Re-Realize The Beauty [David’s blog on Two Artists Tuesday]

I have thrown old journals into the fire. Letters from long lost friends have gone into the flames. Paintings, too. More than once, at a retreat, the facilitator asked us to write about fears or obstacles and ceremonially commit them to the flames. A statement of release. A marker in time: letting go.

When I was young I spent many nights in the mountains. The campfire was primal. Light and warmth against the cold dark of night. The fire was safety. In an experience that, to this day, makes me laugh and blush, camping with my brothers and dad, the fire having burned to soft embers, we climbed into our sleeping bags. Deep in the night a large animal crashed through the brush, sent us scared and scrambling to reignite the embers. We stoked a mighty roaring fire. The savage creature circled our camp for hours, snapping branches, staying just beyond the light. Running low on wood and still hours from dawn, we debated what to do. At the height of our anxiety, the peak of our fear, the imagined mountainous hungry bear moooooooo-ed. Our fire kept us safe from a wayward cow.

In our backyard we have a fire pit (a solo stove), a flame tower (propane), tiki torches of all sizes, and a chiminea. No matter the source, we light the flame and inevitably all conversation ceases. We stare, lost in thought, the flames having danced our monkey minds into quiet peace.

In the story, Prometheus steals the spark-of-life from Zeus. Fire. He wants to ignite the hearts of his creations, his humans, made from clay and sticks. He knows that Zeus will disapprove because he’s made his humans beautiful rather than the crude forms Zeus commanded him to make. That’s why he had to steal the fire. To ignite beautiful hearts, capable minds, generous souls. He was successful though Zeus, according to the story, has worked diligently to corrupt the beautiful humans and infuse them with ugliness, keeping them distant from their true nature.

Staring into the fire, with a quiet mind, it’s possible to hear Prometheus’ whisper. In the flame dances the possibility of safety, quiet mind, the capacity to let go the hurt, and for a moment, to re-realize the beauty, ignited by the spark, beating in the hearts of his humans.

read Kerri’s blogpost about FIRE

This is the first painting in a triptych I created for my performance of The Creatures Of Prometheus – with The Portland Chamber Orchestra. This is “Prometheus:Creation.” 48 x 96IN

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Be The Metaphor [David’s blog on KS Friday ]

There’s a scene in The Lost Boy that I especially love. In the play, Tom tells the story of finding his 90 year old aunt Buntie, on a very windy day, standing on the roof of the ranch house. He coaxes her down a rickety ladder and then chastises her, “Don’t go on the roof anymore! Call me if you need something!”

“Oh! You sound just like your uncle Sandy!” Buntie laughs. “He’s mad at me because I’m on the roof but I tell him I have to see that the shingles are still there. Dad put a fine roof on the house!”

When I see a bird on a wire, I think of Tom’s story. I’ve somehow associated a bird on a wire with Buntie on the roof.

Bird on a wire. It’s a perfect metaphor with many possible meanings. For Buntie, a true bird on the wire, the metaphor means to carefully consider your next step. You are in a potentially dangerous place. Wires carry electricity.

I remember sitting in Tom’s small living room at the ranch, late at night, when he began to reminisce. He delighted in telling stories of Buntie. I turned on my tape recorder. I asked a few questions but mostly listened. He was a great storyteller and needed no encouragement. He had become a bird on a wire. Like Buntie, he was reclusive in his old age, another possible meaning of the metaphor. He was sitting by himself on the metaphoric roof trying to keep the family stories from blowing away in time’s persistent wind.

We’re staying inside. Our area is under a “heat dome” for the next few days so the shades are drawn and our little window air conditioner is chanting, “I think I can! I think I can!” It’s taking the edge off the sizzle and for that we are grateful.

Somedays, like today, we feel like birds on a wire with our feet trapped in lime, preventing us from flying. It’s yet another possible meaning of the metaphor. Perhaps the oldest meaning of the metaphor. Caught in a sticky trap. Nothing is moving. No progress is being made. We sit on our wire, songbirds.

“We’re not getting anywhere,” she said, closing her laptop.

“Nope,” I agreed. “No. Where.”

“Good thing it’s really hot,” she smiled. “I don’t want to go anywhere anyway.” Lemonade from lemons.

“Yep.” I agreed, declaring, “It’s too hot. I want to sit right here. I don’t want to be anywhere else!”

“We’re lucky,” she smiled.

“Yep.” We are extraordinarily lucky. We may feel trapped but we’re still singing.

From somewhere out of time, Tom winked at me. Birds on a wire.

always with us/as it is © 2004 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora & iHeart Radio

read Kerri’s blogpost about BIRDS ON A WIRE

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Arrive At Wisdom [David’s blog on DR Thursday]

The meeting of sand and surf. In the children’s-book-of-my-mind, at the beginning of the story, sand and surf have completely different points of view. They have radically different understandings of each other and opposing orientations to ebb-and-flow, to the movement of the earth and their place in it. They insist that they are in conflict.

And yet, they meet. Every day. In the story of sand and surf they eventually learn that they can focus on their differences or they can focus on what they have in common. They are surprised to learn that one could not know itself without the other. They are gobsmacked by the knowledge that one would have no purpose without the other! In fact, they would have no identity without the other!

With their new understanding, sand and surf begin to ask a different question: who do they want to be together.

At the end of the story, the climax of this children’s tale, they come to understand that their reason-for-being is each other. They are not, in fact, separate. They are symbiotic. They transform each other in their mutual dance. Thus, they arrive at wisdom.

Sand and surf. Harmony, in the children’s-book-of-my-mind. Nothing really changes other than their choice of where to focus. And then, of course, everything changes.

my favorite illustration from Lucy And The Waterfox

Peri Winkle Rabbit Is Lost. A book I wrote and illustrated for a hurricane Katrina relief project. The organizers asked for an original story to help children understand and cope with loss. Original illustrations, no copies. I loved making this little book and i hope some child, somewhere, now an adult, loves it, too.

My gallery site

read Kerri’s blog post about SAND AND SURF

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Take A Second Pass [on Not So Flawed Wednesday]

It was the second time we’d walked the loop. The first was many months ago in another season. Though the path was the same it felt as if we were walking an entirely different trail. This time, instead of seeing across brown and yellow winter marshland, we walked through a tunnel of tall viridian reeds. Not able to see the landscape, I looked up through the green at a rain-threatening sky. If our first hike on the boardwalk felt like a discovery, the second pass seemed directed.

The second pass. In life it’s called a memory and it is never the same as the original walk. To begin, it is viewed from a different season. Time alters details, rearranges events, begs questions. The second pass is made with a different purpose-in-mind. To re-view. It is directed, replayed, questioned, run forward and backward. Different endings are tried on for size. Different beginnings, too. Destiny or accident? Did that really happen?

Plotting backward through memory provides ample sense-making. Event chains, choices, that lead to this place, this day, this story called life. Looking forward from the current first pass, this present walk, there is a wide open vista. What if I stepped off the path? Is there a path? It’s all discovery though we rarely experience it that way. The routine of the day or the master to-do-list obscures the newness of each and every step. Same-old-same-old is a sorry reckoning.

Kerri and I are having an ongoing conversation about how quickly and dramatically life can change. Just when you think you know what the day holds a strong wind huffs and puffs, forever altering the arc of your life. The tiniest of choices hold the seeds for the most profound changes. The boardwalk suddenly disappears. Or the opposite, when you are lost and least expect it, a boardwalk magically appears. In a flash a path seems certain.

And, isn’t it awe-some that we are capable of twice-storying this grande life adventure? Giving to each step a meaning and shape the very moment we take them. Giving to each step a different meaning and shape, over and over again, on the return loops, the second pass. Memory.

read Kerri’s blogpost about THE BOARDWALK

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Follow The Map [on Two Artists Tuesday]

In the era when I was telling stories at conferences I liked to tell a particular tale of a woman on a quest. She didn’t know it but the many trials she faced on her journey gave her the exact knowledge she needed to confront her monster, complete her quest and return safely to her home. A field of shifting boulders. A dense impassable forest. A thicket of lost souls. She navigated all of them, learned from them, and returned home, changed by her experiences, wiser from her travails.

It’s most often the message in stories about quests. The journey changes us. We rarely understand the purpose or meaning of our passage until its conclusion. We only know we’ve changed after we arrive back from where we started. Then we can turn around and see.

Prior to the Brothers Grimm, there was no woodsman-savior in the tale of Little Red Riding Hood. A little girl sets out in life on a winding road to grandma’s house. It’s a metaphor. The little girl becomes an old woman. The wolf is metaphoric of time. The wolf “eats” all of us in the end. No woodsman can save us. No Hallmark ending is possible. What did Red experience on the way to grandma’s house?

It’s hard not to want to rush to the end. To know. There’s the fantastic story of the western businessman who wanted the Dalai Lama to tell him the secret of illumination so he could fast-track enlightenment, to achieve in a month-or-a-minute that which takes many lifetimes. Life lessons pay little attention to the demands of efficiency and effectiveness. Business, after all, is never just business.

Stages of development. Queen Anne’s lace. In its first year it is dedicated to sinking a taproot and developing a “rosette of basal leaves.” Creating a solid base. Only in the second year does it “send forth a flower stalk with blossoms.” It’s impossible to skip step one and arrive at blossoms. In truth, step one and step two are not really separate phases but are a single, gorgeous process of life’s renewal. I imagine that is what the Dalai Lama thought but did not say to the businessman.

In stories, the magic sword fails. Death knocks politely on the front door. The ogre stands in the path. The sphinx smiles and demands an answer. A young girl skips with Time along a winding road. A woman returns home, wiser from her experiences, changed by her journey.

Stories serve as universal maps, like taproots and basal leaves. They ground us. They can help us understand that the arrival we seek, the journey we take, is to ourselves. They can locate us on the winding road of life’s renewal.

read Kerri’s blogpost about QUEEN ANNE’S LACE

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Take Another Step [on Merely A Thought Monday]

At the end of the Everest documentary, The Fatal Game, Mark Whetu says, “It’s not that you are alive for such a short period of time, it’s that you are dead for so long.” It’s a film about waking up on the other side of grief. It’s a film about choosing to live.

Grief is one of the many colors on life’s palette. Had I bothered to read the small print in my handbook-for-living I suspect I’d have found a surprising number of references to suffering, sorrow, loss and fear. Colors on the palette necessary for an open heart. Essential colors for the full experience of living in the small window of time called “life”.

Last week I threw up my hands and sat down in defeat. “Lots of energy out. Nothing back!” I pouted, “What’s the point?” My self-pity lasted for an hour and then I stood up, realizing there was nothing to be done but take another step. It simply doesn’t matter how old I am or what I’ve done or haven’t done. It doesn’t matter what title I staple on top of my identity or what story I tell myself. My circumstance simply does not matter. The task remains the same. This day, I reasoned, is just as vibrant either way so, rather than bury my head in darkness, I might as well breathe deeply and enjoy the sun on my face.

Sometimes the only point is to take another step.

I am – apparently – a non-stick learner. I learn lessons over and over again. I am particularly gifted at allowing life’s lessons to slide off. I have been known to teach that the actions we need to take are rarely difficult; the stories we wrap around the actions can make any step seem impossible. Dialing the phone is easy until the mind rages with the tale, “I don’t want to look stupid.”

Effortless action is a Buddhist concept. It is a practice of acting without story. Know your target. Act. Respond.

Send a resume. Write a cover letter. Submit. Take another step.

Mix the color. Choose the brush. Spatter. Take another step.

baby steps/right now © 2010 kerri sherwood

Kerri’s albums are available on iTunes or streaming on Pandora and iHeart radio

read Kerri’s blogpost about ONE MORE STEP

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Try This [on Not So Flawed Wednesday]

A lonely cloudy day. I wandered through a farmer’s market. The sun-baked-old-man behind the table looked up, waved me over, cut a slice of peach and said, “You have to try this.” I accepted his offer. I couldn’t believe how delicious it tasted. Seeing the taste-revelation in my eyes, he told me a thing or two about peaches. I bought a few and continued on my way, no longer feeling alone.

The other day, after yet-another-day of fruitless job searching (good pun, yes?), Kerri cut a peach and we stood at the counter, savoring. I was tossed back in time to that lonely day, the sun-baked-farmer, the taste revelation. I can’t recall a thing he told me about peaches but I vividly remember the taste. I remember the kindness in our conversation. He wasn’t in a hurry. He had all the time in the world to share with me what he knew.

Sometimes, as I recount these experiences, I wonder if they happened the way I remember them or am I determined to give them a positive spin? Was that old farmer as kind as I paint him? Did he see a lonely man passing his booth and cut a peach to lift his spirits? Or, was he a really good salesman? Or both/and? I want to believe in his generous spirit. I felt it. So I will hold on to my interpretation. He knew about peaches. He knew about loneliness. He knew one thing might help the other.

A second hand lesson from way back: Find the artists. Ask them to tell you about what they know. People like to share their stories, their knowledge, their foibles, their wisdom. And, most importantly, assume everyone is an artist.

Sometimes it’s a simple as cutting a peach…

read Kerri’s blogpost about PEACHES

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Sun Dry [on DR Thursday]

“…people find what they are looking for. If you’re looking for beauty, you’ll find beauty. If you’re looking for conspiracies, you’ll find conspiracies. It’s all a matter of setting your mental channel.” ~ Roger von Oech, A Whack On The Side Of The Head

Our time on Washington Island was multi-layered. Half of the people on the island saw us as invaders. The other half saw us as welcome progress. We were hired to manage the performing arts center which, out of the chute, served as a divisive symbol for the local community. We were the first “non-islanders” to manage the TPAC. Division upon division. And, although we were the focal point of the contention, none of it had to do with us, not really. Our status as invader or progress originated in the eye of the beholder.

Because the actual job was a festival of landmines, I especially appreciated the simplicity – and sanctuary -of our little house, a home provided to us for the summer-on-island-months. Our refuge sat on the shore of Lake Michigan. It was as peaceful as the job was contentious.

My favorite symbolic act at the little house was hanging the clothes to dry. When we arrived the clothesline was in disrepair. We re-strung the poles with new line purchased at the local hardware store. We quickly grew accustomed to carrying the wet clothes outside. We learned that the wind off the lake sometimes required strategy to what-is-pinned-in-front-of-what. Double clothespins on sheets and shirts was always a good idea. Mostly, I appreciated how the clothesline slowed our pace. It brought us into the sun and in relationship with the wind. The real stuff.

It helped set our mental channel. Hands on, tactile, slow-paced, generous, the power and presence of the lake filled us with awe. So, to our work, we brought awe. Literally. We were in awe of these people that cared so much for their community. Like most communities, they had more than one idea of how to protect it. Progress or conservation.

We understood that these two paths-to-the-same-goal need not be oppositional.

We learned that our job was to build bridges where they had fallen. We understood that, in this divided community, we had to pay attention to what-is-pinned-in-front-of-what. We learned that double pins on big ideas was sometimes a good idea because ideas often generated big wind. Listening was the best idea of all. We understood that if we brought our awe to both sides of the coin, we might one day build a single bridge that could not be burned.

We learned that there was no rushing the process, just as there is no way to rush the clothes drying on the line.

a day at the beach, mixed media, 38x52IN © 2017

my site. yes. as yet incomplete. a testament of continued indecision of my purpose and intention.

read Kerri’s blogpost about the CLOTHESLINE

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Spread Da Butter [on Not So Flawed Wednesday]

“It’s a corn butter spreader,” she said. 20 and I looked incredulous.

“A what?” We squinted, as if squeezing our eyes might produce a sharper image. As if recognition was produced by wrinkling our faces.

She’s pulling our leg,” 20 suggested. I nodded. She is well-known for too-easily pulling-the-wool-over-our eyes. 20 and I are gullible and easy marks for her shenanigans. I appreciated 20’s suggestion that between us he and I had only one leg to pull. Unintentional admission of our shared wit-less-ness.

“Noooo!” she protested. “Haven’t you ever seen one of these?” We shook our heads. Wary. Smelling a trap. “It’s a corn butter spreader!” She insisted. 20 and I stood our ground of solid disbelief.

“Look,” she huffed, scooping butter into the contraption, lowering the press arm, she ran the device over a hot cob of corn. Like an indignant Vanna White, she finished her demonstration and thrust the gadget toward us proclaiming, “Corn-Butter-Spreader!”

20 whispered, “She might be telling the truth.”

“This time,” I mumbled. Now, she was squinting at me though I doubt her squint was intended to sharpen my image.

“Use it!” she glared at 20 who promptly obeyed, deftly spreading butter on his corn.

“Hey!” he smiled. “Who knew! This thing works. There’s a tool for everything!” he double buttered his corn. “Do you want to try it?” he asked.

“I’m a purest,” I said. “I like mine without butter.”

“Too bad,” he said, triple buttering his corn. “This is fun.” He turned to Kerri asking, “When were you going to tell us about this?” He looked at me, puzzled, “Why does she always keep things from us?”

read Kerri’s blog post about CORN BUTTER SPREADERS

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Light Ten Candles [on Two Artists Tuesday]

I never tire of telling this story. 4th of July, 2013, Kerri and I walked through the festival booths and carnival rides, we avoided the stages where bands were covering well-known tunes, we passed the pie-eating contest, and stopped at the jumping dog competition. Dogs running and leaping through the air into a big pool of water. Doggie long jump.

While we watched the antics, we talked of someday having a dog of our own. We dreamed that our dog would be black – only a black dog for us – and we’d name it Earl. Or Erle. It is our shared middle name so it seemed only natural to give the pup the family name. Little did we know, on that day, I imagine at that precise moment, our Tripper-Dog-Dog-Dog was born. Dogga is a 4th of July pooch.

Three months later, driving the moving van loaded with my worldly possessions across the country, just after entering Wisconsin, we passed a sign that said, “Aussie pups.” We weren’t ready for a dog. I told Kerri that I thought it would be safe to look since Aussies are never black. We flipped the van around, drove up the long farm driveway, jumped out and greeted farmer Don. “We’d love to see the puppies!’ we chimed in unison.

“Well, I only have one left,” he said, “And no one wants him because he’s black.”

I think it was the first time that Kerri punched my shoulder and gave me that look.

And, although we weren’t ready, I can’t imagine life without our black dog that refused to answer to the name Earle. He’s as quirky and complex as we are, more sensitive if that is possible. He taught us what to call him, the first on a long list of lessons he’s had to teach us.

Today we light ten candles on the Dogga cake. We celebrate the best u-turn we ever made. We toast our willingness to take the leap before being ready. Our life together is made infinitely richer for it. Now, who wants cake?

read Kerri’s blogpost about DOGGA BIRTHDAY

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