In a fit of serendipity, while awash with an overwhelming feeling of loneliness, this morning I opened The Marginalian and found musings about loneliness:
“Jungian analyst Robert A. Johnson groups all the possible lonelinesses into the three core kinds that pulsate beneath our daily lives and govern our search for love: the past-oriented loneliness of missing what once was and never again will be, the future-oriented loneliness of longing for what could be but has not come to pass, and what he calls “the profound loneliness of being close to God… The first two lonelinesses are rooted in time…The third kind of loneliness deals not with the temporal but with the eternal; it exists outside of time — like music, like wonder, like love.“[Maria Popova, The Marginalian, April 20, 2025]
Yearning for the past. Fear of the future. Disappearing into the now.
I’ve spent my entire life standing in front of an easel. The younger me was trying to get to something behind the eyes. He was reaching into the mystery to try to understand it. Paint was the means to get there. I miss that man. A later version of me became burdened with trying to get eyes to see what I had painted. He was trying to reconcile the inner pursuit of the mystery with the outer necessity of paying the bills. His valuation became wonky, sometimes confusing personal worth with sales of his paintings. His intention split. He questioned the price of pursuing the mystery. When the acknowledgment finally set in that he would never have pieces in museums or coffee table books written about his work, he struggled but soon realized his struggle was akin to a butterfly breaking free and shedding a cocoon.
Two kinds of loneliness. No one can go with you when you gaze into the past; sense-making what-was is a solo journey. Similarly, no one can accompany you into the cocoon or know what lies beyond.
I loved this phrase in the article: “…the existential disorientation of feeling your transience press against the edge of the eternal, your smallness press against the immensity…” That perfectly describes how I now feel standing before my easel: small.
Kerri sat with me in the studio. I have two tiny canvases sitting on the easel. As I was describing what I was intending she stopped me and challenged me to do something new. She challenged me to let go of what I know. She asked me to step beyond my comfortable place into the mystery. I knew she was right. I know it is the only way forward. That is why I miss terribly the younger version of me who didn’t know any better. He threw paint with enthusiasm because he didn’t know any other way. He lived each day on a new trail; exploring.
I heard Horatio in my head: “Paint crap!” he said, howling, a laughing Buddha. “Paint lots and lots of crap.” Stepping onto a new trail is lonely. And, that’s the point. There’s nothing like not knowing what’s ahead to open the eyes (and heart) to the greater mystery (read: possibility), to fill-up withwonder, to resurrect the spirit of play.
read Kerri’s blogpost about THE FENCE
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