Sit Down And Be Lost [David’s blog on Two Artists Tuesday]

It always happens this time of year. We jump on a trail in the early afternoon thinking we have plenty of time and are caught completely off guard when the sun sets. “What time is it?” we ask in our annual ritual of amazement. It is always earlier – much earlier – than we think. “It’s not even happy hour!” we declare, walking in the dark, as if the great-gods-of-daylight might not have fully considered the impact on happy hour before they magically turned the dial and made 4:30pm feel like midnight.

This fall we feel particularly out of sync with time. We lost the month of October to Covid. We feel as if Covid was a portal into the Twilight Zone: we entered the month with hope and health and by the time we emerged from our sickness, it was the middle of November and the world was completely changed. Darker. It feels a bit Rip-Van-Winkle-ish.

Rob once told me when I felt lost in the woods, that the best thing to do was sit down and be still. Not to panic or walk in circles. To surrender trying-to-be-found. “Sit down and be lost. Relax and pay attention,” he wrote, “then maybe a direction will reveal itself to you.”

It was sage advice and even more so in the current darkness descending on our nation. On one level, we are preparing for the storm of chaos and indecency coming down the pike. On another level, feeling lost and confused with the national inversion of dignity and civility, we are choosing to sit down. We are choosing to be lost. It is more useful, now that the initial disgust and disbelief is past, to relax and pay attention.

For all of us who value the promise of the ideal beating at the heart of our Constitution, now threatened by thuggery and incompetence, it is our belief that a direction will reveal itself.

In the meantime, we surrender trying to be found. In the meantime, we hold firmly to each other and our hope…

read Kerri’s blogpost about LOST IN THE WOODS

like. share. subscribe. support. comment…thank you.

About Peace [David’s blog on Two Artists Tuesday]

My dear Judy checked in. She was worried for me since my recent posts have been dark. Her outreach came at a good time since I have been aware of the difference between what I am currently writing and what I am experiencing as I write. For this moment in time, for my journey in this life, what I am writing may sound dark but it couldn’t be more positive.

I was writing notes to myself to try and articulate why, for me, my posts are so life-affirming, when Kerri showed me this video. I couldn’t have written a better or more clear description. If you haven’t yet seen this, take four minutes and watch it. Take it in.

I have spent much of my life attempting to “keep the peace”. Mostly, that has meant withholding my voice. To be silent in an effort not to stir the pot. To not be contradictory and rock the boat. It has never really worked. What I have achieved is voice-less-ness; laughable, I know, since I write a blog six days a week – but true. I have until recently been very careful to edit thoughts that might offend. I have consciously attended to calming the ripples of other’s feelings more than the honest expression of my own.

This video nicely encapsulates the imperative I now feel. Peace demands that we speak up for each other. Peace demands that we stand up and say, “This isn’t right.” Peace demands that we look at elected Republicans and ask, “Where is your spine? And, if you can’t find your spine, can you possibly locate your moral compass? Either will do. Either serve us in this moment.”

Peace demands that we look at ourselves and ask the same two questions. And then give voice to our disgust and outrage. An arsonist is setting our house on fire. Many people are being burned. Many more are in danger. This is no time to smile sweetly and pretend or to play peacekeeper. A lesson from Gandhi who was not silent. An example set by Martin Luther King, Tarana Burke and so many others. They were loud. They are loud. Their aim is peace.

For me – and for you – there is no peace in silence or pretending. As I am learning, we become centered, unified and stronger when we speak up and speak out.

read Kerri’s blogpost about VOICE

like. share. comment. subscribe. support…thank you.

Climb The Stairs [David’s blog on Two Artists Tuesday]

It was a rare treat to climb the stairs to the rooftop deck and gaze into the night sky, unobstructed by city lights. Years ago I worked with kids in Los Angeles, teenagers, who had never seen the stars. Standing on the roof, overwhelmed by the Milky Way, I thought about those children, now well into their adulthood, and hoped that they had, at long last, found a way to peer into the endless universe.

What else might adequately provide them the understanding of the impossibility of their existence, the enormity of their lives? What else might open their eyes and hearts to the necessity of community, the recognition that their lives only have meaning relative to the people who share this planet and this moment-in-time with them? Relationship is purpose.

We have seven days. In biblical terms that’s how long it took the metaphoric god to differentiate light from dark, land from sea, moon from sun, animals from humans. Rest from work. Humanity’s role in this story of creation is to appreciate the enormity of their unlikely existence. To steward. To name. To discern between merit and the meritless, between truth and lie. To distinguish good intention from ill-intention.

We have seven days until we vote. Although we might pretend this is normal, this election is like no other in our lifetimes. The issues have taken a back seat to the question of our existence as a democracy. We are determining whether or not we are still capable of distinguishing truth from lie, whether or not we are willing to toss away our freedoms and replace them with authoritarian rage, whether or not we will serve the needs of the greater community or the power-lust of an individual.

Seven days. We will either step forward as champions of light and truth or we will turn our backs on what we know to be true and fall backwards into the dark fascist promises of Project 2025.

Under the stars we have a choice: to continue our quest to realize the dream of a more perfect union, with liberty and justice for all – or to exchange our constitution for the autocratic craving of an angry despot. To honestly name what we know to be true.

There’s still time to climb the stairs, peer into the starry sky, and realize the power of our choices, what is at stake in this, our time, our moment.

read Kerri’s blogpost about STARS

like. share. comment. support. subscribe…thank you.

Happily Blank [David’s blog on Two Artists Tuesday]

Rob gave us the perfect word to describe our passage through COVID. He called it stubborn. It does not easily let go. Fortunately, we’ve been having brilliant autumn days so we entertain our stubborn guest by sitting in the sunshine. We have the energy for sitting and not much else.

Sitting in the sun for days on end has afforded ample time for reflection and random rumination. My thought-trail returns again and again to our southwest trip-COVID combination and how it feels like the end of a chapter. A portal into the new. I recently wrote about the number 9 – spurred by our 9th anniversary – as a significant number of completion. Our anniversary came the day after we returned home and neither of us remember it because we were both fevered, achy, and miserable.

Life passages are often marked by liminal spaces. Neither here nor there; in-between places. My favorite words associated with liminal spaces are uncertain, insecure, unsettling. They can be dreamlike. All are perfect descriptions for how we feel in our seeming eternal COVID zone. Life has stopped. I can no longer remember if I once served a purpose or not. It all seems made-up. The fever zone was preceded by a journey into sacred land, dreamscapes. I dare anyone to visit Goblin Valley and not feel as if they’ve entered another dimension.

A younger me would have tried hard to get grounded, to force a move beyond the discomfort of disorientation – essentially reaching backward to grab hold of what was known. This older version understands the wisdom of insecurity. It is a mistake to reject the liminal. Any significant step into the “new” chapter requires a loss of the known. An open hand, a blank slate, is sometimes uncomfortable.

Holding on to what is no longer useful will in the long run prove to be much more uncomfortable; this amazing universe is in no hurry to deliver its lessons and is quite capable of amping up the discomfort until letting go is recognized as less painful than holding on.

We’re moving on to the next…and, from our chairs in the sun, with achy bodies and no energy to speak of, we have not the first clue what will be written in the next chapter. For now, we do not need to know. In fact, we need to not-know. For now, the blank page will remain happily – if uncomfortably – blank.

read Kerri’s blogpost about TUNNEL ARCH

like. share. support. comment. subscribe…thank you.

Scratches On The Wall [David’s blog on Two Artists Tuesday]

Scratches on the wall. Petroglyphs, the only evidence that remains of a people who once lived in these canyons, who lived by the river we’ve named Fremont. We do not know if they had a name for the river. We do not know if they had a name for themselves. We call them the Fremont, after the river. A location name.

The Fremont River is named for an American explorer, John Charles Fremont, so the people who scratched pictures into the rock over 1,000 years ago also carry his name. As is the nature of history, we locate them from our point of view. We build an identity-structure and civilization-story about them based upon our story of them. We’ve placed them in our narrative timeline, 1 – 1300 CE. We have no idea how they thought of or marked their time.

We have no idea what became of them. They disappeared into time. We have no idea what the petroglyphs mean or why they scratched them into the canyon walls. We wonder at the semiotics, the inner symbolic life that produced such strange (to us) images that remain on the red rock walls.

This morning, through my COVID aches and chills, I watched the news. I would like to say that I am mystified by the civilization-story currently being spun and supported by half of my nation but I am not. I would like to say that the hatred and fear-mongering of the red hat tribe is as much a mystery to me as the way of the Fremont, but it is not. The concurrent xenophobia and wild-eyed-creation of an internal enemy (anyone not in a red hat) has roots that are all too easy to see. It’s a fascist popcorn trail, a page from Hitler’s handbook. The language is identical. The images, scratched into the red-fox-walls of our time are all too easy to interpret. A frightened and misinformed populace is easily manipulated. Fooled.

What is a mystery to me is the inner symbolic life of my nation’s conservatives that seem so ready to trade our sacred democracy for a populist authoritarian. What scratches on the walls of their minds are so easily storied into hatred. What has so hardened their hearts that they embrace with cheers the repulsive bile spewed by their candidate? It is as incomprehensible to me as the petroglyphs of the Fremont.

All societies disappear into time. Ours, relative to the Fremont, is still in its infancy. We can only hope that an explorer in some distant future finds our petroglyphs – and although a mystery to them, we will have known that we transcended the authoritarian threat and overcame the fox-fear-fantasy, manufactured hatred and dark lies. And, over the next thousand years, our scratches on the wall tell the tale of how we matured to fulfill the promise of our sacred ideals. Out of many, one.

read Kerri’s blogpost about PETROGLYPHS

like. share. support. comment. subscribe…thank you.

Something New [David’s blog on Two Artists Tuesday]

Standing in the cold pre-dawn air. We waited like two little kids waiting for their parents to awaken on Christmas morning. We giggled and hushed each other. Loud voices before sunrise seemed inappropriate. We jumped up and down. We sipped our coffee.

The sunrise in the desert happens in 360 degrees. The sky begins to lighten and the rocks in the west begin to glow. It’s like a call and response. And then the sun breaks the horizon and warmth washes over us.

A new day. The beginning of a new adventure. Answering a call to the canyons.

The beginning of something new.

read Kerri’s blogpost about SUNRISE

like. support. share. subscribe. comment…thank you.

“We Have A Problem.” [David’s blog on Two Artists Tuesday]

Yesterday I opened the door to the basement and heard a waterfall – not the sound you want to hear coming from your basement. I knew it was a waterfall because two years ago I opened the basement door, heard the sound and asked myself, “What’s that sound?” I’m sharing this with you as proof-positive that I am capable of learning and retaining what I learn. This time, I knew without doubt – because I remembered – the cause of the sound. Waterfall.

The first time I heard the waterfall-in-the-basement-sound I could not imagine that the sound was water pouring from the ceiling. It was inconceivable since it had never happened before. I was ankle deep in water before I allowed the penny to drop. That’s the great thing about learning: greater efficiency in understanding the situation, fewer steps to right-action. This time I didn’t need to investigate. I simply turned and announced to Kerri, “We have a problem.” We knew exactly what to do. We knew exactly what our day held in store.

It’s a line. Past experience is useful in present and future choices. To ignore past experience – to ignore what we know – is called ignorance. I thought about the line between knowing and head-in-the-sand as I stared into the sky. Sometimes it’s a curse to see all-the-world as a metaphor. We stopped on the path so Kerri could take some photos of the storm line over the lake. It was distinct. The light behind the dark clouds was startling, hopeful.

Here’s what I thought while staring at the line in the sky: we had four miserable years with the maga-candidate as president. He left us a bloody mess. His time in office was a daily festival of chaos. He lied so liberally that media organizations initiated a daily count of his lies and instituted fact-checkers as a regular part of their reporting. He mismanaged the greatest health crisis in a century costing thousands of lives. He was impeached twice (side note: watch the new documentary From Russia With Lev and ask yourself how it was possible that he was protected by his party from impeachment).

Each day I ask myself, “How is it possible that people do not remember?” Of course, I know the answer – I’ve heard this sound before. We remember though many are choosing to ignore what they know. They feel it necessary to step into the ankle deep water again before admitting that there is a problem.

We are on the eve of an election. The maga-candidate is like a waterfall in the basement, seeping into and destroying everything. We’ve opened this door before. We know without doubt the sound. We’ve heard it before – we’ve heard it all before. The lies. The threats. The fearmongering. The blaming. We need not descend into chaos to know what’s happening – what will happen if he is elected.

That’s the great thing about learning: greater efficiency in understanding the situation, fewer steps to right-action.

Vote to stop the waterfall in the basement. We’ve already learned what will happen if we don’t.

read Kerri’s blogpost about THE LINE

like. share. support. subscribe. comment…thank you.

Right Before Our Eyes [David’s blog on Two Artists Tuesday]

If you are like me, this image took a moment to grok. All the elements are apparent yet, at first, my brain couldn’t pull the pieces together. Kerri, standing outside the front door, took the photo of Dogga on the inside staring out. What is reflection? What is image-through-the glass? It reminds me of those famous drawings that can be seen in completely different ways, the old crone and the young woman. One drawing, two possible images. An optical illusion.

After the image of Dogga-in-the-glass came into focus for me, Kerri exclaimed, “I can’t believe it took you so long to see it!”

MC Escher made a career of creating optical illusions. Stairways to nowhere. Hands drawing hands. The mathematics of art and design. We are rarely aware that our brains assign rather than discover meaning, selecting and assembling pieces in order to sense-make. Like well-worn paths through the woods, our sense-making carves default channels: we see what we expect to see. We see it because we believe it, not the other way around. That is to say, we rarely see beyond what we think. Thinking paths-of-least-resistance render us blind.

The pursuit of truth is to see beyond our well-worn paths. Escher knew that. His images play with our expectations. His images, for a moment, shock us into seeing beyond our expectation.

Factors like age or cultural orientation create biases in the making of meaning, in the assembly of the illusion. For instance, in the drawing of the old/young woman, older people will more often see the old woman while younger people will almost always see the young woman. If you happen to come from a culture that is not inundated with images (there are a few remaining on the planet), it is likely that you would only see scribbles on a page. You would see neither the old or the young woman.

Your normal is not my normal. Your well-worn thought-paths are different than mine.

Given identical experiences, your sense-making will differ from mine. It is the genius behind our system of governance. That two opposing points of view might come together, discuss what they think-they-see and compromise on a best path forward, is the foundation-stone of our democratic system. The genius begins when allowing that one party sees an old woman while the other sees a woman who is young. Both can be valid. Both can exist on the same page.

Allowing for and valuing differences of perspective leads to common ground, shared action.

On the other hand, the same system collapses when what is immediately apparent to both parties is summarily denied by one side of the aisle. It’s another type of illusion altogether: the negation of the obvious. For instance, our last presidential election endured 65 challenges in court and all were summarily thrown out for lack of evidence. Both sides knew – and know – without doubt that the election was valid, free and fair yet the red-hat team continues to fearmonger, pounding the drum of corruption, wearing another kind of thought-path in the minds of their constituents, rendering them blind.

There is a clear distinction between sorting out differences and creating them to exploit fear.

Coming together, in an attempt to see beyond expectations, respecting differing perspectives, valuing the multiple perceptions of a diverse nation in order to stand on common ground is democracy at its best. Creating division, whipping up disunity, negating and devaluing the perspectives and values of others spells the end of democracy. It intentionally pulls the nation apart.

Democracies pursue truth. Autocracies thrive on falsehoods. The choice we face is abundantly clear and right before our eyes. As a nation, all we need do is step off our well-worn thought-paths and open our eyes.

read Kerri’s blog about ILLUSIONS

like. share. comment. subscribe. support…thank you.

Nothing More Beautiful [David’s blog on Two Artists Tuesday]

I make it a practice to take notes when I have calls with Horatio. He says the most extraordinary things. This morning I search-and-rescued this Horatio comment about aging: he said, “It only felt like an ambush because I hadn’t been paying attention.”

I went looking for Horatio’s quote because Kerri and I had a spontaneous-hysterical-conversation about the abrupt changes in our bodies over the past five years. “Look at this!” she bellowed, “It just happened!” Of course, I was too invested in horror at my own creeping-decrepitude to notice what part of her body she was disparaging. “It never used to be this way!” she muttered, spinning slowly so her disdain was a full 360°.

I made the rookie mistake of asking what age she was comparing herself with. Because her glare signaled that I was about to spend the rest of the day in the doghouse, I quickly added, “I don’t look like I did when I was thirty, either.” Rookie mistake number 2. Dumb. Stupid. Brainless. Dense. Not to mention dangerous. Had she killed me in that moment, no jury in the land would have found her guilty; “Her act…,” the jury foreman would report to the judge, “…was justified”.

We make a practice of paying attention. It’s why we often choose to walk slowly. Rather than walk through the woods, we try to be in them. To notice. The consistent miracle when walking slowly is that there is always something new to discover, something that we’ve never before seen. For instance, the portal in the ancient tree. We’ve walked past and admired this tree a hundred times. We’ve placed painted rocks in its nooks. Kerri’s photographed it dozens of times; age has made it beautiful. Photogenic. And, today, for the very first time, we noticed the portal, a peek through the tree to the other side. “How did we miss that?” we exclaimed.

“It only felt like an ambush because I hadn’t been paying attention.”

Horatio, of course, is right. There is no ambush. The river keeps flowing and somehow we are surprised to find ourselves in places we’ve never before imagined. New stages of life. All the time I tell Kerri that she is beautiful. She cannot hear me because she expects herself to be in another part of the river entirely. I am guilty of the same false expectation.

Looking backward in life is like looking through the tiny portal in the ancient tree. The view is blurry and limited. Ask me if I would like to go back to the time when my body was thirty and I will howl with laughter, “No way!” This day, this moment, as hard as it can sometimes be, is the best time of my life. I am learning to appreciate my aches and pains, my ever-changing-body, to pay attention to where I am and not where I imagine I should be.

Here and now. There is nothing more beautiful.

read Kerri’s blogpost about THE PORTAL

like. share. comment. support. subscribe…thank you.

“I Am!” I Said. [David’s blog on Two Artists Tuesday]

Un-momentous Breaking News! I’ve just decided – just now, right this moment – that my personal symbol, my identifying-critter-crest, should from now and for all time forward be…The Bumble Bee!!!

“Wait!” you yawn. “What?” you ask-to-be-polite. “You can’t possible make so un-dramatic a dramatic claim without a comprehensive explanation!”

True. Yes. An explanation. Fortunately, I came prepared for this moment. The word “bumble” – relative to the bee – has two definitions that, lately, fit me like a glove. First, to move ineptly through the world. To blunder, lurch, or wobble. The second (as is proven by this very blog post), to buzz or drone on and on. To babble, ramble, gibber, and burble.

But wait! In case you are suddenly concerned that I am hosting a festival of self-deprecation, let me assure you that you are misguided. Wrong. Filled with wild assumptions. Your concerns could not be further from the truth of my new personal-symbol-bumblebee-rumination. I’m actually quite pleased.

Creative processes never follow a straight line. Bumblebees get the job done but their path is nearly impossible to follow. They appear like a flying-happy-accident, a reeling wanderer that is surprisingly efficient. It’s the real trouble with my resume (or any creative person’s resume): HR people, family and friends expect to see straight lines and are highly suspicious of anything expansive, eclectic, or exploratory. I will be quite pleased with myself, when the next stranger I meet at a party asks me what I do for a living, to answer, “I’m a bumblebee.”

As for droning on an on. Well. Look at the archive of this blog. Good god. Or the drafts of plays, the ideas for books, the organizational ruminating, the stories…, the opinions I have not-yet-learned to keep to myself (this is your cue to send condolences to Kerri. For some reason she married me so now I have a captive audience…). “Gear-down!” she says, when my esoterica runs amok and she needs my mind to express a simpler path and be less bumble-bee-like.

And, to prove that I am actually capable of controlling my drone, I now return you to your regularly scheduled programming.

[Bonus track. This popped into my mind as I wrote the title of this post]

read Kerri’s more coherent blogpost about BUMBLEBEES

like. share. comment. subscribe. support…thank you.