Fill Your Paintbox [David’s blog on DR Thursday]

I know a bank where the wild thyme blows,
Where oxlips and the nodding violet grows,
Quite over-canopied with luscious woodbine,
With sweet musk-roses and with eglantine:
There sleeps Titania sometime of the night…

[A Midsummer NIght’s Dream by William Shakespeare. Act 2, scene 1]

I played Oberon for the Walden Theatre Company at the Kentucky Center for the Performing Arts when I was way too young to play the role. I said the words and, although I did my research, I only had an abstract grasp of wild thyme and luscious woodbine. I had no depth of understanding of relationship and the mischief it invokes.

Now, those things are visceral. I know them to my core.

Luscious woodbine climbs and covers the fence beside our driveway. The leaves turn to fire in the fall, and when they drop, they reveal the blue berries, toxic to humans but delicious to birds. In a few days, the berries disappear. Woodbine symbolizes the bond of love since it entwines and embraces trees and other plants. And fences. The locals call it Virginia Creeper.

I was witness to the great actor, Jim Edmondson, play Lear for the first time. He was astonishing. After the performance, he said, “I don’t have enough colors in my paint box yet to play this role.” I sometimes wonder, as he aged, if he found the colors he felt he lacked. The intimate depth of understanding of growing old, of losing power, of being shelved. Loss upon loss. Leaves turn to fire and fall. All that remains is the vine.

I’m growing to understand the paradox of life: none of us has enough colors in our paint box when we are young and moving through the complexity. The colors are cumulative. How many times have I said, “Man, if I only knew then what I know now.”

“I know a bank where the wild thyme blows…” Yes. I do. At last.

read Kerri’s blogpost about WOODBINE

like. share. comment. support. smell the sweet musk-roses. we do.

buymeacoffee is a place where nodding violets grow and artists find a way to live another day.

Honor Difference [on DR Thursday]

A Double Haiku:

Honor Difference.

A mural in Milwaukee.

Heart of the ideal.

Infinite palette,

Many hands, many painters,

Eyes that choose to see.

Read Kerri’s blog post about Honoring Difference

helping hands ©️ 2012 david robinson

Capture The Beauty [on DR Thursday]

sketch copy

The day was stormy, the lake was unsettled, steel grey and roiling. Kerri walked to the water’s edge with her camera. I opened my sketchbook and caught a quick sketch. Perhaps a notation for a someday-painting. Perhaps a gesture with nowhere to go.

A few days later I looked at this quick sketch and laughed. It is a metaphor for our time on island. Standing at the edge of a storm not of our making. Witness to the turmoil. It blows us to and fro. It messes our hair. The sand stings our faces.  We are taken by the colors of its violence. When the winds grow too powerful, we retreat to the safety of our littlehouse. We wait for the latest flurry to calm, the waves to soften.

It is tempting to want to be done with it. To rush through a month of life. Each day I remind myself to be in it, not simply get through it. Life on this day may be stormy. It might be upsetting. Stormy and upsetting are colors on the palette. They are worthy experiences. Amidst the chaos there are instances of utter beauty –  like the moment Kerri walked to the edge of a roiling lake and I looked up, caught my breath, and reached for my sketchbook so that I’d never ever forget.

 

read Kerri’s blog post about A SKETCH

 

 

 

 

sunsetonisland website box copy

 

Mix It [on DR Thursday]

palette copy

True confessions: I never clean my palette. I like the messy build up of color. I like the chunky texture. It serves as a gunky history of my work, a genealogy of paintings past. And then, over time, it becomes a tactile work of art in its own right. Unfettered by any of the mental gymnastics or over-ponderous considerations that plague my “real” work, it is the closest to child-mind that I will achieve. It is accidental. It is free.

This might be a stretch but it is, for me, nevertheless true. I love my palette because it is the place of alchemy in my artist process. It is the true liminal space. I begin with pure color. I smashed the pure color together with another color and transform it into a third color, the hue I intend. On a palette, color becomes intention. And then, once transformed, with a brush or knife I lift the color-intention from my palette and in an action that is often more responsive than creative, I place it onto a canvas. It transforms yet again relative to all the color it touches. An image emerges. More color is called for.

And, somewhere in this call and response of color, I become like the palette. The pass-through of alchemy, the door that color passes through en route to something beautiful. And, in the process, perhaps I, too, in my messy build up of life/color, grow closer to that child mind. Unfettered. Accidentally interesting. Free.

“You never know what is enough until you know what is more than enough” ~ William Blake

 

read Kerri’s blog post about my PALETTE

 

roadtrip reading website box copy

 

Horses FullSize copy

untitled, mixed media 48 x 48IN