Magic Things [David’s blog on KS Friday]

“The world is full of magic things, patiently waiting for our senses to grow sharper.” ~ W.B. Yeats

Standing at the back of the theatre watching a performance of a play that he’d directed, Roger whispered a frustration that most artists whisper at some point in their career: the audience will never get all of the layers of story. Very few will appreciate the totality of the hard work, the heart, the intention, the nuance…So much goes unseen, un-felt.

There is, of course, only one response to his whispered frustration. They may not get it all but you – the artist – does. Sometimes I think the skill of the artist is to slow the world down so that they can more fully see it. Or, more accurately, slow down so they can see the magic in the world. And then their work is to help their community see it, too. The great gift of artistry is that the work is never finished. The process – the capacity to perceive and share more of the magic – is never ending.

I regularly ponder the impact of the pace of work and life in the age of the internet. It’s a raging river of information that never slows. In fact, “progress” is understood as an increase of speed. We worship at the business alter of efficiency-and-effectiveness; people are rewarded for striding at an ever faster pace – so anything, like artistry, that suggests slowing down might be beneficial, is radical. There is a reason that an audience might not “get it”.

I’ve been aware this week, as we deal with the impacts of the snow and cold on our house and car, that we’ve mostly unplugged. Necessity has made us present. It is not an accident that the prompt-photos for this Melange week are mostly close-ups. Detail. We’ve been staring at the miracle of the icicles. The patterns in the snow clusters on the Adirondack chairs have captivated us.

Yeats knew only pen and ink. He stared at blank pages and not at flickering dynamic screens that pulled his attention this way and that and filled his mental bucket with information. He did not sort through hundreds of emails each day or navigate the mind numbing onslaught of social media. Yeats took walks and stared out windows to clear his mind. He sought other poets and thinkers, he spent time with them so he might challenge and expand his ideas, his perceptions, his capacity to see and feel.

The world of magic things, patiently waiting for our senses to grow sharper, knows that our senses are so inundated with information and noise and stimulus that we are less and less able to sense anything at all, especially the magic things. We are distracted, often misinformed and thoroughly entertained – and less and less capable of sustaining a span of attention, let alone sharpening our senses.

Sharpened senses – otherwise known as presence – opens the door to the ubiquitous magic things, things that patiently wait for us to slow down enough to fully appreciate them.

BLUEPRINT FOR MY SOUL © 1997 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about SNOWFLAKES

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Clepe Incredible [David’s blog on KS Friday]

This is the time of year that color in nature becomes shocking. It is the consequence of nature’s contrast principle: the greys and browns of oncoming winter meet the vibrant yellow, orange and red of the leaves-last-stand. Last week, while walking Dogga, I stood for several minutes beneath a tree made electric by the morning light. I felt as if I had entered another reality.

Contrast principle is really about how comparison shapes perception. I only know that I’m having a bad day because I believe that I’ve had good days. Last night I watched Anderson Cooper interview Tig Nataro for his series exploring grief. Tig Nataro recently lost her friend, poet Andrea Gibson. The love of life comes clear in the moment of the loss of life. The appreciation of life sharpens when the end rolls into view. Contrast principle.

I bumbled into an archaic word that is new to me: clepe. It means to give someone or something a specified name. To name. I was cleped David. As my end rolls into view I am more and more resisting the impulse to clepe my days. Why should my days be labeled either good or bad? On my last day, what will I be willing to give to have one more moment of this life? Why not clepe incredible each and every moment that I am fortunate enough to experience?

LAST I SAW YOU on the album THIS PART OF THE JOURNEY © 1997 Kerri Sherwood

Kerri’s heart is available for sharing on iTunes and streaming on Pandora

read Kerri’s blogpost about THE VIBRANT LEAVES

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Nothing More Or Less [David’s blog on DR Thursday]

These days, our old Dogga enjoys lounging on the back deck, doing nothing more or less than watching the day unfold. He reminds me of my dad who, in his later years, enjoyed sitting on his back patio, doing nothing more or less than enjoying his moment.

A younger version of me did not appreciate the simple pleasure of inertia. Now, as we sit in the autumn sun watching the birds and squirrel antics, I understand. A younger version of me thought he had all the time in the world so paradoxically needed to fill up the time with things-to-do. When the illusion of immortality collapses, appreciating the limits of time takes precedence. Life. There is nothing more important than being present in the moment, and, in that fleeting precious moment, the world is alive with movement and sound and sensual pleasure. There is too much to take in. The broad awareness of the senses rules the day over the tight focus of a to-do list.

It’s a paradox, is it not? Abundance reveals itself in the presence of a limit.

The sunset on the night we were married was beyond belief. The sky exploded in deep purples, vibrant orange and crimson. I took it as a sign that this great spinning universe was delighted in our marriage. I’m a romantic that way. I like to think the universe affirms us and never thought I’d see its equal. So, ten years later (plus a day or two) the sunset over the harbor rivaled in color and power our marriage sunset. It literally pulled us to the water’s edge. It was so intense that people stopped talking, children stopped playing. There was no sound other than the clanging of buckles on masts. Awe is mostly quiet.

This great spinning universe gave us another impossibly beautiful sunset. I took it as an affirmation, a reason to be still. I took it as an opportunity to cherish the majesty of this unfolding day, with nothing more or less to do than hold hands and appreciate the vibrant colors of simple abundance as the sky moved through every color of the spectrum.

They Draw Sunsets In The Sand, mixed media on canvas

read Kerri’s blogpost about THE HARBOR SKY

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Metal Monster Box [David’s blog on Not So Flawed Wednesday]

In every great story there are trials to be faced, especially at the thresholds. A Sphynx with a riddle. An ogre with an attitude. St. Peter with a book. Boulders that smash. Forests that come alive. Guardians of the great beyond. I thought about the trials as we crawled for hours through traffic toward the George Washington Bridge. New York did not grant us easy passage home.

The riddle must be solved. The ogre defeated. A reckoning must be made. The trials on the journey provide valuable lessons and useful tools necessary to fulfill the hero or heroine’s destiny. She plucks a single hair from the breast of the Crescent Moon Bear. It is the secret ingredient necessary to cure her husband. He enters the Grail Castle for the second time, this time with no need to pretend. They are both transformed.

The two people who drove into the city, straight into winds and sheets of rain from a tropical storm, were not the same two people who left the city. They met this trial but the story is far from over. The destiny is not yet met.

Surrounded by giant metal monsters, trapped on all sides as we followed the asphalt trail, there was no escape. There was only one way and that was through it. Ours was a lesson in patience. Ours was a lesson in presence. We-are-here-so-enjoy-this-moment. The metal monster box reinforced tools that we already possessed but too often ignore.

Enjoy this day. Appreciate this moment. Faster forward movement cannot be forced. There’s nothing gained in the metal monster box of frustration. I know patience will come in handy in the next section of our journey.

The Balinese have a phrase I’ve long appreciated: Jom Karet: it will happen when it happens.

read Kerri’s blogpost about MONSTER TRUCKS! (TRUCK MONSTERS!)

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Feed The Marvels [David’s blog on Two Artists Tuesday]

Last year Carl Blanchet walked all 2650 miles of the Pacific Crest Trail in less than 90 days, a feat that would have killed most of us. This year he’s walking the PCT again, not to break his previous personal record, but to do the opposite. This time Carl is taking his time. He’s moving slowly. He’s watching sunsets. He’s smelling flowers. He’s making new friends along the way.

Carl’s gratitude is magnetic. His enthusiasm for small things is contagious. He finds magic in a tiny swimming hole. He exudes appreciation and simple kindness. He giggles at the colors of the sunset. He can’t wait to walk another mile and share it with his audience.

He has become one of our favorite bright lights in this dark time. Each night we look forward to his next installment, to spending a few moments with someone who intentionally immerses himself in the love of life.

He is a stark counterpoint to those immersing themselves in hate. He reminds me of what is possible. He reminds me of the power of the cliché: where you place your focus grows. Carl’s enthusiasm for life comes from a decision; it is an intention.

He reminds me to look for the light, to feed the positive, to not let a single sunset go by unnoticed and without celebration. It’s not so difficult to beat back the darkness when our dedication is to see – to focus on – and feed in each other – the abundant marvels readily available in this life.

read Kerri’s blogpost about THE SKY

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Popcorn Trail [David’s blog on KS Friday]

Late at night, standing on the platform awaiting the train to take us home, the moon and clouds gave us a spectacular show. I knew that the moon was a waxing gibbous and realized that, although I’d known and used the word since I was young, I had no idea what the word “gibbous” actually meant. It sounds like something related to gibbons, small apes that swing through trees. Is the moon gibbous because it swings through the sky? No! The moon is gibbous because it is greater than a semi-circle yet less than a circle. Gibbous describes the shape! Bulbous. Convex. Protruding.

Yesterday I unrolled many small canvases and pinned them to the wall in my studio. They are like a small flame I’ve kept for alive for over 35 years. They refer back to a large odd shaped canvas I stapled to the deck of my apartment on a sunny day, overlooking Hollywood. I had a very limited paint supply, a few cans of paint used for animation (computer animation was not yet possible so artists painted images on cells with acrylic paints), grey, blue, and white. I had a small jar of cadmium red. I taped a few housepainting brushes to long sticks and made myself a promise to “have fun and not think too much.” And I did. I had fun. I didn’t think too much. I played. In those few short hours, I painted the single piece that would influence my work for the rest of my life. I knew it was special. It was pure. It sold before I could adequately document it (remember the age before the ease of digital cameras?). It sold before I had the opportunity to install it in a gallery and show it.

I call the many small canvases my “narrative paintings”. They are a popcorn trail that I dropped as I wandered into the forest of my artistry. Some of the pieces are studied and lifeless. Some are playful and shallow. Some are raw and heart-full. I tacked them all to the wall to guide me back to the original impulse, that moment of artistic purity.

I am gibbous though, at this age, I am no longer waxing. I am greater than a semi-circle but have not yet completed my full life circle. In my time on earth I have been what Kerri calls a “strider”, someone trying-too-hard to climb the ladder of success. I have pursued my artistry like it was a wild animal, setting traps to capture what I could not easily understand. I have finally learned, or have lived long enough to realize, that I am and have always been what I chase. No traps necessary.

I follow the popcorn trail back to what I experienced that day in Los Angeles: the simple joy of being alive. A conscious moment enthusiastically expressed through a little grey, blue and white paint, punctuated with some surprise cadmium red.

IN THE NIGHT on the album THIS PART OF THE JOURNEY © 1998 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE MOON AND CLOUDS

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Expect Awe [David’s blog on KS Friday]

I can’t remember what we were searching to find. What I know is that we forgot what we were doing because we bumbled into a James Taylor concert recorded by the BBC in 1970. He was 22. An old soul. His performance in 1970 buoyed our spirits on a humid stormy morning in 2025.

While there was a break in the rain we ran outside to check the rapid growth of the sweet potato. Last week we discovered a sweet potato in the stair-well potato basket that seemingly overnight had become an alien. Hot pink tentacles reached from the basket like so many periscopes. We pondered what to do and decided to experiment and planted it. If you are a farmer or otherwise schooled in the art of growing things, please feel free to roll your eyes. Since we are not farmers and total novices at growing things, the explosion of leaves from the once-hot-pink-tentacles seems to us like a miracle. I hope this awe never dissolves into the ordinary. I like running outside with the express expectation of being amazed.

Yesterday we scrolled through some pictures taken in the fall of 2021. Following my father’s funeral we drove into the Colorado mountains to walk a piece of land by a lake, the place where he most loved to go to fish. The place where he found his peace. We lit a candle. We walked around the lake. We marveled at the color of the leaves, vibrant yellow, hot red and orange. We grieved and told stories. Looking through the photographs filled me with gratitude: at the time we knew we had to go to the mountain to celebrate his life and so we did. Four years later that inner-place of loss is full-full-full of gratitude for a simple soul who lived a simple life. The photos of that day at the lake served as a two-way-door, one way to a moment-gone-by and the other opened to this moment, teeming with appreciation.

I know without doubt that this ride is limited. Why wouldn’t I expect awe?

“It won’t be long before another day/ We gonna have a good time/ And no one’s gonna take that time away/ You can stay as long as you like./ So close your eyes. You can close your eyes, it’s alright/ I don’t know no love songs/ And I can’t sing the blues anymore/ But I can sing this song/ And you can sing this song when I’m gone.” James Taylor, Close Your Eyes

GRATEFUL on the album AS IT IS © 2004 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE SWEET POTATO

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Everyday Ask [David’s blog on saturday morning smack-dab]

In an attempt to get me to relax, my dear Arnie pointed me to The Fourth Turning. “It’s a necessary cycle,” he said of our current political and national chaos, “as winter is necessary for spring.”

Astrologers point to Uranus currently entering Gemini. Astrologically, we’re in a period of great disruption. The last time Uranus knock-knocked on Gemini’s door was 1941.

In either case, the message is the same: there’s a meta-story at play and there’s no avoiding it. The tornado is here. It is going to lift and spin the house. We are destined to crash-land in Oz for a spell. There’s nothing that will change it so we might as well put on our seat belts and hold on for the ride. We will find a yellow brick road that will one day bring us back to Kansas if we are careful not to smell the poppies along the way. However, we will not be the same as when we left. Neither will Kansas. This disruption is meant to change us. Grousing about it is a necessary phase but, in the end, is not helpful.

These cyclical storms necessitate a dive into our roots. Through chaos they force us into a period of introspection.

Introspection inevitably brings us to an appreciation of the only thing we really have anyway: the moment. The smell of mint. The birds splashing in the birdbath. The voice of a friend. A second cup of coffee. The cool breeze off the lake. The color of the sky. The meaning we choose to make. Gratitude.

In my life I’ve experienced earthquakes and tornadoes, riots and two passes through Martial Law. 9/11. There is one thing that is consistently true in times of upheaval: people come together.

The horrors we enact upon each other invariably – inevitably – make us reach for one another. People lend a helping hand to their neighbors and to strangers alike. Humanity is what we find when we dive into our roots. If Arnie and the astrologers are correct, the rediscovery of our humanity, our interconnection, IS the meta-story, the reset, the symbolic return of spring.

In the meantime, amidst the brutality and disgust, it’s not a bad strategy to everyday ask, “What else is REAL?” – and revel in what you find there. Appreciating the small things are like leaving a popcorn trail that will someday lead us safely home after being so lost in the very dark woods.

read Kerri’s blogpost about WHAT ELSE IS REAL?

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Don’t We? [David’s blog on DR Thursday]

In Japan the clematis is a symbol of moral beauty. Consider it.

There are very few adequate synonyms for the word ‘beauty’ yet we know without doubt what it means. It’s a word of the senses. It is felt in the heart. It is a cup overflowing with awe and appreciation.

On the other hand, the word ‘moral’ has many, many synonyms. Virtue. Doing the right thing. Honest. Decent. Truthful. Upright. Right-minded. Just plain good. And from these adjectives – descriptions of a quality of being – we experience the undefinable: beauty.

Moral beauty. The clematis climbs. It aspires to reach new heights. Things that climb are often associated with gaining broader perspective and, therefore, wisdom attained from the experience of climbing, of overcoming obstacles, of persevering. From the heights – and the journey to get there – we see the landscape and our inner landscape more clearly. We are more capable of discerning between what is important and what is not, what has value and what does not, what is honest and what is not.

The clematis blossoms. Our blossom is called moral beauty.

It is why many of us shudder watching the ugly amorality goosestepping across this nation. It is a descent into darkness. Indecent. Dishonest. Wrong-minded. Synonyms of ‘ugly’ include perilous, dangerous, hostile, menacing, ominous. Are these not perfect descriptors of ICE?

The clematis climbs.

The nation falls.

Rather than beauty our nation reveres an alligator infested swamp. It champions a liar. Narrow minds threaten and erase greater perspectives. This nation, once a beacon of hope is now afraid of the light. Rather than overcome real obstacles, our leaders manufacture them to fuel outrage and circumvent and/or undermine the Constitution. Ignorance bellows over wisdom. History is whitewashed. The truth is hidden away in the files.

I return to the question, “What do we do?” The clematis climbs. It overcomes. It perseveres. We need not fall into the muddy pit.

It occurs to me that we have in our tradition a Golden Rule. It begins with the word “do”. It provides guidance for what we might do as a first step: Do unto others as you would have them do unto you.

It is a wisdom that comes from standing upon the heights after a difficult climb. That is why it is so simple. Do Empathy. Do Reciprocity. Do Consideration. Do Generosity. Do Kindness. Isn’t that what we want done unto us?

We know what to do, don’t we? We know where to start, don’t we?

Surrender Now, 24″x24″ mixed media

read Kerri’s blogpost about CLEMATIS

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The Composition of a Life [David’s blog on Two Artists Tuesday]

I cut the post I wrote for today. The image of this Dianthus flower is too beautiful for the thoughts I paired with it. The color of this flower kills me. The composition of this photograph would make Georgia O’Keeffe smile.

I reminded myself to not miss the beauty-of-the-moment in the middle of the national horror story we currently experience.

Chris has been on a quest for 15 years to develop a play based on Viktor Frankel’s book, Man’s Search For Meaning. A few days ago he took another step forward. He’s knocking on the door of his dream. Viktor Frankel was a Holocaust survivor and the book is based on his experiences in the camp. He makes a distinction that is relevant for us today: we have the choice to either seek meaning from our experiences or to bring meaning to our experiences. Our chances of survival are better if we bring rather than seek meaning – especially in a time, like ours, when amorality and cruelty have the reins of power. It’s hard to find meaning in the wasteland.

It’s the reason I cut my post. I was seeking meaning from the rapid collapse of our democracy rather than bringing a greater meaning to this moment-in-time.

We put the air conditioner in the window because our old Dogga suffers in the heat. Last night he was laying in his now-usual-spot directly in front of the fan blowing cold air. I sat next to him and rubbed his ears. I cannot describe the enormity of what I felt in that moment. It was more necessary, more important than anything rolling across our screens.

As I write this a bird – a house finch – is scratching at the window just behind where I am sitting. It is literally six inches from my head. I can see into its eyes. And it is looking into mine.

The color of this Dianthus kills me.

I cannot stop the national slide into autocracy. I can control where I choose to place my focus and there’s so much around me that would be a shame to miss. It’s the composition of a life that would make Georgia O’Keeffe – and Viktor Frankel – nod with silent approval.

read Kerri’s blogpost about DIANTHUS

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