Everyone Has Their Heaven

TODAY’S FEATURED PRINT FOR HUMANS

everyone has their heaven

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Fall Into It

lingering

lingering

Scott said, “In today’s world, if you can’t say it succinctly, you might as well not say it.”

Guitar Jim teases me each Sunday, saying, “Hey, I read the first 80 words of your blog!” I always laugh and he adds, “No, seriously. I didn’t have time to read the rest of it.”

I am like everyone else. I give only 3-to-5 seconds to any website that I visit. If it doesn’t capture me in that vast span of time, I move on to the next and the next and the next….

Click. Click. Click.

We are slaves to brevity.

In The Art of Living, Wilferd Peterson wrote: Travel with curiosity. It is not how far you go, but how deeply you go that mines the gold of experience. Thoreau wrote a big book about a tiny Walden Pond.

Going deeply takes time. My grandfather lived his entire life within a 10-mile patch of earth. He could smell a storm on the wind when all I – a visitor – could see was blue sky.

When I go to a museum, when I need to recharge my artist battery, I find the paintings that demand my attention, the pieces that want a relationship with me. Relationship takes time, too. Like Thoreau, I need to stare into the pond deeply, to spend time with it, to know it beyond mere thinking. Then I can breathe it in, feel the impact that only comes available with an engagement beyond the cursory. When I fall into it, it falls into me.

This is the challenge of our time, the artistic challenge of our time, the expectation that depth can be found by skipping a stone across the surface.

A good poem will not fully open without lingering in it.

 

Make Your Own Adventure

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make your own adventure

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Obstacles Make Life

TODAY’S FEATURED PRINT FOR HUMANS

Obstacles Make Life

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You Are The Giver Of Meaning

TODAY’S FEATURED PRINT FOR HUMANS

You Are The Giver of Meaning

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Dance Without Effort

my mud-slog

my mud-slog

Last night I painted badly and I did it intentionally. I went down into the cool of the basement studio to escape the heat and humidity. A new canvas was stapled to the wall, gessoed and ready to go. I picked up my brushes, squeezed paint onto the palette and began working.

Many years ago I made the switch from oils to acrylics because the fumes were making me ill. It was a happy accident. Acrylics required me to work fast and fast meant I had no time to think. I learned by default that I am a much better artist when I’m not laboring over the details. Sometimes the process feels like an invocation. Sometimes the process feels like a rolling mess that morphs and morphs until the final moment when, like focusing a telescope, the image becomes crystal clear.

My paintings are generally big. They demand a full-body engagement, painting-as-dance. I know I am working well when I lose track of time, when the dance overtakes me, and the line between painting and painter disappears. It is pure magic: a place free of thought-obstacles.

Last night there was no magic. When I was younger the slog sessions would depress me. I believed I had to have magic all of the time and felt despair when, instead of magic, I danced knee-deep in mud. It took a long time for me to appreciate the necessity of the mud dances. Painting badly is, of course, necessary to paint well. In fact, I now know that there is no such thing as painting badly just as there is no such thing as perfection. Saying more with less is a life-long learning process for all artists. Freedom of expression is a yoga, a practice. It has as much to do with muscles as it does with minds. It is a yoga of brevity. It is as efficient as breath. It is a paradox of stepping out of the way so that you can fully step forward.

I once saw an exhibit of the hundreds of sketches and studies John Singer Sergeant did before painting El Jaleo. I loved it. He drew the same thing over and over again. He painted again and again the smallest detail. He was putting the image into his body. He was teaching his muscles to flow without tension. The finished painting (the last thing in the exhibit) was thrilling. It is a celebration of brevity, free motion without mental intervention. It made me dizzy. It made me cry because I knew how devoted he was to his practice to say so much with so little. I knew how many hours of effort it took for him to dance so effortlessly.

 

 

Art Already In Me

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Art In Me

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Chase Big Bubbles

photo-1I’m opening old journals. It’s hot and humid so the paper feels as if it is melting. I’m not sure why this morning I reached for them. They sit in several piles and bookcases around the house. I’ve not opened one since moving to Wisconsin almost two years ago.

I used to be an avid catcher-of-my-thoughts. I’d carry notebooks everywhere. I stuffed my pockets with index cards and extra pens. At the end of a day I’d read the days idea-harvest, empty scraps of paper with my nearly unreadable scribbles onto the table and translate them into THE MOTHER SHIP, a black and red hard cover journal. Some thought-scraps didn’t make the cut. Some of the scraps were undecipherable and no amount of brow wrinkling could resurrect the unreadable idea. Some of the scraps were revelations and, to me more precious than jewels.

At the time I was facilitating groups, creating models for change and models for growth and models for models…. I was coaching and teaching and reading everything from business books to eastern philosophy. I loved picking people’s brains and trading ideas with friends. I was seeking.

A moment ago I randomly flipped open the journal on the top of the pile. This is what I’d scribbled many years ago:

Joe just used “myth“ this way: We all live in this myth that, what we believe, is reality – that our beliefs are what really exist….”

Myth as falsehood. There are explanatory myths, too (for instance, the Bible). Myths serve to keep us in accord with the universe (a concept of our own creation). Balance and harmony are the purpose of myth. Joe doesn’t yet understand myth.

Myth is an action, it is not a lie.

I flipped to the previous page and read this:

~humor

~humor

~humor

Wholeness attracts wholeness. Live in it and not be of it (what?)

You have to be it to attract it.

On the facing page was this entry:

Conflict and oppositions. Always oppositions. How do I construct… a non-dual existence? A non-dual way of thinking? How do I live amidst to forces of opposition?

I can’t remember the context of these thoughts. I have no idea what I was working on or what was going on in my life at the time. I rarely dated my entries though are identifiable zones given the people I mention or the places I reference. From this vantage point it seems like reading the notes of someone else’s life.

After paging through the journals we walked to the farmer’s market on the lakefront. Amidst the vegetable stands, the baked goods, and crafts people, there was someone selling bubbles! Behind the bubble tent a man was demonstrating the product. He had two sticks with a looped rope and, after dipping the rope in a big bucket of suds, he slowly waved the contraption in the air, producing huge generous bubbles. Children gathered and squealed with delight as they chased the bubbles.

As I watched the bubble-chasers I realized that I had been like those children, squealing with pleasure as I chased my thought-bubbles, each bubble popping every time I got close enough to touch it. The thoughts themselves were of no consequence, not really. The important thing was the chase and the joy and the reaching for something that can never be captured. My journals live like Jackson Pollock’s paintings, a record of my movement, a map of my dance of delight in ideas.

Sleepers Wind Up With Nothing But Dreams

TODAY’S FEATURED PRINT FOR HUMANS

Sleepers wind up with nothing but dreams

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