In a roiling stream of consciousness, the limbs at sunset evoked a memory of watching a master of ink and brush, a fluid stroke, a guided hand that for some reason pitched me into Robert Motherwell. I scrolled through selections of his work and was taken by how many of his pieces are direct descendants of Henri Matisse. I was taken by how many times he returned to a theme Elegy To The Spanish Republic. The atrocities of war.
We heard the phrase “conscious avoidance” but thought we heard “conscience avoidance”. The confusion was fantastic! If I someday paint a series of pieces about the un-United States during these authoritarian years I will name the series Conscience Avoidance. Pam Bondi refusing to look at the Epstein survivors. The republican congress emasculating itself, refusing to deal with the obvious truth. The conservative members of the Supreme Court refusing to look at the Constitution. The Constitution stares, mouth agape, at the justices who try not to look at it. My massive canvases will be pocked with oppressive black strokes. Soul holes. Void.
There will, of course, be a parallel series. Conscience Totems. An homage to the people who take to the streets. Keepers of the promise and the light. Bright swaths of vibrant color evoking guide stars and torches and courage. The fluid strokes mimicking a master of ink and brush, a hand guided by something grander than self-serving-money-lust or personal-political-gain. The living branches of a tree reaching one to the other, interlaced and interconnected, reflective of their roots, drinking deeply from the earth so it might touch the sky. A celebration of those unafraid to look power in the eye and ask, “What happened to you?”
read Kerri’s blogpost about THE TREE SILHOUETTE
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