Define It [on KS Friday]

“Dangerously soft-hearted. Derogatory. Informal.” Thus, the great book of words begins its definition of Bleeding heart. It’s no wonder we’re value-confused. Poke around the word “compassionate” and you’ll find a string of synonyms that are soft-hearted without the informal-derogatory in the mix: sympathetic, pitying, caring, understanding, empathetic…

Qualities to be admired.

If I care for you, if I feel your pain, if I consider your feelings, if I make space for your grief, if I feel sadness for your suffering…am I dangerously-soft-hearted or caring? The associated verb that pops up again and again is “to feel”. The portal to standing in another person’s shoes is through feeling.

We caution our little tykes not to let their emotions cloud their judgments. It’s good advice when understood that emotion…feelings…are necessary to arrive at sound judgement. Mind and heart are indivisible dance partners. Separating the two is a recipe for psychosis. And meanness.

Does compassion cloud or clarify? In the Christian tradition a bleeding heart, the bleeding heart, is the spirit that nourishes. “The salvation of humanity.”

Empathy is an epicenter of artistry. Love is a word of the heart, soft or otherwise.

It’s quite a mix of meanings! I suppose that’s why the wise advice found in all wisdom traditions is to find the middle way. “Balance” as a Buddhist might recommend. “Get neutral” as divemaster Terry instructed. Parcival; pierce the veil with the arrow aimed straight through the middle. There, the grail is found.

A bleeding heart is a plant, too. Beautiful and it always evokes a sweet sigh from Kerri. Life giving. Instant presence. Now, isn’t that an apt example of a spirit that nourishes? Try to find that in a dictionary!

kerri’s albums are available on iTunes or streaming on Pandora and iHeart Radio

FREEFALLIN’ IN LOVE © 2002 kerri sherwood, sisu music productions inc. (Note: this is not jazz, nor does rumblefish own any copyright or publishing rights to this song).

read Kerri’s blogpost about BLEEDING HEARTS

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Spread Da Butter [on Not So Flawed Wednesday]

“It’s a corn butter spreader,” she said. 20 and I looked incredulous.

“A what?” We squinted, as if squeezing our eyes might produce a sharper image. As if recognition was produced by wrinkling our faces.

She’s pulling our leg,” 20 suggested. I nodded. She is well-known for too-easily pulling-the-wool-over-our eyes. 20 and I are gullible and easy marks for her shenanigans. I appreciated 20’s suggestion that between us he and I had only one leg to pull. Unintentional admission of our shared wit-less-ness.

“Noooo!” she protested. “Haven’t you ever seen one of these?” We shook our heads. Wary. Smelling a trap. “It’s a corn butter spreader!” She insisted. 20 and I stood our ground of solid disbelief.

“Look,” she huffed, scooping butter into the contraption, lowering the press arm, she ran the device over a hot cob of corn. Like an indignant Vanna White, she finished her demonstration and thrust the gadget toward us proclaiming, “Corn-Butter-Spreader!”

20 whispered, “She might be telling the truth.”

“This time,” I mumbled. Now, she was squinting at me though I doubt her squint was intended to sharpen my image.

“Use it!” she glared at 20 who promptly obeyed, deftly spreading butter on his corn.

“Hey!” he smiled. “Who knew! This thing works. There’s a tool for everything!” he double buttered his corn. “Do you want to try it?” he asked.

“I’m a purest,” I said. “I like mine without butter.”

“Too bad,” he said, triple buttering his corn. “This is fun.” He turned to Kerri asking, “When were you going to tell us about this?” He looked at me, puzzled, “Why does she always keep things from us?”

read Kerri’s blog post about CORN BUTTER SPREADERS

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Act For The Benefit [on KS Friday]

We are hunkering down today. The smoke from the Canadian fires has arrived and the air-quality-index reads “Poor” to “Dangerous.” My head hurts. I feel as if I can’t catch my breath. A glaring example of interconnectivity. Airspace knows no nation. Not really. All for one and one for all.

I Googled the phrase “All for one and one for all” wondering if it was yet another clever Shakespearean quote. It is but the good poet didn’t originate it. He borrowed it from the Latin or from Aesop. I read that now-a-days it is the unofficial motto of Switzerland. “Each individual should act for the benefit of the group, and the group should act for the benefit of the individual.”

Aesop was born circa 620 BCE so the idea that we should – and could – act for the benefit of all is not a new idea. It may be the most basic of human survival necessities. Aesop popped it into a fable since storytelling is the original-and-best form of adult learning theory. On a side note, someone who composes and/or tells fables is called a “fabulist.” Had I known sooner I’d have spattered that on every business card, used it at every social gathering: “What do you do for a living, Mr. Robinson?”

(humble chuckle) “Oh, you know, I’m a fabulist. Here’s my card…”

Kerri snapped this photo of Meadow Hawkweed. It’s important to our story of Canadian smoke in American airspace because its healing properties include the treatment of asthma and other respiratory ailments. All for one and one for all includes the world of flora and fauna, too. The whole knows no parts just as the airspace knows no nation.

In my dystopian fantasy, when we warm the globe sufficiently enough that systems collapse and smoky air is the new norm, I’ll corner the market on Hawkweed. Just-kidding. I’ll share what I know with whomever needs help breathing. And, while waiting for the healing to kick-in, I’ll tell some stories of people helping people. Like Aesop, I’ll try and plant the seed for a better world. Once a fabulist, always a fabulist.

in a split second/as sure as the sun © 2002 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost on HAWKWEED

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Take Pride [on Two Artists Tuesday]

This is Pride month and, for myself, to the the brilliant rainbow flag I’m adding a metaphor: the circle.

The circle is a universal symbol and that is precisely the point. Ubiquitous. Common. Applicable to all.

Google the metaphoric meanings of a circle and you’ll discover simple, nonpareil aspirations. “The circle is both an image and metaphor of completeness and equality. There is both protection and democracy within its confines as people face each other without visual hierarchy.”

Completeness and equality. I rolled these words around a bit. Celebrations like Pride are how we strive to complete the dream of equality. Or, better: how the dream of equality strives to fulfill our founding intention. It’s written in our Declaration of Independence. We hold these truths to be self-evident.

Protection is a word but in practice it is among the deepest of human necessities. Protection is the gift of equal inclusion. Every single point on the circle is necessary; “…without visual hierarchy”. Inclusion has recently been made a tug-of-war term, a specter of the scary monster, Woke, but beyond the ruckus it is not an abstract highbrow concept. Not really. It’s a fundamental: a community that cares for its own. In tribal communities being cast-out is a fate worse than death. An outcast is never safe. Safety-for-all is among the aspirations of Pride. To come safely home. One need not be woke to grasp the concept. Compassion for others requires very little sophistication to grok.

And so, for me, I take Pride in the circle. That which leads back to itself, the original source. Our oneness. Our deepest humanity. Wholeness. Original perfection. Timeless. All the colors of the rainbow.

read Kerri’s blogpost about THE CIRCLE

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Name It [on Merely A Thought Monday]

The artist, Joe, had us write our names again and again until the lines lost their meaning, until we realized the lines were…lines. And shapes. Until we realized that our names were drawings. Unique and easy. His message? Everyone draws. And, more importantly though less obvious, the lines do not carry the meaning, the person infuses the line with meaning.

Visiting a pal in the hospital, I watched a heart monitor. More lines. Pattern. Waves. Visual indications of the drumbeat of the body. The drumbeat of the body propels the rhythm of the poet’s pen. Iambic pentameter. Short, loooong. Short, loooong. The poet’s lines reach through time and space, heart-meaning yearning to pulse through another person, to perhaps synchronize with their heart-wave pattern. Centuries may have passed between the inky scribbles from the poet’s pen to the person absorbing the meaning into their beating heart. Time travel. Ancient heart touches the living. “When to the sessions of sweet silent thought/ I summon up remembrance of things past…”

Watch a child learning to “write” their alphabet. Assigning meaning to shape. Crayon fist making lines. The refined adults see the shaky line as crude. Cute. Titanic imagination squeezes itself into alphabetic parameter. The little hand becomes a giver of meaning to shape and line. Expression. Learning to combine the limited shapes for greater and greater complexity. The conundrum: among the first lines we learn to scrawl are our names yet these few lines carry a question that can never be answered. Who am I?

The artist, Joe, had us dash off our names again and again until the lines seemed nothing more than a doodle. The meaning is not found in the lines; the lines and shapes merely point the way to the question.

read Kerri’s blogpost about THE CONTRAIL LINE

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Comprehend The Incomplete [on Merely A Thought Monday]

Three evenly spaced periods. An ellipsis, “used to indicate the omission of words or an incomplete thought.” This series of ellipses punctuated the horizon, marking the line between the dark night sky and the farm fields.

The omission of words. As I watched the horizon-ellipses twinkle, I wondered how many times I’ve omitted the words, “I love you.” Too vulnerable. Not safe. Revealing.

An incomplete thought. Not surprisingly, this brings to mind a thought about thoughts: namely, thoughts are never complete. Every thought is a running ellipsis, a water drop in a raging river. A complete thought is an oxymoron. Because we are given to writing our thoughts – trying to capture them – we are deluded into believing that the stream of babble that runs though our brains is containable or fits neatly into discrete compartments that travel in a single direction, like the boxcars of a train. This thought is connected to that thought just as this letter is connected to that letter so a chain of meaning might be assigned. Someone, somewhere, wrote that our thoughts are the mother-lode of comedy. Random. Surprising. Multi-directional. Rolling, roiling rivers. Shapeshifters.

My word of the week is “argle bargle.” It means nonsense. Motherlode of comedy. Argle-bargle-avalanche.

In the dark of night I look at the ellipses on the horizon; no one can convince me that love, like thought, is ever complete. I look higher into the night sky at the glittering light-dots that have completely ignored the rules of even-spacing and scattered themselves across infinity. Maybe that is why I sometimes omit the words, “I love you.” it’s too big to comprehend. It’s sometimes too much to contain in my one tiny heart…

read Kerri’s blogpost about ELLIPSES

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Embrace The Accident [on Two Artists Tuesday]

I am a big believer in happy accidents. Kerri didn’t intend to take this photo. A vibrant shock of red thrust into a field of green. I’m tempted to slap a title on it and enter it into a contemporary photography exhibition.

I’ve read that serendipity, an “unplanned fortunate discovery,…is a common occurrence throughout the history of product invention and scientific discovery.” It’s also a common occurrence throughout the history of art. It’s also a common occurrence throughout the history of…history. We have experiences and then we make meaning of them. Not the other way around.

I suppose we pride ourselves on our capacity “to know” so we forget that all knowledge is the result of a stumble, a discovery found at the far end of curiosity, exploration or an outright mistake. The point of a hypothesis (to borrow a term from Quinn) is to cultivate serendipity. Try it and see what happens.

I’ve been following the conversation in the tech-o-sphere about the sudden blossom of the very lucrative job “phrase engineer.” Human beings attempting through trial and error to learn how best to converse with the technology we’ve created. AI. ChatGpt. The unspoken goals are (not surprisingly) efficient and effective communication. There are now several sites with useful phrases, conversational hints, Youtubes abound with guidance for best ways to ask better questions, quickly eliciting the best result: an answer. It’s glorious and reminds me of old 3rd grade language primers or my high school foreign language class – only more enthusiastic.

I am among the millions who hope beyond hope that someone-out-there bumbles into the secret of effective communication. Perhaps if we discover how to communicate with artificial intelligence there will be a profound blowback and we will, serendipitously, discover the secret of easy communication with each other. Generosity. Empathy. Kindness. How-you-say-what-you-say matters.

“AI, tell me what you see and I will listen with an open mind and heart.” I know, I know. More pie-in-the-sky. But as a dedicated believer in happy accidents, I’m given to think that anything is possible.

read Kerri’s blogpost about RED ON GREEN

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Make It Visible [on Two Artists Tuesday]

“I believe that the very process of looking can make a thing beautiful.” ~ David Hockney

Sometimes I look at a blank canvas and see a composition. My job is to follow the image. To make it visible.

Sometimes I have an idea and I bring it to the canvas. My job is to explore the idea. To make it visible.

It’s a chicken-and-the-egg conundrum. What comes first? When I look at the peony do I see beauty or do I bring beauty to what I see? Is beauty a decision?

“Good-God!” I hear Kerri’s inner monologue-commentary on my too-ponderous questions. “Get out of your head! Smell the peonies!”

I wish I could. What happens when it’s not a peony that I see but my neighbor? Or someone whose worship is strange to me? Or someone with a different opinion?

Sometimes I look at a blank canvas. Sometimes I have an idea that I bring to it. Sometimes my job is to follow the image. Sometimes my job is to explore the idea.

The tricky part of language is that the biases are unseen. For instance, in English, the emphasis falls on the noun: me. Canvas. It implies the two are separate. Distinct. It obscures the relationship between. Connectivity is relegated to the basement, a lower status or obscured to the point of nonexistence. It fosters a philosophical orientation of…”it happens to me.”

Connectivity, once seen, once understood, requires us to recognize our responsibility for what we see. Our participation in the dance of creating what we see. In what we bring to “it”. What, exactly, do we wish to make visible?

read Kerri’s blogpost about the PEONY

Incant [on Not So Flawed Wednesday]

It reads like a love poem. Puschkinia blooms in the empty moment between the fading of the snowdrops and the blooming of Chionodoxa.”

Despite their desire to be understood otherwise, botanists are poets, too. Taste these sounds: siehei, sardensis, forbesii. Spoken together they form an incantation worthy of Macbeth’s witches. There are three witches in the play: Category, Sub-category, and Group. Chionodoxa, we are told, is commonly called “Glory Of the Snow”. The poet-botanist would have us know that, in the empty moment between the fading of snowdrops and the blooming of the Glory-Of-The-Snow, tiny Puschkinia reaches through the soil and fills the void with cobalt and white.

Love poems and incantations. Love poems are incantations. “And because love battles not only in its burning agricultures but also in the mouths of men and women,… Neruda. Ahhhh.

“Double, double toil and trouble; fire burn and cauldron bubble.” What will the future bring? Glory-Of-The-Snow, of course! Shakespeare would have nothing less.

All of this poetry came alive in our front yard this week. It was the empty moment, It was the space between the fading snowdrops and the blooming of Chiondoxa. Had we not looked up from our computers, had we feared the cold wind off the lake and stayed comfy and warm inside, we certainly would have missed it.

Love poems and incantations. Harbingers. Nature quietly whispers its temptation, “Puschkinia blooms.”

read Kerri’s blogpost about PUSHKINIA

Learn A New Word [on DR Thursday]

Call it a “happy accident.” Call it an unintended consequence. “I like this photo!” she exclaimed. “It reminds me of a Rothko.” A wrinkled brow and then, “I wonder when I took this?”

Last night we learned a new word that I love: Coddiwomple: to travel in a purposeful manner toward a vague destination. I’ve never heard a more appropriate definition for the life of an artist! My pursuit could not be more clear and the destination could not be any less attainable. It’s impossible to explain. Recently I tried – again – to clarify for a colleague that I know exactly what I want, I do not need career counseling or advice. I’ve always known what is mine to do. I’ve never been able to wrap words around it so it might make sense to others. An artist’s life is hyper intentional. From the outside it makes no sense at all. There is no 401k. There is no safety net. There is no certainty. Sometimes there is no shape. Always, there is no adequate answer to the question, “Why?”

There is a clear calling, an underground river running beneath how it is expressed – whether through paint or musical notes or pirouettes. My career, on paper, looks like a random romp through the woods. Galleries and symphonies and stages and boardrooms and classrooms and consultancy and facilitation and coaching (a word that still makes me wince). DEI and intercultural. Start-ups and SaaS. Canvas, all. Some of the best plays I’ve ever developed happened in cafeterias or a conference room. I knew exactly what I was doing. I was not “using improvisation” in a business setting. I wasn’t using anything. The work of my life has not been about translation or utilizing “the tools of art” in other settings.

Artistry is akin to stepping into a rocket headed into deep space for a journey of discovery. The only honest answer to the those who ask, “What are you doing?” is “I’m journeying.” Creating. Inventing. Innovating. Stepping purposefully toward a vague destination. Coddiwompling.

May You, 55x36In, mixed media

read Kerri’s blogpost about ROTHKO PHOTO

may you © 2015 david robinson