bottom.

That reminds me of a Flawed Cartoon.

read Kerri’s blogpost about TURTLES

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Follow Your North Star [on KS Friday]

We are on a hummingbird watch. There’s an app that plots their migration. They’ve been spotted to the north of us.The little hummingbird symbols on the map show a veritable cavalry of hummingbirds approaching from the south. Our hummingbird feeders are poised and ready, filled with sugar water. Gay, Jay, and Kerri have an agreement: the first to spot a hummingbird in their yard gets a celebratory margarita.

One of my heroes, my great-aunt Dorothy, had multiple hummingbird feeders on her mountaintop yard. I remember sitting in the sun watching the hummingbird posse dart from feeder to feeder. Dorothy’s little plot of grass was a magical place. Blue bottles caught the sun, special rocks glittered, Poncho the dog lazed in the shade, Del’s old army jeep teetered on the edge of the abyss. A ride in the jeep was certain to take us up the mountain into wild, unimaginable adventure.

They did not live in the world of hurry-up and get-there. Their world was the opposite. They were not trying to be-somewhere-else. They designed their lives on experiencing the here-and-now. Their intention was to appreciate-the-fullness-of-this-moment. It was the only place in my childhood, other than my studio/bedroom, that made sense, though it’s taken me a lifetime to recognize why.

They didn’t split themselves. They chose simple living over anxious striving. When I was young I often looked at Dorothy and wanted to know what she knew, wanted to live as she lived. I loved taking walks through the mountain trails with her. I’ve only recently recognized that Kerri and I walk as Dorothy walked. Slowly. Open to what crosses our path and calls our attention. We are capable of walking the same trail each day and experiencing it anew each time.

My north star has been there all along, even in the times when I jumped into the race because it was what I thought I was supposed to do. Yesterday, I went into my upstairs office, sat at my drafting table, and drew cartoons, modifying scripts generated from chatGPT. “I can’t continue to just apply for positions,” I told myself, “I have to do something different as well.” Cartoons.

I laughed. I was full-to-overflowing with ideas. I’ve not been so happy in weeks. Something different; something sane. Something now.

This morning, while I washed dishes, I gazed out the kitchen window, watching for the hummingbirds. I remembered something Susan said to us at breakfast last week: your yard is a sanctuary. She told us that she makes a pilgrimage to our yard each year to recharge. Our yard is like Del and Dorothy’s mountaintop, not by accident, but through intention. It is the place we sit-in-the-here-and-now. To rejuvenate. To enjoy the chipmunk colony living in Barney-the-piano, the chatter of the squirrels, that flash of the cardinals. To await with great anticipation the arrival of the first hummingbird.

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about TINY FEATHERS

i didn’t know/this part of the journey © 1998 kerri sherwood

Listen To The River [on Merely A Thought Monday]

“Have you learned that secret from the river; that there is no such thing as time?” Hermann Hesse, Siddhartha

I’m not sure why I didn’t recognize it before now but Siddhartha and the Parcival grail epic are the same story. A ferryman. A hermit in the woods. A second teacher that appears and teaches presence – by example.

“The river knows everything; one can learn everything from it. You have already learned from the river that it is good to strive downwards, to sink, to seek the depths. The rich and distinguished Siddhartha will become a rower…” Parcival removes his armor. The great and powerful knight loses himself; he chops wood and carries water.

Eileen, 20’s mom, turns 100 today. Her party was last week. 20 made a beautiful photo board of her long life. The child. The sassy teenager. A vibrant young woman. A mother. A keeper-of-the-books. A grandmother. An aged woman. The full cycle of life. Her granddaughters attended the party. Her great-granddaughters, too.

“Age-and-stage,” 20 often says. Age and stage.

“Is this what you mean? That the river is everywhere at the same time, at the source and at the mouth, at the waterfall, at the ferry, at the current, in the ocean, and in the mountains, everywhere, and that the present only exists for it, not the shadow of the past, nor the shadow of the future?”

That is it,” said Siddhartha, “and when I learned that, I reviewed my life and it was also a river…”

Parcival turned and was shocked to see the grail castle standing in the meadow behind him. The hermit smiled and said, “Boy, it’s been there all along.”

Happy Birthday, Eileen. 100 years. A moment.

read Kerri’s blogpost about 100 YEARS

Celebrate The Symphony [on Two Artists Tuesday]

The return of the frogs. No, it’s not the title of a b-grade-horror film. It’s one of our favorite rites of spring. Their chorus is deafening, a sound celebration of the season’s cycle into renewal. We look forward to and celebrate the day of their return.

A short month ago we walked across a snowy field, still a bit in shock at the scrape-clearing of the tall grasses and brush. Broken bits of stick and root poked through the snow. The picture of devastation. In just a few short weeks, the field became a bog – evidently the perfect performance hall for the musician-frogs signaling life’s return with their playing.

They’ve always played in this spot along the trail but this year their symphony is made particularly poignant by the seeming wreckage of their environment. This year, to our ears, they perform a rousing song of perseverance. A composition of resilience.

They’ve also awakened a question in us. We ask it every year but this time it is made more mysterious because the bog is exposed. We can see everything except the frogs. The air is alive with sound while the water is still. We’ve stood, awash in the noisy vibration, yet can see nary a ripple in the surface.

How is it possible to shake the limbs of trees with joyous sound without disturbing the fen? The musicians are invisible.

There can only be one explanation: They are magic, these frogs in their spring renewal, popple-free playing while stirring our hearts and imaginations.

read Kerri’s blogpost about FROG BOG

Drop In [on Two Artists Tuesday]

We stopped on the boardwalk. The sentinel tree stood solitary in the field. Its presence stopped us in our tracks. It was a bone keeping watch over the marshes. It felt forgotten. Unreachable. Made beautiful in its dedication. It inspired quiet. Suddenly, we found ourselves witness to the witness. Look-at-me-look-at-you.

Perhaps it was the boardwalk but I was thrust back in time to a pier. Long Island Sound. It was early morning. The sound and vibration called me to the pier’s end. I stood for a few minutes, eyes closed, and listened. Hundreds of birds, pigeons, chattering beneath the boards, their voices amplified by the wood and soundbox of the structure. I felt them through my feet. Kneeling, I tried to catch a glimpse of the cacophony-makers. They, too inspired quiet.

“Hawk!” Kerri said, pointing and bringing me back to the boardwalk. Beyond the sentinel a hawk threaded masterfully through branches.

I used to think that these magical moments took me out of the real world. Stopping time. Now, I believe the opposite is true. These moments snap me out of my mind-chatter and drop me into the real world. Achingly beautiful. Alive. No story necessary.

pigeon pier. 46x46IN

read Kerri’s blogpost about THE SENTINEL

pigeon pier © 2007 david robinson

Hold Space [on Not So Flawed Wednesday]

I just realized why the stripped forest is having such an impact on me. While opening the back door to let Dogga out, my dials spun and it slapped me in the face. I am like the forest.

For several minutes, staring at the photograph, writing then rejecting, then writing and again rejecting what I’d written, I decided to get up and let Dogga out. This picture was making me anxious. Moving around has always been good for me when I’m thought-wrestling.

I am like this forest. Exposed. Chips and debris are everywhere. Water is overtaking the trees.

I was writing about a question Justin asked one night at dinner. “What’s your stance about secular Calvinism?” he asked.

“I don’t think I have one,” I replied. Justin’s eyebrows hit the ceiling and I made a snap decision not to follow my reply with an explanation. He was sorting his belief and searching his heart. Empty space was more useful than cramming my erudite-and-empty justification into the moment.

Insight requires space. Lots of space.

I wish I could express how rare it is for me to keep my mouth closed when I have a thought on a topic. Kerri will laugh aloud when I read this to her. “No joke!” she’ll say. I wanted to say to Justin, “I don’t have a stance because I think it’s a given.” His question was akin to asking about my stance on the existence of the moon. No culture sees itself clearly.

No person (me) sees himself clearly.

Chips and debris. The river has overrun its banks. One half of the photo is the result of natural forces. The other half is man-made. Choices. Circumstance and intention. This landscape, once so familiar, will never be the same.

I’ve spent my life cultivating my capacity to see pattern and metaphor. It’s an artist’s prerogative to make the strange familiar and the familiar strange. I am the forest. Familiar, yet completely unknown. Stripped for rejuvenation.

Insight requires space. Perspective requires distance. Perhaps the reason I left open space in my conversation with Justin is something I need do for myself, too. Searching my heart, I am the forest. Stripped of invasive plants I can see all the way to the river. So much space.

What is my stance? Right now, thankfully, I don’t think I have one. I’m holding the space for insight to come.

read Kerri’s blogpost THE FOREST