Prepare For The Jump [on DR Thursday]

On the upside, an in-studio-waterfall, after the shop-vac-a-go-go, the sodden-carpet-padding-removal, the baking-soda-ballet, amidst the-we-are-still-hunting-for-the-proper-gasket-to-stop-all-leaks-quest, an opportunity arises. It’s been awhile since I sat with my life’s work. It’s been awhile since I made time to stare at my paintings, each and every single one.

I confess that this year has been rife with artistic mourning. I have barely picked up a brush. I have sat in my studio like a visitor at a wake. I feel the emptiness as a loss and have asked myself the fear-question again and again, “Where did it go?”

One of my favorite books is Art & Fear. Recently, I flipped it open and read, “Your reach as a viewer is vastly greater than your reach as a maker. The art you experience may have originated a thousand miles away or a thousand years ago, but the art you can make is irrevocably bound to the times and places of your life. Limited by the very ground on which you stand.”

A second flip brought me to this passage about change: “Yet it’s demonstrably true that all of us do (from time to time) experience such conceptual jumps, and while ours may not affect the orbits of the planets, they markedly affect the way we engage with the world around us.”

The times of our life. The world, for us, stopped when Kerri broke her wrists. She was in casts when the pandemic washed over all of us. Our jobs disappeared. Our community fragmented. Our city burned with civil unrest, a young militia-boy murdered two people a few blocks from our home. My father took rapid steps toward the abyss. Kerri took a second fall, tore ligaments in an already injured wrist. Our BabyCat left us. We talk about 2019 as if it was decades ago. “Doesn’t it seem like years since we…”

I know this death I feel will find its springtime. There was a “me” before this time. There will be another “me” after. Sitting on the stairs, looking at my paintings, I know for the first time in a-year-that-feels-like-a-century, that a conceptual jump is bubbling. I remember the man who painted these paintings. I look forward to meeting the man who will one day pick up his brushes and dance with the muse again.

In the meantime, I sit with my paintings. I stand in the ground of my times. I will find the right gasket so water no longer rains into my studio. I will prepare for my jump by putting all of my pieces back together again.

read Kerri’s blog post about THE WATER STUDIO REVIEW

See The Verb [on Not So Flawed Wednesday]

Random fact of the day: my waking thought this morning was about The Geography of Thought. No kidding. It’s a terrific book by Richard Nisbett. The subtitle is “How Asians and Westerners Think Differently…And Why.” Somewhere in the recesses of my brain I must have been pondering the bumper sticker we recently saw: I’m With Earth.*

One of the points made in the book, the one that permeated my dream state, is that different languages place different emphasis on different parts of speech. For instance, many Asian languages place emphasis on the verb. English speakers place the emphasis on the noun. In listening to mothers talk to their infant children, an English speaker will say, “Look at the red truck! Do you see the red truck?” An Asian mother will say, “Look at the red truck go!” Do you see the red truck go?”

Why does it matter where the emphasis lands in a language structure? Noun or verb?

The language we use shapes our thinking and seeing. It shapes basic worldviews. Earth as a noun or earth as a verb. Earth as a stand-alone-thing or earth as a moving interrelationship. These are vastly different worldviews.

This was my thought/image coming out of sleep: earth and sky. In a noun world, earth and sky are two distinctly different things. In a verb world, earth and sky are not separate things, they are verbs, actions, interplay of a dynamic relationship. In a noun world, I am also a distinctly different thing. In a verb world, earth, sky and I are not separate things, we are a dynamic inseparable relationship. We.

The bumper sticker is a declaration: I am with earth. It makes perfect sense in a noun world because it is also possible, in a perceptual world of separate things, to be against earth. Nature needs to be conquered, tamed. In a noun world, earth, once tamed, is a resource and resources are meant to be used. In a noun world, we are capable of believing that our actions have no impact on our environment. Action and environment are nouns, separate things.

In a verb world, what you do to the earth is what you do to yourself. No separation. In a perceptual world of relationship, of verbs, it is understood that your actions not only have impacts, your actions are impacts.

We woke to the news of yet another mass shooting. This one in Colorado. As usual, we know that our community and leadership will offer thoughts and prayers but nothing really – not really- will be done to address it. In a noun world, we protect the rights of the individual, the separate thing. In a verb world, there are no mass shootings. None. Violence done to one is violence done to all. In fact, more people are gunned down in the United States in a day than are killed by gun violence in Japan in a decade. The differing linguistic emphasis extends to differing understanding of rights and responsibilities.

Language matters. Where we focus matters. What we emphasize matters. The story we tell is determined by the language we use to tell it. I am with earth. Or, I am earth. I go to worship. I am worship. I seek purpose. I am purpose. Separation. Relationship. A whole philosophy of living reduced to a simple bumper sticker.

So, when we ask complex questions like, “Why can’t we do anything about gun violence?” or, “How is it possible that people in a pandemic refuse to wear masks to protect each other,” our answer is really very simple: our language makes it so.

Perhaps in a world of nouns a declaration is the best we can do. It is a step toward the middle way, a declaration of responsibility to the commons. Black Lives Matter. #MeToo. Stop Asian Hate. I’m With Earth.

*The “I’m with Earth” sticker is from the very cool company Gurus

read Kerri’s blog post about I’M WITH EARTH

Fear The Babbling Brook [on Two Artists Tuesday]

I find the sound of a babbling brook soothing unless, of course, it is coming from our basement. Knowing with certainty that we did not install a brook in the basement, I knew the soothing sound bubbling up the stairwell was problematic.

It was more waterfall than brook. A steady stream of water cascaded down a pipe from the ceiling, a large pond was already forming in the carpet.

I’m confessing here and now that I am not a handyman. My first response to most home emergencies is to stare, to flood myself with utter disbelief and brainless-white-noise. So, I did that. And then, a miracle: from somewhere completely unknown to me, a voice of reason, a whisper from deep within, said, “Turn off the water.” So, I did that, too.

The waterfall stopped immediately.

We found the source of our problem in the wall. Some farsighted human-from-the-past installed a Hobbit door in the upstairs closet, knowing that there might be a future plumbing problem and a Hobbit door would make the fix possible without having to also experience demo-day. Kerri and I both stared at the offending plumbing knob. She took photos. She sent texts.

And, although I may not be able to appreciate basement babbling brooks, I very much appreciate friends from all over the country who immediately sprang into action to help us. The digital world met the ultimate analog problem. The advice from Portland and Texas and across town was unanimous: you can fix this. Don’t call a plumber. Our waterfall was the result of a simple gasket failure, a washer gone bad. Unscrew the offending knob, remove the wasted gasket, go to the hardware store, find someone with know-how, buy a replacement, insert the new gasket, tighten the offending knob. Va-Wah-La! Well. Almost.

Our basement now looks like a conceptual art piece in the museum of modern art. The carpet raised, the sodden padding removed, plastic Adirondack chairs, plastic crates, plastic bins stuffed beneath have turned the carpet into a 3-D topographic map, fans blow under and over, baking soda swirls like micro-tornadoes across the mini-mountain range. The waterfall was right smack in the middle of my studio, so surrounding the mountain range, are willy-nilly un-art-ful stacks of old school paintings, lifted above the waterline. An art history statement: the conceptual art explosion forcing the canvas-and-paint-crowd to the margins.

And, so, we do what all good artists do in times like this: we sip wine and wait for things to dry. We spin our experience into tell-able and re-tell-able tales (our generous friends listen whether they want to or not). We send heaps of gratitude to the folks with real practical knowledge who led us by the nose through our watercourse way.

read Kerri’s blog post about WATER

Borrow A Cup Of Belief [on Merely A Thought Monday]

The sun is streaming through the windows. It is an immediate spirit lift. We sip coffee and our conversation wanders in no particular direction.

We inevitably discuss of the absence of normal, our rolling wave of disruption. “I wonder what will happen this week?” We laugh, “Knock on wood!” For a moment we sit in silence. We’ve stopped asking, “What else can happen?” We keep the question to ourselves. We’ve grown superstitious.

For us, this pandemic time will always be known as the era of disruption. All recognizable patterns are shattered. New patterns have yet to find a foothold. Each day a tumbling unknown.

I often write about “not knowing.” It is the land where learning becomes possible. The first caveat: Have the experience first and make meaning second. The second caveat: Suspend your judgements and learn. Both are rooted in the intentional suspension of knowing. Open to life.

We are definitely having experiences. We are careful not to arrive too soon at meaning.

Yesterday I read that, when life tosses us the uncontrollable, we default to imaginary controls. We do the dishes, we vacuum the rug, rather than face what is out of our control. There is great comfort in the imaginary.

Sometimes belief in yourself is hard to come by. “Knowing” that you can do it. “Knowing” that you can stand firmly in the “not knowing” is never a given. Especially in times of continuous disruption. It is only after the fact that you “know” with certainty that you can do it. “One step at a time,” we chant.

It is, in these times of disruption, that we borrow belief from each other. You tell me that I can do it. I tell you that you’ve got this. Others “know” what we do not. They see our fortitude. We see theirs. It is why human beings are a herd animal; we come to know ourselves through the eyes of the other. We go next door to borrow a cup of belief.

Beaky’s note now sits on Kerri’s bed stand. A treasure newly found in a long forgotten purse. One of our imaginary controls, cleaning out the closets, produced this gem. Beaky, no stranger to disruption, reaches across time and the threshold to offer timely encouragement, “I know you can do it.”

“Momma says we got this,” Kerri says. If I’ve learned anything, it’s to never argue with Beaky.

read Kerri’s blog post about KNOWING

Pace The Loss [on KS Friday]

The loss of BabyCat will be forever linked with my father’s disappearance into dementia. I was away from home, helping my mother move my father into memory care, when Kerri called about BabyCat. One loss was sudden. The other loss is glacially slow.

The pace of loss.

I read once that we don’t lose our beloveds all at once. No matter what, sudden or slow, it happens in stages, the heartbreak comes in pieces. Missing daily rituals. Holidays. Last night, as has been my practice these many years, I peeked over the couch to see if BabyCat was going to “check into the hotel” (sleep on the couch) or spend the night with us. And then I remembered.

When I saw him in Colorado, I thought I had grown accustomed to my dad not being able to recognize me. I wasn’t. The tidal wave of loss nearly knocked me off of my feet. Empty eyes.

It’s been several weeks since Kerri chose a piece of her music for our melange. Both of us have, for reasons we cannot articulate, lately eschewed using our artistry in the melange – my paintings, her compositions. I’ve sorely missed diving into her chosen piece of music when preparing our KS Friday posts. When she decided this morning to use her piece, MISSING, I was strangely relieved. A bit of normalcy returned. As I listened, I found myself lingering in the comfort of her composition, the warm yearning of her solo piano, sun through shades, the promise of spring. I closed my eyes and breathed deeply. The comforting refuge of memory evoked in Kerri’s MISSING. A sweet-bitter pathway through this forest of loss.

kerri’s albums are available on iTunes

read Kerri’s blog post about MISSING

missing/released from the heart ©️ 1995 kerri sherwood

Unwrap Them Carefully [on DR Thursday]

I give you an emptiness,/ I give you a plenitude,/ Unwrap them carefully. ~ Norman MacCraig, Presents

John O’Donohue wrote that, “Nothingness is one of the faces of death. The life of the soul is about the transfiguration of nothingness.” As we watch DogDog search and search again for his missing BabyCat, as we quietly talk each day about the empty spaces left by BabyCat’s sudden death, I am hyper-aware of the changes already happening within us.

We are gentler in the world. We spend more time sitting with DogDog, we spend more time sitting with each other. We are not afraid of the silence. In fact, we seek it. We welcome it. Sitting at the table, we watch life-at-play in the back yard. Squirrels hauling leaves for their nest. The crows on patrol. A woodpecker. Green shoots peeking through the soil. We attend the sunset.

The emptiness we inhabit has altered our relationship with time and task. We do not seek distraction or fill our minutes with news-chatter or other noises. We are moving slower with more attention, doing less and experiencing more. Washing and drying the dishes has become an act of togetherness, a generosity, like holding hands.

Tom Mck taught me that, sometimes, it is necessary to close a program or a building and let it sit empty for awhile. The emptiness will eventually attract new ideas and bring new energy. New life seeks empty spaces. Our enormous love for BabyCat has created for us a monumental emptiness. We hold it as sacred space and will, over time, unwrap it slowly, carefully, and wisely, so that the monumental soul-plenitude created by BabyCat will find its way in.

read Kerri’s blog post about AT THE DOOR

at the door ©️ 2017 david robinson & kerri sherwood

nap with dogdog & babycat ©️ 2020 david robinson

Feel The Absence [on Not So Flawed Wednesday]

Because I was in Colorado helping my mother navigate her way through a maze-like life transition, I was somewhat detached from the reality of BabyCat’s passing. The full weight of loss smacked me when, coming through the back door late at night, returning from my travels, my ordinarily overly-effusive Australian Shepherd was not bouncing at the door to greet me. I came in, put down my bags and, out of the darkness, DogDog emerged, walked slowly to me, and pressed his head to my leg.

Kerri warned me that DogDog was hurting. She told me about his vigil at the door, waiting for BabyCat to come home. She described his looking-looking-looking around the house for his constant companion. She told me of his quiet, his disinterest in going-in-and-out-and-in-and-out during the day.

He stays close to us. His sadness is palpable. His light is dim.

Initially, when DogDog appeared in our lives, Kerri was worried that BabyCat would never accept a dog into his domain. We knew they’d crossed the bridge into friendship when, one day, to our great dismay, DogDog had BabyCat’s head in his mouth and was dragging him across the hardwood floors. We shouted for DogDog to stop. Always an obedient boy, he released BabyCat, who promptly slapped him. The cat-head-went-back-into-the-gentle-dog-mouth and the game resumed. “Boys,” Kerri looked at me and sighed, “are a mystery to me.”

This morning, as I made breakfast, rather than go out and clear the yard of marauding squirrels, his usual enthusiastic activity, DogDog stood in the sun room, sniffing the spot BabyCat always occupied when it was time to be fed. I sat on the step and ruffled his ears. We’ve explained to him that his BabyCat isn’t coming home, that his BabyCat loved him. We’ve accompanied him as he searches the house, telling him that it will be okay. Now, as is true for us, too, we’re beyond words. We sit together in the silence, in the place where no word can reach, and, together, feel the absence, that only great love, in loss, brings.

read Kerri’s blog post about CONSTANT COMPANIONS

Say Farewell [on Two Artists Tuesday]

And just like that, our BabyCat was gone.

He waited until I was traveling so I experienced his death through Kerri’s eyes. His sudden illness. The race to the vet. A dire diagnosis. He died before any decisions were made or treatments considered.

When I first met Kerri there were two approvals I needed to secure. Beaky’s [Kerri’s mother] and BabyCat’s. Beaky’s approval was easy. We took to each other right away. BabyCat’s acceptance took some time. He’d had Kerri all to himself for years and was cautious about this newcomer. It didn’t help that my entrance to his quiet world also came with a rambunctious puppy. After our honeymoon, one evening, with no warning, BabyCat jumped up into my lap and I knew I was in. “Well, look at that!” Kerri said. BabyCat purred. I beamed.

He joined me in my morning yoga. He bumped my legs to alert me of his empty bowl. He trained me to carry him up the stairs for his late night snack [his bowl was on the landing, safe from invasion, since DogDog is afraid of climbing stairs]. He crawled into bed with us each night as we watched our late night trail and made himself available for lavish pets. I willingly became his grateful servant.

Two days after his death BabyCat came to me in a dream. I was still in Colorado and felt badly that Kerri was all alone with her grief. In the dream, BabyCat came to the backdoor and yowled; he wanted to come in. He was an indoor kitty his entire life so I was surprised to find him outside. I opened the door and knelt down. He came in and crawled into my lap and we had a nice pet. He purred. I told him that I was going to miss him.

I awoke with a profound sense of peace. BabyCat was okay. I will always be grateful that he crawled into my lap. I will always be grateful that he gave me a sweet farewell.

read Kerri’s blog post about BABYCAT

Be The Miracle [on Merely A Thought Monday]

“The infinity in the microscope is as dazzling as that of the cosmos.” ~ John O’Donohue

After my surgery, the doctor said, “You my friend are now a modern medical miracle.” It’s true. Had I been born in another century I would not have survived. In fact, had I been born in another century, I would have met the average life expectancy of 30-40 years. Each and every one of us, walking the streets with an expectation to live beyond our thirties, are modern medical miracles and indebted to the brave explorers of the microscopic cosmos.

Early in this pandemic, before it hit the shores of these divided-united-states, we watched the movie Contagion. So much of the world painted in the film was spot on. Pandemic deniers decrying the virus as a made-up assault on their freedom. Charlatans selling miracle cures and misinformation. Conspiracy theories run amok. The initial panic emptied shelves at the grocery store. Quarantine. An economy in tatters. A weary and anxious populace awaiting a vaccine that would stop the micro-assault. A microscopic threat vanquished by a microscopic man-made-miracle.

When we pulled into the abandoned-drive-through-bank to receive our vaccines, I felt that I was in the movie. We’d placed our names on a list to receive vaccines that would otherwise need to be discarded. The call came on a Friday afternoon, “Come now!” We jumped into the truck as the sun was setting on a frigid snowy day and raced to the given address: an abandoned bank turned into public health center. We were directed to stop at cone number 1. Nurses in snow pants, knit caps and mufflers came out to the truck. It was so cold that we had to open the door to communicate, the windows were frozen and would not roll down. A bit of paperwork, coats shed and arms exposed, and the vaccines were administered. Coats and gloves and hats were quickly donned again. We were asked to wait at cone number 1 for 15 minutes. They gave us a flag to wave if we needed help.

As we waited, engine running to beat back the bitter cold, we admired those amazing women who gave us our shots. They were absolutely delightful, upbeat, and incredibly kind. Pandemic. A blisteringly frigid day. They’d been giving vaccines since early in the morning, repeatedly taking off their gloves in frostbite conditions. We were the last two of the day. And there wasn’t a hint of exhaustion or suffering or complaining from the cold. “People can be amazing,” Kerri said. “It’s good to remember that sometimes.”

It was good to remember. Dedicated people selflessly serving others in the face of a deadly virus, enduring extreme cold, extreme misinformation, tip-toeing across ice and politics to bring big-heart-comfort and a bit of modern miracle to the dazzling cosmos called my body and yours. My health is your health. Intimately linked as we pass in the grocery store or on the street or trail, across the nation and the world. The microscopic world does not know us as individuals and cares not about our investments or beliefs or freedoms, imagined or not. All that I know is that I am, once again, a modern medical miracle, and owe a deep debt of gratitude to the men and women at the microscope and those that stand for hours in the cold.

read Kerri’s blog post about VACCINES

Really Look [on KS Friday]

20 watches the house, the dog and our very large cat when we are away. To keep us in touch with what’s going on at home, he sends us mystery photos: common things around our house made mysterious through an extreme close up or unusual angle. Our job is to solve the photo-riddle. I love the game because, no matter where we are, it instantly makes me look at the world in a different way. Or, better said, it makes me look. Really look.

I also appreciate the game because, upon returning home, I run around the house looking at the objects he transformed into enigmas. All that I have grown dull to seeing re-emerges as rich in color and shape and texture and story.

Kerri has the visual sensibility of a contemporary artist. She went down a path of music but might just as well aimed her artistry at the visual. Hers is a natural sense of design. Her camera might as well be an accessory or visual-opportunity-attachment since she moves through the day capturing photographs of passing detail. I’ve known her to be paying bills and jump up suddenly to catch the light on the wall or the texture of the door. Her eye is never passive. She and 20 are alike in that. They are visual twins with unique sensibilities and both serve to keep my eyes open and looking-beyond-what-I-think.

Yesterday, in mid-sentence, she stopped and said, “Oh! I want to show you something!” turned and ran down the hall. When I started to follow she said over her shoulder, “You can’t look! Stay there!” A minute later she returned, sheepish, and showed me the photo she’d just taken. “Do you know what this is?” she beamed. Too excited to wait for my answer she announced, “It’s the laundry chute! Isn’t it cool!” She walked away studying her photograph, muttering, “It’s so coooool.” I ran to the laundry chute to have a look. To really look as if for the very first time.

read Kerri’s blog post about THE CHUTE

find Kerri’s albums on iTunes