Barnacles And All [David’s blog on KS Friday]

“Art enables us to find ourselves and lose ourselves at the same time.” ~ Thomas Merton

If you visited our house you’d immediately notice that Kerri’s design style is “well-worn and well-loved.” Rather than mask the wear-and-tear of age, she revels in it. Our dining room is a wonder, made beautiful by the marks left when she removed wallpaper. Rather than paint over the marks she recognized their unique beauty and showcased them. A happy accident. I stopped in my tracks the first time I walked into the dining room, asking, “How did you do that?”

I love our backdoor. The pressure of our hands on the door has overtime peeled and revealed the white underlayer beneath the black paint. It’s the story of our comings-and-goings. It is the mark of our human hands pressing on an old door that swells with the humidity and shrinks with the cold. It is our personal hand-print-petroglyph.

The beauty of age. The patterns of rust. The celebration of the flaw. Most people would scramble to cover the cracks or repair the damage. I have occasionally earned her Irish ire by repairing something she thought was aesthetically interesting. I have learned to ask.

Standing on our deck, Columbus was concerned that the exposed unsealed wood was disintegrating. “You oughta’ stain this,” he said. “It needs protecting.” I told him of the time Kerri pressure washed the deck, removing the patina of age. Even though with time the rough hewn look returned, she has yet to forgive herself for her pressure-washing-indiscretion.

“Kerri likes it this way,” I replied. “She doesn’t like the way it looks when it’s neat and stained.”

“Well I guess that’s the way it’s gotta be!” he smiled, knowingly.

Our house is an ever evolving work of art. A perfect home for two artists. Nothing matches yet everything goes together. It’s filled with visual and repurposed surprises. It is warm, sometimes a cocoon where we shut out the world and sometimes a place for our community to gather. It is the sanctuary where we have come to discover and appreciate ourselves, barnacles and all, while steadily growing into something we could never have imaged.

(I love this piece by Kerri)

Nurture Me on the album Released From The Heart © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about RUST

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Weather Beautifully [David’s blog on Merely A Thought Monday]

“…happiness, when pushed to an extreme, becomes calamity. Beauty, when overdone, becomes ugliness.” ~ Thomas Merton, The Way of Chuang Tzu

I am early in my slow-read of The Way of Chuang Tzu. I already love it. This morning I read these words by Thomas Merton slowly, again and again, tasting them like poetry: “…a system constructed on a theoretical and abstract principle of love ignores certain fundamental and mysterious realities, of which we cannot be fully conscious, and the price we pay for this inattention is that our ‘love’ in fact becomes hate.”

The abstract ideal contorts us. The “what is” always loses in a comparison to the “should be”. Thus, a world of nature’s beauty swirls down the drain.

Marketing ideals and mirrors reflect theoretical and abstract principles. Constructed systems. They readily twist our natural love of self into a hatred of our bodies and faces. Is beauty really the exclusive province of the young? Jessica Tandy and Hume Cronyn grew more and more beautiful, more and more brilliant with age. Aging is among the “fundamental and mysterious realities” of which Thomas Merton wrote. There is profound beauty in aging, a mysterious reality that is not accessible to the young.

On Saturday we published a Smack-Dab cartoon about aging. We poked fun at my discovery of new wrinkles when looking in the mirror. Poking fun at ourselves is a good strategy for embracing the “fundamental and mysterious reality” of this beautiful life. There’s so much pressure to do otherwise, to resist, to deny, to pretend. Laughter is a great eye-cleanser.

We live in a society slathered with memes and messages of self-love while, at the same moment, we drown in messages to be other-than-what-we-are. Is it any wonder we are conflicted and seem incapable of sorting out what is real and what is not?

I know with certainty, like every other human that walked before me, I will disappear into time. Why spend another moment of my precious limited time on this earth resisting the gorgeous life that I enjoy? Why try to hide my age to match a manufactured ideal?

There is a reason the clothes I wore a decade ago no longer fit. There is a reason my beard is grey and the light in my eyes is less fierce than it was twenty years ago. I am different now. No more or less beautiful.

I said, squeezing her hand, “Let’s become apple-dolls together.” Her eyes welled with tears. What could possibly be more beautiful?

read Kerri’s blogpost about WEATHERED BEAUTY

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Just Gorgeous [David’s blog on DR Thursday]

It wore a small plaque, a designated historical landmark. Even so, it’s a study of contradiction in decay. The building is a little worse for wear. Like an old skin, weathered tar shingles crack and peel from the corners. Pieces are falling off. And yet it is beautiful in its collision of textures. The weather-beaten wood carries the same green and orange as the copper hinge.

And, oh-the-hinge! Made in a time when function was an opportunity for ornamentation, now grown more beautiful with the patina and wreckage of age. It’s missing part of the pin. It’s crudely screwed into the wood, an after thought. Still, it is the first thing we noticed when we walked by the decaying structure. “Look at that hinge!” she gasped, reaching for her camera. Its imperfections make it a siren, a luring call to an aesthetic eye.

There’s a beauty that only age and imperfection can muster. Wabi-sabi; the riches of imperfection. The glory of transience. The building was happy to be noticed. It was more than patient with our photo shoot and made no attempt to hide its bumps and barnacles. “You see me!” it seemed to say, so used to people passing-by with nary a glance.

“You’re gorgeous,” she sighed, her lens focusing tightly on every intricacy, reveling in the smallest detail. “Just gorgeous!”

All My Loves (newly reworked), 24″ x 41 3/8″ mixed media on hardboard

read Kerri’s blogpost about THE HINGE

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Edge Of Time [David’s blog on KS Friday]

It was here for a moment. The snow on the wall. The tall grasses bowing beneath the weight. Today the grass is standing. Time moves on. Circumstances flow and change.

Yesterday we sat at a counter in the Public Market and ate gumbo. Kerri and the server, a young woman, talked about the oddities of aging. It was Kerri’s 65th birthday so the topic was vital and current. Both women laughed at how out-of-sync they feel relative to the number of their spins around the sun. “What is this supposed to feel like?” they asked in unison. The old man sitting next to us almost spit out his salmon.

We arrived at the art museum an hour before closing. She said, for her birthday, she wanted to visit her boys: Richard Diebenkorn. Ellsworth Kelly, and Mark Rothko. We sat in front of the Rothko for several minutes and I swear, like a good wine, the painting opened. The longer we sat with it the more it beckoned. The richer the color became. “I wish there was a bench in front of Richard,” she said. She loves her other boys but Diebenkorn is her favorite.

On our way out we stopped by the enormous Anselm Kiefer painting, Midgard. The mythical serpent doing battle at the end of the world. It’s a metaphor in darkness: cycles of renewal amidst constant destruction. A crucible. I always visit Anselm as he is a favorite of my friend David. I sent him a photo of the painting and realized that it has been almost eight years since I have seen him.

Catching a glimpse of my image in the window and not fully recognizing the man that looked back, I said, “This time thing is crazy.” She squeezed my hand.

“Tell me about it,” she said. And then asked, “So, what’s the next part of our adventure?”

Boundaries/Right Now © 2010 Kerri Sherwood

Kerri’s albums are available in iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about SNOW

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Rely On It [David’s blog on saturday morning smack-dab.]

Our old window AC unit weighs a ton. On the day I haul it up from the basement and heft it into the window, Kerri retreats to the bedroom. “I can’t watch!” she says, fleeing. It’s part of our ritual. For some reason we always wait until the last moment to resurrect it. We wait until we’ve sufficiently suffered before we look at each other and say in unison, “I can’t stand it any more!” That, too, is part of our ritual.

We can’t afford to replace it with something made in the current century though, truth be told, I’m not sure we would if we could. It’s a workhorse! It comes from a time when planned obsolescence was not yet on the plan. It’s like our stove and will likely outlive us all. Built-to-last.

This week, while firmly under the heat-dome, with temperatures soaring to the ridiculous, our too-heavy-not-pretty-waaay-too-loud-ancient-old-AC was not only up to the task, it was a champ. We knew it would be. We’ll take steadfast over fast, dedicated over disposable, any day of the week. Loyal. Committed. Dependable.

Confidently relying on the extraordinary relevance of age and experience. How odd! It’s something we increasingly identify with. It’s rapidly becoming part of our reality.

read Kerri’s blogpost on RELEVANCE

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smack-dab © 2023 kerrianddavid.com

Sail At It [on Merely A Thought Monday]

Kerri said it best: I can’t believe we are back in this place again.

I’ve been rolling this quote through my mind each day as I enter the job-hunt. I remember Tom telling me that he’d crossed a magic line and the world perceived him as “old.” He desperately wanted to direct more plays but his vast experience wore grey hair and a chiseled face. Even former students turned the other way when he called. Eventually he stopped believing the opportunity was out there. He made his peace with retirement on the ranch. He settled into a quiet life and a quiet life settled into him.

As I stare at job listings I dream of wealthy patrons knocking at my door or a fast-track Patreon membership that floats my/our artistic boat into new and exciting explorations. There are paintings in the stacks that are gorgeous and worthy. I fantasize that a syndicate will want Smack-dab or a publisher will ride over the horizon with a book deal. I know that Kerri has more music to play and record. I am not imagining that.

Tom’s reflection is poignant because he felt he was, after a lifetime of experience, coming into his most potent artistic years. I feel that now. I am now the age he was when he uttered his disbelief at crossing the magic line. It’s taken a long time to recognize the worth of my doubt, the power in my perseverance stepping into the unknown. There’s potent artistry in here. As the Wander Women said best, “We might have 20 summers left and want to be intentional in how we spend them.” Yes. How to best dedicate and experience the time? This day?

I believe the opportunity is out there. I wear a grey beard and, as my niece said, a weathered face. But, beneath the wear-and-tear, my heart is young and my tank is full. I am foolish enough or naive enough to imagine. To dream. To point my intention toward the edge of the earth. To believe opportunity is serendipitous as well as something created.

read Kerri’s blogpost about OPPORTUNITY

Bring A Little Hope [on Merely A Thought Monday]

emerging with frame copy

 

“Multiculturalism asserts that people with different roots can co-exist, that they can learn to read the image-banks of others, that they can and should look across frontiers of race, language, gender and age without prejudice or illusion, and learn to think against this background of a hybridized society. It proposed – modestly enough – that some of the most interesting things in history and culture happen at the interface between cultures. It wants to study border situations, not only because they are fascinating in themselves, but because understanding them may bring with it a little hope for the world.” ~ Robert Hughes

I read in my newspaper that tribalism is the new normal [insert eye roll here]. There’s nothing new in tribalism. Fear-full people lost in a very small Us-N-Them tale is as old as the old gods. It’s pulled out and paraded about when power structures are shifting.

I marveled at the utter absurdity of it. No one can deny that our airwaves and e-waves are choked with noisy proclamations of division and fear.  However, it only takes a quick scan through the rest of my newspaper to grasp the undeniable reality of our situation: global markets, global economies, populations on the move, United Nations, NATO, WTO, multinational corporations, Bitcoin, international space stations, satellites, not to mention some of our greatest challenges like global warming, and invasive plant and insect species (made possible through global shipping and the necessity of sharing/exploiting resources). Take a stroll down the aisle of your local supermarket and educate yourself on the scope, depth and breadth of your food sources. Count the countries represented on the shelves.

Tribalism is not new. It was normal a few centuries ago. Nowadays it is a construct, an old dry log to toss on a fire to stoke divisions and create distractions.  It’s a headline to sell newspapers. Division sells. Good theatre requires hot conflict. People are easier to control when divided. There’s nothing new there, either.

There is a truism in change processes: people hold on tightest to what they know just before releasing their fear and walking into the unknown future. They take a step back, temporarily entrench, before answering the call of growth and change. Call that tribalism if you must, or denial, or the conservative impulse. It’s a process step. “Age and stage,” as 20 likes to say.

What’s actually new? All the world is now a crossroads. People with different roots ARE coexisting – that, after all, IS the great experiment and central promise of these United States. Looking across the frontiers of race, language, gender and age – without prejudice or illusion – is the hope in our emergence. It is the cathedral we are building.

The other direction can only bring our decrease. And, as history has taught us again and again, that’s an ugly path. There’s nothing new in that, either.

 

read Kerri’s blog post on EMERGING HUMANS EMERGING