Empty To Refill [David’s blog on Not So Flawed Wednesday]

Last week I wrote about a realization I had while cleaning my studio: I was cleaning it to close it for a while. As Karola used to say, “Let the glass go empty.”

The day my studio-cleaning-post published, we discovered a waterfall in the basement. Yet another waterfall. The waterline failed in the ceiling above my studio. More than a cleaning, the burst pipe facilitated a complete studio dismantling. My decision to let the glass-go-empty has some serious water-feature assistance.

My current hardcover sketchbook was directly beneath the break and was mush by the time we discovered the waterfall. My ancient beloved studio rocking chair was damaged to the point of needing a complete overhaul. Sometimes I am in awe of the sense of humor of the universe. The quirk of serendipity. There is no going back. There are metaphors a-go-go.

It will take awhile to sort out the wreckage just as it will take some time to completely empty-the-glass. Perfect timing.

In the meantime, fall is in the air. The leaves are changing. There is a call to the canyon lands that we will answer. There are walks to take. Space to create. Life to appreciate.

There is a glass to empty and to refill.

read Kerri’s blogpost about AUTUMN

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Deduce To Nowhere [David’s blog on Merely A Thought Monday]

In a morning of surprises we learned that the water epoch, (common era 2020 – 2022) is not yet over. Another chapter is being written even as I type. The orange cones appeared as if by magic in front of our house and the neighbors on both sides. Kerri opened the shades and said, “You’ve got to be kidding.” The “no parking signs”, by order of the water utility, lined the street. Inspecting the signs, hands on my hips, with wrinkled brow, in typically brilliant fashion, I managed to utter, “Well hmmmmm.” I hope the neighborhood was watching. Truly, a display of deductive genius.

Not-a-clue. Even after the crew came, sawed through the asphalt, carted away the offending pavement and left small swimming pool sized holes, the mystery remains. For us, this is the third excavation. The first two had a defined (known) purpose.

I was cavalier during the recent deluge. It sent us scrambling to channel the water in the basement to the drains, and I gloated-to-no-one-listening, “Well, at least the perpetual water weirdness is over!” A few days later the cones appeared. I put the water-cart before the water-horse. I should have kept my water thoughts to myself. If Kerri knew I’d jinxed the dryness, she’d punch me in the arm.

Perhaps this is a neighborhood improvement initiative! In “the olden days,” before the invention of air conditioners, folks used to sit on their porches at night and chat with their neighbors as they strolled by. Maybe these pool-sized holes are, in fact, pools! On hot nights we’ll walk with naked legs across the grass (yes – we have grass!) and sit in the cool water. We’ll chat as others on the block gingerly tip-toe across their lawns to take a dip in their personal city pool.

I know what you’re thinking of my genius hypothesis! “Well, hmmmmm.”

We’ll keep you posted. Water epoch (current era 2020 – date unknown)

read Kerri’s more coherent post about NO PARKING

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Study Flow [on Not So Flawed Wednesday]

Kerri just reflected that, so far this week, my posts have been cynical. “Now that wasn’t snarky at all!” she said after reading my Tuesday post. The unintentional theme of the week has been the silencing of people. That makes me sarcastic. Irritable. Sad. She suggested that I lean over and read my Post-It-note-life-reminder: Grace. Questions not answers.

It’s true. I need daily to remind myself to move toward rather than push against. Flow rather than resistance. I am more of an idealist than I care to admit so resistance comes easy. Seeing what-is-wrong-with-the-world is embedded in my DNA. It’s the dark-side of the idealist moon.

Because resistance is natural, flow has been my study. It is my life lesson. It is why I am drawn to tai-chi. Yoga, the physical art of opposition. Polarity and the other Hermetic principles. Circles and cycles rather than lines and achievements. These are my masterclass of balance: there is a time for resistance. There is a time for flow. Both/And.

Grace is a word of flow. Nimbleness. Poise. Ease.

The water flowing off the roof of our neighbor’s garage froze the vines on the fence into a crystal ice chandelier. The watercourse way slowed so we might appreciate it. It slowed so I might understand it: flow and resistance are two forms of the same thing. Ice is water. Water is ice.

Grace. Nature is an excellent teacher. Better than my Post-It note. Sans cynicism. Gorgeous in its lessons.

read Kerri’s blogpost about FLOW

Look-At-Me-Look-At-You [on KS Friday]

Crossing the soggy path, the deer left hoofprints pressed deep into the mud. “Those weren’t here before,” she said. It was our second loop around the yellow trail.

A half a mile down the path she suddenly stopped, grabbing my arm in the way that let me know to stand silent and still. She pointed into the woods. The deer stood frozen, looking at us. It’s ears twitched, deciding that we were not a threat. It flicked its tail, a shock of white, and walked a few steps, stopping again to scrutinize us. We stood that way for several minutes. Look-at-me-look-at-you. Boundaries dissolved.

And then, as if released from a spell, we walked on, filled with delight at our communion with the deer. “They’re usually not out this early,” she said. We encounter them at sunset but rarely in the late morning. We decided it was a gift, a sighting of encouragement. We embraced the deer-symbol of life’s regeneration. Moving with grace through obstacles, having a fresh perspective on old impediments. Good perspectives to carry into the new year.

We rounded the corner and crossed to the middle of the bridge. A week ago during the polar freeze we imagined the river was solid ice. Now, it stirred into motion, puddles atop frozen sheets, the current pulling below. The sky and trees reflected on speckled patterns of ice in transformation. It looked like a grey whale swam in for a rest.

Once again we found ourselves under a spell with the river. Moving in an ancient dance with water and sky. Look-at-me-look-at-you. Our stinging fingers brought us back. Time to go home. Warm up. Sip a glass of wine, and revel that deer-spell and river-magic would make it on the list of our Daily Gorgeous.

[this piece of Kerri’s breaks my heart every time I listen]

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about THE RIVER

last i saw you/this part of the journey © 1998 kerri sherwood

Listen To The Call [on Two Artists Tuesday]

For the past 25 years, I have lived next to water. My Seattle apartment was steps away from Puget Sound. The lighthouse was just around the corner. My Wisconsin home is a block away from Lake Michigan. The sounds of the lake are the soundtrack of our life. A curious elemental flip for a man born at the foot of the Rocky Mountains.

It begs a question.

A few weeks ago, I needed to supply casual bio-pictures for a project. Kerri showed me photographs we’ve taken of each other, some in the Colorado mountains. It was startling. There’s something different about the photos of us in mountain pictures. “We’re different people,” she said. “You can see it. It’s where we belong.”

I could see it. My language: in the mountains, we are in our bodies. Fully. Present. No where else to be. Home.

It makes sense for me to feel the deep rhythm of the mountains. Kerri was born and raised on Long Island yet she comes alive in aspen forests, on the trail just above Breckenridge. The western slope. The mountain song reaches her inner being and she sings it back to the mountain. In the photos, she is radiant. At peace.

We walk along the lake all the time. We talk about how lucky we are to live in such a beautiful place. We are in awe of the power and changing faces of this mysterious lake. And, that’s precisely the point. The Lake is mysterious in its power. To us, the pulse of the mountains is known.

read Kerri’s blogpost about LONG SHADOW

Shimmy Dance [on DR Thursday]

Barney the piano has been in residence for over 7 years. His sound board was ruined and he was on his way to the junkyard when Kerri intervened. She played him on his first day here. He gave sweet voice for a few musical lines and then went silent. We’d occasionally wander out and press his keys but he was absolute. He was finished with his former purpose and ready for the next chapter.

Over time he lost his facade. The white veneer peeled from his keys and exposed the wood beneath. His decorative layer also began to curl. Pieces fell in strips like bark from a tree, exposing the rougher wooden structure.

Chipmunks have taken up residence. The squirrels glory in sitting high on his bald pate while lecturing Dogga. He’s beginning to sag in his middle and sink into the ground. He has been home to flower pots and once acted as our herb garden. Currently, we’re on the prowl for an appropriate chandelier to hang above him. I understand that pianos, at any age, love a good chandelier.

Barney has become an institution in our backyard. A fixture. I mow around him and never give it a second thought. We turn on the sprinklers to water the grass and water Barney, too. The first time we watered Barney, 7 years ago, Kerri cringed. It seemed sacrilege to spray a piano with water. She couldn’t look and retreated into the house. Now, Barney and the grass are one.

Sometimes at night we sit on the deck and watch the daylight wane. The pond light is on a timer and illuminates the fountain. The shadows dance on Barney. If we sit in the right spot, it seems the fire from our small tower dances in time with the fountain shadow on Barney. Fire and water move in a perfect shimmy dance. The elements come together. Alchemy.

Sitting in the waning light, watching the dancers dance with Barney, I’m reminded that magic is happening all around us. Everyday. Every moment. And, if I stop moving long enough to pay attention, I can see it. Barney also reminds me that we are never the same moment to moment. The changes are visible over time – long periods of time, but the movement is continuous. Slow. Joseph Campbell said that the universe creates forms and take them down. Creates forms, takes them down. Barney was once a piano. Now? To us, he is many, many things.

read Kerri’s blogpost about BARNEY AND FIRE

Add To The Story [on Not So Flawed Wednesday]

Our water theme continues though, instead of pipes breaking, surprise waterfalls in the basement, or spontaneous fountains in the front yard, we’re dancing on the other side of the theme. What was broken or compromised is slowly, as we can afford it, being fixed or replaced. And, as metaphors go, I welcome what this implies.

It is our very own kintsugi. Golden repair – or in our case – copper repair.

“…treating breakage and repair as part of the history…rather than something to disguise.” We’ve consciously created our home to be a keeper of stories: the driftwood that adorns our mantel, the rock cairns stacked by the plants, the chairs in our sunroom… all tell a story. A walk on a special beach. A mountain top. The day the car broke down in Minnesota. Adventure. Routine. Accident. Surprise.

We have a series of old suitcases stacked in our dining room. They are our “special boxes.” Each is filled with momentos of our life together. Concert ticket stubs, birthday cards, notes, old calendars, the bits chain from Pa’s workbench that we once wore as bracelets… Our story fodder. Connective tissue to our shared history.

The copper that Mike-the-plumber has installed in key locations around the house serve as connective tissue to the era of water. Our house is a special box, too. It’s nearly 100 years old so we are a chapter in its story, stewards merely. The copper repair is a visual keepsake, a golden repair from a time when the old pipes and fittings, having done good work, let us know with no uncertainty that they were retiring.

We love this house. We love being stewards to its story. We love that it is the keeper of our story. And, lately, we especially love being on this side of the water era, putting all the pieces back together again, adding to our entwined history, with undisguised copper-gold.

read Kerri’s blogpost about COPPER PIPES

Open The Story [on Not So Flawed Wednesday]

Put on your swimmies for a dive into the esoteric.

It was hot last night so I lay awake thinking and that’s never a good thing for the people – like you – who pay attention to the random things I write or say. This is what I thought in the heat of the night: Saul always instructed me to look beyond my opponent and place my focus in the field of possibilities. “Look a hundred feet beyond your opponent,” he said.

It’s universally true that a mind needs something on which to focus. And, left untended, most minds will focus on complaints or problems. During my tilt-at-windmills-consulting phase I’d tease my clients with the notion that, rather than eliminate challenges, people create them. We need them. We call them hobbies. Or play. Or problems. After all, stories are driven by conflict and we are, at the base, storytelling animals. It’s worth noting that a great collaboration is not the absence of conflicting opinions but the capacity to use the heat of creative tension to find/discover a third way.

What does this have to do with Saul and the field of possibilities? A focus, to be useful, needs to be specific. What exactly does the field of possibilities look like?

The reason our untended minds sort to the negative is that the negative is usually concrete, an easy fixation. Fear is a clear picture – even when imaginary. Obstacles are easy to spot. Possibilities are rolling and amorphous. Changeable. It is the nature of a good possibility to shape-shift.

The masters of meditation mostly tell us to soften our focus. Or to let the thoughts roll through the brainpan like clouds; do not attach to what we think. Do not take ourselves so seriously. Practice flow instead of the hard fixing of thought.

And, therein is the source of my late night esoteria: the mind needs something to focus on. Or does it?

If I soften my gaze, if I look beyond the problem-of-the-moment to a vast field of floating possibility, am I tossing myself into a feedback loop? I lay awake wondering what the field of possibility might look like if it was graspable. Some people make vision boards for just this reason. Quinn used to hum and fill his mind with lyrics.

Tjakorda Rai laughed at me and told me I needed to “open my story.” At the time I thought he meant to take responsibility for my story. Now, I know exactly what he meant: let it flow. Get out of the way. The demons and monsters and fears and problems and challenges are…passing things. Story fodder, nothing more. So look beyond them. Flow. Focus on the flow. Open the story.

read Kerri’s blogpost about THE FOUNTAIN

Roll With Every Punch [on DR Thursday]

And on the fourth night, just before retiring, I stepped onto the stoop and unplugged the colored lights. Forever. The ancient plug had had enough. It was weary and left behind one of its prongs. “No worries,” Kerri said, “I wouldn’t trust those wires to replace the plug. And, I loved them while they lasted.”

Yes. Just enough. A satisfying gesture. I believe that is our theme for the season. Just enough. Satisfying gesture.

Lately, I’ve made it a practice to ask friends and family, with all the water problems that Kerri and I have had this year, what’s the metaphor they see? What’s the universe trying to tell us? The responses have been great fun: build an ark. The slate is washed clean. Put on your waders. I’ve decided it is none of the above (or all of the above). I’m going with the Lao Tzu paradox:

“Water is fluid, soft, and yielding. But water will wear away rock, which is rigid and cannot yield. As a rule, whatever is fluid, soft, and yielding will overcome whatever is rigid and hard. This is another paradox: what is soft is strong.”

Fluid, soft, and yielding. We are rolling with every punch. Soft is strong. Not much gets us riled up these days. There have been so many punches; rigid wasn’t working. Yielding seemed the better path. We are, as Kerri so aptly articulated, ” Leading with surprise.” Not that a waterline break is to be desired but, ours, although intensely disruptive, brought good stories and good people into our sphere. “I want to be like Kevin,” I said. He’s the engineer at the water utility. Kind, funny, easy in his life. His dedication was to make easier our path through disruption. He and Kerri are sharing holiday recipes.

We are, out of necessity or intention, either way, walking the middle path and being careful not to wander into oppositions. Just enough. Satisfying gestures. Love them while they last. Lighten up. Let go. Fluid, soft and yielding.

No worries.

read Kerri’s blog post about LIGHTS

nap with dogdog & babycat © 2020 david robinson

Attend To The Quiet [on KS Friday]

My studio is a place of quiet. Inside and out. It is the place where I go – where I’ve always gone, when I need to recenter myself of exit the crazy-brain. Lately, my studio has been blown to bits. Water has been a near constant invader, either from the ceiling when the pipe broke in the spring or from the floor when roots clogged the sewer main. Twice. It seems as if water wants me to take a break from painting. There’s a metaphor in there somewhere.

Each time the water rises, the paintings rise, too. We scramble to move everything up the stairs. Mostly, they are stored on blocks so live protected above the rising tide – but pulling up carpet or clearing space for the plumbers has meant a perpetual studio deconstruction. Kerri stubbed her toe – okay, broke her toe – on one of the bigger paintings that now populate our sitting room. It’s a maze of paintings out there. Yet, she is wise. She’s insisting that we leave the paintings where they are, scattered here and there. At least for now. At least until we can clear out and rethink our space.

Kerri is much more sound sensitive than I am. I am much more spatially sensitive than she is. The sign on our deck, “Shh” addresses her need for sound-quiet. It’s all about space-quiet for me. Space-quiet means open space. It’s been that way all of my life: if there’s too much stuff, I shut down.

The water, as it turns out, is trying to tell me something. Lately, when I go down into the blasted-apart-and-now-empty-studio-space, I can breathe. I feel it every time I descend the stairs. I breathe. My space had become too impacted. Too many paintings, too many tables, too little space. “Shh.”

I’ve often written about the time, after I moved to Seattle, that I burned most of my paintings. I needed space. I felt like I couldn’t breathe. I was tired of hauling and storing paintings. I didn’t know what else to do. I needed air and fire brought it to me.

And, so, the water pours from the ceiling. It bubbles up through the floors. Again. What feels like a catastrophe comes with a cautionary message. No fire is needed this time. To attend to the space is to attend to the quiet. Stop. “Shh.” Breathe.

SILENT DAYS on Kerri’s album BLUEPRINT FOR MY SOUL, available on iTunes or streaming on Pandora

read Kerri’s blog post about SHH.

silent days/blueprint for my soul ©️ 1997 kerri sherwood