Be With [on Not So Flawed Wednesday]

“When you love someone, the best thing you can offer is your presence. How can you love if you are not there?” ~ Thich Nhat Hahn

We attended the funeral rites via Zoom. It was moving. Intimate. We felt grateful to be included.

Kerri attempted to keep the ukulele band going. There was a delay in the signal so the group played gloriously out of sync, our rehearsals a hysterical cacophony. In the end it didn’t matter because we met each week and shared stories. We asked the most important question: how are you doing?

We Zoomed with friends across the country. The screen between us punctuated the distance, exaggerated the separation.

The pandemic put a new twist on the word “presence.” How do we – how did we – remain present for each other, with each other, when distancing was one of the few routes available to slow the spread of the virus? We learned both the expanse and limits of technology, sometimes giving us communication but not always the capacity for presence.

It certainly made us more intentional. Presence required scheduling time. Presence required confronting the line of can-this-be-in-person-or-not. It made us slow down and question. In the early days of Covid, Kerri and I had a heated debate en route to Colorado to see my parents: do we wear masks or not? After a few moments the masks came off. We needed to be present. Fully.

“Presence” and “going slow” hold hands. One cannot walk without the other. A slow walk will invite presence. An intention to be more present invites slowing down.

When I returned from Bali I was different. Changed. I understood the necessity of going slow, of being in my life rather than racing through it.

The pandemic years have been equally as profound. Like everyone, we lost jobs, lost identities, lost connections, lost security. Every possible pattern of life was disrupted. Isolation brought a new level, a different understanding of going slow. A two-dimensional and three-dimensional understanding of presence.

We are emerging as different people. I feel it. I can see it. I cannot place words on how we are different. I simply know that we are not in such a hurry anymore. We are much more intentional. We draw deeper lines in the sand.

There are people we want to see. There are people we need to see, beyond a Zoom or a phone call. To sit in the same room, laugh. To hold hands. To go slow. To be “with.”

read Kerri’s blogpost about GOING SLOW

Listen To The Call [on Two Artists Tuesday]

For the past 25 years, I have lived next to water. My Seattle apartment was steps away from Puget Sound. The lighthouse was just around the corner. My Wisconsin home is a block away from Lake Michigan. The sounds of the lake are the soundtrack of our life. A curious elemental flip for a man born at the foot of the Rocky Mountains.

It begs a question.

A few weeks ago, I needed to supply casual bio-pictures for a project. Kerri showed me photographs we’ve taken of each other, some in the Colorado mountains. It was startling. There’s something different about the photos of us in mountain pictures. “We’re different people,” she said. “You can see it. It’s where we belong.”

I could see it. My language: in the mountains, we are in our bodies. Fully. Present. No where else to be. Home.

It makes sense for me to feel the deep rhythm of the mountains. Kerri was born and raised on Long Island yet she comes alive in aspen forests, on the trail just above Breckenridge. The western slope. The mountain song reaches her inner being and she sings it back to the mountain. In the photos, she is radiant. At peace.

We walk along the lake all the time. We talk about how lucky we are to live in such a beautiful place. We are in awe of the power and changing faces of this mysterious lake. And, that’s precisely the point. The Lake is mysterious in its power. To us, the pulse of the mountains is known.

read Kerri’s blogpost about LONG SHADOW

Reconnect [on Merely A Thought Monday]

“We are healing our souls by reconnecting to our ancestors.” Nainoa Thompson (quote from The Wayfinders by Wade Davis)

There is a house I sometimes visit in dreams. It is a mountain house and, in the dream, it belongs to my Grandma Sue. I’m always comforted when I go there.

I have some of Casey’s tools and some of Bob’s. I think of them every time I use the wrench or the screwdriver. Both were good mechanics, handy, so I imagine their tools imbue me with some of their wisdom when I attempt to fix what’s broken around the house.

I gingerly page through the handmade book where DeMarcus made his notes about color. The pencil marks are fading but his enthusiasm reaches from the page and rejuvenates me. Inspires me.

A few days ago I happened upon my Lost Boy session recordings with Tom. His bass voice reached through my computer, telling me a story I now know so well. It warmed me.

In my studio, on top of DeMarcus’ wooden paint box, is a nutcracker that Grandpa Chan kept by his pool table. It’s the only thing I wanted when he passed. Something he touched. I hold it sometimes when I stare at works-in-progress. I feel him there.

I wear a chain around my left wrist. Kerri wears one, too. It is pull chain. The current version is a replacement of the original that we took from Pa’s workbench. I never met him but I feel connected to him. Kerri tells me stories of her dad. “How do you like them apples?” One of his phrases.

I imagine he and my dad are on the other side of the veil drinking scotch together. That drink warms me, too.

read Kerri’s blogpost about THEM APPLES

Try Them [on saturday morning smack-dab.]

I confess, it took some getting-used-to. Kerri experiences motion-sickness, even if she’s in the passenger seat. So, I rarely drive. I tease her when we’re with friends, saying, “My driving makes her sick!”

We avoid buses. Boats are problematic. Airplanes are not fun, especially during turbulence. A few years ago, our job required a ferry ride to the island so we lined the dashboard with ginger-chews, she wore pressure bands, and I had bags at the ready. Such a small thing; such a gigantic hurdle.

She showed me an ad for the glasses. They’re supposed to help with motion sickness. “Do you think they work?” she asked, hopeful.

“We’ll never know until we try them.” Such a small thing. Such a gigantic freedom.

read Kerri’s blogpost on this saturday morning smack-dab.

smack-dab. © 2022 kerrianddavid.com

Tell The Story [on KS Friday]

The last time I saw Emily she was showing her simple watercolors in a coffee shop in West Seattle. She sat at a table, her head wrapped in a scarf. Emily was not shy. She was wildly alive and would have had no problem revealing her bald head, a result of the treatment. She wore the scarf because she loved it.

At the time, I was telling stories. At conferences. At facilitations. With symphonies. Pulling people together through a story into a shared metaphor. I did a full stop in front of Emily’s piece, The Storyteller. I knew it was coming home with me. Artists love it when one of their creations speak-out-loud to you. I told Emily about my full stop and she confessed that she loved The Storyteller, too.

After I paid for the small painting, we talked about her treatment. We talked of her hope for remission. Recovery. She was upbeat. Laughter-full. As always. In recounting this memory, I remember that she had no health insurance. It was years before the ACA. We talked about her path through experimental treatments, the only route open to her. She was selling her paintings, everything she had, to try and defer the bill collectors.

I left the coffeehouse art gallery with a new treasure and filled with Emily’s bright spirit. How could she be so vibrant against such a monumental wave of adversity? You already know the next chapter of this tale. Emily died less than a month later.

The Storyteller has lived in my studio. It reminds me of many, many things but mostly of Emily’s lesson: I am not my circumstance. Life is vibrant. This little watercolor is among my greatest treasures.

Dan recently gave me this do-rag: Snap-on, Socket-to-Breast-Cancer. It came at the perfect time as my sister-in-law was entering treatment. I wore it for her on the day of her first treatment but I also wore it for Emily. I wore it for Beaky. I wore it for Beth. I wore it as a wish for a someday cure, for anyone who has or will have to sit at a table and hear a doctor say, ‘You have breast cancer.”

This month is Breast Cancer Awareness month. Be a Storyteller and help pull people together.

This is a piece Kerri wrote and sang when she was working with oncologists raising awareness for Breast Cancer Research

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about BREAST CANCER AWARENESS

i am alive © 2005 kerri sherwood

Go With It [on DR Thursday]

If I was a hunter-gatherer, I’d have no choice. There is one option and it is called ‘flow.’ Going against the flow would mean a quick trip to join the ancestors.

Because I am a modern city dweller, I have ample opportunity to fret, to resist, to complain and yearn for another option. I can demonstrate my impatience with my lot and cut people off in traffic. I can scream at the top of my lungs “Me first! Me first! Me first!” as the central identifier of my culture. Fight rather than flow.

It is much more difficult to go with the flow when, standing in the grocery store, there are 17 different choices of stewed tomatoes. Which tomato can is best? Where is flow to be found when the national narrative mimics the National Enquirer? So much turmoil! So many choices. Amidst so many easy-reach stacks-of-food, you’d think we’d be awash in abundance, awash in a river of flow. Standing at the far end of the paper towel aisle, I giggled at the stacks towering above my head. I slow-walked through a canyon of paper towels, thinking, “The point of the fight is to stand atop the paper-towel-mountain.”

No wonder flow is an abstract concept, the topic of every self-help book and creativity-mantra, but nowhere to be found. “Improve thyself” is the heart of the conundrum. What chance do we have to go with the flow when we can’t possibly be good enough?

Sometime for kicks, try painting because it feels good. Achieve nothing. Sing loud like Charlie in the shower just because you can. Give a leg up to your neighbor and let them stand atop the paper-towel-mountain – just to have the experience of sharing, helping, thriving together. Float-all-boats is a good statement of flow.

After all, flow is ultimately an act of joining, of sharing, of giving over. Hold hands; find flow.

read Kerri’s blogpost about FLOW

A good yuck from our Flawed Cartoon archive. Paintings? Go here

Flawed Cartoon © 2016 david robinson, kerri sherwood, john kruse

Lose The Plan [on Not So Flawed Wednesday]

Plans are maps of territories that do not yet exist.

Working in a software start-up, Skip has taught me a new phrase: infinite regress. The next step is determined by the last step and there is both no end to the steps and no way of knowing a destination because there are so many possibilities. Every step is a plot twist. The Plan would go wrong on a daily basis – an hourly basis – if the expectation to follow it was rigid.

In infinite regress there is no arrival. There are decisions. There are choices. The plan is to take another step.

Taking another step is a good plan! Live another day.

Think of the stress reduction if plans were held lightly, in cupped hands. It’s great to have a destination in mind. It’s not so good to step over the treasure-of-the-moment en route to some imagined gain. Some idea of control or fortress-safety.

Today, as an exercise in reality, every step I take I intend to yell, “Plot Twist!” Kerri will quickly put an end to my yelling, so I’ll transform my exercise into a mental experience. I’ll keep it to myself. That’s the plan, anyway. A mental experience. Hey! It’s an infinite regress.

read Kerri’s blogpost about PLOT TWIST.

Connect The Dots [on Two Artists Tuesday]

A curious sentiment painted on the concrete support wall of a busy overpass in a burgeoning city. Crumbling cement sidewalks, hard asphalt, steel cable supports securing a post just outside of the picture frame. A message about bridges painted beneath a bridge.

People hustle by as if there was no time to spare. They drive fast over and around the curious sentiment. The painter-of-the-sentiment placed it adjacent to a stoplight. Perhaps, while revving their engine, awaiting the return of the green light, a motorist might turn and read the thought. Perhaps the motorist might breathe it in. Perhaps the motorist might consider the message as they passed beneath the bridge.

What gets you from here to there? From birth to death? Amidst the hard realities of the road, the steel cables, the thoughtless people whizzing passed, the persevering grasses pushing through the cracks in the cement, the litter at your feet? A thirteenth century Sufi poet thought it important enough to write about it. A twenty-first century painter thought it important enough to paint the poem on a wall.

People across time and cultures have thought it necessary to place significant messages on walls. Aspirations and appeals to our better nature. A compass pointing the way for what might be, what exists but goes largely unseen. The primary thing. Every parent knows this bridge beyond the abstraction of a message on the wall. Every time rings are exchanged, vows spoken, the unseen is understood.

The hawk landed on the fence. Kerri met its eyes and they stared at each other for what seemed a very long time. Divisions disappeared. Forms fell away. Life experienced life.

Just try and place a word on that experience! A Sufi-poet tried. A contemporary street artist thought it necessary to paint the sentiment on a hard wall. What bridge connects the poet and the painter?

read Kerri’s blogpost about THE BRIDGE

Savor The Impossible [on Merely A Thought Monday]

Kerri and I have an ongoing conversation about design. Not graphic design or interior design. Life design. Is there a design, a predetermined path? A destiny? Our verdict lives on a pendulum. Sometimes it seems apparent: there is. Somedays it seems obvious: there isn’t. Both/And.

When we look back at our lives it seems impossible that we met. So many factors – millions, in fact – had to align at just the right moment for the arc of our paths to cross. Change a single aspect, one decision, just one, and our trajectory through space and time would have been wildly different. We would have tumbled through life never having known each other.

It’s hard to recognize in our most ordinary days that the same principle applies. Always. Each moment of every day we are making choices, tiny micro-choices, that bend the course of our lives. I once looked at the “publish” button and thought, “What’s the point?” I almost deleted the newsletter but, in a move that felt utterly impulsive and completely ridiculous, I clicked the publish-button. My life had exploded. Pieces rained down from the sky. I had nothing to lose. Why not. Publish.

Stories are told after the fact. “How” always comes second.

I clicked a button. A woman named Kerri responded. A conversation started.

Our coming together was nothing shy of mystic. Heaven and earth had to move for this possibility to become a reality – and it did. It moved. It felt as if unseen hands gave us a push. What are the odds? Astronomical. What about those hands?

Heaven and earth move everyday. Astronomical odds. Micro-choices. Ordinary life. Miraculous. Looking backward it seems destined. Looking forward it seems random. Design? Arbitrary? Yes. I suppose, either way, the real question is, “Do you appreciate it?” Do you know how impossible this moment is? Where else would you be?

Today is our seventh anniversary. Today, I savor the impossible and appreciate the design. Both/And.

read Kerri’s blogpost about SUPPOSED TO BE

Mind The Monsters [on saturday morning smack-dab]

When you are a child, the monsters rustle around under the bed. When you are an adult, the monsters swim around in your mind when you can’t sleep. I much preferred the monsters under the bed. They were more direct in their threat. No one wants to be eaten.

Kerri has many more monster-mind nights than I do. She generally frets her way to dawn. Even though I know better, even though I already know the answer, each morning I ask, “How did you sleep?” She gives me that look, so I ask my standard follow-up question, “I wonder why you aren’t sleeping?”

I already know the answer to that question, too. I ask it anyway because she will respond, “I don’t know.” We chat about it. We make up excuses: wine, we ate too late,…

The real reason? Mind monsters.

read Kerri’s blogpost about MONSTERS

smack-dab. © 2022 kerrianddavid.com