So Do You [David’s blog on Not So Flawed Wednesday]

As you approach Monument Valley there is a blue sign and a nondescript pull out: Forrest Gump Point. It’s the place where they filmed the scene of Forrest ending his epic run. It’s now a place where travelers stop to jump out of their cars and into the road and have their picture taken. Photographic proof that “I stood where Forrest stood.” It is a whacky pilgrimage that none of us knew existed until we saw the sign.

No matter that Forrest Gump is a fictional character. He represents a way of being. A contemporary Buddha. A pure heart. Simple, honest and present.

In retrospect, it did my heart good to stand where Forrest stood. It did my heart good to witness so many travelers pull off the road and want to stand in that iconic spot, to want to get as close as possible to Forrest. Simple. Honest. Pure.

I thought of Forrest Gump Point this morning as I watched Jake Tapper interview speaker Mike Johnson. In a festival of gaslighting, Johnson tried to explain away the assertion made again and again by his party’s candidate that he would use the military against his political opponents. Johnson’s explanation: you are not hearing what you are clearly hearing.

Pretentious. Dishonest. Rank.

Forrest Gump did not know why he was running. He only knew that it was the right thing to do. He was running toward a truth.

Mike Johnson knows exactly why he is running and what he is running from. He also knows that it is the wrong thing to do. He -and his party of enablers – are running from the truth. They can pretend all day long that their candidate doesn’t say what he says, that he has not done what he has done, that he does not intend to do what he says he will do. Johnson knows, as they know, as you and I know, that he is lying, that they are lying. They are gaslighting. They are providing cover for a rapist, a pathological liar, a racist, a misogynist…an autocrat.

My wish for Johnson, the GOP, Bret Baier and his ilk, and all the voters that daily hide, make excuses for and explain away the behavior of their chosen candidate: I wish you would stop running from what you know to be the truth. I wish you would turn around and listen – simply listen – to the bilge that daily spews from your candidate’s mouth. I wish you would listen to the rubbish-explanations that daily clog your brains. I wish you would question your need to daily justify this morass. I wish you would check your moral compass and stop insisting that the hatred and chaos espoused by your candidate is in any way defensible or somehow worthy.

I wish you would stop telling me that I am not hearing what he is saying. I hear it. And, just like the Speaker of the House, Mike Johnson, so do you.

read Kerri’s blogpost about FORREST GUMP POINT

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Make Room for “Wow!” [David’s blog on Merely A Thought Monday]

“Trying to define yourself is like trying to bite your own teeth.” ~ Alan Watts

My inner schoolmarm just marched me to corner where I now sit wearing the dunce cap. Apparently I have been taking myself too seriously. I am confused since I started my campaign for serious-thinking after last week when I was marched to the corner and made to sit wearing the same dunce cap for not being serious enough! My inner schoolmarm is hard to please!

Quinn used to talk about course corrections – learning – as smart-bomb behavior. Rather than “ready-aim-fire” he suggested the correct sequence was “fire-aim-ready”. Too much of life is wasted on the notion of readiness. Live-and-learn rather than learn-to-live.

I laughed aloud when I read the phrase on the wall of an airbnb: “Live your life as an exclamation rather than an explanation.” I wonder how much of my inner air-space has been dedicated to explaining my life choices to myself in the guise of imaginary conversations with others? Why do I spend so much time telling myself the story of myself? You’d think I have nothing better to do and no one else to talk to. I’d much rather fill my inner air-space with a constant, “Wow!”

That must be why I’m sitting in the corner. Perhaps my inner schoolmarm is not so unreasonable after all. She may have something of value to teach me. An inner “Wow!” is the response of someone who is looking out on the gorgeousness of the world. Focus out. A rolling inner explanation is self-absorbed. There’s no room for “Wow” amidst so much “MeMeMe.”

No wonder I currently don a dunce cap and sit by myself in this sad little corner!

Maybe wearing this silly dunce cap has nothing to do with my seriousness or lack thereof! Maybe, to escape my punishment, all I need do is ask, “How can I help?” Or, “Who can I help?” Or maybe I should look out the window at the autumn trees and witness the “Wow!”

Or, maybe I should sit here for awhile longer, invested in the impossible, and continue trying to explain myself to myself.

read Kerri’s blogpost about BE THE GOOD

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Enter The Sanctuary [David’s blog on DR Thursday]

“To accept one’s past – one’s history – is not the same thing as drowning in it; it is learning how to use it. An invented past can never be used; it cracks and crumbles under the pressures of life like clay in a season of drought.” ~ James Baldwin

It was the end of a blistering hot day and my brains were baking. We walked the path in the afternoon sun to see one more arch. Turning into the shade we squeezed through a narrow passage way and stepped into a sandy sanctuary. It was easily 20 degrees cooler. It was ancient. People had been coming to this place to escape the heat for centuries.

I thought of the sanctuary when I watched the clips from the faux-interview. I wish I was surprised but I was not. During his interview with Kamala Harris, the absurd lengths Bret Baier went to protect his fox-audience from basic information should have been astounding. It was not. To twist a phrase from Forrest Gump, “Propaganda is as propaganda does.” Sad. And consistent.

And dangerous. Fox News is not like a box of chocolates because you always know what you are going to get. Hatred. Fearmongering. Victim TV. Brain-baking. Division, division, division.

I realized that all of my eye-rolling, my utter disbelief that fox-viewers will swallow without question such large chunks of tripe, can be boiled down into one single question: “What are they afraid of?”

The answer is as old as our nation. Perhaps they are afraid of losing their made-up history. Perhaps they are afraid of losing their place in the caste?

According to the Oxford English Dictionary, the first appearance in print of the adjective white in reference to “a white man, a person of a race distinguished by a light complexion” was in 1671. Colonial charters and other official documents written in the 1600s and early 1700s rarely refer to European colonists as white.

As the status of people of African descent in the British colonies was challenged and attacked, and as white indentured servants were given new rights and status, the word white continued to be more widely used in public documents and private papers to describe the European colonists. People of European descent were considered white, and those of African descent were labeled black. Historian Robin D. G. Kelley explains:

“‘Many of the European-descended poor whites began to identify themselves, if not directly with the rich whites, certainly with being white. And here you get the emergence of this idea of a white race as a way to distinguish themselves from those dark-skinned people who they associate with perpetual slavery.‘”(facinghistory.org – inventing black and white)

Inventing white and black, dividing black and white. Colonists, always greatly outnumbered by the people they colonized – therefore deeply afraid of the people they colonized – relied on one highly useful trick: divide the people so they will fight amongst themselves.”

Fox News, as yesterday demonstrated by Bret Baier, works to carry on the colonial tradition.

After Bacon’s Rebellion, Virginia’s lawmakers began to make legal distinctions between “white” and “black” inhabitants. By permanently enslaving Virginians of African descent and giving poor white indentured servants and farmers some new rights and status, they hoped to separate the two groups and make it less likely that they would unite again in rebellion.

What they are afraid of is insidious: the fox is afraid that we will unite. They are afraid that we will fulfill the great promise of these United States of America. They are afraid that we will stop demonizing each other according to made-up lines of division and treat each other with the respect and divine promise of our nation: that all people are created equal. That all people deserve to be treated fairly, taxed equally, afforded an equal playing field…

The fox fears that we will come together, cooperate, and finally see through the manufactured division, the if-you-gain-I-lose fantasy. They fear we will see-through and transcend the colonial-control-game, that we will step out of the brain-baking heat of division, and enter the ancient place, the sanctuary known as rule by the people and for the people. For all people.

read Kerri’s blogpost about THE SANCTUARY

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Scratches On The Wall [David’s blog on Two Artists Tuesday]

Scratches on the wall. Petroglyphs, the only evidence that remains of a people who once lived in these canyons, who lived by the river we’ve named Fremont. We do not know if they had a name for the river. We do not know if they had a name for themselves. We call them the Fremont, after the river. A location name.

The Fremont River is named for an American explorer, John Charles Fremont, so the people who scratched pictures into the rock over 1,000 years ago also carry his name. As is the nature of history, we locate them from our point of view. We build an identity-structure and civilization-story about them based upon our story of them. We’ve placed them in our narrative timeline, 1 – 1300 CE. We have no idea how they thought of or marked their time.

We have no idea what became of them. They disappeared into time. We have no idea what the petroglyphs mean or why they scratched them into the canyon walls. We wonder at the semiotics, the inner symbolic life that produced such strange (to us) images that remain on the red rock walls.

This morning, through my COVID aches and chills, I watched the news. I would like to say that I am mystified by the civilization-story currently being spun and supported by half of my nation but I am not. I would like to say that the hatred and fear-mongering of the red hat tribe is as much a mystery to me as the way of the Fremont, but it is not. The concurrent xenophobia and wild-eyed-creation of an internal enemy (anyone not in a red hat) has roots that are all too easy to see. It’s a fascist popcorn trail, a page from Hitler’s handbook. The language is identical. The images, scratched into the red-fox-walls of our time are all too easy to interpret. A frightened and misinformed populace is easily manipulated. Fooled.

What is a mystery to me is the inner symbolic life of my nation’s conservatives that seem so ready to trade our sacred democracy for a populist authoritarian. What scratches on the walls of their minds are so easily storied into hatred. What has so hardened their hearts that they embrace with cheers the repulsive bile spewed by their candidate? It is as incomprehensible to me as the petroglyphs of the Fremont.

All societies disappear into time. Ours, relative to the Fremont, is still in its infancy. We can only hope that an explorer in some distant future finds our petroglyphs – and although a mystery to them, we will have known that we transcended the authoritarian threat and overcame the fox-fear-fantasy, manufactured hatred and dark lies. And, over the next thousand years, our scratches on the wall tell the tale of how we matured to fulfill the promise of our sacred ideals. Out of many, one.

read Kerri’s blogpost about PETROGLYPHS

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Look In The Mirror [David’s blog on KS Friday]

“…the Impressionists took seriously what we now often fear: that when life changes outwardly, culture must change inwardly.” ~ Jason Farago, How the Impressionists Became the World’s Favorite Painters, and the Most Misunderstood

If the word zion means “a holy place”, then Zion National Park is aptly named. Even overrun with tourists crammed in shuttles, it remains sacred. Beyond us. We are, after all, a mere blip in its history.

“Imagine how long it took to sculpt these canyons!” Charlie exclaimed. Eons. I overheard a woman on the path to the Narrows say, “It invites awe.” It is good to occasionally put our lives in proper perspective, to glimpse our smallness. Invite awe. That is one of the roles of the sacred.

While the world’s first democracy was being formed in the 5th century BCE in Athens, Greece, the grand walls of Zion were already much as they are today. Both were sacred: the new idea of “rule by the people” and the impossible grandeur of the ancient canyons.

In our present day democracy we are meant to be in service to something bigger than ourselves. The people across generations. That, too, is one of the meanings and roles of the “sacred”. To give us perspective relative to the higher ideal of our constitution as it matures in the future.

The maga-clan would have us flip the equation and dismantle the sacred. The outward changes are visible everywhere. Lies replace truth, self-service erodes the constitution, the higher ideal. The red candidate claims to have all the answers, fundamentally misunderstanding and undermining rule-by-the-people. We are, after all, a democratic republic not an authoritarian cesspool.

At one time in our history, being found liable for rape would have disqualified a candidate. Multiple felony convictions would have immediately ended a presidential campaign. Outlandish and persistent lies, inflicting real harm on people in the nation, would have horrified the electorate. A campaign driven by thuggery and grift would have burst into flames and disappeared from the public stage. An insurrectionist would once have been jailed and forgotten. And yet, here we are. Outward changes.

“…when life changes outwardly, culture must change inwardly.

Ethics, moral decency, service to a higher ideal are completely absent in the maga-canon and the Project 2025 playbook. That so many in our nation, despite all we know, are willing to vote for a rapist, a liar, a grifter, a felon, a misogynist, a racist, a fear-mongerer…gives us a mirror with which we might glimpse our inward changes. The loss of the sacred. To fifty percent of our nation (it seems by the polling) our system of governance has been reduced from a sacred ideal to a superficial transaction. There is an unholy price to pay for winning-at-all-cost.

We have a choice in November. We can continue to create and protect our Zion, our rule-by-the-people, or we can take it down, throw it away and give the reins of power, not to the people, but to an angry narcissist who threatens to seek retribution and eliminate his political rivals.

Luckily, the choice is not his. It is ours. Look in the mirror while there is still time. Take a good hard look. Help others to look in the mirror and then vote to sustain rather than scrap our sacred democracy.

read Kerri’s blogpost about ZION

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Two Moons [David’s blog on DR Thursday]

“Those who dream by day are cognizant of many things which escape those who dream only by night.” ~ Edgar Allan Poe, Eleonora

Looking back it makes me laugh. I advocated – more than once – with skeptical school board members that daydreaming was not only useful but a necessary activity. The inception of every worthwhile invention, every startling work of art, every passionate pursuit, begins with a daydream. An idea somewhere out-there. A student staring out the window is rarely wasting time. I wonder how much life Shakespeare or Einstein or Marie Curie spent gazing into imagination-space?

And what about the light of the moon? More than once we’ve chased the moon and stood at the shore in awe. Moonlight evokes a silent reflection. It pulls me into a different kind of imagination-space: not “out-there” but inside. “When to the sessions of sweet silent thought I summon up remembrance of things past…” (Sonnet 30, William Shakespeare) Things past. Memories.

Many years ago, deep into the night, I stood beside a backyard pool and gazed at the full moon. I knew my life was about to change radically. A leap. I was scared. I whispered, “I don’t know where you will lead me but I will follow you.” Recently, standing on the shore of Lake Michigan, watching Kerri snap photos of the brilliant full moon, for some reason I vividly remembered that long ago poolside moment. I smiled and whispered, “So this is where you led me!”

I couldn’t be more grateful.

Tango With Me, 36″x48″ mixed media

read Kerri’s blogpost about THE MOON

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“We Have A Problem.” [David’s blog on Two Artists Tuesday]

Yesterday I opened the door to the basement and heard a waterfall – not the sound you want to hear coming from your basement. I knew it was a waterfall because two years ago I opened the basement door, heard the sound and asked myself, “What’s that sound?” I’m sharing this with you as proof-positive that I am capable of learning and retaining what I learn. This time, I knew without doubt – because I remembered – the cause of the sound. Waterfall.

The first time I heard the waterfall-in-the-basement-sound I could not imagine that the sound was water pouring from the ceiling. It was inconceivable since it had never happened before. I was ankle deep in water before I allowed the penny to drop. That’s the great thing about learning: greater efficiency in understanding the situation, fewer steps to right-action. This time I didn’t need to investigate. I simply turned and announced to Kerri, “We have a problem.” We knew exactly what to do. We knew exactly what our day held in store.

It’s a line. Past experience is useful in present and future choices. To ignore past experience – to ignore what we know – is called ignorance. I thought about the line between knowing and head-in-the-sand as I stared into the sky. Sometimes it’s a curse to see all-the-world as a metaphor. We stopped on the path so Kerri could take some photos of the storm line over the lake. It was distinct. The light behind the dark clouds was startling, hopeful.

Here’s what I thought while staring at the line in the sky: we had four miserable years with the maga-candidate as president. He left us a bloody mess. His time in office was a daily festival of chaos. He lied so liberally that media organizations initiated a daily count of his lies and instituted fact-checkers as a regular part of their reporting. He mismanaged the greatest health crisis in a century costing thousands of lives. He was impeached twice (side note: watch the new documentary From Russia With Lev and ask yourself how it was possible that he was protected by his party from impeachment).

Each day I ask myself, “How is it possible that people do not remember?” Of course, I know the answer – I’ve heard this sound before. We remember though many are choosing to ignore what they know. They feel it necessary to step into the ankle deep water again before admitting that there is a problem.

We are on the eve of an election. The maga-candidate is like a waterfall in the basement, seeping into and destroying everything. We’ve opened this door before. We know without doubt the sound. We’ve heard it before – we’ve heard it all before. The lies. The threats. The fearmongering. The blaming. We need not descend into chaos to know what’s happening – what will happen if he is elected.

That’s the great thing about learning: greater efficiency in understanding the situation, fewer steps to right-action.

Vote to stop the waterfall in the basement. We’ve already learned what will happen if we don’t.

read Kerri’s blogpost about THE LINE

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Let It Sit [David’s blog on Not So Flawed Wednesday]

Over thirty five years ago, people I loved, people who loved me, bought me an easel. It was a gift for my very first solo show. All these years later, it is the only easel I’ve ever had, the only easel I use. The only easel I will use. If the canvas is too big, if I can’t put it on my easel, I tack it to the wall.

My easel is well traveled. It moved up and down the west coast. It moved into and out of studio spaces. It rode in the truck to the midwest. It has hosted hundreds of canvases. It has become the Velveteen Rabbit of easels. It is no longer shiny and new. It is covered with layers of acrylic drips and splashes, the support stabilizer is bowed, I must be vigilant to keep it square. It is, I recently realized, my mirror image, my double-walker: I, too, am covered with drips and splashes, my stabilizer is bowing, and I am constantly vigilant about keeping myself grounded and square.

A few days ago, during a studio clean, I decided it was time to do a bit of easel excavation and repair. The build up of acrylic paint on the bottom canvas holder is…prodigious. I wasn’t prepared for what I was about to experience. As I peeled back the layers of acrylic, I unearthed the layers of my creative life. The layers of my life. I could literally associate the colors of the acrylic strata with specific paintings, with specific eras, with foibles and triumphs, despair and new hope. There were many many layers. It was like reading a diary, a life review in spatter.

Tom McKenzie taught me that in order to invite in new energy it is sometimes necessary to close the shop. Lock the door and let it sit. Make space. Time and patience will loosen the grip of old ideas, stale patterns – and open pathways to fresh possibilities. I’ve followed his sage advice twice before. Once I stopped painting for a full year. I not only closed the building but I burned the paintings. In both cases, locking the door was followed by a renaissance, a surge of new and surprising work.

I saw the story of my twice-artistic rebirth as I slowly peeled the history from my easel.

And, as I stripped back the layers of my life, the full understanding of what I was doing settled in. I am cleaning my easel in preparation for my third closing of the building. I am cleaning it so it will be ready for that day-in-the-future when I unlock the door. Spacious and rejuvenated. I have been fighting it. I have been angry about it because I feared it – I always fear that the muse will leave and never come back even though I know in my bones that the muse is the wise-voice asking me to breathe, to make space. Now, as is always the case after a few years of fighting a losing battle, I am accepting it. It’s time to lock the door. Empty the glass. Let it sit.

read Kerri’s blogpost about SPACE

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What Remains [David’s blog on KS Friday]

“Only to the extent that we expose ourselves over and over to annihilation can that which is indestructible in us be found.” ~ Pema Chödrön

The super moon called us out into the night. We ran-walked to the grounds of the Anderson Art Center so we might get an unobstructed view of the giant moon perched just above the horizon. Later, we walked the streets and paths that followed the shore so we could watch the moon shrink as it journeyed higher into the sky. An illusion.

My favorite part of our stroll was finding that we weren’t the only people called into the night. People – many people – gathered along the shore, some quiet, some giddy – all attending the march of the moon. “This is just like the old days,” Kerri said. A community joining together to share a common experience. No one cared about the politics or issues of the day. There was a common agreement as we passed others: “Isn’t it beautiful!” Strangers so moved by the enormity of the moment, so connected to this ancient traveller, that they were compelled to speak to each other.

Think about it.

The little stuff disappears in the face of the transcendent moon. I felt as if we were participating in a ritual that is as old as humanity. And, more to the point, this ancient ritual, the awe of the moon, invoked our humanity. We were, to a person, benevolent. In the timeless moon there was no space for the petty. There wasn’t a hint of righteousness or prejudice to be found. We waned in the face of the eternal light of the moon. What remained was a basic impulse to share the moment. To join. Primordial generosity. Kindness sublime.

It’s a Long Story/ This Part of the Journey © 1998/2000 Kerri Sherwood

Kerri’s albums are available on iTunes or streaming on Pandora

read Kerri’s blogpost about THE KEYS

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Nothing More Beautiful [David’s blog on Two Artists Tuesday]

I make it a practice to take notes when I have calls with Horatio. He says the most extraordinary things. This morning I search-and-rescued this Horatio comment about aging: he said, “It only felt like an ambush because I hadn’t been paying attention.”

I went looking for Horatio’s quote because Kerri and I had a spontaneous-hysterical-conversation about the abrupt changes in our bodies over the past five years. “Look at this!” she bellowed, “It just happened!” Of course, I was too invested in horror at my own creeping-decrepitude to notice what part of her body she was disparaging. “It never used to be this way!” she muttered, spinning slowly so her disdain was a full 360°.

I made the rookie mistake of asking what age she was comparing herself with. Because her glare signaled that I was about to spend the rest of the day in the doghouse, I quickly added, “I don’t look like I did when I was thirty, either.” Rookie mistake number 2. Dumb. Stupid. Brainless. Dense. Not to mention dangerous. Had she killed me in that moment, no jury in the land would have found her guilty; “Her act…,” the jury foreman would report to the judge, “…was justified”.

We make a practice of paying attention. It’s why we often choose to walk slowly. Rather than walk through the woods, we try to be in them. To notice. The consistent miracle when walking slowly is that there is always something new to discover, something that we’ve never before seen. For instance, the portal in the ancient tree. We’ve walked past and admired this tree a hundred times. We’ve placed painted rocks in its nooks. Kerri’s photographed it dozens of times; age has made it beautiful. Photogenic. And, today, for the very first time, we noticed the portal, a peek through the tree to the other side. “How did we miss that?” we exclaimed.

“It only felt like an ambush because I hadn’t been paying attention.”

Horatio, of course, is right. There is no ambush. The river keeps flowing and somehow we are surprised to find ourselves in places we’ve never before imagined. New stages of life. All the time I tell Kerri that she is beautiful. She cannot hear me because she expects herself to be in another part of the river entirely. I am guilty of the same false expectation.

Looking backward in life is like looking through the tiny portal in the ancient tree. The view is blurry and limited. Ask me if I would like to go back to the time when my body was thirty and I will howl with laughter, “No way!” This day, this moment, as hard as it can sometimes be, is the best time of my life. I am learning to appreciate my aches and pains, my ever-changing-body, to pay attention to where I am and not where I imagine I should be.

Here and now. There is nothing more beautiful.

read Kerri’s blogpost about THE PORTAL

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