Make Room for “Wow!” [David’s blog on Merely A Thought Monday]

“Trying to define yourself is like trying to bite your own teeth.” ~ Alan Watts

My inner schoolmarm just marched me to corner where I now sit wearing the dunce cap. Apparently I have been taking myself too seriously. I am confused since I started my campaign for serious-thinking after last week when I was marched to the corner and made to sit wearing the same dunce cap for not being serious enough! My inner schoolmarm is hard to please!

Quinn used to talk about course corrections – learning – as smart-bomb behavior. Rather than “ready-aim-fire” he suggested the correct sequence was “fire-aim-ready”. Too much of life is wasted on the notion of readiness. Live-and-learn rather than learn-to-live.

I laughed aloud when I read the phrase on the wall of an airbnb: “Live your life as an exclamation rather than an explanation.” I wonder how much of my inner air-space has been dedicated to explaining my life choices to myself in the guise of imaginary conversations with others? Why do I spend so much time telling myself the story of myself? You’d think I have nothing better to do and no one else to talk to. I’d much rather fill my inner air-space with a constant, “Wow!”

That must be why I’m sitting in the corner. Perhaps my inner schoolmarm is not so unreasonable after all. She may have something of value to teach me. An inner “Wow!” is the response of someone who is looking out on the gorgeousness of the world. Focus out. A rolling inner explanation is self-absorbed. There’s no room for “Wow” amidst so much “MeMeMe.”

No wonder I currently don a dunce cap and sit by myself in this sad little corner!

Maybe wearing this silly dunce cap has nothing to do with my seriousness or lack thereof! Maybe, to escape my punishment, all I need do is ask, “How can I help?” Or, “Who can I help?” Or maybe I should look out the window at the autumn trees and witness the “Wow!”

Or, maybe I should sit here for awhile longer, invested in the impossible, and continue trying to explain myself to myself.

read Kerri’s blogpost about BE THE GOOD

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Enter The Sanctuary [David’s blog on DR Thursday]

“To accept one’s past – one’s history – is not the same thing as drowning in it; it is learning how to use it. An invented past can never be used; it cracks and crumbles under the pressures of life like clay in a season of drought.” ~ James Baldwin

It was the end of a blistering hot day and my brains were baking. We walked the path in the afternoon sun to see one more arch. Turning into the shade we squeezed through a narrow passage way and stepped into a sandy sanctuary. It was easily 20 degrees cooler. It was ancient. People had been coming to this place to escape the heat for centuries.

I thought of the sanctuary when I watched the clips from the faux-interview. I wish I was surprised but I was not. During his interview with Kamala Harris, the absurd lengths Bret Baier went to protect his fox-audience from basic information should have been astounding. It was not. To twist a phrase from Forrest Gump, “Propaganda is as propaganda does.” Sad. And consistent.

And dangerous. Fox News is not like a box of chocolates because you always know what you are going to get. Hatred. Fearmongering. Victim TV. Brain-baking. Division, division, division.

I realized that all of my eye-rolling, my utter disbelief that fox-viewers will swallow without question such large chunks of tripe, can be boiled down into one single question: “What are they afraid of?”

The answer is as old as our nation. Perhaps they are afraid of losing their made-up history. Perhaps they are afraid of losing their place in the caste?

According to the Oxford English Dictionary, the first appearance in print of the adjective white in reference to “a white man, a person of a race distinguished by a light complexion” was in 1671. Colonial charters and other official documents written in the 1600s and early 1700s rarely refer to European colonists as white.

As the status of people of African descent in the British colonies was challenged and attacked, and as white indentured servants were given new rights and status, the word white continued to be more widely used in public documents and private papers to describe the European colonists. People of European descent were considered white, and those of African descent were labeled black. Historian Robin D. G. Kelley explains:

“‘Many of the European-descended poor whites began to identify themselves, if not directly with the rich whites, certainly with being white. And here you get the emergence of this idea of a white race as a way to distinguish themselves from those dark-skinned people who they associate with perpetual slavery.‘”(facinghistory.org – inventing black and white)

Inventing white and black, dividing black and white. Colonists, always greatly outnumbered by the people they colonized – therefore deeply afraid of the people they colonized – relied on one highly useful trick: divide the people so they will fight amongst themselves.”

Fox News, as yesterday demonstrated by Bret Baier, works to carry on the colonial tradition.

After Bacon’s Rebellion, Virginia’s lawmakers began to make legal distinctions between “white” and “black” inhabitants. By permanently enslaving Virginians of African descent and giving poor white indentured servants and farmers some new rights and status, they hoped to separate the two groups and make it less likely that they would unite again in rebellion.

What they are afraid of is insidious: the fox is afraid that we will unite. They are afraid that we will fulfill the great promise of these United States of America. They are afraid that we will stop demonizing each other according to made-up lines of division and treat each other with the respect and divine promise of our nation: that all people are created equal. That all people deserve to be treated fairly, taxed equally, afforded an equal playing field…

The fox fears that we will come together, cooperate, and finally see through the manufactured division, the if-you-gain-I-lose fantasy. They fear we will see-through and transcend the colonial-control-game, that we will step out of the brain-baking heat of division, and enter the ancient place, the sanctuary known as rule by the people and for the people. For all people.

read Kerri’s blogpost about THE SANCTUARY

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Look In The Mirror [David’s blog on KS Friday]

“…the Impressionists took seriously what we now often fear: that when life changes outwardly, culture must change inwardly.” ~ Jason Farago, How the Impressionists Became the World’s Favorite Painters, and the Most Misunderstood

If the word zion means “a holy place”, then Zion National Park is aptly named. Even overrun with tourists crammed in shuttles, it remains sacred. Beyond us. We are, after all, a mere blip in its history.

“Imagine how long it took to sculpt these canyons!” Charlie exclaimed. Eons. I overheard a woman on the path to the Narrows say, “It invites awe.” It is good to occasionally put our lives in proper perspective, to glimpse our smallness. Invite awe. That is one of the roles of the sacred.

While the world’s first democracy was being formed in the 5th century BCE in Athens, Greece, the grand walls of Zion were already much as they are today. Both were sacred: the new idea of “rule by the people” and the impossible grandeur of the ancient canyons.

In our present day democracy we are meant to be in service to something bigger than ourselves. The people across generations. That, too, is one of the meanings and roles of the “sacred”. To give us perspective relative to the higher ideal of our constitution as it matures in the future.

The maga-clan would have us flip the equation and dismantle the sacred. The outward changes are visible everywhere. Lies replace truth, self-service erodes the constitution, the higher ideal. The red candidate claims to have all the answers, fundamentally misunderstanding and undermining rule-by-the-people. We are, after all, a democratic republic not an authoritarian cesspool.

At one time in our history, being found liable for rape would have disqualified a candidate. Multiple felony convictions would have immediately ended a presidential campaign. Outlandish and persistent lies, inflicting real harm on people in the nation, would have horrified the electorate. A campaign driven by thuggery and grift would have burst into flames and disappeared from the public stage. An insurrectionist would once have been jailed and forgotten. And yet, here we are. Outward changes.

“…when life changes outwardly, culture must change inwardly.

Ethics, moral decency, service to a higher ideal are completely absent in the maga-canon and the Project 2025 playbook. That so many in our nation, despite all we know, are willing to vote for a rapist, a liar, a grifter, a felon, a misogynist, a racist, a fear-mongerer…gives us a mirror with which we might glimpse our inward changes. The loss of the sacred. To fifty percent of our nation (it seems by the polling) our system of governance has been reduced from a sacred ideal to a superficial transaction. There is an unholy price to pay for winning-at-all-cost.

We have a choice in November. We can continue to create and protect our Zion, our rule-by-the-people, or we can take it down, throw it away and give the reins of power, not to the people, but to an angry narcissist who threatens to seek retribution and eliminate his political rivals.

Luckily, the choice is not his. It is ours. Look in the mirror while there is still time. Take a good hard look. Help others to look in the mirror and then vote to sustain rather than scrap our sacred democracy.

read Kerri’s blogpost about ZION

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What Remains [David’s blog on KS Friday]

“Only to the extent that we expose ourselves over and over to annihilation can that which is indestructible in us be found.” ~ Pema Chödrön

The super moon called us out into the night. We ran-walked to the grounds of the Anderson Art Center so we might get an unobstructed view of the giant moon perched just above the horizon. Later, we walked the streets and paths that followed the shore so we could watch the moon shrink as it journeyed higher into the sky. An illusion.

My favorite part of our stroll was finding that we weren’t the only people called into the night. People – many people – gathered along the shore, some quiet, some giddy – all attending the march of the moon. “This is just like the old days,” Kerri said. A community joining together to share a common experience. No one cared about the politics or issues of the day. There was a common agreement as we passed others: “Isn’t it beautiful!” Strangers so moved by the enormity of the moment, so connected to this ancient traveller, that they were compelled to speak to each other.

Think about it.

The little stuff disappears in the face of the transcendent moon. I felt as if we were participating in a ritual that is as old as humanity. And, more to the point, this ancient ritual, the awe of the moon, invoked our humanity. We were, to a person, benevolent. In the timeless moon there was no space for the petty. There wasn’t a hint of righteousness or prejudice to be found. We waned in the face of the eternal light of the moon. What remained was a basic impulse to share the moment. To join. Primordial generosity. Kindness sublime.

It’s a Long Story/ This Part of the Journey © 1998/2000 Kerri Sherwood

Kerri’s albums are available on iTunes or streaming on Pandora

read Kerri’s blogpost about THE KEYS

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Shadow Singular [David’s blog on KS Friday]

She began taking pictures of our feet when, early in our lives together, we traveled to The Netherlands, Belgium and France. The point was not to capture our feet, rather it was to record the variety of surfaces we walked upon. Cobblestones and ancient wood. Mosaic tile. The unusual and the seeming ordinary, though, when traveling, no surface is ordinary. For awhile we entertained assembling a collage of the many many surfaces were we found our feet standing. A quirky memory wall.

Adding to her series of traveling feet she began capturing our shadows. It’s now common for her to say, “Wait!” I know exactly what to do. No questions required. My job is to hold still until she snaps the latest edition to her shadow collection. I love them. To me, they are our version of the Balinese shadow puppets. Wayan Kulit. At best we are aware of the shadows we cast, the projections of our minds. Our lives a moving grand illusion.

Like the feet series, the shadow collection serves as markers of our life together. Trails we’ve hiked. Bridges we’ve crossed. Friends who entertain without question our odd request for a shadow portrait.

I just read a story about a man who tried to outrun his shadow. He was, as you might imagine, unsuccessful. It was a particularly poignant story for me since I spent many of my younger years trying to escape my shadow. I was, like the man in the story, unsuccessful. Though, unlike the man in the story, I stopped running. Some small grace whispered in my ear to stand still, to turn and look at it. To really look. To walk with it.

Isn’t it poetic that after all that time running, I now hold hands with a woman who regularly stops me on the trail, not only to look but to capture our shadow – singular – as it stretches out before us, leaning in, two people blending together as one?

Good Moments on the album This Part of the Journey © 1998/2000 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about SHADOWS

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Witness The Impossible [David’s blog on DR Thursday]

We heard, in some locations this summer, people experienced a veritable plague of cicadas. They shoveled them off of their driveways like so much snow. Not here. We finally heard their song late in the season. We found a few empty shells floating in the pond or attached to fence, evidence that they’d emerged and transformed. They were present in vibrational rhythmic sound. They remained invisible to our eyes.

Sitting quietly on the deck one evening in August, enjoying the cicada symphony, Kerri said, “It’s not summer until I hear the cicadas.” Markers of our passage around the sun. Symbols of the cycle. The first color on the leaves. First snow. The first dandelion of spring. The first turtle emerging from the muddy river. Cicada song.

Last week we talked about stew and soups rather than watermelon and burgers on the grill. In this way, in old and new recipes, we chase the coming season. Anticipation and imagination.

We found the cicada on the driveway. It was in its last minutes of life. Crawling like a drunken sailor, it could no longer fly; one wing undamaged but seemingly useless. “It’s so sad,” she said as she knelt to take a photo.

Reverence overcame the sadness. “Look at the color! How beautiful!” she whispered, showing me the photo. We knelt again to witness the dying cicada.

Appreciation. Sometimes I think our only purpose on this earth is to cherish its treasures, to recognize something so small and impossibly grand as the movement of life.

read Kerri’s blogpost about THE CICADA

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Give Over [David’s blog on KS Friday]

In the pontoon boat I give over. I do not drive so I make no significant decisions. I sit in a sunny spot. I laugh with good friends or am quiet. There are snacks. I open myself to whatever comes my way. I give-over.

It seems so easy on the pontoon boat. To relax. To go with the flow. To forget the all-important-lists. To drop the illusion that I am more than I am. No need to achieve, to prove, to strive, to become. On the pontoon boat I am just this. I am with friends. We move slowly. We chase nothing. We circumnavigate the lake. On the pontoon boat I am enough – and I know because I do not think about it at all. I measure nothing. No need to measure up.

I wonder why I reserve this kind of living to time on the pontoon boat.

Yesterday was an exceedingly hard day. I filled my cup with discord and self-loathing. I was a wasteland.

The boat is not magic. The peace I feel is not given to me by the boat. I give it to myself. My friends are with me whether we ride the boat or not. The reasons for my discord existed only in my mind. A very dark cloud. In my mind I did not measure up. I withheld peace and chose inner-enmity. Why?

You would think the grace I afford myself when riding in the pontoon boat would be available when riding on the earth as we circle and circle the sun. Why is my ride on this earth any different than my ride on the pontoon boat? Why would I choose anything other than grace?

When not on the pontoon boat am I not capable of opening myself to whatever comes my way? What – other than myself – prevents me from giving-over?

I measure illusions against illusions to fully achieve my misery.

The illusions and incessant measurement are what I drop when climbing onto the pontoon boat. They are what I easily-give-over when taking my seat in the sun with friends. How much more important is it to give-over the illusions with the same ease while inhabiting this seat as I circle and circle the sun?

Time Together on the album This Part of the Journey © 1998 Kerri Sherwood

The music Kerri has recorded is available on iTunes and streaming on Pandora.

read Kerri’s blogpost about the PONTOON BOAT

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On The Morning Breeze [David’s blog on Two Artists Tuesday]

The first hint of fall was in the air this morning. Is it a scent or something I feel riding on the breeze? I’m not sure. Maybe both. I stood at the door and breathed it in. It is like the return of a favorite friend.

I’ve been waiting for this moment. The plumes on the grasses changed color a few weeks ago – a sure sign of autumn approaching. The vine coiling around the rocks by the pond has already passed through crimson and yellow to brittle brown, a transformation that usually happens later in September. Breck-the-aspen-tree, stressed by all the rain we’ve recently experienced, is not yet changing. She must wonder if she’s been transplanted to a rainforest. I imagine she refuses to put on her fall color until she’s had a chance to wear her finest summer wardrobe. The bees are out in force and a little aggressive, a sign of summer’s end.

I’ve been meditating on my conversation with Judy. We talked about life’s changes. The hot fire that tests us and transforms us when we finally understand that we must let go of who we think we are. “Either I die or this dies and I’m not going to die!” she said, laughing the laugh of someone who has been forged in fire, someone who has let go of seasons past and moved with nature into the surprising new.

Standing at the backdoor, feeling autumn to my bones, I felt the ash of the fire all the way to my core.

Beyond the dictionary definition, I am learning about resilience. Resilience is not a rigid bulwark. It is an open hand. Breck-the-aspen-tree bending with the wind. New sprouts arising through the ashes after the forest fire. It is autumn announcing its arrival on the morning breeze.

read Kerri’s blogpost about PLUMES

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Weather Beautifully [David’s blog on Merely A Thought Monday]

“…happiness, when pushed to an extreme, becomes calamity. Beauty, when overdone, becomes ugliness.” ~ Thomas Merton, The Way of Chuang Tzu

I am early in my slow-read of The Way of Chuang Tzu. I already love it. This morning I read these words by Thomas Merton slowly, again and again, tasting them like poetry: “…a system constructed on a theoretical and abstract principle of love ignores certain fundamental and mysterious realities, of which we cannot be fully conscious, and the price we pay for this inattention is that our ‘love’ in fact becomes hate.”

The abstract ideal contorts us. The “what is” always loses in a comparison to the “should be”. Thus, a world of nature’s beauty swirls down the drain.

Marketing ideals and mirrors reflect theoretical and abstract principles. Constructed systems. They readily twist our natural love of self into a hatred of our bodies and faces. Is beauty really the exclusive province of the young? Jessica Tandy and Hume Cronyn grew more and more beautiful, more and more brilliant with age. Aging is among the “fundamental and mysterious realities” of which Thomas Merton wrote. There is profound beauty in aging, a mysterious reality that is not accessible to the young.

On Saturday we published a Smack-Dab cartoon about aging. We poked fun at my discovery of new wrinkles when looking in the mirror. Poking fun at ourselves is a good strategy for embracing the “fundamental and mysterious reality” of this beautiful life. There’s so much pressure to do otherwise, to resist, to deny, to pretend. Laughter is a great eye-cleanser.

We live in a society slathered with memes and messages of self-love while, at the same moment, we drown in messages to be other-than-what-we-are. Is it any wonder we are conflicted and seem incapable of sorting out what is real and what is not?

I know with certainty, like every other human that walked before me, I will disappear into time. Why spend another moment of my precious limited time on this earth resisting the gorgeous life that I enjoy? Why try to hide my age to match a manufactured ideal?

There is a reason the clothes I wore a decade ago no longer fit. There is a reason my beard is grey and the light in my eyes is less fierce than it was twenty years ago. I am different now. No more or less beautiful.

I said, squeezing her hand, “Let’s become apple-dolls together.” Her eyes welled with tears. What could possibly be more beautiful?

read Kerri’s blogpost about WEATHERED BEAUTY

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An Echo [David’s blog on DR Thursday]

“…repetition as a means of physically marking time, memory, loss, transformation, and ultimately, transcendence.” ~ curator’s statement for the exhibit of Idris Khan at the Milwaukee Art Museum.

Repetition. A mantra. The hours of practice of a musician. A commute to work. Ritual. We walk the same looping trail again and again, season after season. The same is never the same.

We journey to the Milwaukee Art Museum to replenish our spirits. Mostly we visit Richard, Ellsworth, and Mark. I stop by and visit Georgia and Pablo. Not knowing much about him, we were for some reason drawn to the Idris Khan exhibit. Repetition. Stacked images. Words printed on top of words. Pages of musical scores layered and changed into a powerful visual statement. Symbols iterated until garbled and transformed; I leaned in close, then stepped back, again and again, becoming part of the repetition. A dance!

Such a simple star to follow, repetition. And yet…How many letters in an alphabet? How many notes on a scale? From the limited letters or available notes – symbols repeated and mixed and matched – an infinite array of possibilities. Every page of the Quran photographed and stacked. Bach’s Six Suites for Solo Cello.

Wandering through the galleries, his work made me ponder how our inner lives are entirely symbolic. Our days stacked one upon the other. We look though the stack called our past and somehow, through the noise, believe we arrive at understanding. Meaning. An echo.

Joy, 50″x56″, mixed media

read Kerri’s blogpost about THE MUSEUM

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