Reach To The Light

TODAY’S FEATURED IDEA FOR HUMANS

Reach To The Light

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Paddle On

photo-3We’d been out in the canoe for more than an hour. The morning was warm and the water was still. We hugged the shore, cruising the lily pads. Dan told us some of the lily pads were over 150 years old. I was amazed at their capacity to reach through time but also reach through long stems to the water’s surface to drink the sun.

The turtle emerged from nowhere. It appeared from the depths, through the lily pad stem forest, and rose to within inches of the surface. It was big for a lake turtle, perhaps the size of a dinner plate. I let my paddle trail in the water. It was so close I could have reached into the water and touched it. We glided forward and turned the canoe so Kerri might see it but the turtle had already disappeared.

the view from the canoe

the view from the canoe

Turtle is perhaps the oldest known symbol for the earth. In many traditions, turtle carries the world on her back; the earth is her shell. She is a great reminder to go slow and persevere, to live grounded amidst the chaos of life. She symbolizes patience and ease. I was struck by how similar are the symbols of turtle and lily pad. Peace. Ease. Both are extraordinary symbols of grounding or rooting. Both cross the boundary of elements: the turtle lives in water and land. The lily pad reaches through the water to find air and sun. Both inhabit the depths and reach to the surface.

It feels as if I came into this world with art already in me. From an early age I drew pictures, not because I wanted to but because I had to. Like the lily pad, I was reaching for something unknown. I drew the same images over and over again: a cabin in the woods, eyes, clowns. I wasn’t drawing to master the image, I was drawing and painting in order to reach beyond the image. There was something there, beyond, deep in the depths, a root, rich soil, the void. There was a force behind the image that pulled me. My artistry felt like a descent into the caves of the ancients, a search for sources mythological.

Sometime during these past few years, the direction of the pull reversed itself. Like Orpheus in the underworld, I turned around. I walked toward the surface. In essence, the pull to the depths became a reach to the light. The sun called. Balance, in this life, at long last necessitated light and warmth.

Tom once told me that inheriting his family’s ranch and subsequently finding a trunk hidden in the wall of the house containing his ancestors possessions served as an affirmation that he had finally come home. Sitting in the canoe, the turtle rising by my side, I felt the affirmation. I am now only inches from breaking the surface. I drink the light because I know the depths and am adept at walking in the dark unknown.

the first layer of  under-painting for the next piece

the first layer of under-painting for my next piece

I am working much slower now. I am in no hurry to get anywhere. And my art, my life, is the better for it.

 

 

 

Play For The Light

Photo by Wes Morrissey. See more at rocknfish.com

Photo by Wes Morrissey. See more at rocknfish.com

I’m hanging out listening to the handbell choir practice. I meant to bring my ipad so I could write while hanging out but I forgot it so I had to go old school and find a pen and some paper. The pen was easy but the only paper I could find was the back of an old church bulletin. I opened the bulletin and found the language for the communion celebration, “…he took bread, gave thanks, and broke it saying, ‘Take this and eat. This is my body, given for you….”

In reading the words I was thrown back in time (a meditative handbell soundtrack is very useful when being cast backwards in time). Many years ago, just after I moved to Seattle, the Makah tribe attempted to revive their traditional whale hunt. The entirety of their traditional ritual life stems from the hunt – the whale is their central god much as the buffalo is central to the worship of the plains tribes. In the early 20th century the Makah voluntarily suspended the hunt because European whaling techniques had devastated the whale population. Consequently, with no central ritual, their community fell into disarray. The revival of the hunt brought intense opposition and a media circus of epic proportions.

At the time, I was taking a masters degree in systems theory with a focus on Cultural Mythology and Transformational Art and, so, was enrapt by the collision of cultural perspectives. Through one lens, the hunt was an unnecessary slaughter of a whale. Through another lens it was a communion meal; the hunter is deemed worthy and chosen by the god (the whale), the god gives his life to nourish the people (spiritually and literally), and the people, in turn, perform the rituals of rebirth that bring the god back to life. It is a cycle of death and rebirth, the god nourishing the people and the people revivifying the god through their rituals and attention to life.

The central word is “communion;” to commune with the divine – regardless of faith tradition. And, in the end of the day, when the shopping is all done, isn’t that what this season is about? Does it matter how we mark the return of the light, the winter solstice, the return of the god to eventually bring life to a barren winter landscape (I’m writing metaphorically, too), the fulfillment of a prophecy, as long as we truly experience communion with something bigger than ourselves? It is an awesome responsibility to revivify the god – especially when the return depends upon how we live our lives and perform our rituals.

The handbell choir is working extra hard. Although they play each month, this preparation is for something special. They play with a sense of stress and excitement and desire a perfection that they usually do not entertain. This performance matters more than the others because they know, just like this time last year, they are playing for the return of the light.

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Meet The Beautiful

688. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

It is one of those glorious clear nights in Seattle and the moon is round and bright and high in the sky. I was leaving the Samurai Noodle restaurant, one of those lovely tiny crannies turned into a food establishment. It’s the kind of place where you need to keep your elbows in tight or you’ll upset the table next to you and nobody cares because the chili noodles and genmaicha are to die for (the noodles are homemade, the tea is renowned, the food moans are genuine).

I stepped out into the cold night and was stopped in my tracks by the moon. I was not the only one who paused in my arc from here to there. Shoppers from the grocery store stopped, too. The moon called and we took a moment to listen. In a city where the lights blot out most of the stars and we the people are in a perpetual rush to be somewhere else, it requires a potent call to reach us, to make us look up from the ground, to bring us to a full stop for just one moment. And, in that moment, we touch that deepest of human places, the appreciation of beauty, a single breath given to the sublime.

Because the good people at the Samurai Noodle gave me a to-go cup and more hot water for my tea, I decided to sit for a while and watch people answer the call of the moon and touch the transcendent. My favorite part is the moment of recognition, the moment that the light of the moon stops the story, and for an instant, peoples’ faces relax and reflect the light back at the moon; just for an instant, a single breath, the beautiful meets the beautiful, time suspends, and there is not discerning which heavenly body is the source of the light.

Join The Symphony

685. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

The exercise in class was a word cluster, a free association exploration about stepping into personal truth. Afterward, Winifred shared an image that surfaced during her cluster. She told the group that it was as if every living being on earth was a musical note in a song. When she stepped into a global perspective, she heard all the notes combine into a chorus. As she moved further out into a more universal perspective, the planets had songs and everything combined into a symphony of notes, high and low and everything in between.

According to her revelation, no note was insignificant; the symphony, to have full power, needed all the notes – so to diminish or minimize her self was to diminish the voice of the symphony. She said, “The world needs our notes.” And then, after a pause, she added, “…within every individual is a universe and each emotion is like a single musical note. In order for an individual to fulfill their universal note, they must feel the full spectrum of music within themselves.” She said, “Even suffering is a note, a note necessary to complete the symphony.”

Her message: Living your truth means to play without inhibition in the symphony of the universe. We need your note to complete the sound.

Shine

656. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

I woke up this morning thinking about lights under a bushel; hiding your light. Now, I’m not really a bible guy. I think there are many paths up the mountain and the higher you go the more distinct and individual is your path – and the more universal are your revelations. The path is yours and the recognition is oneness. So, it always piques my curiosity when I have a distinct image pop into my noggin, especially in this season steeped in metaphor and with the portent of transformation.

A week ago I put out an offer for 10 free coaching sessions and was delighted when over 30 people responded. I decided to try and honor each request. I have been bah-humbug during this holiday, looking for some way to reconnect with the deeper meaning and rituals of this season; I wanted to create a ritual for myself that was truly a gift of giving and receiving. I bumbled into my ritual with these calls. Each was rich and warm and magical. Each call in one way or another was about removing the bushel from the light – these amazing brilliant, beautiful people recognizing and desiring to offer without inhibition their gift to the world. I was more than once moved to tears at the yearning and courage and simple perseverance of their impulse to life. In every case, they wanted to share their light. Think about that for a minute. Isn’t that true of you and every person you pass on the street? The impulse to offer yourself and your gifts without inhibition is at the core of each of us. As Joe once said, “Our impulse is to wholeness.” What would it take for you to remove the bushel and fully share your light? I ask myself that question, too.

I realized that the light-under-the-bushel image was actually my wish – for myself and for you. If you are hiding it is a good bet that you think you will be judged. If you are hiding it is a good bet that you think your light is not worthy. Or, perhaps you have invested in a mistaken idea of humble. In any case, why are you blunting the light? I no longer believe in angry judgmental gods (they seem particularly human to me – gods worth worshiping certainly must live beyond the fields of judgment and selection); these notions live at the heart of separation and the need to hide. My wish for us in this new era is to share our light, without inhibition or editor, to throw away the debate of worth, to know unequivocally that the whole of nature needs what you bring, how you bring it, and masking it robs us all of the magnitude of our collective brilliance. Put down the bushel. Show up for me and I promise I will show up for you.

Pick A Fight With Birds

654. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Marilyn dope slapped me after my last post. She wrote, “PLEASE turn on the light rather than curse the darkness…go to the shore and fight with your birds.” After all, we did just mosey passed the solstice and are now in the early days of light’s return. A good bird fight would do me some good. As a side note, my favorite chuckle of the day: last night as a precaution to prepare his audiences for imminent Mayan end-of-the-world-ness, Andrew, artistic director of Jet City Improv, and his players stood at the doors of the theatre and passed out bags of air as people exited. One can never have too much air especially amidst so much concocted uncertainty.

In preparation for my bird fight I pulled on my warm clothes, my rain boots and coat. It’s wet out there and the birds with their fancy all weather feathers have an unfair advantage. I meant business so I left my glasses inside: I’m a better bird fighter when I can’t see what’s coming. Also, if I took a wing to the nose I didn’t want my glasses to break. They’re new and I’m told make me look smart – which implies that I don’t look smart without my glasses and it’s better strategy if the birds underestimate my intelligence and mistake me for a simple street fighter.

I splashed out to the end of the street, the place where the birds hang out and look for snacks: it is the shore of the Puget Sound and there are plenty of snack options for hungry birds to choose from. My foes, the crows, were sitting in the trees. It was raining really hard. I said some disparaging things about the design of crows (I made fun of their beaks) and not a single bird flinched. They just sat there bobbing on branches, looking out across the water. They didn’t even glance my way. I mocked them, flapping my arms, splashing through puddles, running in circles and perched on the breaker wall. Nothing. Not even a “caw.” So I did it again, flapping arms, puddle dancing, circle running with a necessary perch break to catch my breath.

A policeman stopped, rolled down his window and asked what I was doing. I told him that Marilyn suggested I come down to the shore and pick a fight with the birds. He asked me, “Who’s Marilyn?” I told him that she was a fantastic teacher in Nebraska. He wrinkled his brow and considered asking another question but instead offered a suggestion: “Maybe throw something at them. That usually works.” I told him it was a great idea and I’d give it some thought though secretly I didn’t really want to fight anymore. Splashing in the puddles was much more light-giving than bird fighting. The cop wished me luck, rolled up his window, and drove on. I jumped in puddles until my shoes were soaked, turned my face to the rain and let it wash all of that darkness away.

Say What You Mean

643. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

One of Don Miguel Ruiz’s 4 Agreements is to be impeccable to your word: say what you mean and mean what you say. This, he writes, is an act of self-love. It is the greatest act of self-love.

I have been thinking much about this agreement particularly as I step through another threshold and leave behind all that I know. I find that am often NOT impeccable to my word. I am not so concerned with my honesty with others. I edit myself, I soften the impact of my words, and I manipulate my meanings; I am human. I’m not sure what it means to be honest with others because I am not sure that I am honest with myself. Impeccability with others is only possible if I am impeccable with myself.

Someone once told me that the best part about me was that I tell a great story and the worst part about me is that I tell a great story. I have exercised my capacity to see the light side to such a degree that I sometimes make light of the darkness. A friend once asked me, “Why is it okay that these things are happening to you? Where’s your rage?” It was a great question and, in fact, opened my eyes to my lack of impeccability with myself.

Say what you mean to yourself. Mean what you say to yourself. It is a double-edged sword. Like me, you are not impeccable when you call yourself names: are you truly an idiot? Neither am I. Do you mean to diminish yourself? Neither do I. Do you mean to diminish others? Do you need to push others down to elevate yourself? Neither do I. These are the easy misalignments to spot. Suspend your judgments and you will return, at least partially, to impeccability.

The more difficult stories to catch are the stories of, “It’s okay.” Is it truly okay for you to give up your needs to fulfill the needs of others? Is it okay for you to give away your voice? Are you sure it is not important if you let go of your dream? Are you certain that is doesn’t matter if the world steps all over you? Impeccability comes when we say, “That’s not okay.” Boundaries and impeccability go hand-in-hand. That’s why, to Don Miguel Ruiz, impeccability is an act of self-love.

Recently, a woman in class, who lost her house to Hurricane Sandy, said that she was “investing in her darkness.” She was telling herself the story of “everything is ruined.” Certainly the house was ruined. She realized that she was not ruined; she was alive. She needed to feel what she was feeling; she needed to grieve so she could move forward. So, rather than telling a story of ruin, she began to tell a story of grieving so she could reach the story of “what’s next.” She said, “ I realized that we need the light AND the dark. We need them both…it was all okay when I allowed that it wasn’t okay.”