Speak Truth To Rot [David’s blog on Merely A Thought Monday]

The morning is cold and it snowed last night. The world is coated in white. A raucous murder of crows brought me to the kitchen window. I found the black birds cawing on the white snow both beautiful and foreboding. Edgar Allan Poe stepped in the room. Dostoyevsky. I have a dubious history with crows so they are at once fascinating and spine-chilling.

When I heard the crows I was reading about the fall of Rome. I’m not sure how I came to be reading about ancient Rome since I was searching for something else. I got snagged, followed the thread and went down a rabbit hole. I stopped on the phrase “political rot.” A poet’s phrase.

An Alice-in-Wonderland reference is apt for how I feel of the politics of our time: down a rabbit hole. Yesterday Kerri asked if a politician-in-the-news was a democrat or a republican and I answered, “I’m not sure anymore what a republican is…” Not an answer to her question; more a sad statement of our predicament. We will fall, like Rome, not because of the thunder-lies spewed by an angry man who would be emperor, but because of the complicity of those who remain silent so they, too, might stay in power. The very definition of political rot.

400 years separate Martin Luther and Martin Luther King. The first could no longer remain silent to the corruption of the church so he nailed his 95 Theses to the door. The second, Martin Luther King, could no longer remain silent to the horrors perpetuated on black citizens in “the land of the free…” For speaking out, Martin Luther was excommunicated by the church and condemned as an outlaw by the king. Martin Luther King was assassinated for giving voice to our national shame.

It takes courage to speak truth to rot. Rot never takes kindly to the voices of veracity.

Take heart. Rot always falls while truth reveals itself through the smoke and devastation.

Consider these words, spoken by Martin Luther and 400 years later by his namesake:

“You are not only responsible for what you say, but also for what you do not say.” ~ Martin Luther

“In the end, we will remember not the words of our enemies, but the silence of our friends.” ~ Dr. Martin Luther King Jr.

So much silence.

In my Roman read, two other phrases caught my eye, the very blossoms of political rot: “Civic pride waned…” and “Roman citizens lost their trust in leadership.” In complicit silence, history has no alternative but to repeat itself.

read Kerri’s blogpost about SILENCE

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buymeacoffee is an invention with roots that reach back to Rome: a wild and wholly concept akin to patronage of the arts.

Don’t Move [David’s blog on saturday morning smack-dab].

There is a stack of books by her bedside. Strategies for cleaning out the house without doing psychological damage. Strategies for transcending deep emotional attachment to things so the cleaning out process can commence. As a dedicated minimalist, someone who’s spent the majority of life accumulating no more possessions than could fit in my car, I can only watch her go through the heart-grind of the her necessary preparation.

I learned my lesson early in our life together. She left for the afternoon and I thought it might be a good idea to clean the basement. She still has not recovered from the damage I did to her organizational system. I have not recovered from the searing look she gave me when I proudly showed her the newly cleaned basement.

And so, the necessary purge preparation has begun. I remain at-the-ready, afraid to move until…

read Kerri’s blogpost about CLEANING OUT

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buymeacoffee is…

Babble [David’s blog on KS Friday]

This could be a Jackson Pollack splash painting or an x-ray of arteries, veins and capillaries. A winter sun attempting to reach through the cover of clouds and trees.

If I believe the forecast, as hard as it tries, the winter sun will not reach us today.

I’m paying attention to language a bit more than usual. Looking up through the veins and arteries of the tree, I ask myself: What could it be? What could be? What is “it”? I shiver and am reminded of a quote I used in my book. It is appropriate for our times:

“One must be leery of words because words turn into cages.” ~ Viola Spolin

Language Matters. A double entendre. One of my favorite. It’s right up there with my favorite double entendre title of a book: The End of Education. Classic Neil Postman.

The question is, in our day-and-age, amidst the torrent of words and the easy belief-systems that words construct, how to stay out of the cage?

It’s a question with roots back to The Tower of Babel. A human race united by a single language builds a tower that reaches into the heavens. It is a threat to Yahweh. To protect his status, he confounds their speech and scatters them around the world. Language is the barrier against unity.

A bramble of branches to a Pollock painting to the inner working of life-blood to a weather report and landing at last in the Tower. An epic journey in just a few words, reaching through metaphor and pattern.

Language can be a cage. It can also set us free. Language Matters. A double entendre.

Nurture Me/Released From the Heart © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about WINTER SUN

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buymeacoffee is. nothing more. nothing less.

Work Forward And Back [David’s blog on DR Thursday]

Writing the first draft of a play, I’ve just entered the “swimming upstream” step in the process. I’m working my way from back-to-front to make sure all the story dots connect. It’s detail work. It requires looking close-in. I used to hate this part of the process because I’d get lost. I’d forget what I was doing and prematurely rework sections. Painters ruin paintings when working too small too soon. Writers are subject to the same peril. Now, I adore this step. Life is funny.

A few years ago I realized that my change in process-love, my capacity to work in detail without getting lost, came when I stopped trying to race to the end. Now, I am in no hurry to finish. I want a full relationship with my story as it reveals itself to me. It is a child, holding my hand, guiding me to the wonders of the playground.

Working forward. Working backward. Stepping in and then stepping away, like the tides. Big brush washes first, attending to the overall composition. Structure. And then detail. It’s much like building a house. Foundations and then finishes.

I have learned from watching Kerri to use my camera to see detail. To step in and look. Seeing-as-a-relationship. To pay attention to the dew on the small pine, the reason it glistens. And then to step in further. The platitude: a single drop of dew contains an entire world. Beyond the platitude: step in and it’s possible to fall into another world. To experience the surprise available in the enormity of the minute. And bring back to the big, big world of hurry-here-hurry-there the astonishment that is found there.

Forward Back, 18 x 36IN, mixed media on canvas

read Kerri’s blogpost about DEW

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buymeacoffee is a dew drop in a sea of possibilities, a tiny window into the realities of another reality.

Follow The Lines [David’s blog on Not So Flawed Wednesday]

There was a time when humans didn’t know how to translate three dimensional space into a two dimensional rendering. We either had no capacity for understanding visual perspective or no reason to pursue it. Art was symbolic, purely. And then came Brunelleschi. An architect. Linear perspective, a mathematical construct, became all the artistic rage. The wilds of symbol met the dictates of the representational. Horizon lines and vanishing points, the one-two step of perspective danced into the arts in a crazy time we know as the Renaissance. A painting could pull us into its world. The ghost of the ancient Greeks whispered 15 centuries into the future.

With perspective came a wholly new set of questions. The magic of math. The study of nature. How close can we come to understanding how things work? What are the secrets driving the universe and what we see? What lurks behind and beyond the symbol? What do we not see?

The trees in Kerri’s photo are roughly the same size. The trees retreat into the distance so the furthest tree appears to be smaller, the closest tree taller. It’s an illusion that we take for granted, so steeped are we in the necessities of perspective. The smallest child with a crayon wouldn’t care or perhaps even see the distance. They’d happily scribble the symbol: tree. An older child would put down their crayon and insist that they couldn’t draw because the magic of perspective is intimidating. Trying to “capture” reality in two or three dimensions is a tall order. Trying to place yourself and others inside it is overwhelming.

On this foggy day on the coast of Lake Michigan, I admire the perfect lesson in perspective taught by the trees stretching out in front of me. The fog brings to mind string-theory and the mathematics of multiple realities existing in a single space or Stephen Hawking’s bubble theory, many many universes brushing each other as they pass. What would Brunelleschi think of that? Follow the lines of perspective far enough and it becomes necessary to sail beyond the known horizon. Expressionistic. Conceptual.

Both Picasso and Einstein broke apart our understanding of space and invited an entirely new form of perspective into our conversation. The mystic and the mathematical. Multiverse and many dimensions.

Standing in the park, fingers cold, swallowed by the dense fog, I am a lucky child with a crayon knowing that all I can manage to do is scribble.

read Kerri’s blogpost on PERSPECTIVE

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buymeacoffee is a an impression left by a crayon meant to let others know that someone is out there and paying attention to the lines of perspective.

Grok The Rule [David’s blog on Two Artists Tuesday]

“A good poem looks life straight in the face, unflinching, sincere, equal to revelation through loss or gain.” ~ David Whyte

A good rule of thumb in the visual arts: areas of high contrast, in color-or-value, come forward while areas of low contrast retreat. Landscape painters use this rule to create the illusion of foreground and distance. Abstract painters use this rule to move the eye around a composition.

Storytellers and poets use the same rule. High contrast creates interest. It grabs attention. Low contrast sets the environment, the mood. “Some kind of relaxed and beautiful thing/ kept flickering in with the tide/ and looking around./ Black as a fisherman’s boot, with a white belly…” Dogfish by Mary Oliver.

Misused, it’s the rule-behind-the-reason that most of our news is “Breaking News!” False contrast. Hype. It’s the reason our national portrait is continually painted as divisive. High contrast pulls focus. The money follows the ratings so attention-grabbing is highly prized. Low contrast – like agreement, collaboration, sameness, community…truth – doesn’t generate the same level of interest or income.

Like all rules, there are worthy reasons to wield them. In the arts, the contrast principle is used to illuminate unity. To break an individual through to the experience of something bigger. To open questions. In our news-of-the-day, the rule is used to whistle a song-and-dance of discord and distraction. To separate into tribes. To manufacture the illusion of depth while sitting in shallow water.

The reasons to wield the rule are diametrically opposed.

It was a sad day when the young man, standing in our living room, told me that he would educate his child at home. His reason? He didn’t want his son to be stuffed with ideas. “Just the facts,” he said. “Just the facts.”

“Poor souls,” I thought of this man and his young child. How will they ever stare into the fiery face of democracy – an ongoing idea born of high contrast and wild ideas – the artistic kind, meant to bring people together in one nation under every possible god – like a poem. They won’t recognize democracy’s death when without question it slips like ashes through the fact of their fingers.

As for me, I’ll stick with the high and low contrast of Rumi, MLK, Shakespeare, Kahlil Gibran, Mary Oliver, Maya Angelou…

“Your task is not to seek for love, but merely to seek and find all the barriers within yourself that you have built against it.” ~ Rumi

[another worthy rule of thumb: never read the headlines prior to writing a post. All the icky-mush rushes to the foreground and permeates my brain]

read Kerri’s blogpost about FOG

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buymeacoffee is a counterintuitive, highly appreciated, offering of support amidst a high contrast environment that keeps the artists among us hopping and hoping.

Welcome The Surprise [David’s blog on Merely A Thought Monday]

“I would love to live like the river flows, carried by the surprise of its own unfolding.” ~ John O’Donohue

Day one. A mimosa. A special breakfast. A question: what will this year bring? In truth, it’s the umbrella question to the question we ask each morning. What will today bring?

Kerri keeps a calendar. Each day of the year she records special events, bills paid, meals made, important phone calls. She records the sacred and mundane. On the last night of the year or the first morning of the new year, we read her calendar. Each review is chock-a-block with surprises. “I forgot about that!” we exclaim.

And, with each calendar review, comes a ritual final summation: the year past was nothing like we anticipated. What was thought to be solid exploded. What was thought to be predictable was volatile. It was a rolling ball of surprises. It was defined by the unforeseeable.

It is always a rolling ball of surprises. Births and deaths. The losses leaving holes in our hearts yet making new space for love’s expansion. New trails discovered and old friends found. New friends, too. The obstacles that jumped in front of our path. The obstacles that suddenly and without warning disappeared. Old fears roaring to be heard. New fears sending us running in one particular direction: away. Then, the deep well of laughter that bubbles to the surface when we realize (as we always do) that our fears are mostly made-up. Tiny monsters. Shadow puppets.

As we read the calendar we are surprised by our courage in some moments and our cowardice in others. We are particularly amused – or not – when our cowardice appeared to be courage and vice-versa. There are days when the only notation in the calendar is an unhappy face, a dark day when together we completely lost our sense of humor. Gratefully, those days are few and far between.

The river flows with no regard of our notation. The trick, we learn again and again, is to welcome the surprise of its unfolding. Rather than try to swim upstream against the current-of-time in an always fruitless attempt to control, to reach for the imagined safety of the known, the lesson learned on every day-one is to give over to the mystery of the unfolding. To relax and choose to be in the flow. To welcome the surprises in all their iterations, the rapids, the rocks, the waterfalls and those rare and cherished stretches of calm.

read Kerri’s blogpost about LOVE

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buymeacoffee is a chance to start the new year in a festival of appreciation for the continued blather of the artists you may or may not support.