The Natural Course [David’s blog on Not So Flawed Wednesday]

We’ve no idea how to grow peppers. And yet, here they are, red and ready for harvesting. I’ve just decided that our peppers are a lesson in the Tao: do nothing. Wu wei. Water the peppers when they need a drink. The natural course will show the way.

Is it any wonder that people avoid me at parties? “Gear down,” Kerri whispers when I find myself suddenly abandoned and standing alone in the kitchen. And what if I like being alone? What if my natural esoterica acts as a people-at-the-party-repellant? For an introvert, party-small-talk is exhausting, the empty kitchen a safe haven. The natural course shows the way.

I just read that striving for happiness is predicated on the belief that happiness is somewhere else, not here. Let go the striving and, perhaps, a different belief will enter. Perhaps happiness is here already. Or, as Viktor Frankl famously wrote that “happiness ensues.” It cannot be chased. Stand still and perhaps it will bump into you.

Sometimes, no matter where I am in the house, I know that Dogga wants to come back inside. He makes no noise. I can feel it. When I arrive at the backdoor he is standing there, open face, bright eyes, wagging wag-a-wag. He is certain that I will be there, joyful in our greeting. Happiness is nowhere else. No striving necessary.

The natural course shows the way.

[Kerri just said this post is a “random-thought-pie”! A perfect description of the inner workings of my noggin. I love it!]

read Kerri’s blogpost about PEPPERS

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A Different Understanding [David’s blog on Not So Flawed Wednesday]

Sometimes color stops me in my tracks. The color of a sunset. The color of a canyon. The color of a flower. This hot coral coneflower stopped all engines.

David Hockney is a colorist. Henri Matisse. Judy Chicago. Piet Mondrian. Sonia Delaunay. There are so many painters whose use of bold color, like the coneflower, stops me in my tracks. Ellsworth Kelly. Mark Rothko.

With my love of color you’d think I’d be a colorist painter. Although I’ve had my moments, mostly I sort to earth tones. The neutrals. Once, a viewer of my painting, Unfettered, asked “Were you going for stone?” I wrinkled my nose and let the question hang unanswered.

Many years ago I mimicked David Hockney’s colors. I pushed myself to live in vibrancy. I loved the exploration but was rarely comfortable living in so much visual enthusiasm. I am too much the introvert to comfortably scream from my canvases.

I just washed over my latest painting, County Rainy Day. Kerri was appalled but I’d veered off course and hit color saturation too soon. I needed to reset. I generally work things out in process – instead of doing studies – so wiping off or washing over a canvas is not unusual. Like Kerri, John K used to chastise me, too, saying “Do versions or variations!” Versions and variations are expensive and I’ve rarely had abundant resources in my life. Every action has a history.

Recently Andrew Wyeth has once again caught my fancy. I’d never suggest that he is not a master of color – he is – but his paintings tend toward the neutrals. He captures something deeper, his visual language is as much that of a poet as a painter. A different understanding of color.

I imagine that, like me, on his daily walk, the color of a coneflower or the shape of a leaf stopped him in his tracks. And, one way or another, that startling moment of appreciation found its way into his heart and onto his canvases.

reset: County Rainy Day (detail)

read Kerri’s blogpost about SALMON CONEFLOWER

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For A Moment [David’s blog on Merely A Thought Monday]

“The distinctive human problem from time immemorial has been the need to spiritualize human life, to lift it onto a special immortal plane, beyond the cycles of life and death that characterize all other organisms.” ~ Ernest Becker, The Denial of Death

We waited until the oppressive heat of the day passed to take our walk. The air was thick and still but it felt good to be outside, moving. Because the humidity teases forward every former injury, we talked about our ubiquitous aches and pains. My back. Her wrists and fingers.

Kerri stopped and said, “I get it now.” We laughed at the memory:

One day, years ago, Beaky looked in the mirror and declared, “I look like an old woman!”

Kerri said, “Momma, you’re 93! You are old.”

Beaky stared at herself in the mirror and added, “But I don’t feel old!”

“I get it now.”

As we walked we talked about feeling young in a body that hurts when it’s humid. A new experience on our path through life, a growing dissonance between body and spirit. The spirit steps a few feet away and looks back at the body, declaring, “What the heck! That’s not what I look like!” It is certainly not what I feel like.

There’s a surprising gift in the dissonance. Perhaps, like all good paradoxes, within the discord, the first real harmony of life becomes available. The “supposed-to-be” drops off. The social face is less useful and set aside. The striving to be somewhere-else-in-some-imagined-future-achievement ceases, becomes so much dust. Suddenly, the miracle of life is not somewhere else. It is found in the here-and-now. Flexing achy fingers. The evening sky made pastel by humidity.

The growing realization that this ride is limited makes it all the more precious. Grounded.

Life – spirituality – becomes uncomplicated. Unapologetic. Authentic. Spirituality that requires no cathedral or book of rules. No incense or intermediary. No searching or appealing prayer. Spirituality that is borne of the simple appreciation of the moment. Feet firmly planted on the ground. In the Buddhist tradition: joyful participation in the sorrows of the world. Here and now.

In joyful participation, holding hands with achy bodies on a humid evening, for a moment at least, we get it. We arrive at uncomplicated, unapologetic, and authentic.*

(*thanks to the Heggies Pizza truck for the post inspiration!)

read Kerri’s blogpost about UNCOMPLICATED, UNAPOLOGETIC, AND AUTHENTIC

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Return To The Origin [David’s blog on Two Artists Tuesday]

On the way home from Minnesota we drove the river road. We pulled over several times to gape with awe at the Mississippi River. We marveled at the bluffs and searched the sky for eagles.

It was more than a scenic choice. It was an intentional return to our origin story. When we packed up my life in Seattle and moved it to Wisconsin, we entered the state through the river road. Kerri wanted it to be the portal to my new home. We stopped in the little town of Stockholm just as we had eleven years ago. We visited the same shop that caught our eye on that day in the past. The shop has since passed on to the owner’s daughter. She’s making it her own. She told us that the metal sculptors we’d admired, the reason we originally stopped, were retiring. It was getting too hard for their hands to do the work.

Just beyond Stockholm we pulled off the road to get some photos of Farmer Don’s place. Tripper-Dog-Dog-Dog’s birthplace. We hoped there’d still be a sign for “Aussie Pups” so we could stop and tell Farmer Don how much we love our Dogga. There was no sign and it looked as if the farm had changed owners. The driveway into the farm and the white fences were the same. We took photos. We sat in the car and recounted the story of the day we got a dog when we didn’t mean to get a dog. We whispered a quiet “thank you” to Farmer Don.

We pulled off the road a few minutes later to get another view of the Mississippi River. Timeless. I imagined I heard the voice of the river. It was akin to the low rumble of a didgeridoo.

The stores have changed hands. Old buildings are restored and new shops are constructed. Farmer Don is most likely no longer with us. He was older and not in good health that day in the past, when he needed to find a good home for a puppy that no one wanted, and two strangers driving a Budget truck saw his sign and decided to stop. I suspect he knew that stop would change their lives.

The names on the political signs lining the outskirts of the villages are different. We are different after eleven years. So much life, or so it seems. So much water under the bridge. A blink of an eye to the river.

The opportunity to return and relish our origin story. To travel through time. For us it was as simple as taking a drive along the road runs beside the mighty river.

read Kerri’s blog about THE RIVER

The day we met Dogga

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Infinity Squeeze [David’s blog on Merely A Thought Monday]

When Dogga comes back into the house he always gets a “thanks for not running away” treat. It’s a serious sentiment. In this life he was strapped with herding two artists. We have not been the easiest to contain. Each day we are glad that he chooses love over the easier path.

Twenty four hours before we were to hit the road and travel to their house for a short visit, we wrote Kate and Jerry that we were so excited that “we were already sitting in the car waiting for morning.” It was only a small exaggeration. We were THAT excited. Kate suggested that we go back in the house because we were making the neighbors nervous. I assured her that we always make the neighbors nervous. “I would not have expected less of you…” she wrote. Banter is one of my favorite love languages.

I yelled at Braden. He was three years old and started running toward the busy street. When I yelled at him he stopped in his tracks and burst into tears. There was authority in my voice – more than I knew I possessed. Love sometimes sounds like an alarm. It booms.

We drive into the city late at night to find the club where Craig is performing. It is waaaay past our bedtime but we are giddy each time we go. We are the oldest people in the club and everyone affectionately makes fun of how we dance. Old bones do not move like young bones. The first time we saw him perform he gave us earplugs. “You’re gonna need these,” he said, smiling. Sometimes love looks like earplugs, funny dancing-delight and a foray into the unknown.

One of the greatest gifts Kerri has given me (and me to her) is the understanding of how to fight. I did not know how to do that before we met. Dogga hears the coming storm and slinks into the bathroom to get out of the way. Great love sometimes requires a mighty tempest. A heart-cleansing rain. Sometimes choosing love sounds like thunder.

It’s why we give Dogga a treat every-single-time he comes back in the house.

Our love-of-life is a full color palette, banter-filled, adventurous and many-textured. Life lessons: sometimes love is very loud. It rarely looks like a Hallmark card. Always it is a choice to support, to help, to nurture, to guide, to recognize, to acknowledge and appreciate this very complex infinity squeezed into a tiny four letter word. It’s worth the choice every single time.

[“Choose Love” flag is from Penzeys Spices, one of our favorite shops and Bill Penzey, a favorite positive voice trying to make the world a better place]

read Kerri’s blogpost about CHOOSE LOVE

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The Abdication of Answers [David’s blog on Two Artists Tuesday]

“Truth is a pathless land.” ~ Jiddu Krishnamurti

I confess. I’ve spent an inordinate amount of my life looking for answers. Mostly, the answers I sought concerned questions like “Who am I?” or “What’s my purpose?” I sought the answers as if they actually existed. Somewhere out there. I thought I’d find it if I kept looking.

“The whole of life, from the moment you are born until the moment you die, is a process of learning.” ~ Jiddu Krishnamurti

It took a while but one of the later versions of myself quite suddenly understood that there was no answer to find. There was a life to be lived. I might arrive at answers – if I still needed answers – on check-out day. And even in that passing moment, my answers would most likely be a learning experience. A discovery.

“Freedom from the desire for an answer is essential to the understanding of a problem.” ~ Jiddu Krishnamurti

On hot humid days we walk along the shore in hopes of finding a cool breeze. Our hot-day-walks are slow, ambling. Kerri stops periodically to take a photograph: the bamboo growing beside the marina, cornflowers in the community garden, a seagull atop a light post. We talk about what matters and what does not. The quiet river running beneath our conversation is the abdication of answer-seeking. We revel in the birds splashing in the birdbath, the first sip of coffee in the morning, the smell of onion and garlic sautéing…slow walks on hot days. Noticing a kindness. Answers are nowhere to be found. Presence is everywhere.

“When I understand myself, I understand you, and out of that understanding comes love.” ~ Jiddu Krishnamurti

Lately Kerri says, “I’m not all that. We’re not all that.” There is freedom found when perspective arrives, an undeniable truth in a vast, vast universe. We are passing through. Nothing more, nothing less. How we treat each other is on the list of what matters. Do we help or hurt others in the time we share together on our passage?

read Kerri’s blogpost about BAMBOO

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Their Zeal [David’s blog on Not So Flawed Wednesday]

This is a song of quiet astonishment, of the wonder that avails itself for a moment to those who know the full story, the origin tale of our day lilies.

To the casual observer, the everyday passer-by, the vibrant orange explosion in our yard might catch their eye. It’s hard to miss. They might experience a moment or two of fleeting appreciation as they wander on their way.

To us, the spirited line of wild marmalade blooms popping in front of our house represents the abundance that shows up in lean times. They are colorful symbols of generosity and friendship. They remind us of perseverance. They are the blossom of a memory that always makes us smile.

In the early phase of our relationship, we rolled our wheelbarrow to Sally’s house several blocks away. “If you want them, come get them!” she smiled. Her day lily and fern garden had to go away. She knew we were pinching pennies. She knew of our desire to someday have a thriving garden.

We made several trips that humid cloudy day, digging up plants, stacking them high and to the great delight of passing motorists, rolling them down the many streets to our home. Back and forth. Giggling. Covered in mud.

“Who else would do this?” we laughed.

“Where on earth are we going to put all of them?” I asked as we wheeled our barrow up the driveway for the final time. A bevy of uprooted plants stared at us, eager for an assignment, soil and water.

“Someplace,” was all she said. We had no plan beyond the wheelbarrow transport. And so, we started digging.

That was then.

A decade later our ferns and day lilies abound. They line a portion of driveway. They populate the backyard. They are the enthusiastic greeting committee in the front. I eagerly anticipate their return each spring. I am in awe of their zeal.

And…for me, they are living symbols. It is impossible for me to enjoy them without whispering a quiet thanks to Sally, to remember how it felt at the end of a humid day, covered in mud, holding hands, admiring all that we’d just planted, feeling like we’d struck gold.

read Kerri’s blogpost about DAY LILIES

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Joy All The Way Around [David’s blog on Two Artists Tuesday]

Although he is mostly black, our Australian Shepherd, like most Aussie’s, is tricolor. In addition to black, he sports rich copper and white fur patches. His eyes are auburn, lively and penetrating. Again, like most Aussies, he makes great eye contact because is always on the look-out to be one-step-ahead of our next move.

One step ahead.

I grew frustrated when he was a puppy and we were attempting to train him to walk with us. He could not, would not, walk by our side. Instead, he pulled-like-a-sled-dog to be in front of us. He seemed impossible to train. And then, one day, on a walk in a forest preserve, we let him off the leash and he raced ten paces ahead of us. He was delighted and kept exactly ten paces ahead of us. The penny dropped in my slow-on-the-uptake-mind. His job, his very reason for being, is to clear our way. To keep us safe. It’s not something he thinks about or intends, it’s in his DNA.

It has become a source of great joy to open the backdoor and watch his delight, racing out in front of me to clear the yard of potential marauders. Taking out the trash has become one of my favorite things. My Dogga has my back. He has our backs. Being one step ahead of us is his job, his purpose, his reason for being. Our well-being is his well-spring of joy.

It’s funny to me now, how he has become one of my great teachers in the art of non-resistance. I thought I was trying to teach him to walk-on-a-leash and, in truth, he was trying to teach me how to better walk in life. How to get off my leash and out of my tug-of-war. How much better is life once I ceased trying to bend him to my will and learned to listen to and lean into his gifts!

This is what I’ve learned from Dogga’s teaching: there is joy all the way around.

read Kerri’s blogpost about DOGGA PAW

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How Utterly Good [David’s blog on KS Friday]

I’ve been pondering something Horatio said during our call yesterday. “Circumstances change but that doesn’t change how you have to live.” he added, “You still have to live a good life.”

It is not a new concept. How many times have I said to groups, as if I knew what I was talking about, “You are not your circumstance.” In the school of hysterical irony, I am constantly catching myself teaching what I most need to learn. I heard in Horatio’s comment something often spoken but discerned for the first time: You still have to live a good life.

What does it mean to live a good life? What does it mean to me? To you?

In a broad sense we were discussing the many changes we’ve experienced over the past decade. Decades. Aging. Climate. Loss of loved ones. Pandemic. The politics/division of our times. Technology. A flurry of fast moving circumstance. What seemed so important a decade ago is now barely a shadow memory. Aptly, an illusion.

You still have to live a good life.

Horatio spoke of going into his studio. “Immersing in the tangible,” he said. Painty fingers. Music. Charcoal dust. The smell of coffee and conté crayons. Exiting the noise and inhabiting the now. That’s a good life. I recognize that place.

Inhabiting the now. Kerri and I walk the trail arm in arm until she spots the next photo-op. “Lookit!” she chimes, showing me her new image-capture. “Green on green,” spoken with the enthusiasm of a five year old. Our walks are immersions in the tangible. We’ve had so much rain lately, there is an explosion of green in our world. We walk slowly so we might see it. Sense it. The shapes are as extraordinary as the many shades of green.

Horatio’s comment struck an ancient chord in me.

Sitting in our stream in the mountains of Colorado, Kerri and I talked about the next phase of our lives. A intentional creation. “The Sweet Phase,” she called it. It is inaccurate to suggest that we will create The Sweet Phase as much as we will inhabit it. The tangible. The now. Just like entering the studio. We’ve already started. Our practice is to not get swept into the swirling drama of circumstance. “…that doesn’t change how you have to live.”

It’s a question of recognizing it. Regardless of the circumstance, how utterly good living life really is.

I Didn’t Know/This Part of the Journey © 1997, 2000, Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about GREEN ON GREEN

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Very, Very [David’s blog on DR Thursday]

Last night, sitting on the deck enjoying the waning light, I had a great idea for this post. I didn’t write it down so, of course, I have no idea what my great idea was. All morning I have tried to retrace my mental footsteps but alas, they, too, are lost in the mist.

It would be just like me to write about perception. This is a curtain separating the backstage V.I.P. area from the raucous dancing audience. Kerri tried to take a photo through the curtain. Cameras and purple permeable curtains might serve as metaphors for all manner of my blah-blah. Focus placement, assumptions, obstacles, yada-yada! But, none of that well-worn blather was my great idea.

I’m rarely in V.I.P areas since I am rarely a V.I.P. In fact, this particular V.I.P. area was my first and I have to admit I liked it. I didn’t get crushed in the crowd. I wandered freely. There were drinks had I wanted one. And chairs. Security didn’t blink when I walked up and stood at the apron of the stage. I adored watching the dancing furries and acrobats prepare to take the stage. To me, backstage is magic precisely because it’s behind the curtain: the furries take off their furry heads and sip drinks through straws; the acrobats smoke a joint, laugh and talk politics. Now, backstage magic might be a fun post but it wasn’t my great idea.

I did ponder the designation (of course). It wasn’t just an I.P, important person section, it was a very important person section. Wow. Very. More important than important. Since Craig was performing and we are his parents, I suppose we earned the adverb. Kerri did for sure. I didn’t give birth to Craig (thank goodness! I’ve heard stories…). She did so is most certainly a very. I’ve only moved his stuff a few dozen times but was happy to don the extra designation.

That we were fortunate enough – from a place of privilege – to watch our son perform on a BIG stage, and perform well, – also was not my big idea. He wanted us there and made it happen. There’s nothing better on earth than having a son who wants to share his artistry and successes with his parents. The V.I.P. was icing on the cake, an experience everyone should have once in their life.

That was big but it wasn’t my great idea.

I suppose half the fun of losing a great idea is the search-and-rescue effort to find it. I know it’s in there somewhere. As I grid my recent past in search of some great abstract idea, I couldn’t be happier to have found so much actual-beyond-greatness. Heart experiences. New experiences that resurface all the stages and backstages of my past. A son in his bliss. A mother in her bliss. A crowd of adoring people sharing their bliss.

Maybe writing about bliss was my big idea! If it wasn’t, it should have been. People who I love in their bliss. Nothing better. Very. Very, very.

read Kerri’s blogpost about THE CURTAIN

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