Look Closer-In [David’s blog on DR Thursday]

Nicholas Wilton flipped back and forth between an image of his recent painting and one completed a decade ago. He wanted to show that the recent painting is, in many ways, a close-up view, a morsel of the ancestor painting. Look closer-in. The seeds of today’s work come from explorations of the past.

I’ve been thinking about color. A tour through my gallery site reveals a very narrow band of color. I’m filled with the impulse to break it open. One day soon, after the BIG HOUSE CLEAN moves out of my studio, I’m going to mess with color. Paint with my fingers. Fully explore the new tools that Master Miller has sent my way. They scrape and pull and smoosh. They are not recommended for nuance and that is exactly what the art-doctor ordered.

More than once I’ve recounted this story: early in our relationship I told Kerri that, “I don’t sing and I don’t pray.” The other day, because of this story, I had a good hearty laugh at myself. In our reorganization of the basement I was moving my paintings so, I had a good look at every single painting. By far, the theme in the majority of my paintings? People praying. People in moments of touching something bigger. Or trying to. I howled at my unconsciousness. I may not pray but my paintings do.

Look closer-in. I started my life as an artist by drawing eyes. Hours and hours of drawing eyes. I was not attempting to draw realistic eyes; I was attempting to get behind them. Through the eyes, the mirror of the soul.

Perhaps I found my way in. Perhaps not. This I know: color is pulling me just as the eye used to pull me -either further inside or perhaps it beckons me to come out, to return to the place where I started. This time, instead of #2 pencils and typing paper – my seeds – I have scrapers and pullers and paint and old canvas. I look forward to what I might find there.

read Kerri’s blogpost about SEEDS

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buymeacoffee is either an opportunity to begin again or a natural progression to the next.

Life Spilling Out [David’s blog on KS Friday]

If this beautiful winter skeleton of Queen Anne’s Lace was a sculpture – my sculpture – it would be titled The Impossibility of Containment. Trying to hold on to the magic movement of life. It spills out in every direction.

I once had an espresso martini in Aspen, Colorado. It was the single best drink I’ve ever had. It was so good I did something I never do: I had two. I savored every sip. Occasionally since then, in other watering holes on earth that offer a drink by the same name, I’ve tried to replicate the past. To no avail. The bar in Aspen no longer exists so, like a good sand painting, my espresso martini revelry lives where it belongs, on the wind and in my yearning.

This week I completed another trip around the sun. I look in the mirror and am sometimes surprised by the face that stares back at me. My eyes remain consistent, yet what my eyes are capable of now seeing has changed dramatically. Although I occasionally yearn for my younger face, I would never exchange my current eyes for my former sight.

I see possibility spilling out in every direction. Simplicity. I see extraordinary friends all around. Each morning I open my eyes to the one face that fills my heart to bursting. I am, as Nietzsche suggests, loving my fate. Every pothole, every mountain-to-climb, every seeming obstacle, every frustration, a magic moment, a heart-seed leading to who-knows-where. Life spilling out in every direction.

I’m practicing the skill of opening wide my arms, welcoming the impossibility of containment.

Sweet Ballet/Released From The Heart © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about QA LACE

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buymeacoffee is a possibility cast onto the winds of time.

Look To Nature [David’s blog on DR Thursday]

Like waves frozen in time, the tall grasses have taken on the persona of an angry sea. We’ve stood in wonder at the whipping wind sending wavelike ripples across a field of wheat; this is not that. These waves are motionless.

They are worthy of Andy Goldsworthy. If they stretched for miles and miles I’d be certain they came from the mind of Christo. Yet no human hand or mind is at work here. Nature mimics herself in these grasses. They merit our awe and attention.

Along our trail there are several nests visible. Sparrows and swallows and hornets. I cannot imagine creating something so delicate and intricate. I have opposable thumbs so would be working with more than a beak yet I doubt I could craft such a miracle. It’s taken a lifetime for me to see beyond the word “nest” and see – really see – these fabulous sculptures made of grass, sticks, and mud.

Admiring the rolling grasses as Kerri kneels to snap her photograph, E.O. Wilson slips smiling into my mind and repeats: “Nature holds the key to our aesthetic, intellectual, cognitive, and even spiritual satisfaction.”

Yes. I remember.

from my long-ago unfinished project: Kichom and Fucci. An illustration study for a story told by Kichom Hayashi

visit my online gallery

read Kerri’s blogpost about ROLLING GRASSES

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buymeacoffee is what you make of it. nothing more. nothing less.

See The Third [David’s blog on DR Thursday]

Rules of composition are really a study of human perception. It’s not the work of art that’s being examined, it’s the human being. Why do we consistently – universally – respond positively to visual compositions that follow the rule of thirds? Divide a composition into thirds, either vertically or horizontally, and then place focal areas of the “scene” at the meeting points of the lines. A professor in art and design school teaches the rule as a basic tenet, not because it was a concept that was invented but because someone, somewhere in time, noticed that people generally like their paintings, photographs, murals, quilts, architecture… when the focal point lands on one of the thirds. It was a discovery about the nature of people. Human nature.

Even the most abstract painters adhere to the rule of thirds. There is structure beneath seeming chaos.

There is something about humans and the number 3. The structure of a joke has three parts – the set-up, the detail, and the punchline. Most religions sport a trinity: father, son, and holy ghost. Brahma, Vishnu and Shiva. Buckminster Fuller’s Geodesic Dome is a festival of three. Pay attention and the rule of thirds pops up in everything from brain science to marketing messages. Triangulate and even the most lost hiker will be found.

When I first met Kerri I was disconcerted. Her compositional eye is infinitely better than mine. How could this musician come into my studio, snap a photo of my work-in-progress, and show me that her cropped version of my composition was infinitely better? What the heck? Her crops were never radical; simple adjustments merely. After I recognized how natural yet specific her eye sees the thirds – while I am clumsy in my seeing – in a fit of re-composing, I almost took a saw and scissors to my paintings. It was so obvious. Now, I ask her early and often to come into the studio and tell me what she sees (Imagine my horror when she stands silently for several moments and finally utters, “Well…”).

On the trail she stops often to “take a picture.” I play a game with myself. I look at where she aims her camera and then I predict where the focal point will land. Which third will claim the prize? I am almost never right but always delighted by what she shows me. “Lookit!” she says, smiling. A perfect third. Naturally.

prayer, 9″ x 24″ acrylic on hardboard

read Kerri’s blogpost about LACE AND SNOW

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buymeacoffee is not a third. It is something else.

Go Glacial [David’s blog on Not So Flawed Wednesday]

The rain has washed away the snow. Our world this week is cold and damp. Our backyard is part lake, part mud pit. We’re feeling the lack of fresh air, the need to get out onto a trail. We’ve been housebound too long. Later today we’ll bundle up against the rain and walk the neighborhood. We’ll skirt the lake. We will breathe. We won’t be in a hurry to arrive anywhere.

The winter has always been good for slowing down. It’s not advisable to race to-and-fro on icy roads. It’s contrary to the message of the machine. The rule of more/faster.

During these past several months I have learned something about myself. I’ve been working on a new play though I’ve only had a few hours a week to dedicate to its development. The work has been glacially slow. In old times, in colder climates, people used to keep their water running a trickle so their pipes didn’t freeze and burst. I started writing this play for much the same reason: to keep my creative energy flowing so my pipes didn’t burst. I had no other expectation beyond keeping the channel open through this time of freeze. Much to my surprise, glacial is a great process for me. This play is good. I’m coming to believe that most of the really bad playwriting that I’ve done in the past – most of the atrocious painting – is the result of working too fast. And, now that I think about it, most of the pieces I am most proud of took years to mature. The Lost Boy took over a decade – and multiple iterations – to finally find the stage.

Last night as I lay awake listening to the rain patter against the window, I had a wild idea. What if…?

And, what if my wild “What if…?” was not a complete idea, a fully formed god jumping from my brain, but merely the tiny thought-spark that starts my ice age rolling? A little bit of light calling for my attention. I’ll let this one simmer for a spell. In the meantime, I have a walk to enjoy, some air to breathe.

read Kerri’s blogpost about RAIN IN WINTER

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buymeacoffee is a trickle of energy capable of keeping the pipes from bursting.

Stand Out [David’s blog on Two Artists Tuesday]

Yesterday, in our basement reorganization shuffle, I moved my paintings. It is not a small task to move the remains of a life’s work. At this point, I’ve moved them hundreds of times: between studios, into and out of shows, within a studio space to make more space. Paintings take up a lot of space. Besides my clothes, my unsold paintings have been the extent of my possessions most of my adult life. During this latest painting-location-change I realized what an oddity I must sometimes seem. It sparked some random recall and minor revelation.

It’s not always easy to be a sore thumb, the one one that sticks out; the one doing life a bit differently than the expected norm. The lone tree in a vast field.

I read this quote this morning from Robert Pirsig‘s Zen and the Art of Motorcycle Maintenance: “Schools teach you to imitate. If you don’t imitate what the teacher wants you get a bad grade…Originality on the other hand could get you anything – from A to F. The whole grading system cautioned against it.”

One of my favorite activities to do with teachers comes straight out of Augusto Boal and the Theatre of the Oppressed. Each teacher “reenacts” for their peers the simple ritual of preparation they do each morning for the upcoming day. The revelation was always the same. “I’m preparing to control my students,” a wide-eyed teacher gasped when the penny dropped, “It’s the opposite of what I want to do.”

We live in the church of the individual yet the message we actually preach is conformity.

I had the opportunity to create a school-within-a-school and I followed the popcorn path suggested by Neil Postman. He wrote that “learning” in our system conditions students to suss-out what teacher wants and regurgitate it. It was possible to kickstart their original impulse toward curiosity but it would require a bloody battle of about six weeks. Hold the line. Don’t fill in the blank for them. And one day, in a fit of anger and defiance, one student would take the brave step and say, “This is what I want to learn!” Support the step of the defiant one and the rest of the students would follow. They would dare to speak their truth and follow their passion. Postman was right! The battle was bloody. It took exactly six weeks.

This is the ubiquitous misunderstanding about originality: it requires the removal of boundaries, the absence of control. A free-for-all. The opposite is true. The most disciplined people I’ve ever known are artists. Their discipline is internal, not imposed. It was the seed of the question I’d ask the teachers after their uncomfortable revelation: “What would it look like if each day you prepared to unleash the student’s curiosity? What, then, would you have to control?” It was an uncomfortable question. It would require them, probably in anger and defiance, to take a brave step. To stand out. To do something different. To expect their students, through the pursuit of their burning questions, to control themselves.

Everyone has a unique star to follow. Sometimes they simply need help to see it.

read Kerri’s blogpost about THE LONE TREE

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buymeacoffee is sustenance for the journey.

Gaze Inside [David’s blog on Two Artists Tuesday]

I suppose most people would first notice the beautiful glaze and transfer pattern on the outside of the cups. We were caught by the beautiful color, the glaze on the inside at the very bottom. Gorgeous. Simple.

The cups were a wedding present from Kerri’s good friend and long-time collaborator, Heidi. Together, they toured the country. Heidi telling the story of her breast cancer journey. Kerri performing her compositions written for the cause of cancer research and celebration of life. I was not in the picture when they were doing their good work but I can hear in their stories the potency, the absolute epicenter of the power of art, their art: inspiring, encouraging, healing, up-lifting spirits.

It is the same spirit that Rachel Stevens, the potter of the cups, imbued in her work. It’s why we were immediately captivated. The free flow of her artistry lifted our spirits. A perfect talisman for our union, a reminder of my favorite day of life – our wedding.

We brought out the cups for our wine. I love the delicate weight and textures, the feel when I hold them in my hand. Before pouring, I gazed again at the inside color and had a minor revelation, the kind that will simmer over the next few months:

I’m sitting in a quiet space with my artistry. The imperative to create remains as strong as it has ever been, but it is the time to journey into the root. Early in my life I created for myself, for the pure pleasure of the presence it provided. The gift of solitude. Another kind of union. Later, the root required a reaching out, a branching relationship with others, to light the dark path, ask the unanswered question, explore the uncharted territory. Yet another kind of union. The cycle is coming back around; I am returning to the pure pleasure of creating. The root. Now, there can be – there is – no other reason.

Simple. Gorgeous.

read Kerri’s blogpost about THE CUPS

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buymeacoffee is a beautiful glaze at the bottom of a delicate pottery cup that, when you hold it, makes you feel good to be alive.

Work Forward And Back [David’s blog on DR Thursday]

Writing the first draft of a play, I’ve just entered the “swimming upstream” step in the process. I’m working my way from back-to-front to make sure all the story dots connect. It’s detail work. It requires looking close-in. I used to hate this part of the process because I’d get lost. I’d forget what I was doing and prematurely rework sections. Painters ruin paintings when working too small too soon. Writers are subject to the same peril. Now, I adore this step. Life is funny.

A few years ago I realized that my change in process-love, my capacity to work in detail without getting lost, came when I stopped trying to race to the end. Now, I am in no hurry to finish. I want a full relationship with my story as it reveals itself to me. It is a child, holding my hand, guiding me to the wonders of the playground.

Working forward. Working backward. Stepping in and then stepping away, like the tides. Big brush washes first, attending to the overall composition. Structure. And then detail. It’s much like building a house. Foundations and then finishes.

I have learned from watching Kerri to use my camera to see detail. To step in and look. Seeing-as-a-relationship. To pay attention to the dew on the small pine, the reason it glistens. And then to step in further. The platitude: a single drop of dew contains an entire world. Beyond the platitude: step in and it’s possible to fall into another world. To experience the surprise available in the enormity of the minute. And bring back to the big, big world of hurry-here-hurry-there the astonishment that is found there.

Forward Back, 18 x 36IN, mixed media on canvas

read Kerri’s blogpost about DEW

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buymeacoffee is a dew drop in a sea of possibilities, a tiny window into the realities of another reality.

Follow The Lines [David’s blog on Not So Flawed Wednesday]

There was a time when humans didn’t know how to translate three dimensional space into a two dimensional rendering. We either had no capacity for understanding visual perspective or no reason to pursue it. Art was symbolic, purely. And then came Brunelleschi. An architect. Linear perspective, a mathematical construct, became all the artistic rage. The wilds of symbol met the dictates of the representational. Horizon lines and vanishing points, the one-two step of perspective danced into the arts in a crazy time we know as the Renaissance. A painting could pull us into its world. The ghost of the ancient Greeks whispered 15 centuries into the future.

With perspective came a wholly new set of questions. The magic of math. The study of nature. How close can we come to understanding how things work? What are the secrets driving the universe and what we see? What lurks behind and beyond the symbol? What do we not see?

The trees in Kerri’s photo are roughly the same size. The trees retreat into the distance so the furthest tree appears to be smaller, the closest tree taller. It’s an illusion that we take for granted, so steeped are we in the necessities of perspective. The smallest child with a crayon wouldn’t care or perhaps even see the distance. They’d happily scribble the symbol: tree. An older child would put down their crayon and insist that they couldn’t draw because the magic of perspective is intimidating. Trying to “capture” reality in two or three dimensions is a tall order. Trying to place yourself and others inside it is overwhelming.

On this foggy day on the coast of Lake Michigan, I admire the perfect lesson in perspective taught by the trees stretching out in front of me. The fog brings to mind string-theory and the mathematics of multiple realities existing in a single space or Stephen Hawking’s bubble theory, many many universes brushing each other as they pass. What would Brunelleschi think of that? Follow the lines of perspective far enough and it becomes necessary to sail beyond the known horizon. Expressionistic. Conceptual.

Both Picasso and Einstein broke apart our understanding of space and invited an entirely new form of perspective into our conversation. The mystic and the mathematical. Multiverse and many dimensions.

Standing in the park, fingers cold, swallowed by the dense fog, I am a lucky child with a crayon knowing that all I can manage to do is scribble.

read Kerri’s blogpost on PERSPECTIVE

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buymeacoffee is a an impression left by a crayon meant to let others know that someone is out there and paying attention to the lines of perspective.

Grok The Rule [David’s blog on Two Artists Tuesday]

“A good poem looks life straight in the face, unflinching, sincere, equal to revelation through loss or gain.” ~ David Whyte

A good rule of thumb in the visual arts: areas of high contrast, in color-or-value, come forward while areas of low contrast retreat. Landscape painters use this rule to create the illusion of foreground and distance. Abstract painters use this rule to move the eye around a composition.

Storytellers and poets use the same rule. High contrast creates interest. It grabs attention. Low contrast sets the environment, the mood. “Some kind of relaxed and beautiful thing/ kept flickering in with the tide/ and looking around./ Black as a fisherman’s boot, with a white belly…” Dogfish by Mary Oliver.

Misused, it’s the rule-behind-the-reason that most of our news is “Breaking News!” False contrast. Hype. It’s the reason our national portrait is continually painted as divisive. High contrast pulls focus. The money follows the ratings so attention-grabbing is highly prized. Low contrast – like agreement, collaboration, sameness, community…truth – doesn’t generate the same level of interest or income.

Like all rules, there are worthy reasons to wield them. In the arts, the contrast principle is used to illuminate unity. To break an individual through to the experience of something bigger. To open questions. In our news-of-the-day, the rule is used to whistle a song-and-dance of discord and distraction. To separate into tribes. To manufacture the illusion of depth while sitting in shallow water.

The reasons to wield the rule are diametrically opposed.

It was a sad day when the young man, standing in our living room, told me that he would educate his child at home. His reason? He didn’t want his son to be stuffed with ideas. “Just the facts,” he said. “Just the facts.”

“Poor souls,” I thought of this man and his young child. How will they ever stare into the fiery face of democracy – an ongoing idea born of high contrast and wild ideas – the artistic kind, meant to bring people together in one nation under every possible god – like a poem. They won’t recognize democracy’s death when without question it slips like ashes through the fact of their fingers.

As for me, I’ll stick with the high and low contrast of Rumi, MLK, Shakespeare, Kahlil Gibran, Mary Oliver, Maya Angelou…

“Your task is not to seek for love, but merely to seek and find all the barriers within yourself that you have built against it.” ~ Rumi

[another worthy rule of thumb: never read the headlines prior to writing a post. All the icky-mush rushes to the foreground and permeates my brain]

read Kerri’s blogpost about FOG

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buymeacoffee is a counterintuitive, highly appreciated, offering of support amidst a high contrast environment that keeps the artists among us hopping and hoping.