Lately I’ve been applying for many jobs so I’m configuring and reconfiguring resumes and writing cover letters. They essentially serve as a surface-layer life review. This is who I am. This is what I’ve done. Of course, for me, that means I am thinking about art and artistry.
When I write the words “art” and “artistry”, I am aware that they mean something to me that I will never be able to convey through language. They are not “things” that I do or have done, they are not welcome career paths or positive attributes that potential employers desire to see on a resume. I wish I could count the times someone has said to me, “Yes, but what are you really going to do?”
“No, no, no!” I think. “You don’t get it! It’s not something I do.” I’ve learned over time to keep that thought to myself. There’s no point debating the worth of a way-of-life in a world that measures value in dollars and cents. Against this calculus, artistry makes no sense.
What am I really going to do? Paint. Write. Perform. And bring my artist’s sensibility to an organization. The people who hire me will fully realize the benefit of someone who sees through my eyes, someone whose artistry permeates everything they do. At this stage in my life, I’ve run companies, I’ve saved companies, I’ve held people’s hands and led them into and through impossible conversations, I’ve stood in organizational fires and, sometimes, taken Tom’s advice and let the place close-down. “Make space for something new to enter.”
As I write my resumes, I am daily reminded that we are embroiled in a culture war. We are standing in a historical teachable moment: we will either tell our full story and grow or we will do what we’ve done in the past and ignore our addiction to fantasy and opt for history-censorship. There’s never been a better or more necessary time to be an artist. Artists hold, express, and reflect the identity of their community. Nihilism has brought us here and that empty “anti-woke” sun is setting.
What we say matters. That’s an artist’s thought. How we say what we say matters. That, too, is an artist’s thought. Mattering is a word of relationship. Consideration of others is the province of mattering. That, too, is an artist’s thought. It’s an artist’s imperative: tell all sides of the story.
Kerri and I walk the trails to clear our minds and our walks have provided me with a perfect metaphor; artists are pine cones. The pine cone holds the seeds. It’s a protective, nurturing organism . It’s “…the female reproductive structure of the tree.” It’s the keeper of the essence and promise of the next generation.
From the deep archive. A painting from another century. From the estate of Marian Jacobs
read Kerri’s blogpost about PINE CONES
painting from another century (I can’t recall the title) © 1990, 2023 david robinson
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The Direction of Intention 