Out Of The Many [David’s blog on DR Thursday]

Among other things, Wade Davis is an ethnobotanist, studying how people – cultures – use plants for food, medicines, dyes…in hunting and in ceremonies. The study of plants as living symbols. In a different life, in another path, I would have followed him around attempting to know-what-he-knows. Mythology beyond the abstraction.

For us, this week has become about the coneflower. Earlier in the week I wrote about its symbolism: strength, vitality, healing energy… The color of the coneflower accents different attributes. Orange evokes vitality and enthusiasm. Purple accents strength. Yellow, acceptance and perseverance.

I thought of Wade Davis because his study has taken him to indigenous cultures who live their symbology, their mythology is visceral, a deep-seated guide for how to conduct their lives. For them, the attributes of the plant are not curious abstractions, something to be found in a Wiki or a book or a religious tome. It is ancestral. Lived everyday. He writes beautifully about what he has experienced.

I wanted to know what a coneflower represents so I looked it up. It is not integrated into my being, pervasive to my clan and has not been passed to me by my elders. I want to identify with it so I write myself into the story. I write us into its meaning. It is, for us, new. We will give it roots, make it conscious by planting it in our symbolic garden.

As a society, many of our symbols are unconscious. It is a happy and fortuitous accident that the Olympic Games are happening in the midst of the ugly divisive rhetoric coming from the right in our political campaign. Each day I look at the athletes from the United States and I see a beautiful living symbol of our nation as it really is: diversity, a celebration of ethnicity – united under a single flag. It is, I believe, what our flag – our symbol – represents. Out of many, one.

This flag is one of our few conscious symbols. E pluribus unum is our tradition. It is our intention, written into our founding. It is our ancestry and inheritance. We are the many, united as one. It is what we strive to achieve. Our athletes represent us; they represent who we are beyond the abstraction.

The red hats and their authoritarian leader would have us understand our symbol differently. You can hear it in their language, placing the accent on racial division. Their obsession with degradation, their glee at name-calling, their unwavering commitment to a victim narrative…exposes a dedication to subverting the humanity of those that do not look or think like them. They would have the flag symbolize white nationalism, a radical uprooting of its meaning. Their notion of “one” rejects the many. It is, quite literally, flipping the symbol upside-down (as was proudly flown over the house of Justice Samual Alito).

They are not hiding their intention. They are counting on us to misconstrue or willingly discard the meaning of our sacred symbol.

Look at the athletes representing the USA. Take a walk in the park on the 4th of July and look at the people sharing the celebration in the commons. They are US. Rich in diversity. United.

Acceptance. Perseverance. Strength. Borne of the many, striving to be one.

read Kerri’s blog about CONEFLOWERS

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A Different Understanding [David’s blog on Not So Flawed Wednesday]

Sometimes color stops me in my tracks. The color of a sunset. The color of a canyon. The color of a flower. This hot coral coneflower stopped all engines.

David Hockney is a colorist. Henri Matisse. Judy Chicago. Piet Mondrian. Sonia Delaunay. There are so many painters whose use of bold color, like the coneflower, stops me in my tracks. Ellsworth Kelly. Mark Rothko.

With my love of color you’d think I’d be a colorist painter. Although I’ve had my moments, mostly I sort to earth tones. The neutrals. Once, a viewer of my painting, Unfettered, asked “Were you going for stone?” I wrinkled my nose and let the question hang unanswered.

Many years ago I mimicked David Hockney’s colors. I pushed myself to live in vibrancy. I loved the exploration but was rarely comfortable living in so much visual enthusiasm. I am too much the introvert to comfortably scream from my canvases.

I just washed over my latest painting, County Rainy Day. Kerri was appalled but I’d veered off course and hit color saturation too soon. I needed to reset. I generally work things out in process – instead of doing studies – so wiping off or washing over a canvas is not unusual. Like Kerri, John K used to chastise me, too, saying “Do versions or variations!” Versions and variations are expensive and I’ve rarely had abundant resources in my life. Every action has a history.

Recently Andrew Wyeth has once again caught my fancy. I’d never suggest that he is not a master of color – he is – but his paintings tend toward the neutrals. He captures something deeper, his visual language is as much that of a poet as a painter. A different understanding of color.

I imagine that, like me, on his daily walk, the color of a coneflower or the shape of a leaf stopped him in his tracks. And, one way or another, that startling moment of appreciation found its way into his heart and onto his canvases.

reset: County Rainy Day (detail)

read Kerri’s blogpost about SALMON CONEFLOWER

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I Am Like That [David’s blog on Two Artists Tuesday]

She saw it in the shop on the river road and fell in love with it. A coneflower sculpture. Asymmetrical. Beautiful in its imperfection. It came home with us and immediately found its place in our garden. Each morning as I look out the kitchen window, waiting for the coffee to brew, I recognize that it is the perfect symbol for us.

A coneflower is a symbol of strength, joy, resilience, endurance, and optimism. Perseverance. Healing. Prosperity. That’s quite a list!

Most symbols are many-layered yet point in a singular direction.

One of the few choices we actually have in life is which symbols we choose to embrace. To choose or align with a symbol is to say, “I am like that.” The symbol becomes both a description of the path already walked and a guide-star for choices to come.

Kerri fell in love with the coneflower. She wasn’t thinking about symbols. I was. And I couldn’t imagine a better symbol for her – for us – for the landscape we’ve just traversed and for where we intend to go.

read Kerri’s blogpost about THE CONEFLOWER

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For A Moment [David’s blog on Merely A Thought Monday]

“The distinctive human problem from time immemorial has been the need to spiritualize human life, to lift it onto a special immortal plane, beyond the cycles of life and death that characterize all other organisms.” ~ Ernest Becker, The Denial of Death

We waited until the oppressive heat of the day passed to take our walk. The air was thick and still but it felt good to be outside, moving. Because the humidity teases forward every former injury, we talked about our ubiquitous aches and pains. My back. Her wrists and fingers.

Kerri stopped and said, “I get it now.” We laughed at the memory:

One day, years ago, Beaky looked in the mirror and declared, “I look like an old woman!”

Kerri said, “Momma, you’re 93! You are old.”

Beaky stared at herself in the mirror and added, “But I don’t feel old!”

“I get it now.”

As we walked we talked about feeling young in a body that hurts when it’s humid. A new experience on our path through life, a growing dissonance between body and spirit. The spirit steps a few feet away and looks back at the body, declaring, “What the heck! That’s not what I look like!” It is certainly not what I feel like.

There’s a surprising gift in the dissonance. Perhaps, like all good paradoxes, within the discord, the first real harmony of life becomes available. The “supposed-to-be” drops off. The social face is less useful and set aside. The striving to be somewhere-else-in-some-imagined-future-achievement ceases, becomes so much dust. Suddenly, the miracle of life is not somewhere else. It is found in the here-and-now. Flexing achy fingers. The evening sky made pastel by humidity.

The growing realization that this ride is limited makes it all the more precious. Grounded.

Life – spirituality – becomes uncomplicated. Unapologetic. Authentic. Spirituality that requires no cathedral or book of rules. No incense or intermediary. No searching or appealing prayer. Spirituality that is borne of the simple appreciation of the moment. Feet firmly planted on the ground. In the Buddhist tradition: joyful participation in the sorrows of the world. Here and now.

In joyful participation, holding hands with achy bodies on a humid evening, for a moment at least, we get it. We arrive at uncomplicated, unapologetic, and authentic.*

(*thanks to the Heggies Pizza truck for the post inspiration!)

read Kerri’s blogpost about UNCOMPLICATED, UNAPOLOGETIC, AND AUTHENTIC

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Nod And Nod Again [David’s blog on saturday morning smack-dab]

We took a mini-vacation. Two days that felt like a total getaway and, in those two days, we relaxed. Completely. Totally. On the trip home Kerri said that it felt like we’d been away for weeks.

We are not generally nap-takers but since arriving home, each day without fail, a tidal wave of exhaustion has rolled over us. In short, we have become champion sleepers. “We must’ve needed it,” she slurs, struggling to sit up, as we emerge from our daily knock-out nap.

“What just happened? What day is it?” I mumble, fearing we are modern day Rip Van Winkles.

I wonder, is it rude to nod-off atop the podium while receiving our latest gold medal?

read Kerri’s blogpost about SLEEP

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Walk In Joy [David’s blog on KS Friday]

Imagine our surprise when we saw the street was wearing a name tag. Grace. I wondered if the street chose her name or was it given? Was she tired of being referred to as a number? Third Ave. Did she want the world to know her name?

I found the street’s choice of name to be hopeful, an aspiration for how she wished to be in the world. She intended to be courteous. Elegant. Or perhaps her chosen/given name is a desire for those who travel along her way. Polite. Moving with ease through life. Hers is a wish for humanity.

Imagine if the road we choose to walk each day could infuse us with the attributes of its name! I would stroll on a road named Grace every single day! I would make time to take a walk on Hope. I’ll bet Peace would get a lot of traffic.

Imagine if we, like Grace, brought to the street the attributes we desired to infuse into the world. Light heart. Good humor. Civility. Imagine putting it on a name tag for all to see. “Thoughtfulness.” Or, “Generosity.” “Courtesy.” Imagine walking in this world with name-tag-intention. A declaration of goodness. An exercise in actively creating the world we desire to inhabit. “Today I am empathy.”

In my children’s book mentality, what we bring to the road is what the road gifts back to us. Hope. Grace. Peace. Generosity. Kindness. Is it so far-fetched?

Joy is right in front of us… if we choose it…if we choose to vote for it…vote for her.

GRACE on the album RIGHT NOW © 2010 Kerri Sherwood

JOY on the album JOY: A CHRISTMAS ALBUM © 2004 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost on GRACE

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Be Better At Bad [David’s blog on DR Thursday]

I am painting very badly. It’s not a surprise. It’s been a while since I have consistently been in the studio so it will take a while to loosen up, to stop thinking about the next step. Artistry is not so different from athletics; it takes a while to get back into shape.

Previous iterations of myself would have felt badly for painting badly. That guy would have hidden his clumsy images and too-tight-brush-strokes. These days I’m better at being bad. I like the dance. I’m more interested in cultivating a healthy process so I’m less invested in how I look. How “it” looks. “Bad” is a process step, an opportunity to learn or laugh rather than the judgement that it used to be.

It’s easy to write about the necessity of throwing many pots or writing ten-bad-pages-to get-to-one-good-page. It’s another thing to do it. Celebration of the bad is a necessary step in finding flow. And, after such a long studio hiatus, flow is nowhere to be found. Artists do not train to clear a hurdle or master the pommel horse. Artists train for flow.

We nearly lost Breck-the-aspen-tree. We kept her in a pot for too long. And then we planted her in a place that was less than optimal. She withered so we quickly moved her to another spot. It was a guess since we thought the first spot was prime. That was three years ago and today she is thriving. She is as tall as the garage and growing fast. Her trunk is no longer pencil thin. It is robust, sturdy. Birds perch in her branches. Last year she was like a gawky teenager and produced weirdly sized leaves. This year she has come into her own.

Last week, after painting especially bad, suffocatingly tight and small-brush-clumsy, I sat outside with Breck. She asked me to remember her freakish leaves. She reminded me of the strange unwieldy branch that reached like a beanstalk above all the others. It was so unusual that we worried for her survival. We worried a giant might come looking for a goose. “Growth is tricky,” she said and quaked.

Yes. Growth is tricky. Sometimes it takes a chat with the aspen tree to remember to take a breath, reach for the sun and celebrate right where you are on the path.

County Rainy Day…in process. Too tight too soon…a step on the way to flow…

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read Kerri’s blogpost about BRECK

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