The Real Promise [David’s blog on Not So Flawed Wednesday]

“Too many of us still believe our differences define us.” ~ John Lewis

I confess, it has been a life-long fascination. Seriously, since I was a little kid, I’ve been amused, confused, and periodically gobsmacked by the swirling contradiction of identity-messaging in these un-United States.

Because we are the single most individualistic culture on the planet, we place high importance on being unique. We are encouraged to stand out. And yet, the first lesson I learned in school was how to stand quietly in line. We buy clothes that are meant to express our own distinct style while hyper-market-pressured to fit our image to the latest trend.

I spent years and years working with people who spent thousands of dollars outfitting home art studios so that they might express their own unique artistry…and then froze in their newly built temple, so fearful of what others might think of their creation. How many times have I heard someone, dressed smartly in their latest Ralph Lauren, tell me that they were looking for their voice?

It’s untenable. It’s no wonder we are perpetually self-discombobulated. The dreadful shadow of our national commitment to bewilderment is the game drawn along the color line that we’ve played since our nation’s inception: If they gain, we lose. If we gain, they lose.

We-the-people wrestle by placing the accent on the hard line of our differences. We wrestle with reaching across the hard line of difference to find our common ground: most recently our reaching has been known as DEI. Diversity. Equity. Inclusion. We strive to be one in our campaign to be individual.

If there is one universal truth I learned in my life as an artist, in my work with people struggling to find their novelty and power, it is this: unique voice is found in service to others. Unique expression is available when the self-serving ego gets out of the way. It’s a paradox.

Personal voice is meaningless unless it helps other people. To guide. To question. To recognize. To join. Actors perform to unite us in a shared story. Poets write to open us to universal truths. Musicians play to bring us together in a common experience. The real power, the promise available in these United States is no different than the promise bubbling inside each individual. Rare and special voice is found in service to the common good.

Artistry and governance share this trait: grace and power is always found in uniting and is invariably lost in dividing. We may someday realize the great promise in these United States if/when we at long last lay down the tired game of manufactured division and find our true, unique and powerful voice by uplifting all unique, diverse, and beautiful voices, a chorus in service to a common center called democracy.

read Kerri’s blogpost about THE BLACK SHEEP

likesharesupportcommentsubscribethankyou

Scratches On The Wall [David’s blog on Two Artists Tuesday]

Scratches on the wall. Petroglyphs, the only evidence that remains of a people who once lived in these canyons, who lived by the river we’ve named Fremont. We do not know if they had a name for the river. We do not know if they had a name for themselves. We call them the Fremont, after the river. A location name.

The Fremont River is named for an American explorer, John Charles Fremont, so the people who scratched pictures into the rock over 1,000 years ago also carry his name. As is the nature of history, we locate them from our point of view. We build an identity-structure and civilization-story about them based upon our story of them. We’ve placed them in our narrative timeline, 1 – 1300 CE. We have no idea how they thought of or marked their time.

We have no idea what became of them. They disappeared into time. We have no idea what the petroglyphs mean or why they scratched them into the canyon walls. We wonder at the semiotics, the inner symbolic life that produced such strange (to us) images that remain on the red rock walls.

This morning, through my COVID aches and chills, I watched the news. I would like to say that I am mystified by the civilization-story currently being spun and supported by half of my nation but I am not. I would like to say that the hatred and fear-mongering of the red hat tribe is as much a mystery to me as the way of the Fremont, but it is not. The concurrent xenophobia and wild-eyed-creation of an internal enemy (anyone not in a red hat) has roots that are all too easy to see. It’s a fascist popcorn trail, a page from Hitler’s handbook. The language is identical. The images, scratched into the red-fox-walls of our time are all too easy to interpret. A frightened and misinformed populace is easily manipulated. Fooled.

What is a mystery to me is the inner symbolic life of my nation’s conservatives that seem so ready to trade our sacred democracy for a populist authoritarian. What scratches on the walls of their minds are so easily storied into hatred. What has so hardened their hearts that they embrace with cheers the repulsive bile spewed by their candidate? It is as incomprehensible to me as the petroglyphs of the Fremont.

All societies disappear into time. Ours, relative to the Fremont, is still in its infancy. We can only hope that an explorer in some distant future finds our petroglyphs – and although a mystery to them, we will have known that we transcended the authoritarian threat and overcame the fox-fear-fantasy, manufactured hatred and dark lies. And, over the next thousand years, our scratches on the wall tell the tale of how we matured to fulfill the promise of our sacred ideals. Out of many, one.

read Kerri’s blogpost about PETROGLYPHS

like. share. support. comment. subscribe…thank you.

See Hope [David’s blog on Two Artists Tuesday]

The sun had set. The pond lights aglow. The night was quiet with occasional bursts of the cicada chorus. We were exhausted from the day. I saw its silhouette when Dogga ran his usual circuit by the pond. It leapt across the light and plopped into the water. A frog.

“What are you doing?” Kerri asked as I jumped from my chair.

“But it’s late September!” I said. She narrowed her eyes, my reply too random for synapse connection. “I just saw a frog!” I announced and she was instantly by my side. We stayed by the water for several minutes, searching, but saw no further sign. “I didn’t imagine it,” I whispered. “I saw it. We have a frog.”

“I know.”

I’d like to say that we didn’t need some sign of hope, some whisper of encouragement, but it would be a lie. This unlikely frog, coming so late in the season, seemed like a sign or at least we decided to make it so. “Things are going to change for the better,” she said. I nodded. I was so tired I wanted to blubber with giddy-frog-inspired-relief.

“I’ll take my hope anyway I can get it,” I said.

“That’s what we should name it!” she replied. “Hope.”

Yes. Hope. A silhouette flashing across the light on an otherwise quiet dark night. A leap. A glimpse. And suddenly, anything is possible.

read Kerri’s blogpost about THE FROG

comment? share? like? support? many thanks for any and all.

buymeacoffee is an online “tip jar” where you can support the continued work of the artists you value.

See The Life [on Two Artists Tuesday]

There was a transformation the moment we raised the branch and secured it in the pot. “It looks happy,” Kerri said. I was thinking the exact same thing. This broken branch, muddy and discarded and sad, we brought into the house, trimmed it, lifted it, and positioned it, was instantly revivified. The moment was palpable.

“Are we just making it up” she asked.

“No,” I responded, not certain what, exactly, I was seeing, but this branch was suddenly full of life. It was warm and energetic where, only a few moments before, it was downcast. “I think it likes being here.”

We stood and stared and tried to make sense of what we were seeing. “This would make a good children’s book,” we said at the same moment. Happy, happy, happy.

We added a few simple lights, a single ornament, but mostly we let it be. Its happiness is decoration enough.

We visit our tree during the day. Its exuberance is infectious. Before retiring each night, we turn off all the lights in the house except for the tree. We sit with it and drink in the warm feeling it radiates.

“That tree is like good sculpture,” 20 said, admiring it. “It reaches,” he added. Good energy.

We remain amazed. We’ve not yet grown used to the sudden metamorphosis. I hope we never do. It’s become more than a symbol for the season. It’s a possibility. A promise. A reminder.

read Kerri’s blog post about THE TREE

Imagine The Stack [on saturday morning smack-dab.]

Driving into Colorado, from any direction, I know, will require a lengthy stop at the Welcome Center. Some people stop for a rest or to stretch their legs. Some people stop to give their dog a walk. We stop for the brochures. County by county, city to city, Kerri moves through the brochures like a driven detective; what is going on in this state that might require our participation? While she info-scours, I stroll.

I recognize that the stack of brochures I carry to the car, sometimes stacks, represents possibilities. They are a stockpile of imaginings, a library of what-if. They ride with us throughout our trip. They come in handy. And then, they make the journey home with us. And then, they join us in our daily lives. They come to the grocery store. They wait while I pump gas. They age, get wet, wrinkle, and bleach with the sun.

As part of our prep for a trip back to the mountains, I secretly remove the stack(s), a little at a time, and put them in the recycle bin. Just once I made the mistake of recycling the mouldering brochures with no trip to Colorado in sight. I learned. There’s more to the brochure stack than simple travel information. There’s a deeper anchor, a promise, a beckoning, a heart-call in-print. For something of this weight and import, a few brochures will not do. A couple brochures cannot contain the expanse of Kerri’s imagination. A mound, a mountain, is barely enough. The only limit we must acknowledge, is the size of our car. Little Baby Scion is intrepid, but like all of us, has certain limits.

read Kerri’s blog post about BROCHURES

smack-dab. © 2021 kerrianddavid.com

Remember The Single Story [on KS Friday]

If you truly love Nature, you will find beauty everywhere.” ~ Vincent Van Gogh

When Kerri took this photograph I thought Van Gogh would have loved to paint it. I read that most of his 860 paintings date from the last two years of his life. The romantic in me wants to believe that he knew his time was short and he let all of that imperative spill out onto canvas. He died never knowing success or imagining that his work would in any way impact the world. I doubt he cared. His frenzy was not driven by success or status. He painted because he had to.

Waning time brings retirement to some. To others it brings fire and fuel. The need to bring what is inside to the outside. To compose, to write, to dance, to paint, to build, to design. Michelangelo was driven by his waning time. Some of his final sculpture was 500 years ahead of its time. At the end of his life, his work would have shown well with Picasso.

There simply isn’t enough time to say it all, explore it all. Last night, sitting in a circle with my family, multiple conversations resonating throughout the activity hall, my conversation pod began talking about regrets. When we were younger, we made vows to live lives without regret and now, at this end of the road, we see how foolish was our vow. Life is a series of choices and choices always leave unexplored paths. We laughed at our folly and relished the beauty of a life full of regrets. Paths not taken seed gratitude for the paths we ultimately chose. There is intense beauty in regret.

The morning dawned cold. Autumn has arrived in Colorado. The energy abandons the leaves and goes to the root. Columbus’ passing has brought energy to the root. He would be pleased. There are members of my family that I have not seen for years. In gathering, we bring together our separate stories and for a few days remember that we are also a single story.

A single story. The beauty of regret. The gift in loss. The waning of one season affirms the promise of the new.

All of Kerr’s albums are available on iTunes & streaming on Pandora

read Kerri’s blog post about WANING SEASONS

part of the wind/blueprint for my soul ©️ 1997 kerri sherwood

Live By Increments [on KS Friday]

In this case, healing is incremental. One degree at a time. Her doctor told to be patient. “Expect no more than 5 degrees a month,” he said.

After her fall, the second fall, the one on a newly-mopped-but-unmarked-wet-floor, she had a mere 6 degrees of movement in her right wrist. She showed me her range of motion and the movement was so minuscule that I had to ask, “Did you move yet?” Her stare told me that I probably could have asked a better question.

Years ago, preparing to direct a play, I did research on medieval torture devices. You’d be surprised at human ingenuity when it comes to inflicting pain. The device that Kerri uses between occupational therapy sessions to aid in the recovery of her increments looks a lot like the machines I researched so long ago. It has cranks and dials. Straps. It finds the edge of possible movement and then, with one teeny-tiny turn of the dial, stretches a fraction beyond the previous possible. Increments of possibility achieved through increments of pain. Human ingenuity cuts both ways, to the creation of promise as well as pain.

In this part of our journey, we have learned to live by increments. Our journey of a thousand miles truly begins, each and every day, with a single step. The torture device, as we lovingly call it, serves as a mechanical reminder that the greatest triumphs are often the smallest. 5 degrees a month. It’s a reminder that it is best not to rush. One tiny turn of the dial at a time. Each new increment is cause for celebration. My composer wife, in these hard-recovered-increments, steps toward her piano, toward her promise, each day, one step closer.

kerri’s albums, including THIS PART OF THE JOURNEY, are available on iTunes

read Kerri’s blog post about INCREMENTS

this part of the journey ©️ 1997, 2000 kerri sherwood

Wiggle And Be Warm [on Not So Flawed Wednesday]

“Cuckoo, jug-jug, pu-we, to witta-woo!” ~ Thomas Nashe, Spring, Sweet Spring

“It’s not possible,” we said in unison. For weeks, the temperatures were bitter cold. The mound of snow at the end of our driveway was as tall as I am. The sun finally emerged. We pulled on our snow pants, our heavy boots, and walked into the snow-shocked world. Rounding the corner by the dentist’s office, at the base of the south facing wall, through a patch of cold wet earth surrounded by mounds of ice and snow, tender shoots of green were breaking through, reaching for the warmth. Daffodils. Spring.

We stood staring as if slapped. It was as if we had rounded the corner and come face-to-face with alien hope, something we thought existed only in some distant future, a Hallmark promise of light in the darkest of winters. Yet, there it was, tenacious and tender, a harbinger of Persephone’s return to the sweet surface of the earth. “I have to take a picture,” Kerri whispered, as I broke into a spontaneous sun dance. Passing motorists stared at the lady climbing into the bushes and the wiggling crazy man.

I felt as if I suddenly held a precious secret. I did a slow 360 degree turn and saw only winter, winter, winter. Cold, frozen, frigid, freezing, ice damming, black ice, snow plow, sand and salt world with people puffed out and covered in too many layers to please-god-stay-warm. And, in the middle of it all, a tiny patch of promise. A force greater than despair or depression or pandemic fatigue. Life.

We stayed just long enough to make sure it wasn’t a mirage, linked arms and set course for home. Cold fingers but warm in our core.

As we trudged home, breaking trail in snow, I thought of a small piece by Ellsworth Kelly. He pasted a chunk of warm yellow on a postcard image, a Japanese print. He called it “Spring (Yellow curve).” A shock of yellow completely out of place yet transforming the entire world. I imagine, one day, he took a walk in the bitter cold and saw a shock of yellow blowing through the soil. So out of character yet so welcome. Spring. Yellow curve. “Cuckoo, jug-jug, pu-we, to witta-woo!”

read Kerri’s blog post about SPRING?