Allow [on KS Friday]

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“If we allow time for soul, we will sense its dark and luminous path. If we fail to acquaint ourselves with soul, we will remain strangers in our own lives.” ~ John O’Donohue, Beauty

These days are edge days. We began to feel strangers in our own lives. That is a sign to be heeded. It’s time for us to sit in silence.

“Beauty inhabits the cutting edge of creativity – mediating between the known and the unknown, light and darkness, masculine and feminine, visible and invisible, chaos and meaning, sound and silence, self and others.” ~ John O’Donohue, Beauty

Kerri doubts her beauty. And then she approaches the edge. She stands at her piano. When she plays all doubt leaves the room because the polarity finds its middle way, there is no this or that.

Sometimes it is enough – it is necessary – to stand at the piano with hands nowhere near the keys.

 

read Kerri’s blog post about UNDER CONSTRUCTION

 

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Kerri on iTunes

 

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Say Less [on DR Thursday]

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Under construction. I’d like to say that I was undergoing construction (a lifetime job) but at the moment the shortened phrase is more apt. The construction is on top. I am under it.

This is week 91 of our Studio Melange. 91 DR Thursdays. It might not surprise you to know that I have more than 91 paintings in my stacks though Kerri cautions me against posting the nudes. She worries that Facebook might ban me if my naked art hits the e-waves (unless, of course, my paintings of naked people were used for misinformation campaigns, then they’d be safe;-). Combing through my stacks for this week’s post left me at a loss.

I learned that the real skill in painting is knowing when to stop. Knowing when to put the brushes down.

The next skill, truly the center of all artistry, is how to say more with less. This week, what I have to say is this: I got nothin’.

 

read Kerri’s blog post about UNDER CONSTRUCTION

 

 

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[a nude? tough to tell. you decide]

 

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Hear What You Say [on Not So Flawed Wednesday]

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A deep dark secret: we write the melange for ourselves. It makes us pay attention. For instance, Two Artists Tuesday is always an image, a photograph of something striking or beautiful that we’ve seen. The necessity of having an image each week to write about makes us practice seeing. We are always on the lookout for the simple beauty that surrounds us. And, each week (this will not shock you), we find too much of it. There is so much beauty available if you make yourself available to seeing the beauty.

In addition to images, we’ve given ourselves the necessity of listening to language, hearing the odd phrase, the ridiculous statements we make or that spill out of the mouths of others. And, like the images, there are always too many of them. We never know where they will come from. We are constantly scrambling for a pen or speaking to Siri so we won’t loose a phrase. Choosing the material for the melange is generally an act of sifting through an embarrassment of silly riches.

We had a 24 hour turn around trip to Kansas City. On the way back, too tired to drive another mile, we stopped in a rest area somewhere in Iowa to catch a nap. In my imagination there are travelers all across this nation with photographs of our sleeping faces smashed against the window of our car. Swimming out of our most recent roadside snooze, Kerri said, “That was a good nap! I was dreaming and everything.”(note: I’m not sure what “everything” refers to but that is definitely a post for another day.) I remarked that, if you can dream at the rest area, you were supposed to be there. Kerri jumped for the phone, “Hey, Siri…”

Siri, ever the grammatical maven, had a few suggestions. Think about it: a silly phrase inspired silly-phrase-correction-recommendations from a mechanical device (with a name) that is capable of speaking back-at-us (in “her” preprogrammed schoolmarmish voice). It’s a wonderful, confusing world. Unhinged. An embarrassment of riches.

[my personal favorite and almost the winner of this week’s melange: if you can dream OF the rest area you’re supposed to be there. The implications of this Siri-suggestion are ominous!]

 

read Kerri’s blog post about DREAMING AT THE REST AREA

 

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Slow Down And See [on Two Artists Tuesday]

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There is a theme emerging in my posts this week. Substance vs. the appearance of substance. The flattening of importance.

During an exceptionally stressful and contentious period this summer, we streamed the entire run of Parenthood. Six seasons of escapism!  “Let’s go to  California,” we’d say, all too ready for a leap out of reality. And then, in a moment of horror, the episodes of Parenthood ran out. Our escape hatch closed with a bang. In desperation we surfed and landed in Schitt’s Creek. It was a series a bit too relevant to our circumstance and we howled when one of the characters, in the face of kindness, said that she’d been raised to see that “kindness is a sign of weakness.”

“That’s our problem,” Kerri said, “we see kindness as a virtue.” She was raised to be kind.

That night we had a long discussion about kindness and its general absence in public discourse.

I’ve been thinking much about our conversation since we found ourselves meditating on kindness in Schitt’s Creek. This is my observation: mean is easy. It is fast. Like all forms of reactivity and thoughtlessness, meanness and contention are elementary.

We are surrounded by friends who are kind.  They are kind because they cultivate kindness, thoughts of others, as essential to their character. That’s why we are attracted to them. We are the recipients of unbearable gifts of kindness through our friends. They break us open. They make us bigger.

Kindness is a virtue. It is also a strength. And, it takes time. Kindness is like poetry. It takes development and some higher order thinking.

Lions eat zebras for food. People hurt people for a lesser reason.

In a world obsessed with speed, it is all too easy to run past substance in pursuit of the superficial. Slowing down, taking some time to see, exposes all manner of beauty.

 

read Kerri’s blog post about KINDNESS

 

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Know That You Are Funny [on Merely A Thought Monday]

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Before the world of text messaging, it used to be a game for me. Sit in a coffeehouse and catch snippets of conversation. There were little word hysterics everywhere. If you care to listen, so much of life sounds like the first line in a children’s book. I’m not sure why any of us should take ourselves seriously. We are a very funny species when taken in dribs and drabs.

Now that the world conversation has been reduced to tweets and texts, word hysteria is so pervasive, there is no longer a need to venture into a coffeehouse to capture them. I don’t even have to scribble madly to capture them. They come pre-written.  They are flinging through our news. The word hysterics are channels for policy. So few words given so much weight. We are being ruled by children’s book. I can only hope that historians will have a better sense of humor than we currently do. Taken out of context, the hysteria is hysterical.

It is refreshing, then, when someone sends a text and they KNOW that they are being funny. The dachshunds ate by candlelight. John Oz sent me to the floor with gales of laughter. The power was out. The dogs had to eat. What a terrific first line of a children’s book! It opens worlds of possibility (and, what great illustrations!)

Knowing that you are funny. Not taking yourself so seriously. Precision in humor rather than reduction of communication. Pretend connectivity. I breathe a sigh of relief when a bit of intentional consciousness comes through a text. It helps balance the pervasive other kind, the kind we take so seriously, the word hysterics that are meant to close thought. To reduce our thinking. It is funny how easy it is to blunt minds.  So few words; no poetry. Black and white. Children’s book thinking. It’s almost funny.

 

read Kerri’s blog post on DACHSHUNDS

 

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Follow The Map [on KS Friday]

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These days I am more interested in the rough draft than the finished piece. Recently, 20 gave me a great gift as we sorted through Duke’s old sketches and throw-away paintings. Duke was brilliant and his explorations were free and full of art-frolic.

When Kerri brings out the box of rough cuts I secretly clap my flippers. It means I am going to hear the story behind the composition. We listen and she tells me of the day she recorded the piece or about the problems she and her producer faced. The unforeseen, the discovery-in-the-moment.

My favorite days in this life happen when I am down in the studio and, upstairs, Kerri begins to noodle on the piano, when she allows herself to fall into composing. Our house fills with an enchantment, an invocation of all that is essential. A creative pilgrimage that has no leader and no follower, only the pull of the impulse.

WAIT A WHILE, a rough cut, will give you some sense of what it feels like to be in my studio when Kerri begins the pilgrimage. Like Duke’s free flowing sketches, this rough cut is a map to the sacred place.

Listen to WAIT A WHILE, the rough cut piano track here:

https://www.kerrianddavid.com/ks-friday

 

Kerri on ITunes

 

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wait a while: rough cut ©️ 1995 – 2019 kerri sherwood

Pick Up The Tool And Play [on DR Thursday]

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If every life is a journey of self-discovery then it follows that every life-journey is supported with a unique series of challenges. The challenges reveal ourselves to ourselves [how’s that for an awkward use of language!]. Obstacles wake us up.

My challenges require a special set of tools. Master Miller sends photos of his young son, Dawson, painting. I love those photos because Dawson is free in his use of paint and brush. His exploration is pure pleasure. It is beautiful (seriously. It is Beautiful).

Last night I sat on the floor of my studio and played with the tools that support my unique series of challenges. I scraped paint with knives. I mushed around color with a fan brush. I was not free. My challenge is to circle back to what Dawson already knows. I think too much. I study too hard. I seek rather than simply experience.

What Dawson knows: I don’t have to look for it. What I seek is already here. I merely need to pick up the tool and get out of the way.  It’s a platitude for the aging but true nevertheless.

 

read Kerri’s blog post about MY PAINT BOX

 

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Grow More Beautiful [on Not So Flawed Wednesday]

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Barney is growing more beautiful with each passing year. New colors emerge. His wood splinters and new patterns play across his keys. The laminate that once served as skin is loose, wrinkled and twisting.

He was once forgotten.  Years ago, someone thought it was a good idea to store him next to the boiler in the basement of the church. He sat in the dark for decades. He provided a surface for loose tools. He stood in water more than once; the basement floods and the boiler breaks. Over time his soundboard was ruined. He was no longer useful according to his original purpose.

He was rediscovered. He was rolled into the light. It was determined that he was too broken to be fixed and he was scheduled to be taken away by the scrap man. It took some convincing but we talked the scrap man into bringing Barney to our house. He helped us roll Barney across the grass. He helped us lift him into his resting place.

Barney has been a fixture in our backyard for the past 4 years. Kerri played him on his first day here and he sounded pretty good. The next day his sound collapsed, his keys stuck; he let us know his time for giving voice was over. He is content in his silence.

Now, he rests. He weathers. He drinks in the sun and the snow and rain as the years cycle through. The plants grow up around him as he slowly sinks into them. We watch and note his changes, the pieces falling off, the chipmunks who live beneath his lid. The purples and ochres and deep rich blues that were hiding beneath the laminate have surfaced. The changing weather, the long road of his life, has teased them to the top.

He quite simply grows more and more beautiful. We think that was his purpose all along.

 

read Kerri’s blog post about BARNEY

 

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Give It To The Fire [on Two Artists Tuesday]

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I filled the torches with fuel on the first day that we arrived on island. The torches leaned unused against the deck all summer. We thought of lighting them a few times but there was too much wind so we decided against it.

Fire is transformational. It is used in many rituals. Our ritual was at first unintentional.  On our last night on island we planted the torches in the grass between the littlehouse and the water’s edge. We lit them as the sun went down. We wanted to burn off the fuel. There was little or no breeze so it was safe to let them burn. It was only after the sun was down, as we sat talking about our time on island, watching the line of flame, that we realized what we were doing. Letting go of the negative experiences. Celebrating the positives. Making space for the new. Releasing through fire.

The water lapped the shore. The breeze made the flames dance and the leaves rustle. We sat in the elements and re-storied our time on island. We made sense of things. In the final telling we appreciated all that had transpired.

The torches burned through the night. We awoke the next morning as the final tiny flames flickered and went out. The fuel was burned away. The fury was burned away, too. A new day, a route for new experiences, was open and waiting.

 

read Kerri’s post about THE FLAME

 

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photo: flame through the night ©️ 2019 kerri sherwood

Approach It [on Merely A Thought Monday]

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“Because we have lost reverence of approach, we should not be too surprised at the lack of quality and beauty in our experience.” ~ John O’Donohue, Beauty

There was a common thread that ran through the lessons my mentors taught me: how I treat my space is a direct reflection of how I approach my artistry, my work.

Whether they said it directly or not, they understood artistry as sacred, artistic spaces as sacred spaces. Places of communion.

Paul Barnes used to tell his acting students, “Never underestimate your power to influence another person’s life.” There is a responsibility when getting on the stage. There is a responsibility when designing for the stage. There is a responsibility for how tickets are sold. There is a responsibility for how the theatre is cleaned and maintained, the studio, the shop… Tom’s students were famous for sweeping the parking lot of the theatre because they believed the audience experience began with the approach to the building. The sweepers understood themselves as artists.

During our last days on island, Kerri and I began cleaning out the theatre. We began the process of introducing a new approach. We started our job mid-season and were asked to come to the island and watch and learn. All summer, as a watcher, I repeated this phrase: everyone wants to use the theatre but no one wants to be responsible for it. Responsible to it. Groups entered and dumped their stuff. When they left, they left their mess for Pete to clean and why not? (Pete gets it, he is meticulous, and loves the space. But he is a lone sweeper fighting the tide of a dedicated mindless approach.)

TPAC is understood as a place to be used. It is a space the community fights over. A territory to be claimed. It is not yet approached as a space where beauty is touched, where actions matter because they are capable of unifying, where artistry is understood, not as a personal domain, but the grace of collective creation.

Sitting on the empty stage, the season closed, Kerri and I sat and listened. “It’s time to make the space ours, ” she said. “I think I’ll clean out the fridge.”

 

read Kerri’s blog post about THE END OF SEASON

 

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